{"id":107815,"date":"2019-04-10T15:02:47","date_gmt":"2019-04-10T13:02:47","guid":{"rendered":"https:\/\/www.cined.com\/?p=107815"},"modified":"2019-04-10T16:16:26","modified_gmt":"2019-04-10T14:16:26","slug":"cinematch-makes-camera-color-matching-easy","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/cinematch-makes-camera-color-matching-easy\/","title":{"rendered":"CineMatch hace f\u00e1cil la coincidencia de color de las c\u00e1maras"},"content":{"rendered":"<p><strong>CineMatch, una compa\u00f1\u00eda de FilmConvert, es un plugin de Adobe Premiere Pro que te ahorrar\u00e1 tiempo cuando intentes hacer coincidir el color entre c\u00e1maras diferentes. La idea es seleccionar tu c\u00e1mara principal, elegir el fabricante\/modelo, hacer lo mismo con tu segunda c\u00e1mara y dejar que el plugin convierta m\u00e1gicamente los colores.<\/strong><\/p>\n<p><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/04\/CineMatch_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-107679\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/04\/CineMatch_01-640x360.jpg\" alt=\"CineMatch_01\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<h2>CineMatch hace que las LUTs t\u00e9cnicas sean cosa del pasado<\/h2>\n<p>CineMatch es un plugin de un solo clic para hacer coincidir diferentes c\u00e1maras en postproducci\u00f3n, de forma f\u00e1cil. La primera versi\u00f3n ha sido lanzada en la NAB 2019, y es bastante impresionante. El plugin estar\u00e1 disponible primero para Adobe Premiere Pro, con soporte futuro para FCPX, DaVinci Resolve,  <a href=\"http:\/\/www.bhphotovideo.com\/c\/product\/1057742-REG\/avid_9935_65752_00_media_composer_subscription_annual.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Avid Media Composer<\/a> y m\u00e1s.<\/p>\n<p>CineMatch no es simplemente un set de LUTs; Contiene perfiles dedicados para cada c\u00e1mara que act\u00faan en funci\u00f3n del sensor, y no de la comparaci\u00f3n entre las situaciones de luz de las escenas. Actualmente, la lista de c\u00e1maras compatibles incluye la Sony a7 III, la Panasonic GH5, la FUJIFILM X-T3, la Nikon Z 6 y la BMPCC 4K. No dudo que la lista se extender\u00e1 r\u00e1pidamente.<\/p>\n<p><strong>\u00bfPara qui\u00e9n es CineMatch?<\/strong>\u00a0Si eres editor, colorista, T\u00e9cnico de Imagen Digital (DIT), Director de Fotograf\u00eda o cineasta independiente, puede ahorrarte tiempo. Las primeras im\u00e1genes de muestra son impresionantes. Da lo mismo si filmas en una c\u00e1mara con LOG y en la otra con un perfil Rec.709. As\u00ed que elige el perfil de imagen que se adapte mejor a tu escena y deja que el plugin haga la magia por ti. Adem\u00e1s, no es necesario alquilar la misma c\u00e1mara varias veces, filma con lo que tengas a mano y aplica el plugin en postproducci\u00f3n.<\/p>\n<p>CineMatch por ahora no ha dado informaci\u00f3n sobre precios y disponibilidad. Estamos ansiosos por poder tenerlo y hacer una rese\u00f1a, est\u00e9n atentos para m\u00e1s informaci\u00f3n.<\/p>\n<p><strong>\u00bfCrees que CineMatch te puede ahorrar tiempo en post-producci\u00f3n? \u00bfQu\u00e9 c\u00e1mara te gustar\u00eda que se haya implementado en el plugin? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<107815-main-buylinks\/>","protected":false,"clean_render":"<p><strong>CineMatch, una compa\u00f1\u00eda de FilmConvert, es un plugin de Adobe Premiere Pro que te ahorrar\u00e1 tiempo cuando intentes hacer coincidir el color entre c\u00e1maras diferentes. La idea es seleccionar tu c\u00e1mara principal, elegir el fabricante\/modelo, hacer lo mismo con tu segunda c\u00e1mara y dejar que el plugin convierta m\u00e1gicamente los colores.<\/strong><\/p>\n<p><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/04\/CineMatch_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-107679\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/04\/CineMatch_01-640x360.jpg\" alt=\"CineMatch_01\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/04\/CineMatch_01.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<h2>CineMatch hace que las LUTs t\u00e9cnicas sean cosa del pasado<\/h2>\n<p>CineMatch es un plugin de un solo clic para hacer coincidir diferentes c\u00e1maras en postproducci\u00f3n, de forma f\u00e1cil. La primera versi\u00f3n ha sido lanzada en la NAB 2019, y es bastante impresionante. El plugin estar\u00e1 disponible primero para Adobe Premiere Pro, con soporte futuro para FCPX, DaVinci Resolve,  <a href=\"http:\/\/www.bhphotovideo.com\/c\/product\/1057742-REG\/avid_9935_65752_00_media_composer_subscription_annual.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Avid Media Composer<\/a> y m\u00e1s.<\/p>\n<p>CineMatch no es simplemente un set de LUTs; Contiene perfiles dedicados para cada c\u00e1mara que act\u00faan en funci\u00f3n del sensor, y no de la comparaci\u00f3n entre las situaciones de luz de las escenas. Actualmente, la lista de c\u00e1maras compatibles incluye la Sony a7 III, la Panasonic GH5, la FUJIFILM X-T3, la Nikon Z 6 y la BMPCC 4K. No dudo que la lista se extender\u00e1 r\u00e1pidamente.<\/p>\n<p><strong>\u00bfPara qui\u00e9n es CineMatch?<\/strong>\u00a0Si eres editor, colorista, T\u00e9cnico de Imagen Digital (DIT), Director de Fotograf\u00eda o cineasta independiente, puede ahorrarte tiempo. Las primeras im\u00e1genes de muestra son impresionantes. Da lo mismo si filmas en una c\u00e1mara con LOG y en la otra con un perfil Rec.709. As\u00ed que elige el perfil de imagen que se adapte mejor a tu escena y deja que el plugin haga la magia por ti. Adem\u00e1s, no es necesario alquilar la misma c\u00e1mara varias veces, filma con lo que tengas a mano y aplica el plugin en postproducci\u00f3n.<\/p>\n<p>CineMatch por ahora no ha dado informaci\u00f3n sobre precios y disponibilidad. Estamos ansiosos por poder tenerlo y hacer una rese\u00f1a, est\u00e9n atentos para m\u00e1s informaci\u00f3n.<\/p>\n<p><strong>\u00bfCrees que CineMatch te puede ahorrar tiempo en post-producci\u00f3n? \u00bfQu\u00e9 c\u00e1mara te gustar\u00eda que se haya implementado en el plugin? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<107815-main-buylinks\/>"},"excerpt":{"rendered":"<p>CineMatch, una compa\u00f1\u00eda de FilmConvert, es un plugin de Adobe Premiere Pro que te ahorrar\u00e1 tiempo cuando intentes hacer coincidir el color entre c\u00e1maras diferentes. La idea es seleccionar tu c\u00e1mara principal, elegir el fabricante\/modelo, hacer lo mismo con tu segunda c\u00e1mara y dejar que el plugin convierta m\u00e1gicamente los colores. CineMatch hace que las LUTs t\u00e9cnicas sean cosa del pasado CineMatch es un plugin de un solo clic para hacer coincidir diferentes c\u00e1maras en postproducci\u00f3n, de forma f\u00e1cil. La primera versi\u00f3n ha sido lanzada en la NAB 2019, y es bastante impresionante. El plugin estar\u00e1 disponible primero para Adobe Premiere Pro, con soporte futuro para FCPX, DaVinci Resolve, Avid [&hellip;]<\/p>\n","protected":false},"author":15720,"featured_media":145456,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[30625,30626,31200,31201,24601,26332,30623],"tag_label":[],"brand":[],"class_list":["post-107815","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-segunda-camara","tag-camara-b","tag-cinematch-es","tag-color-matching-es","tag-adobe-es","tag-complemento","tag-b-camera-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CineMatch hace f\u00e1cil la coincidencia de color de las c\u00e1maras | CineD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/cinematch-makes-camera-color-matching-easy\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CineMatch hace f\u00e1cil la coincidencia de color de las c\u00e1maras | CineD\" \/>\n<meta property=\"og:description\" content=\"CineMatch, una compa\u00f1\u00eda de FilmConvert, es un plugin de Adobe Premiere Pro que te ahorrar\u00e1 tiempo cuando intentes hacer coincidir el color entre c\u00e1maras diferentes. La idea es seleccionar tu c\u00e1mara principal, elegir el fabricante\/modelo, hacer lo mismo con tu segunda c\u00e1mara y dejar que el plugin convierta m\u00e1gicamente los colores. CineMatch hace que las LUTs t\u00e9cnicas sean cosa del pasado CineMatch es un plugin de un solo clic para hacer coincidir diferentes c\u00e1maras en postproducci\u00f3n, de forma f\u00e1cil. La primera versi\u00f3n ha sido lanzada en la NAB 2019, y es bastante impresionante. El plugin estar\u00e1 disponible primero para Adobe Premiere Pro, con soporte futuro para FCPX, DaVinci Resolve, Avid [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/cinematch-makes-camera-color-matching-easy\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/JeffLochOfficiel\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-10T13:02:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-10T14:16:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2019\/04\/CineMatch_01-640x360-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"360\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" 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