{"id":103043,"date":"2019-02-05T09:09:00","date_gmt":"2019-02-05T08:09:00","guid":{"rendered":"https:\/\/www.cined.com\/?p=103043"},"modified":"2019-02-05T18:03:44","modified_gmt":"2019-02-05T17:03:44","slug":"sundance-2019-spotlight-tarin-anderson","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/","title":{"rendered":"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson"},"content":{"rendered":"

Corporate Animals<\/em> es una comedia de terror del estilo de The Office<\/em>, pero con una buena dosis de canibalismo. La mayor parte de la pel\u00edcula ocurre en una cueva (construida sobre un estudio de sonido) lo que plante\u00f3 ciertos desaf\u00edos para la DF, Tarin Anderson, que los encar\u00f3 con gusto. Le preguntamos a Tarin c\u00f3mo logr\u00f3 el delicado equilibrio de iluminar una pel\u00edcula a la vez de terror y de comedia, y c\u00f3mo film\u00f3 esta pel\u00edcula realmente \u00fanica en Sundance 2019.<\/p>\n

\"\"

Imagen cortes\u00eda del Sundance Institute<\/p><\/div>\n

DF:<\/strong> Tarin Anderson
\nPel\u00edcula:<\/strong> Corporate Animals (dir. Patrick Brice<\/em>)
\nCategor\u00eda Sundance: <\/strong>Midnight
\nC\u00e1mara:<\/strong> Alexa Mini
\nLentes:<\/strong> Ultra Primes<\/p>\n

Filosof\u00eda de la DF:<\/strong><\/p>\n

La historia determina el look. Creo en priorizar siempre la historia y tratar de crear un lenguaje visual que sea espec\u00edfico para cada historia en lugar de hacer algo que ya hice antes. Creo en trabajar duro y poder divertirme mientras lo hago.<\/p>\n

cinema5D: \u00bfQu\u00e9 cuerpo de c\u00e1mara elegiste para esta pel\u00edcula? \u00bfPor qu\u00e9?<\/strong><\/p>\n

\n

TA:<\/strong> La Alexa Mini. La mayor parte de esta pel\u00edcula ocurre en una cueva y, aunque era principalmente un escenario armado, igual fue genial poder desarmar la c\u00e1mara y meterse en peque\u00f1os espacios y t\u00faneles.<\/p>\n<\/blockquote>\n

cinema5D: \u00bfQu\u00e9 lentes usaste?<\/strong><\/p>\n

TA:<\/strong> Ultra Primes. El director y yo los elegimos luego de probar varios sets de lentes. Nos encant\u00f3 el halo<\/a> natural que producen las luces.<\/p><\/blockquote>\n

cinema5D: \u00bfTu y el director Patrick Brice vieron alguna pel\u00edcula juntos?<\/span><\/strong><\/p>\n

TA:<\/strong> \u00a1Pr\u00e1cticamente todas las pel\u00edculas de cuevas que se hayan filmado! El desaf\u00edo en cuanto a lo creativo fue que est\u00e1bamos filmando una comedia en una cueva, as\u00ed que el objetivo era poder ver las caras de los actores tanto como fuese posible, incluso cuando se apaga la luz y estamos en la “oscuridad de cine”. Pasamos mucho tiempo hablando sobre el tono de esta pel\u00edcula. Es una comedia oscura y mayormente en una sola locaci\u00f3n, por lo que era importante ir cambiando el look a medida que la pel\u00edcula avanzaba para mantener el inter\u00e9s.<\/p><\/blockquote>\n

cinema5D: \u00bfC\u00f3mo planeaste tus tomas? <\/strong><\/p>\n

TA:<\/strong> En su mayor\u00eda hicimos listas de tomas y luego hicimos fotos de las secuencias m\u00e1s complicadas para ayudar a aclarar nuestro plan a los dem\u00e1s departamentos.<\/p>\n

\"\"<\/p><\/blockquote>\n

cinema5D: \u00bfQu\u00e9 tan importante fue la pre-producci\u00f3n en este proyecto?<\/strong><\/p>\n

\n

TA:\u00a0<\/strong>La pre-producci\u00f3n fue esencial. Patrick y yo pasamos mucho tiempo preparando los fundamentos de los elementos visuales, de modo que cuando comenzamos a filmar ya ten\u00edamos una idea general establecida y pudimos movernos r\u00e1pidamente y estar en la misma sinton\u00eda.<\/p>\n<\/blockquote>\n

cinema5D: \u00bfUsaste alguna nueva tecnolog\u00eda o herramientas nuevas en este rodaje? Hablaste sobre un tipo de filtro que no conozco.<\/strong><\/p>\n

\n

TA:<\/strong> \u00a1S\u00ed! Utilizamos el filtro LED RGB<\/a> de Keslow. Nos permiti\u00f3 producir peque\u00f1os destellos en el lente con colores que pod\u00edamos ajustar de forma inal\u00e1mbrica. Hab\u00eda una secuencia alucinatoria y Patrick estaba abierto a experimentar, as\u00ed que lo probamos.<\/p>\n<\/blockquote>\n

cinema5D: \u00bfNos cuentas un poco sobre c\u00f3mo encaraste la iluminaci\u00f3n? \u00bfC\u00f3mo balanceabas la mezcla de tonos de comedia y terror?<\/strong><\/p>\n

TA:<\/strong> Nuestra filosof\u00eda en esta pel\u00edcula era lograr la \u201coscuridad de cine” pero sin perder las caras, ya que es una comedia oscura en sentido literal y figurado. Utilizamos soft boxes desde arriba para crear un poco de ambiente y luego usamos luces de piso para modelar las caras. La mayor\u00eda de las luces estaban en un tablero de atenuaci\u00f3n para poder hacer cambios de intensidad y temperatura color durante las tomas.<\/p><\/blockquote>\n

A\u00fan no hay noticias sobre cu\u00e1ndo podr\u00e1s ver Corporate Animals<\/em> si te la perdiste en Sundance, pero mantente atento en esta p\u00e1gina para m\u00e1s actualizaciones. Puedes saber m\u00e1s sobre Tarin Anderson y su trabajo en su sitio web HERE<\/a>.\u00a0<\/strong><\/p>\n<103043-main-buylinks\/>","protected":false,"clean_render":"

Corporate Animals<\/em> es una comedia de terror del estilo de The Office<\/em>, pero con una buena dosis de canibalismo. La mayor parte de la pel\u00edcula ocurre en una cueva (construida sobre un estudio de sonido) lo que plante\u00f3 ciertos desaf\u00edos para la DF, Tarin Anderson, que los encar\u00f3 con gusto. Le preguntamos a Tarin c\u00f3mo logr\u00f3 el delicado equilibrio de iluminar una pel\u00edcula a la vez de terror y de comedia, y c\u00f3mo film\u00f3 esta pel\u00edcula realmente \u00fanica en Sundance 2019.<\/p>\n

\"\"

Imagen cortes\u00eda del Sundance Institute<\/p><\/div>\n

DF:<\/strong> Tarin Anderson
\nPel\u00edcula:<\/strong> Corporate Animals (dir. Patrick Brice<\/em>)
\nCategor\u00eda Sundance: <\/strong>Midnight
\nC\u00e1mara:<\/strong> Alexa Mini
\nLentes:<\/strong> Ultra Primes<\/p>\n

Filosof\u00eda de la DF:<\/strong><\/p>\n

La historia determina el look. Creo en priorizar siempre la historia y tratar de crear un lenguaje visual que sea espec\u00edfico para cada historia en lugar de hacer algo que ya hice antes. Creo en trabajar duro y poder divertirme mientras lo hago.<\/p>\n

cinema5D: \u00bfQu\u00e9 cuerpo de c\u00e1mara elegiste para esta pel\u00edcula? \u00bfPor qu\u00e9?<\/strong><\/p>\n

\n

TA:<\/strong> La Alexa Mini. La mayor parte de esta pel\u00edcula ocurre en una cueva y, aunque era principalmente un escenario armado, igual fue genial poder desarmar la c\u00e1mara y meterse en peque\u00f1os espacios y t\u00faneles.<\/p>\n<\/blockquote>\n

cinema5D: \u00bfQu\u00e9 lentes usaste?<\/strong><\/p>\n

TA:<\/strong> Ultra Primes. El director y yo los elegimos luego de probar varios sets de lentes. Nos encant\u00f3 el halo<\/a> natural que producen las luces.<\/p><\/blockquote>\n

cinema5D: \u00bfTu y el director Patrick Brice vieron alguna pel\u00edcula juntos?<\/span><\/strong><\/p>\n

TA:<\/strong> \u00a1Pr\u00e1cticamente todas las pel\u00edculas de cuevas que se hayan filmado! El desaf\u00edo en cuanto a lo creativo fue que est\u00e1bamos filmando una comedia en una cueva, as\u00ed que el objetivo era poder ver las caras de los actores tanto como fuese posible, incluso cuando se apaga la luz y estamos en la “oscuridad de cine”. Pasamos mucho tiempo hablando sobre el tono de esta pel\u00edcula. Es una comedia oscura y mayormente en una sola locaci\u00f3n, por lo que era importante ir cambiando el look a medida que la pel\u00edcula avanzaba para mantener el inter\u00e9s.<\/p><\/blockquote>\n

cinema5D: \u00bfC\u00f3mo planeaste tus tomas? <\/strong><\/p>\n

TA:<\/strong> En su mayor\u00eda hicimos listas de tomas y luego hicimos fotos de las secuencias m\u00e1s complicadas para ayudar a aclarar nuestro plan a los dem\u00e1s departamentos.<\/p>\n

\"\"<\/p><\/blockquote>\n

cinema5D: \u00bfQu\u00e9 tan importante fue la pre-producci\u00f3n en este proyecto?<\/strong><\/p>\n

\n

TA:\u00a0<\/strong>La pre-producci\u00f3n fue esencial. Patrick y yo pasamos mucho tiempo preparando los fundamentos de los elementos visuales, de modo que cuando comenzamos a filmar ya ten\u00edamos una idea general establecida y pudimos movernos r\u00e1pidamente y estar en la misma sinton\u00eda.<\/p>\n<\/blockquote>\n

cinema5D: \u00bfUsaste alguna nueva tecnolog\u00eda o herramientas nuevas en este rodaje? Hablaste sobre un tipo de filtro que no conozco.<\/strong><\/p>\n

\n

TA:<\/strong> \u00a1S\u00ed! Utilizamos el filtro LED RGB<\/a> de Keslow. Nos permiti\u00f3 producir peque\u00f1os destellos en el lente con colores que pod\u00edamos ajustar de forma inal\u00e1mbrica. Hab\u00eda una secuencia alucinatoria y Patrick estaba abierto a experimentar, as\u00ed que lo probamos.<\/p>\n<\/blockquote>\n

cinema5D: \u00bfNos cuentas un poco sobre c\u00f3mo encaraste la iluminaci\u00f3n? \u00bfC\u00f3mo balanceabas la mezcla de tonos de comedia y terror?<\/strong><\/p>\n

TA:<\/strong> Nuestra filosof\u00eda en esta pel\u00edcula era lograr la \u201coscuridad de cine” pero sin perder las caras, ya que es una comedia oscura en sentido literal y figurado. Utilizamos soft boxes desde arriba para crear un poco de ambiente y luego usamos luces de piso para modelar las caras. La mayor\u00eda de las luces estaban en un tablero de atenuaci\u00f3n para poder hacer cambios de intensidad y temperatura color durante las tomas.<\/p><\/blockquote>\n

A\u00fan no hay noticias sobre cu\u00e1ndo podr\u00e1s ver Corporate Animals<\/em> si te la perdiste en Sundance, pero mantente atento en esta p\u00e1gina para m\u00e1s actualizaciones. Puedes saber m\u00e1s sobre Tarin Anderson y su trabajo en su sitio web HERE<\/a>.\u00a0<\/strong><\/p>\n<103043-main-buylinks\/>"},"excerpt":{"rendered":"

Corporate Animals es una comedia de terror del estilo de The Office, pero con una buena dosis de canibalismo. La mayor parte de la pel\u00edcula ocurre en una cueva (construida sobre un estudio de sonido) lo que plante\u00f3 ciertos desaf\u00edos para la DF, Tarin Anderson, que los encar\u00f3 con gusto. Le preguntamos a Tarin c\u00f3mo logr\u00f3 el delicado equilibrio de iluminar una pel\u00edcula a la vez de terror y de comedia, y c\u00f3mo film\u00f3 esta pel\u00edcula realmente \u00fanica en Sundance 2019. DF: Tarin Anderson Pel\u00edcula: Corporate Animals (dir. Patrick Brice) Categor\u00eda Sundance: Midnight C\u00e1mara: Alexa Mini Lentes: Ultra Primes Filosof\u00eda de la DF: La historia determina el look. Creo en […]<\/p>\n","protected":false},"author":12572,"featured_media":102931,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[29476,29479,29497,29572,29709,29710,29711],"tag_label":[],"brand":[],"class_list":["post-103043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camaras","category-industria","category-noticias","tag-sundance-2019-es","tag-festival-de-cine-de-sundance","tag-festival-de-cine","tag-sundance-film-festival-es","tag-corporate-animals-es","tag-patrick-brice-es","tag-tarin-anderson-es"],"yoast_head":"\nSUNDANCE 2019: Con el Foco Puesto en Tarin Anderson | CineD<\/title>\n<meta name=\"description\" content=\"We chat with DP Tarin Anderson about her new film, Corporate Animals, premiering at Sundance 2019 in the midnight category.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson | CineD\" \/>\n<meta property=\"og:description\" content=\"We chat with DP Tarin Anderson about her new film, Corporate Animals, premiering at Sundance 2019 in the midnight category.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/grahamtesheldon\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-05T08:09:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-05T17:03:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2019\/02\/tinsiding1-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Graham Sheldon\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/graham_sheldon\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Graham Sheldon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\"},\"author\":{\"name\":\"Graham Sheldon\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/53f09e1811c71ce6b10679ecf3cb8258\"},\"headline\":\"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson\",\"datePublished\":\"2019-02-05T08:09:00+00:00\",\"dateModified\":\"2019-02-05T17:03:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\"},\"wordCount\":680,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg\",\"keywords\":[\"Sundance 2019\",\"Festival de Cine de Sundance\",\"festival de cine\",\"Sundance Film Festival\",\"Corporate Animals\",\"Patrick Brice\",\"Tarin Anderson\"],\"articleSection\":[\"C\u00e1maras\",\"Industria\",\"Noticias\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\",\"name\":\"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson | CineD\",\"isPartOf\":{\"@id\":\"https:\/\/www.cined.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg\",\"datePublished\":\"2019-02-05T08:09:00+00:00\",\"dateModified\":\"2019-02-05T17:03:44+00:00\",\"description\":\"We chat with DP Tarin Anderson about her new film, Corporate Animals, premiering at Sundance 2019 in the midnight category.\",\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage\",\"url\":\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg\",\"contentUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg\",\"width\":1920,\"height\":1080,\"caption\":\"Demi Moore appears in Corporate Animals by Patrick Brice, an official selection of the Midnight program at the 2019 Sundance Film Festival. Courtesy of Sundance Institute. All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and\/or 'Courtesy of Sundance Institute.' Unauthorized use, alteration, reproduction or sale of logos and\/or photos is strictly prohibited.\"},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cined.com\/#website\",\"url\":\"https:\/\/www.cined.com\/\",\"name\":\"CineD\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cined.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es-ES\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cined.com\/#organization\",\"name\":\"CineD\",\"url\":\"https:\/\/www.cined.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg\",\"contentUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg\",\"width\":313,\"height\":285,\"caption\":\"CineD\"},\"image\":{\"@id\":\"https:\/\/www.cined.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/www.facebook.com\/C5Dnews\",\"https:\/\/x.com\/c5dnews\",\"https:\/\/www.youtube.com\/user\/cinema5Dnews\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/53f09e1811c71ce6b10679ecf3cb8258\",\"name\":\"Graham Sheldon\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f08ecbdada6f55c4b7c729a4b092fc9187fbfddcd3b88f7b75bafad8672216a2?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f08ecbdada6f55c4b7c729a4b092fc9187fbfddcd3b88f7b75bafad8672216a2?s=96&d=mm&r=g\",\"caption\":\"Graham Sheldon\"},\"description\":\"Emmy winner, Graham Sheldon, resides in Southern California, where he works as a producer and director of photography. He is a member of the Producers Guild of America and ICG Local 600.\",\"sameAs\":[\"http:\/\/www.grahamsheldon.net\",\"https:\/\/www.facebook.com\/grahamtesheldon\/\",\"https:\/\/x.com\/https:\/\/twitter.com\/graham_sheldon\"],\"url\":\"https:\/\/staging.cined.dev\/es\/author\/graham\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson | CineD","description":"We chat with DP Tarin Anderson about her new film, Corporate Animals, premiering at Sundance 2019 in the midnight category.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/","og_locale":"es_ES","og_type":"article","og_title":"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson | CineD","og_description":"We chat with DP Tarin Anderson about her new film, Corporate Animals, premiering at Sundance 2019 in the midnight category.","og_url":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/","og_site_name":"CineD","article_publisher":"http:\/\/www.facebook.com\/C5Dnews","article_author":"https:\/\/www.facebook.com\/grahamtesheldon\/","article_published_time":"2019-02-05T08:09:00+00:00","article_modified_time":"2019-02-05T17:03:44+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/www.cined.com\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","type":"image\/jpeg"}],"author":"Graham Sheldon","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/graham_sheldon","twitter_site":"@c5dnews","twitter_misc":{"Written by":"Graham Sheldon","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#article","isPartOf":{"@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/"},"author":{"name":"Graham Sheldon","@id":"https:\/\/www.cined.com\/#\/schema\/person\/53f09e1811c71ce6b10679ecf3cb8258"},"headline":"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson","datePublished":"2019-02-05T08:09:00+00:00","dateModified":"2019-02-05T17:03:44+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/"},"wordCount":680,"commentCount":0,"publisher":{"@id":"https:\/\/www.cined.com\/#organization"},"image":{"@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage"},"thumbnailUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","keywords":["Sundance 2019","Festival de Cine de Sundance","festival de cine","Sundance Film Festival","Corporate Animals","Patrick Brice","Tarin Anderson"],"articleSection":["C\u00e1maras","Industria","Noticias"],"inLanguage":"es-ES","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/","url":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/","name":"SUNDANCE 2019: Con el Foco Puesto en Tarin Anderson | CineD","isPartOf":{"@id":"https:\/\/www.cined.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage"},"image":{"@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage"},"thumbnailUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","datePublished":"2019-02-05T08:09:00+00:00","dateModified":"2019-02-05T17:03:44+00:00","description":"We chat with DP Tarin Anderson about her new film, Corporate Animals, premiering at Sundance 2019 in the midnight category.","inLanguage":"es-ES","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/"]}]},{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/#primaryimage","url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","contentUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":1920,"height":1080,"caption":"Demi Moore appears in Corporate Animals by Patrick Brice, an official selection of the Midnight program at the 2019 Sundance Film Festival. Courtesy of Sundance Institute. All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and\/or 'Courtesy of Sundance Institute.' Unauthorized use, alteration, reproduction or sale of logos and\/or photos is strictly prohibited."},{"@type":"WebSite","@id":"https:\/\/www.cined.com\/#website","url":"https:\/\/www.cined.com\/","name":"CineD","description":"","publisher":{"@id":"https:\/\/www.cined.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cined.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es-ES"},{"@type":"Organization","@id":"https:\/\/www.cined.com\/#organization","name":"CineD","url":"https:\/\/www.cined.com\/","logo":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/#\/schema\/logo\/image\/","url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg","contentUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg","width":313,"height":285,"caption":"CineD"},"image":{"@id":"https:\/\/www.cined.com\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/www.facebook.com\/C5Dnews","https:\/\/x.com\/c5dnews","https:\/\/www.youtube.com\/user\/cinema5Dnews"]},{"@type":"Person","@id":"https:\/\/www.cined.com\/#\/schema\/person\/53f09e1811c71ce6b10679ecf3cb8258","name":"Graham Sheldon","image":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f08ecbdada6f55c4b7c729a4b092fc9187fbfddcd3b88f7b75bafad8672216a2?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f08ecbdada6f55c4b7c729a4b092fc9187fbfddcd3b88f7b75bafad8672216a2?s=96&d=mm&r=g","caption":"Graham Sheldon"},"description":"Emmy winner, Graham Sheldon, resides in Southern California, where he works as a producer and director of photography. He is a member of the Producers Guild of America and ICG Local 600.","sameAs":["http:\/\/www.grahamsheldon.net","https:\/\/www.facebook.com\/grahamtesheldon\/","https:\/\/x.com\/https:\/\/twitter.com\/graham_sheldon"],"url":"https:\/\/staging.cined.dev\/es\/author\/graham\/"}]}},"feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/02\/tinsiding1-2.jpg","width":1600,"height":900,"type":"featured"}],"custom_labels":null,"mzed_course":{"content":null,"uuid":null},"buylinks":{"main_buylinks":{"uuid":"103043-main-buylinks","content":"<div id=\"initial-buylinks\" class=\"alternative-links\">\n\t<div class=\"affilite-banner-block\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col l3 m3 s12 center affilate-logo\">\t\t\t\t\t\n\t\t\t\t<img src=\"https:\/\/staging.cined.dev\/content\/themes\/cinemad\/assets\/images\/icons\/cined-logo-affilate-white.png\" alt=\"Logo\">\n\t\t\t<\/div>\n\t\t\t<div class=\"col l9 m9 s12 affilite-banner-content\">\n\t\t\t\t<h4>Apoya a CineD. Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/div>"},"inline_buylinks":{"uuid":null,"content":null}},"total_comments":0,"related_articles":[{"id":138497,"title":"Ganadores de la competencia Bored @ Home EN VIVO HOY desde las 11 a.m.EDT \/ 4 p.m. BST \/ 5 p.m. CEST","url":"https:\/\/staging.cined.dev\/es\/bored-home-competition-winners-live-on-thursday-at-10am-edt-5pm-bst-6pm-cest\/","author":8,"author_details":{"display_name":"Nino Leitner","first_name":"Nino","last_name":"Leitner"},"publish_date":"May, 05 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/05\/bored-at-home-FILM-FESTIVAL-LIVE.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":130872,"title":"Sundance 2020: Con el foco puesto en Katelin Arizmendi, directora de fotograf\u00eda de \"Charm City Kings\"","url":"https:\/\/staging.cined.dev\/es\/sundance-2020-spotlight-on-katelin-arizmendi-dp-of-charm-city-kings\/","author":13646,"author_details":{"display_name":"Rin Ehlers Sheldon","first_name":"Rin","last_name":"Ehlers Sheldon"},"publish_date":"February, 06 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":980,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":740,"height":415,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":770,"height":432,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":385,"height":216,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":1080,"height":606,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/D1AFC7C5-4BA4-440A-A61A-0EC63BEBE2EF.jpeg","width":1080,"height":606,"type":"featured"}],"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":131165,"title":"Sundance 2020: todo el festival de un pantallazo","url":"https:\/\/staging.cined.dev\/es\/sundance-2020-fest-flash\/","author":12572,"author_details":{"display_name":"Graham Sheldon","first_name":"Graham","last_name":"Sheldon"},"publish_date":"February, 06 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/01AF4F0E-16DD-410F-A47F-D9D3375C8B9E.jpeg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"custom_labels":null,"total_comments":0,"video_url":""}],"url":"https:\/\/staging.cined.dev\/es\/sundance-2019-spotlight-tarin-anderson\/","author_details":{"display_name":"Graham Sheldon","first_name":"Graham","last_name":"Sheldon","avatar":"https:\/\/staging.cined.dev\/content\/uploads\/userphoto\/GsheldonImageTalking.jpg"},"show_author":true,"cached":true,"likes":1,"_links":{"self":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/103043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/users\/12572"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/comments?post=103043"}],"version-history":[{"count":2,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/103043\/revisions"}],"predecessor-version":[{"id":103046,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/103043\/revisions\/103046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/media\/102931"}],"wp:attachment":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/media?parent=103043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/categories?post=103043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/tags?post=103043"},{"taxonomy":"tag_label","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/tag_label?post=103043"},{"taxonomy":"brand","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/brand?post=103043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}