{"id":102377,"date":"2019-01-29T19:27:35","date_gmt":"2019-01-29T18:27:35","guid":{"rendered":"https:\/\/www.cined.com\/?p=102377"},"modified":"2019-01-30T00:35:21","modified_gmt":"2019-01-29T23:35:21","slug":"memory-origins-alien-sundance-2019-review","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/memory-origins-alien-sundance-2019-review\/","title":{"rendered":"Memoria \u2013 Los Or\u00edgenes de Alien (Rese\u00f1a de Sundance 2019)"},"content":{"rendered":"

Memoria \u2013 Los Or\u00edgenes de Alien<\/em>, que se estren\u00f3 en la categor\u00eda Medianoche del Sundance 2019, trata de la creaci\u00f3n del cl\u00e1sico de ciencia ficci\u00f3n: Alien<\/em>. Asist\u00ed a la proyecci\u00f3n un viernes por la ma\u00f1ana… es cierto que no era medianoche… m\u00e1s bien una proyecci\u00f3n tipo brunch. La pel\u00edcula se sumerge en el ritmo, las im\u00e1genes, la cinematograf\u00eda, el gui\u00f3n y ESA ESCENA EN PARTICULAR donde la criatura se toma el tren hacia \u201cSangrelandia\u201d a bordo del \u201cExpreso de la Cavidad Tor\u00e1cica\u201d. Aqu\u00ed un peque\u00f1o vistazo al documental que pretende revelar lo que convirti\u00f3 a Alien en una pegajosa y parpadeante obra maestra de ciencia ficci\u00f3n, en la que siempre llueve dentro de los ambientes y el vapor est\u00e1 inexplicablemente en todas partes… Oh, un momento. Ridley Scott s\u00ed dio una explicaci\u00f3n para eso. “Porque se ve\u00eda bien”.
\n<\/strong><\/p>\n

\"\"

Cortes\u00eda de Sundance Institute | foto de Dan O’Bannon<\/p><\/div>\n

El documental del director Alexandre O. Philippe<\/a> (78\/52: Escena de la Regadera de Hitchcock<\/em>) empieza, un poco como aquella cl\u00e1sica pel\u00edcula, con un largo y errante plano secuencia por un pasillo de nave espacial de aspecto familiar, que termina en un horror indescriptible, uno que no develar\u00e9 aqu\u00ed. Este pr\u00f3logo funciona como un gran gancho que se convierte en un ancla para todo el documental. (Los planos del pasillo junto con tomas de belleza del Templo de Delfos volver\u00e1n a aparecer aqu\u00ed y all\u00e1 a lo largo de los 93 minutos del documental). Con un comienzo tan sorprendente, me preparaba para el tipo de documental cinematogr\u00e1fico que parece estar tan de moda, pero desde ese primer pasillo, pasamos a un formato est\u00e1ndar m\u00e1s tipo \u201cKen Burns\u201d que sigue la estructura de actos de la pel\u00edcula de 1979 (Fotos en movimiento cubriendo la voz en off y entrevistas con gente sentada).<\/p>\n

Esta estructura est\u00e1ndar no es algo malo, ya que hay mucho que desentra\u00f1ar en las im\u00e1genes que rodean el dise\u00f1o de producci\u00f3n de Alien<\/em>. Philippe trabaja arduamente para profundizar en todos los matices que hicieron que esta pel\u00edcula prendiera como una garrapata. La garrapata, un ar\u00e1cnido que se alimenta de sangre, no debe confundirse con la avispa par\u00e1sita \u2013 El escritor de Alien<\/em>, Dan O\u2019Bannon, aparentemente ten\u00eda una relaci\u00f3n de amor\/odio con insectos y par\u00e1sitos de todo tipo.<\/p>\n

Hay una tendencia en las pel\u00edculas de tipo \u201cmaking of” a apoyarse demasiado en las im\u00e1genes del material guionado original y, afortunadamente, Alexandre O. Philippe trabaja creativamente para generar interesantes momentos de b-roll, tales como cortes a antiguas entrevistas de Ridley Scott, reproducidas en monitores que se ver\u00edan de lo m\u00e1s normal en el Nostromo. De hecho, la pel\u00edcula de Philippe es un homenaje adecuado a la franquicia original, desde los breves momentos escritos hasta la iluminaci\u00f3n altamente contrastada de las entrevistas. Son puntos a favor para este fan\u00e1tico del estilo de tipograf\u00eda color verde que hab\u00eda en las computadoras de la nave.<\/p>\n

\"\"

Alexandre Philippe, director de MEMORY – Cortes\u00eda de Sundance Institute.<\/p><\/div>\n

La verdadera raz\u00f3n para que busques este documental cuando ingrese en tu \u00f3rbita, es el contenido central: la revelaci\u00f3n de lo que inspir\u00f3 el dise\u00f1o de producci\u00f3n. Aprendemos c\u00f3mo un gui\u00f3n de aproximadamente 30 p\u00e1ginas (originalmente llamado Memoria<\/em>), se transform\u00f3 en un ic\u00f3nico film de ciencia ficci\u00f3n que dio origen al dise\u00f1o de una criatura verdaderamente aterradora, del maestro suizo de horrores del espacio: H.R. Giger. Los materiales originarios descritos en el documental son muchos como para mencionarlos aqu\u00ed. Algunos pueden sorprenderte. La pel\u00edcula de 1979 se inspira fuertemente en recursos como el artista Francis Bacon, Lovecraft, los egipcios y las Antiguas Erinias Griegas \u2013 Te ahorrar\u00e9 un paso. Aqu\u00ed est\u00e1 la p\u00e1gina de wikipedia de las Erinias<\/a>. Disculpen las pesadillas.<\/p>\n

La pel\u00edcula evita mostrar las sagas menos estelares en el universo Alien<\/em> y se ocupa principalmente de las pel\u00edculas dirigidas por Ridley Scott: Prometheus y Alien: Covenant<\/em>. Por desgracia, Ridley no hace una aparici\u00f3n actual en “Memoria”, y eso es una l\u00e1stima, dado que los cineastas le atribuyeron gran parte del mundo oscuro y sucio de la pel\u00edcula original a Scott. Por suerte, la pel\u00edcula hace uso de entrevistas m\u00e1s antiguas de Ridley Scott para llenar esos vac\u00edos. Otra desafortunada omisi\u00f3n es Sigourney Weaver \u2013 que no aparece en las entrevistas al elenco, aparte de los clips ba\u00f1ados en su sangre y sudor de la pel\u00edcula original. \u00bfUn documental de Alien<\/em> sin Ripley? Aparecen actores que interpretaron personajes secundarios y terciarios, pero retratar a la hero\u00edna sin la mujer que le dio vida es una desilusi\u00f3n.<\/p>\n

\u00a0Alien<\/em> es una de esas pel\u00edculas que se queda contigo a lo largo de los a\u00f1os, y no importa cu\u00e1l sea tu grado de afici\u00f3n, estar\u00e1s contento con Memoria<\/em>, de Alexandre O. Philippe. No es espectacular, pero es gratificante.<\/p>\n

Si eres como yo, el hecho de que este documental haya entrado a Sundance podr\u00eda ponerte a pensar sobre qu\u00e9 obra maestra de alg\u00fan cineasta podr\u00edas diseccionar de manera documental. \u00bfQu\u00e9 pel\u00edcula elegir\u00edas? \u00a1Comenta debajo!<\/strong><\/p>\n<102377-main-buylinks\/>","protected":false,"clean_render":"

Memoria \u2013 Los Or\u00edgenes de Alien<\/em>, que se estren\u00f3 en la categor\u00eda Medianoche del Sundance 2019, trata de la creaci\u00f3n del cl\u00e1sico de ciencia ficci\u00f3n: Alien<\/em>. Asist\u00ed a la proyecci\u00f3n un viernes por la ma\u00f1ana… es cierto que no era medianoche… m\u00e1s bien una proyecci\u00f3n tipo brunch. La pel\u00edcula se sumerge en el ritmo, las im\u00e1genes, la cinematograf\u00eda, el gui\u00f3n y ESA ESCENA EN PARTICULAR donde la criatura se toma el tren hacia \u201cSangrelandia\u201d a bordo del \u201cExpreso de la Cavidad Tor\u00e1cica\u201d. Aqu\u00ed un peque\u00f1o vistazo al documental que pretende revelar lo que convirti\u00f3 a Alien en una pegajosa y parpadeante obra maestra de ciencia ficci\u00f3n, en la que siempre llueve dentro de los ambientes y el vapor est\u00e1 inexplicablemente en todas partes… Oh, un momento. Ridley Scott s\u00ed dio una explicaci\u00f3n para eso. “Porque se ve\u00eda bien”.
\n<\/strong><\/p>\n

\"\"

Cortes\u00eda de Sundance Institute | foto de Dan O’Bannon<\/p><\/div>\n

El documental del director Alexandre O. Philippe<\/a> (78\/52: Escena de la Regadera de Hitchcock<\/em>) empieza, un poco como aquella cl\u00e1sica pel\u00edcula, con un largo y errante plano secuencia por un pasillo de nave espacial de aspecto familiar, que termina en un horror indescriptible, uno que no develar\u00e9 aqu\u00ed. Este pr\u00f3logo funciona como un gran gancho que se convierte en un ancla para todo el documental. (Los planos del pasillo junto con tomas de belleza del Templo de Delfos volver\u00e1n a aparecer aqu\u00ed y all\u00e1 a lo largo de los 93 minutos del documental). Con un comienzo tan sorprendente, me preparaba para el tipo de documental cinematogr\u00e1fico que parece estar tan de moda, pero desde ese primer pasillo, pasamos a un formato est\u00e1ndar m\u00e1s tipo \u201cKen Burns\u201d que sigue la estructura de actos de la pel\u00edcula de 1979 (Fotos en movimiento cubriendo la voz en off y entrevistas con gente sentada).<\/p>\n

Esta estructura est\u00e1ndar no es algo malo, ya que hay mucho que desentra\u00f1ar en las im\u00e1genes que rodean el dise\u00f1o de producci\u00f3n de Alien<\/em>. Philippe trabaja arduamente para profundizar en todos los matices que hicieron que esta pel\u00edcula prendiera como una garrapata. La garrapata, un ar\u00e1cnido que se alimenta de sangre, no debe confundirse con la avispa par\u00e1sita \u2013 El escritor de Alien<\/em>, Dan O\u2019Bannon, aparentemente ten\u00eda una relaci\u00f3n de amor\/odio con insectos y par\u00e1sitos de todo tipo.<\/p>\n

Hay una tendencia en las pel\u00edculas de tipo \u201cmaking of” a apoyarse demasiado en las im\u00e1genes del material guionado original y, afortunadamente, Alexandre O. Philippe trabaja creativamente para generar interesantes momentos de b-roll, tales como cortes a antiguas entrevistas de Ridley Scott, reproducidas en monitores que se ver\u00edan de lo m\u00e1s normal en el Nostromo. De hecho, la pel\u00edcula de Philippe es un homenaje adecuado a la franquicia original, desde los breves momentos escritos hasta la iluminaci\u00f3n altamente contrastada de las entrevistas. Son puntos a favor para este fan\u00e1tico del estilo de tipograf\u00eda color verde que hab\u00eda en las computadoras de la nave.<\/p>\n

\"\"

Alexandre Philippe, director de MEMORY – Cortes\u00eda de Sundance Institute.<\/p><\/div>\n

La verdadera raz\u00f3n para que busques este documental cuando ingrese en tu \u00f3rbita, es el contenido central: la revelaci\u00f3n de lo que inspir\u00f3 el dise\u00f1o de producci\u00f3n. Aprendemos c\u00f3mo un gui\u00f3n de aproximadamente 30 p\u00e1ginas (originalmente llamado Memoria<\/em>), se transform\u00f3 en un ic\u00f3nico film de ciencia ficci\u00f3n que dio origen al dise\u00f1o de una criatura verdaderamente aterradora, del maestro suizo de horrores del espacio: H.R. Giger. Los materiales originarios descritos en el documental son muchos como para mencionarlos aqu\u00ed. Algunos pueden sorprenderte. La pel\u00edcula de 1979 se inspira fuertemente en recursos como el artista Francis Bacon, Lovecraft, los egipcios y las Antiguas Erinias Griegas \u2013 Te ahorrar\u00e9 un paso. Aqu\u00ed est\u00e1 la p\u00e1gina de wikipedia de las Erinias<\/a>. Disculpen las pesadillas.<\/p>\n

La pel\u00edcula evita mostrar las sagas menos estelares en el universo Alien<\/em> y se ocupa principalmente de las pel\u00edculas dirigidas por Ridley Scott: Prometheus y Alien: Covenant<\/em>. Por desgracia, Ridley no hace una aparici\u00f3n actual en “Memoria”, y eso es una l\u00e1stima, dado que los cineastas le atribuyeron gran parte del mundo oscuro y sucio de la pel\u00edcula original a Scott. Por suerte, la pel\u00edcula hace uso de entrevistas m\u00e1s antiguas de Ridley Scott para llenar esos vac\u00edos. Otra desafortunada omisi\u00f3n es Sigourney Weaver \u2013 que no aparece en las entrevistas al elenco, aparte de los clips ba\u00f1ados en su sangre y sudor de la pel\u00edcula original. \u00bfUn documental de Alien<\/em> sin Ripley? Aparecen actores que interpretaron personajes secundarios y terciarios, pero retratar a la hero\u00edna sin la mujer que le dio vida es una desilusi\u00f3n.<\/p>\n

\u00a0Alien<\/em> es una de esas pel\u00edculas que se queda contigo a lo largo de los a\u00f1os, y no importa cu\u00e1l sea tu grado de afici\u00f3n, estar\u00e1s contento con Memoria<\/em>, de Alexandre O. Philippe. No es espectacular, pero es gratificante.<\/p>\n

Si eres como yo, el hecho de que este documental haya entrado a Sundance podr\u00eda ponerte a pensar sobre qu\u00e9 obra maestra de alg\u00fan cineasta podr\u00edas diseccionar de manera documental. \u00bfQu\u00e9 pel\u00edcula elegir\u00edas? \u00a1Comenta debajo!<\/strong><\/p>\n<102377-main-buylinks\/>"},"excerpt":{"rendered":"

Memoria \u2013 Los Or\u00edgenes de Alien, que se estren\u00f3 en la categor\u00eda Medianoche del Sundance 2019, trata de la creaci\u00f3n del cl\u00e1sico de ciencia ficci\u00f3n: Alien. Asist\u00ed a la proyecci\u00f3n un viernes por la ma\u00f1ana… es cierto que no era medianoche… m\u00e1s bien una proyecci\u00f3n tipo brunch. La pel\u00edcula se sumerge en el ritmo, las im\u00e1genes, la cinematograf\u00eda, el gui\u00f3n y ESA ESCENA EN PARTICULAR donde la criatura se toma el tren hacia \u201cSangrelandia\u201d a bordo del \u201cExpreso de la Cavidad Tor\u00e1cica\u201d. Aqu\u00ed un peque\u00f1o vistazo al documental que pretende revelar lo que convirti\u00f3 a Alien en una pegajosa y parpadeante obra maestra de ciencia ficci\u00f3n, en la que siempre […]<\/p>\n","protected":false},"author":12572,"featured_media":102123,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[29566,29567,29569,29570,29571,29476,29572,29479,29573,29490,29497,29514,29527],"tag_label":[],"brand":[],"class_list":["post-102377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","tag-alexandre-philippe-es","tag-aliens-es","tag-documentary-feature-es","tag-memory-es","tag-ridley-scott-es","tag-sundance-2019-es","tag-sundance-film-festival-es","tag-festival-de-cine-de-sundance","tag-memoria","tag-dan-obannon","tag-festival-de-cine","tag-sundance-es","tag-festival-de-cine-de-sundance-2019"],"yoast_head":"\nMemoria \u2013 Los Or\u00edgenes de Alien (Rese\u00f1a de Sundance 2019) | CineD<\/title>\n<meta name=\"description\" content=\"Graham Sheldon from Cinema5d reviews the documentary: Memory - 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