{"id":107548,"date":"2019-04-08T16:17:53","date_gmt":"2019-04-08T14:17:53","guid":{"rendered":"https:\/\/www.cined.com\/?p=107548"},"modified":"2019-04-08T22:37:39","modified_gmt":"2019-04-08T20:37:39","slug":"prores-raw-vs-blackmagic-raw-interview-with-atomos-ceo-jeromy-young","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/prores-raw-vs-blackmagic-raw-interview-with-atomos-ceo-jeromy-young\/","title":{"rendered":"ProRes RAW vs Blackmagic RAW \u2013 Entrevista con Jeromy Young, CEO de Atomos"},"content":{"rendered":"<p><span style=\"color: #ff0000\"><strong>(Por favor presione el bot\u00f3n \u201cCC\u201d en YouTube para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p>\n<p><strong>El formato ProRes RAW fue anunciado <a href=\"\/?p=83295\">hace un a\u00f1o, en la NAB 2018<\/a>. Si bien este formato es impresionante, la implementaci\u00f3n de soportes para c\u00e1maras y aplicaciones de edici\u00f3n ha sido muy lenta. En la NAB 2019, tuvimos la oportunidad de hablar del futuro con el CEO de Atomos, Jeromy Young.<br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-101255\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-640x154.jpg\" alt=\"ProRes RAW\" width=\"640\" height=\"154\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-640x154.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-300x72.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-768x185.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-1536x370.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-954x230.jpg 954w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<h2>ProRes RAW vs. RAW<\/h2>\n<p>ProRes RAW es una nueva versi\u00f3n de los populares codecs ProRes. Este nuevo formato ProRes es un tipo de RAW m\u00e1s manejable y editable, al igual que otros c\u00f3decs ProRes. Si necesitas im\u00e1genes de alta calidad con un tama\u00f1o razonable, y a la vez mantener cierta flexibilidad en la post-producci\u00f3n, este formato de grabaci\u00f3n puede ser una muy buena opci\u00f3n.<\/p>\n<p>Atomos fue la primera compa\u00f1\u00eda en admitir la grabaci\u00f3n en ProRes RAW. Un a\u00f1o m\u00e1s tarde, la implementaci\u00f3n en las c\u00e1maras ha sido muy lenta, y no hay ninguna c\u00e1mara o compa\u00f1\u00eda que admita grabaci\u00f3n interna, excepto la Zenmuse X7 de DJI. Algunas c\u00e1maras como las Nikon Z6 \/ Z7 son compatibles con grabaci\u00f3n externa PR RAW, as\u00ed como la Panasonic EVA1.<\/p>\n<p>En t\u00e9rminos de soporte de software, Final Cut Pro fue el \u00fanico programa de edici\u00f3n que lo admiti\u00f3 cuando fue lanzado. Hoy en d\u00eda, algunas otras compa\u00f1\u00edas de software lo admiten, incluyendo Baselight de Filmlight, SCRATCH de Assimilate, Edius de Grass Valley y Transkoder de Colorfront. Sin embargo, los softwares de Adobe, incluyendo Premiere Pro y After Effects, a\u00fan no lo admiten. Como dijo Jeromy Young, puede que Adobe lo incorpore en un futuro. Sin embargo, un software importante que falta es el DaVinci Resolve de Blackmagic, probablemente porque desarrollaron su propio Blackmagic RAW.<\/p>\n<h2>ProRes RAW vs. Blackmagic RAW<\/h2>\n<p>El ProRes RAW &#8220;versi\u00f3n 1.0&#8221;, como lo llama Jeromy Young, es el primer paso hacia un nuevo ecosistema. Atomos est\u00e1 tratando de impulsar esta nueva versi\u00f3n de ProRes lo m\u00e1s posible, y cada vez m\u00e1s c\u00e1maras deber\u00edan admitir grabaci\u00f3n externa en el futuro. Sin embargo, la <a href=\"https:\/\/www.cined.com\/es\/blackmagic-raw-technology-introduced-12-bit-compressed-raw-camera-internal-for-free\/\">introducci\u00f3n de Blackmagic RAW<\/a> podr\u00eda complicar un poco las cosas para Atomos. Jeromy Young no se refiere al BM RAW como &#8220;competencia&#8221;, y al parecer Atomos no est\u00e1 negado a admitirlo en el futuro si los clientes lo quieren, pero primero desean impulsar a ProRes RAW.<\/p>\n<p>\u00bfSer\u00e1 el DaVinci Resolve alguna vez compatible con ProRes RAW? No estoy seguro. Al final, no significa que ambos formatos no puedan coexistir en el futuro, ya que son fundamentalmente diferentes \u2013 BM RAW solo admite c\u00e1maras Blackmagic, mientras que ProRes RAW puede admitir casi cualquier c\u00e1mara. Un buen ejemplo es el agregado de una opci\u00f3n de grabaci\u00f3n RAW externa en las c\u00e1maras RED.<\/p>\n<p><strong>\u00bfYa has filmado en ProRes RAW? \u00bfQu\u00e9 opinas sobre su futuro? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<107548-main-buylinks\/>","protected":false,"clean_render":"<p><span ><strong>(Por favor presione el bot\u00f3n \u201cCC\u201d en YouTube para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p>\n<p><strong>El formato ProRes RAW fue anunciado <a href=\"\/?p=83295\">hace un a\u00f1o, en la NAB 2018<\/a>. Si bien este formato es impresionante, la implementaci\u00f3n de soportes para c\u00e1maras y aplicaciones de edici\u00f3n ha sido muy lenta. En la NAB 2019, tuvimos la oportunidad de hablar del futuro con el CEO de Atomos, Jeromy Young.<br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-101255\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-640x154.jpg\" alt=\"ProRes RAW\" width=\"640\" height=\"154\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-640x154.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-300x72.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-768x185.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-1536x370.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw-954x230.jpg 954w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/01\/Nikon-ProRes-RAW-_-prores-raw.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<h2>ProRes RAW vs. RAW<\/h2>\n<p>ProRes RAW es una nueva versi\u00f3n de los populares codecs ProRes. Este nuevo formato ProRes es un tipo de RAW m\u00e1s manejable y editable, al igual que otros c\u00f3decs ProRes. Si necesitas im\u00e1genes de alta calidad con un tama\u00f1o razonable, y a la vez mantener cierta flexibilidad en la post-producci\u00f3n, este formato de grabaci\u00f3n puede ser una muy buena opci\u00f3n.<\/p>\n<p>Atomos fue la primera compa\u00f1\u00eda en admitir la grabaci\u00f3n en ProRes RAW. Un a\u00f1o m\u00e1s tarde, la implementaci\u00f3n en las c\u00e1maras ha sido muy lenta, y no hay ninguna c\u00e1mara o compa\u00f1\u00eda que admita grabaci\u00f3n interna, excepto la Zenmuse X7 de DJI. Algunas c\u00e1maras como las Nikon Z6 \/ Z7 son compatibles con grabaci\u00f3n externa PR RAW, as\u00ed como la Panasonic EVA1.<\/p>\n<p>En t\u00e9rminos de soporte de software, Final Cut Pro fue el \u00fanico programa de edici\u00f3n que lo admiti\u00f3 cuando fue lanzado. Hoy en d\u00eda, algunas otras compa\u00f1\u00edas de software lo admiten, incluyendo Baselight de Filmlight, SCRATCH de Assimilate, Edius de Grass Valley y Transkoder de Colorfront. Sin embargo, los softwares de Adobe, incluyendo Premiere Pro y After Effects, a\u00fan no lo admiten. Como dijo Jeromy Young, puede que Adobe lo incorpore en un futuro. Sin embargo, un software importante que falta es el DaVinci Resolve de Blackmagic, probablemente porque desarrollaron su propio Blackmagic RAW.<\/p>\n<h2>ProRes RAW vs. Blackmagic RAW<\/h2>\n<p>El ProRes RAW &#8220;versi\u00f3n 1.0&#8221;, como lo llama Jeromy Young, es el primer paso hacia un nuevo ecosistema. Atomos est\u00e1 tratando de impulsar esta nueva versi\u00f3n de ProRes lo m\u00e1s posible, y cada vez m\u00e1s c\u00e1maras deber\u00edan admitir grabaci\u00f3n externa en el futuro. Sin embargo, la <a href=\"https:\/\/www.cined.com\/es\/blackmagic-raw-technology-introduced-12-bit-compressed-raw-camera-internal-for-free\/\">introducci\u00f3n de Blackmagic RAW<\/a> podr\u00eda complicar un poco las cosas para Atomos. Jeromy Young no se refiere al BM RAW como &#8220;competencia&#8221;, y al parecer Atomos no est\u00e1 negado a admitirlo en el futuro si los clientes lo quieren, pero primero desean impulsar a ProRes RAW.<\/p>\n<p>\u00bfSer\u00e1 el DaVinci Resolve alguna vez compatible con ProRes RAW? No estoy seguro. Al final, no significa que ambos formatos no puedan coexistir en el futuro, ya que son fundamentalmente diferentes \u2013 BM RAW solo admite c\u00e1maras Blackmagic, mientras que ProRes RAW puede admitir casi cualquier c\u00e1mara. Un buen ejemplo es el agregado de una opci\u00f3n de grabaci\u00f3n RAW externa en las c\u00e1maras RED.<\/p>\n<p><strong>\u00bfYa has filmado en ProRes RAW? \u00bfQu\u00e9 opinas sobre su futuro? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<107548-main-buylinks\/>"},"excerpt":{"rendered":"<p>(Por favor presione el bot\u00f3n \u201cCC\u201d en YouTube para subt\u00edtulos en Espa\u00f1ol) El formato ProRes RAW fue anunciado hace un a\u00f1o, en la NAB 2018. Si bien este formato es impresionante, la implementaci\u00f3n de soportes para c\u00e1maras y aplicaciones de edici\u00f3n ha sido muy lenta. En la NAB 2019, tuvimos la oportunidad de hablar del futuro con el CEO de Atomos, Jeromy Young. ProRes RAW vs. RAW ProRes RAW es una nueva versi\u00f3n de los populares codecs ProRes. Este nuevo formato ProRes es un tipo de RAW m\u00e1s manejable y editable, al igual que otros c\u00f3decs ProRes. Si necesitas im\u00e1genes de alta calidad con un tama\u00f1o razonable, y a la [&hellip;]<\/p>\n","protected":false},"author":15720,"featured_media":107535,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[31131,31132,31133,24601,25331,25545,27406,30828,31129],"tag_label":[],"brand":[],"class_list":["post-107548","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-industria","category-noticias","category-noticias-software","tag-nikon-z7-es","tag-grabacion-externa","tag-programa-de-edicion","tag-adobe-es","tag-soporte","tag-editor-no-lineal","tag-aplicacion","tag-nab-2019-es","tag-bm-raw-es","post_format-post-format-video"],"yoast_head":"<!-- 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