{"id":101264,"date":"2019-01-14T18:27:24","date_gmt":"2019-01-14T17:27:24","guid":{"rendered":"https:\/\/www.cined.com\/?p=101264"},"modified":"2019-01-14T21:58:48","modified_gmt":"2019-01-14T20:58:48","slug":"why-atomos-prores-raw-recording-for-nikon-z-7-and-z-6-could-change-our-industry","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/why-atomos-prores-raw-recording-for-nikon-z-7-and-z-6-could-change-our-industry\/","title":{"rendered":"Por qu\u00e9 la Grabaci\u00f3n en ProRes RAW con el Atomos en las Nikon Z 7 y Z 6 podr\u00eda cambiar nuestra industria"},"content":{"rendered":"

Un anuncio aparentemente insignificante de Atomos y Nikon durante la feria CES de este a\u00f1o podr\u00eda generar suficiente impacto como para afectar a los futuros planes de otros fabricantes de c\u00e1maras mirrorless: las Nikon Z 6 y Z 7 podr\u00e1n emitir un flujo de video RAW al Atomos Ninja V<\/a>, que grabar\u00e1 ese flujo como ProRes RAW<\/a> de alta calidad.
\n<\/strong><\/p>\n

\"ProRes<\/a><\/p>\n

Esa es la noticia y el desarrollo todav\u00eda est\u00e1 en progreso, as\u00ed que es solo eso: un anuncio<\/em>. \u00bfEntonces es tiempo de avanzar? No tan r\u00e1pido: \u00a1esta colaboraci\u00f3n marca el momento en que la grabaci\u00f3n RAW (interna o externa) en una c\u00e1mara sin espejo se ha convertido en un est\u00e1ndar de facto!. Los cineastas siempre luchan por la m\u00e1xima calidad. SD, HD, 4K.. 8K? 8 bits, 10 bits, 12 bits.. 16 bits? Claro, cuanto m\u00e1s grande mejor. \u00bfPor qu\u00e9 sacrificar la calidad si la otra marca y modelo la tienen? \u00bfSiempre necesitas<\/em> RAW? Por supuesto que no, pero \u00bfno es bueno tenerlo a mano si lo necesitas? \u00a1S\u00ed se\u00f1or!<\/p>\n

Atomos Ninja V y Nikon Z: ProRes RAW<\/h2>\n

La Blackmagic Design Pocket Cinema Camera 4k<\/a> (BMPCC4K) graba RAW internamente o externamente (cDNG ahora, Blackmagic RAW<\/a> m\u00e1s adelante). Incluso la BMPCC original grababa cDNG pero ambas c\u00e1maras tienen sensores comparativamente peque\u00f1os. Las Nikon Z 6 y Z 7 cuentan con sensores full frame. Para poder juzgar con precisi\u00f3n el enfoque cr\u00edtico, parece apropiado contar con un monitor externo. Si resulta que elegiste el monitor\/grabador Atomos Ninja V, esto es lo que obtienes: una c\u00e1mara full frame que graba ProRes RAW<\/a>, en un paquete que es casi de bolsillo.<\/p>\n

\"ProRes<\/a><\/p>\n

Para Nikon, esta decisi\u00f3n comercial debe haber sido relativamente sencilla: no tienen una l\u00ednea de c\u00e1maras de cine que proteger. Son libres de mejorar la a\u00fan reciente l\u00ednea Z de c\u00e1maras sin espejo tanto como puedan. Las cosas son diferentes para Canon, Panasonic o Blackmagic. Pero dado que esta colaboraci\u00f3n Nikon\/Atomos est\u00e1 sucediendo, los dem\u00e1s fabricantes tendr\u00e1n que tomar una decisi\u00f3n. Ya veremos lo que la pr\u00f3xima Panasonic S1(R) trae bajo la manga. La EVA1 s\u00ed cuenta con grabaci\u00f3n RAW desde hace bastante tiempo as\u00ed que Panasonic sabe de esto. Canon cuenta con Cinema RAW en sus c\u00e1maras C200, por lo que tienen mucho know-how ah\u00ed. \u00bfLo har\u00e1n? Esa es la gran pregunta.<\/p>\n

\u00bfComo funciona?<\/h2>\n

La c\u00e1mara Nikon Z 7 o la Z 6 entrega un flujo de datos RAW al Ninja V mediante un cable 4K HDMI. Dado que los datos RAW solo<\/em> contienen la lectura del sensor sin procesar, lo m\u00e1s importante es la velocidad de transferencia y no tanto la potencia de procesamiento. Los datos entrantes son re-empaquetados \u200b\u200bal formato ProRes RAW por el Ninja V. Desde all\u00ed, el flujo de video resultante se graba en una unidad SSD extra\u00edble como cualquier otro flujo de video.<\/p>\n

\"ProRes<\/a><\/p>\n

El trabajo pesado de \u201cdebayering\u201d y de procesamiento es relegado a la computadora de edici\u00f3n, que por lo general tiene una gran capacidad de procesamiento tanto en t\u00e9rminos de CPU como de GPU. Adem\u00e1s, ProRes RAW ayuda a mantener un tama\u00f1o de archivos razonable \u2013 con el RAW sin comprimir terminas con una gran cantidad de SSDs en poco tiempo.<\/p>\n

\u00bfQu\u00e9 hubo, 2019?<\/h2>\n

\u00bfUna c\u00e1mara mirrorless con sensor full frame, que graba RAW? En otros tiempos, el Magic Lantern sent\u00f3 las bases con su hack para la 5D mk.II de Canon, permitiendo la grabaci\u00f3n en RAW. No era perfecto pero funcionaba (todav\u00eda lo hace). Ahora, en 2019, la grabaci\u00f3n en RAW se convierte en algo convencional. A otros fabricantes les resultar\u00e1 dif\u00edcil explicar por qu\u00e9 alguna de sus pr\u00f3ximas c\u00e1maras no tendr\u00e1n capacidad para producir RAW y, como siempre, esta presi\u00f3n competitiva nos beneficia a nosotros, la comunidad de cineastas independientes. Es cierto, no necesitamos todas las funciones todo el tiempo, pero para m\u00ed personalmente, RAW es m\u00e1s importante que -digamos- 8K. Calidad sobre cantidad (de p\u00edxeles).<\/p>\n

\"ProRes<\/a><\/p>\n

El RAW para las masas es una mejora bienvenida, al menos para m\u00ed. Me da mucha curiosidad saber c\u00f3mo impactar\u00e1 todo esto en el mercado de c\u00e1maras de cine (adecuadas) de alta gama. Funciones tales como una montura para lentes intercambiables, filtros ND internos, dise\u00f1o modular o variedad en opciones de alimentaci\u00f3n todav\u00eda siguen siendo cosas importantes en las c\u00e1maras m\u00e1s grandes y m\u00e1s caras y, a veces, existen muy buenas razones para no usar una c\u00e1mara mirrorless. Sin embargo, \u00a1la brecha se vuelve m\u00e1s peque\u00f1a y eso es probablemente algo bueno! Proteger a sus modelos de gama alta y a la vez seguir ofreciendo c\u00e1maras mirrorless (m\u00e1s peque\u00f1as) gratificantes es un gran desaf\u00edo para la mayor\u00eda de los fabricantes, esperemos que lo hagan bien.<\/p>\n

Los precios disminuir\u00e1n, las funciones de alta gama se filtrar\u00e1n hacia abajo, las posibilidades ser\u00e1n mayores. Todav\u00eda tenemos que esperar por esa c\u00e1mara perfecta porque no existe la c\u00e1mara perfecta, pero nos dirigimos en la direcci\u00f3n correcta, estoy seguro.<\/p>\n

enlaces: Atomos<\/a> | Nikon<\/a><\/p>\n

\u00bfQu\u00e9 piensas? \u00bfC\u00f3mo te suena que el RAW est\u00e9 presente en todas las c\u00e1mara mirrorless? \u00a1Dinos lo que piensas en los comentarios debajo!<\/strong><\/p>\n<101264-main-buylinks\/>","protected":false,"clean_render":"

Un anuncio aparentemente insignificante de Atomos y Nikon durante la feria CES de este a\u00f1o podr\u00eda generar suficiente impacto como para afectar a los futuros planes de otros fabricantes de c\u00e1maras mirrorless: las Nikon Z 6 y Z 7 podr\u00e1n emitir un flujo de video RAW al Atomos Ninja V<\/a>, que grabar\u00e1 ese flujo como ProRes RAW<\/a> de alta calidad.
\n<\/strong><\/p>\n

\"ProRes<\/a><\/p>\n

Esa es la noticia y el desarrollo todav\u00eda est\u00e1 en progreso, as\u00ed que es solo eso: un anuncio<\/em>. \u00bfEntonces es tiempo de avanzar? No tan r\u00e1pido: \u00a1esta colaboraci\u00f3n marca el momento en que la grabaci\u00f3n RAW (interna o externa) en una c\u00e1mara sin espejo se ha convertido en un est\u00e1ndar de facto!. Los cineastas siempre luchan por la m\u00e1xima calidad. SD, HD, 4K.. 8K? 8 bits, 10 bits, 12 bits.. 16 bits? Claro, cuanto m\u00e1s grande mejor. \u00bfPor qu\u00e9 sacrificar la calidad si la otra marca y modelo la tienen? \u00bfSiempre necesitas<\/em> RAW? Por supuesto que no, pero \u00bfno es bueno tenerlo a mano si lo necesitas? \u00a1S\u00ed se\u00f1or!<\/p>\n

Atomos Ninja V y Nikon Z: ProRes RAW<\/h2>\n

La Blackmagic Design Pocket Cinema Camera 4k<\/a> (BMPCC4K) graba RAW internamente o externamente (cDNG ahora, Blackmagic RAW<\/a> m\u00e1s adelante). Incluso la BMPCC original grababa cDNG pero ambas c\u00e1maras tienen sensores comparativamente peque\u00f1os. Las Nikon Z 6 y Z 7 cuentan con sensores full frame. Para poder juzgar con precisi\u00f3n el enfoque cr\u00edtico, parece apropiado contar con un monitor externo. Si resulta que elegiste el monitor\/grabador Atomos Ninja V, esto es lo que obtienes: una c\u00e1mara full frame que graba ProRes RAW<\/a>, en un paquete que es casi de bolsillo.<\/p>\n

\"ProRes<\/a><\/p>\n

Para Nikon, esta decisi\u00f3n comercial debe haber sido relativamente sencilla: no tienen una l\u00ednea de c\u00e1maras de cine que proteger. Son libres de mejorar la a\u00fan reciente l\u00ednea Z de c\u00e1maras sin espejo tanto como puedan. Las cosas son diferentes para Canon, Panasonic o Blackmagic. Pero dado que esta colaboraci\u00f3n Nikon\/Atomos est\u00e1 sucediendo, los dem\u00e1s fabricantes tendr\u00e1n que tomar una decisi\u00f3n. Ya veremos lo que la pr\u00f3xima Panasonic S1(R) trae bajo la manga. La EVA1 s\u00ed cuenta con grabaci\u00f3n RAW desde hace bastante tiempo as\u00ed que Panasonic sabe de esto. Canon cuenta con Cinema RAW en sus c\u00e1maras C200, por lo que tienen mucho know-how ah\u00ed. \u00bfLo har\u00e1n? Esa es la gran pregunta.<\/p>\n

\u00bfComo funciona?<\/h2>\n

La c\u00e1mara Nikon Z 7 o la Z 6 entrega un flujo de datos RAW al Ninja V mediante un cable 4K HDMI. Dado que los datos RAW solo<\/em> contienen la lectura del sensor sin procesar, lo m\u00e1s importante es la velocidad de transferencia y no tanto la potencia de procesamiento. Los datos entrantes son re-empaquetados \u200b\u200bal formato ProRes RAW por el Ninja V. Desde all\u00ed, el flujo de video resultante se graba en una unidad SSD extra\u00edble como cualquier otro flujo de video.<\/p>\n

\"ProRes<\/a><\/p>\n

El trabajo pesado de \u201cdebayering\u201d y de procesamiento es relegado a la computadora de edici\u00f3n, que por lo general tiene una gran capacidad de procesamiento tanto en t\u00e9rminos de CPU como de GPU. Adem\u00e1s, ProRes RAW ayuda a mantener un tama\u00f1o de archivos razonable \u2013 con el RAW sin comprimir terminas con una gran cantidad de SSDs en poco tiempo.<\/p>\n

\u00bfQu\u00e9 hubo, 2019?<\/h2>\n

\u00bfUna c\u00e1mara mirrorless con sensor full frame, que graba RAW? En otros tiempos, el Magic Lantern sent\u00f3 las bases con su hack para la 5D mk.II de Canon, permitiendo la grabaci\u00f3n en RAW. No era perfecto pero funcionaba (todav\u00eda lo hace). Ahora, en 2019, la grabaci\u00f3n en RAW se convierte en algo convencional. A otros fabricantes les resultar\u00e1 dif\u00edcil explicar por qu\u00e9 alguna de sus pr\u00f3ximas c\u00e1maras no tendr\u00e1n capacidad para producir RAW y, como siempre, esta presi\u00f3n competitiva nos beneficia a nosotros, la comunidad de cineastas independientes. Es cierto, no necesitamos todas las funciones todo el tiempo, pero para m\u00ed personalmente, RAW es m\u00e1s importante que -digamos- 8K. Calidad sobre cantidad (de p\u00edxeles).<\/p>\n

\"ProRes<\/a><\/p>\n

El RAW para las masas es una mejora bienvenida, al menos para m\u00ed. Me da mucha curiosidad saber c\u00f3mo impactar\u00e1 todo esto en el mercado de c\u00e1maras de cine (adecuadas) de alta gama. Funciones tales como una montura para lentes intercambiables, filtros ND internos, dise\u00f1o modular o variedad en opciones de alimentaci\u00f3n todav\u00eda siguen siendo cosas importantes en las c\u00e1maras m\u00e1s grandes y m\u00e1s caras y, a veces, existen muy buenas razones para no usar una c\u00e1mara mirrorless. Sin embargo, \u00a1la brecha se vuelve m\u00e1s peque\u00f1a y eso es probablemente algo bueno! Proteger a sus modelos de gama alta y a la vez seguir ofreciendo c\u00e1maras mirrorless (m\u00e1s peque\u00f1as) gratificantes es un gran desaf\u00edo para la mayor\u00eda de los fabricantes, esperemos que lo hagan bien.<\/p>\n

Los precios disminuir\u00e1n, las funciones de alta gama se filtrar\u00e1n hacia abajo, las posibilidades ser\u00e1n mayores. Todav\u00eda tenemos que esperar por esa c\u00e1mara perfecta porque no existe la c\u00e1mara perfecta, pero nos dirigimos en la direcci\u00f3n correcta, estoy seguro.<\/p>\n

enlaces: Atomos<\/a> | Nikon<\/a><\/p>\n

\u00bfQu\u00e9 piensas? \u00bfC\u00f3mo te suena que el RAW est\u00e9 presente en todas las c\u00e1mara mirrorless? \u00a1Dinos lo que piensas en los comentarios debajo!<\/strong><\/p>\n<101264-main-buylinks\/>"},"excerpt":{"rendered":"

Un anuncio aparentemente insignificante de Atomos y Nikon durante la feria CES de este a\u00f1o podr\u00eda generar suficiente impacto como para afectar a los futuros planes de otros fabricantes de c\u00e1maras mirrorless: las Nikon Z 6 y Z 7 podr\u00e1n emitir un flujo de video RAW al Atomos Ninja V, que grabar\u00e1 ese flujo como ProRes RAW de alta calidad. Esa es la noticia y el desarrollo todav\u00eda est\u00e1 en progreso, as\u00ed que es solo eso: un anuncio. \u00bfEntonces es tiempo de avanzar? No tan r\u00e1pido: \u00a1esta colaboraci\u00f3n marca el momento en que la grabaci\u00f3n RAW (interna o externa) en una c\u00e1mara sin espejo se ha convertido en un est\u00e1ndar […]<\/p>\n","protected":false},"author":10704,"featured_media":101243,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42299,"name":"Accesorios","link":"https:\/\/staging.cined.dev\/es\/noticias\/accesorios\/","slug":"accesorios"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[27847,28139,29027,29181,24368,29182,24494,25441,25442,26761,27844],"tag_label":[],"brand":[],"class_list":["post-101264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-camaras","category-accesorios","category-noticias-software","tag-ninja-v-es","tag-hdmi-es","tag-ces-2019-es","tag-nikon-z-7-es","tag-raw-es","tag-z-6-es","tag-mirrorless-es","tag-sin-espejo","tag-camara-nikon-sin-espejo","tag-prores-raw-es","tag-atomos-es"],"yoast_head":"\nPor 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record that stream as ProRes RAW.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/why-atomos-prores-raw-recording-for-nikon-z-7-and-z-6-could-change-our-industry\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2019-01-14T17:27:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-01-14T20:58:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-featured.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olaf von Voss\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" 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