{"id":120134,"date":"2019-09-16T15:22:49","date_gmt":"2019-09-16T13:22:49","guid":{"rendered":"https:\/\/www.cined.com\/?p=120134"},"modified":"2019-09-16T22:29:38","modified_gmt":"2019-09-16T20:29:38","slug":"ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/","title":{"rendered":"Anunciaron un nuevo lente full frame de montura E: el Sony FE C 16-35 mm T\/3.1 G"},"content":{"rendered":"<p><strong>Durante la IBC 2019, lanzaron un nuevo lente con montura E que se agregar\u00e1 a su ya extensa l\u00ednea de lentes: el Sony FE C 16-35mm T\/3.1 G. Se trata de un lente de cine que tambi\u00e9n puede controlarse con AF y es compatible con todas las c\u00e1maras full frame con montura E, incluyendo <a href=\"https:\/\/www.cined.com\/es\/sony-fx9-announced-full-frame-fast-hybrid-autofocus-dual-iso-camera\/\">la recientemente presentada Sony FX9<\/a>. Ech\u00e9mosle un vistazo.<br \/>\n<\/strong><\/p><120134-inline-buylinks\/>\n<p><iframe title=\"Product Feature | FE C 16-35mm T3.1 G | Sony | Lens\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2ZqA8NS_ZIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>Sony FE C 16-35mm T\/3.1 G<\/h2>\n<p>El Sony FE C 16-35mm T\/3.1 G es el novedoso lente G Master compatible con Full-Frame de Sony. De hecho, es compatible con la \u00faltima c\u00e1mara Sony FX9, pero tambi\u00e9n con cualquier otra c\u00e1mara Alpha e incluso la  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1381355-REG\/sony_mpc3610_venice_6k_motion_picture.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Sony VENICE<\/a>.<\/p>\n<div id=\"attachment_119402\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony-FX9-32.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-119402\" class=\"wp-image-119402 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-119402\" class=\"wp-caption-text\">Sony ya est\u00e1 pensando en otros lentes para sumar a la serie Cinema.<\/p><\/div>\n<p>El dise\u00f1o del lente consta de dos elementos AX (asf\u00e9rico extremo), tres lentes asf\u00e9ricos y dos lentes DE (dispersi\u00f3n extra baja) para reducir las distorsiones de color. Adem\u00e1s de eso, cuenta con un recubrimiento Nano AR (antirreflectante) que deber\u00eda minimizar los destellos y las im\u00e1genes fantasma.<\/p>\n<div id=\"attachment_120113\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-120113\" class=\"wp-image-120113 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-640x520.jpg\" alt=\"\" width=\"640\" height=\"520\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-640x520.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-300x244.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-768x624.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-283x230.jpg 283w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1.jpg 886w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-120113\" class=\"wp-caption-text\">Imagen \u00a9 Sony<\/p><\/div>\n<p>Como ocurre con un \u201clente de cine\u201d m\u00e1s tradicional, el Sony FE C 16-35mm T\/3.1 G presenta tres anillos distintos: uno para el enfoque, uno para el zoom y otro para la apertura. En cada anillo del lente, presenta un engranaje de 0,08 cm (medida est\u00e1ndar), por lo que puedes usar f\u00e1cilmente un sistema de enfoque inal\u00e1mbrico F.I.Z. El anillo frontal es de 11,50 cm, que tambi\u00e9n es una medida est\u00e1ndar en la industria de las cajas mate.<\/p>\n<div id=\"attachment_119968\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_03.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-119968\" class=\"size-large wp-image-119968\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_03-640x360.jpg\" alt=\"Sony1635_03\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-119968\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Sony<\/p><\/div>\n<p>El dise\u00f1o de apertura consta de 11 hojas circulares que deben dar como resultado un bonito efecto bokeh. Tambi\u00e9n, puedes quitarle los clics al anillo de apertura para poder ajustarlo manualmente. En el lateral del lente, hay un motor zoom Servo que puedes desmontar si no lo necesitas.<\/p>\n<div id=\"attachment_120116\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-120116\" class=\"size-large wp-image-120116\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg\" alt=\"\" width=\"640\" height=\"312\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-300x146.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-768x374.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-1536x748.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-472x230.jpg 472w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2.jpg 1650w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-120116\" class=\"wp-caption-text\">Imagen \u00a9 Sony<\/p><\/div>\n<h2>Lo mejor de ambos mundos<\/h2>\n<p>El Sony FE C 16-35mm T\/3.1 G es un lente vers\u00e1til que puedes usar en configuraciones de cine, pero que tambi\u00e9n funciona perfectamente para cineastas independientes. De hecho, este lente posee caracter\u00edsticas que solo pueden encontrarse en lentes de fotograf\u00eda, como el enfoque autom\u00e1tico y la exposici\u00f3n autom\u00e1tica y, por lo tanto, tambi\u00e9n est\u00e1 bien emparejado con el impresionante enfoque autom\u00e1tico de la Sony FX9. (En caso de que te la hayas perdido, encontrar\u00e1s nuestra\u00a0<a href=\"https:\/\/www.cined.com\/es\/sony-fx9-announced-full-frame-fast-hybrid-autofocus-dual-iso-camera\/\" target=\"_blank\" rel=\"noopener\">cobertura sobre la FX9 aqu\u00ed<\/a> y <a href=\"https:\/\/www.cined.com\/es\/sony-fx9-handson-footage-exclusive\/\" target=\"_blank\" rel=\"noopener\">aqu\u00ed<\/a>).<\/p>\n<div id=\"attachment_119974\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_04.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-119974\" class=\"size-large wp-image-119974\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_04-640x360.jpg\" alt=\"Sony1635_04\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-119974\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Sony<\/p><\/div>\n<h2>Precios y disponibilidad<\/h2>\n<p>El Sony FE C 16-35mm T\/3.1 G podr\u00eda estar disponible en la primavera de 2020. Durante el evento de Sony nos dijeron que el precio estar\u00e1 alrededor de \u20ac6.000,00, pero no est\u00e1 confirmado.<\/p>\n<p><strong>\u00bfQu\u00e9 opinas del nuevo Sony FE C 16-35mm T\/3.1 G? \u00bfCrees que es un lente zoom que funcionar\u00eda bien con la FX9? \u00a1Haznos saber tu opini\u00f3n en los comentarios!<\/strong><\/p>\n<120134-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Durante la IBC 2019, lanzaron un nuevo lente con montura E que se agregar\u00e1 a su ya extensa l\u00ednea de lentes: el Sony FE C 16-35mm T\/3.1 G. Se trata de un lente de cine que tambi\u00e9n puede controlarse con AF y es compatible con todas las c\u00e1maras full frame con montura E, incluyendo <a href=\"https:\/\/www.cined.com\/es\/sony-fx9-announced-full-frame-fast-hybrid-autofocus-dual-iso-camera\/\">la recientemente presentada Sony FX9<\/a>. Ech\u00e9mosle un vistazo.<br \/>\n<\/strong><\/p><120134-inline-buylinks\/>\n<p><iframe title=\"Product Feature | FE C 16-35mm T3.1 G | Sony | Lens\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2ZqA8NS_ZIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>Sony FE C 16-35mm T\/3.1 G<\/h2>\n<p>El Sony FE C 16-35mm T\/3.1 G es el novedoso lente G Master compatible con Full-Frame de Sony. De hecho, es compatible con la \u00faltima c\u00e1mara Sony FX9, pero tambi\u00e9n con cualquier otra c\u00e1mara Alpha e incluso la  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1381355-REG\/sony_mpc3610_venice_6k_motion_picture.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Sony VENICE<\/a>.<\/p>\n<div id=\"attachment_119402\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony-FX9-32.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-119402\" class=\"wp-image-119402 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-119402\" class=\"wp-caption-text\">Sony ya est\u00e1 pensando en otros lentes para sumar a la serie Cinema.<\/p><\/div>\n<p>El dise\u00f1o del lente consta de dos elementos AX (asf\u00e9rico extremo), tres lentes asf\u00e9ricos y dos lentes DE (dispersi\u00f3n extra baja) para reducir las distorsiones de color. Adem\u00e1s de eso, cuenta con un recubrimiento Nano AR (antirreflectante) que deber\u00eda minimizar los destellos y las im\u00e1genes fantasma.<\/p>\n<div id=\"attachment_120113\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-120113\" class=\"wp-image-120113 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-640x520.jpg\" alt=\"\" width=\"640\" height=\"520\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-640x520.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-300x244.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-768x624.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1-283x230.jpg 283w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-1.jpg 886w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-120113\" class=\"wp-caption-text\">Imagen \u00a9 Sony<\/p><\/div>\n<p>Como ocurre con un \u201clente de cine\u201d m\u00e1s tradicional, el Sony FE C 16-35mm T\/3.1 G presenta tres anillos distintos: uno para el enfoque, uno para el zoom y otro para la apertura. En cada anillo del lente, presenta un engranaje de 0,08 cm (medida est\u00e1ndar), por lo que puedes usar f\u00e1cilmente un sistema de enfoque inal\u00e1mbrico F.I.Z. El anillo frontal es de 11,50 cm, que tambi\u00e9n es una medida est\u00e1ndar en la industria de las cajas mate.<\/p>\n<div id=\"attachment_119968\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_03.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-119968\" class=\"size-large wp-image-119968\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_03-640x360.jpg\" alt=\"Sony1635_03\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_03.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-119968\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Sony<\/p><\/div>\n<p>El dise\u00f1o de apertura consta de 11 hojas circulares que deben dar como resultado un bonito efecto bokeh. Tambi\u00e9n, puedes quitarle los clics al anillo de apertura para poder ajustarlo manualmente. En el lateral del lente, hay un motor zoom Servo que puedes desmontar si no lo necesitas.<\/p>\n<div id=\"attachment_120116\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-120116\" class=\"size-large wp-image-120116\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg\" alt=\"\" width=\"640\" height=\"312\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-300x146.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-768x374.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-1536x748.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-472x230.jpg 472w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2.jpg 1650w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-120116\" class=\"wp-caption-text\">Imagen \u00a9 Sony<\/p><\/div>\n<h2>Lo mejor de ambos mundos<\/h2>\n<p>El Sony FE C 16-35mm T\/3.1 G es un lente vers\u00e1til que puedes usar en configuraciones de cine, pero que tambi\u00e9n funciona perfectamente para cineastas independientes. De hecho, este lente posee caracter\u00edsticas que solo pueden encontrarse en lentes de fotograf\u00eda, como el enfoque autom\u00e1tico y la exposici\u00f3n autom\u00e1tica y, por lo tanto, tambi\u00e9n est\u00e1 bien emparejado con el impresionante enfoque autom\u00e1tico de la Sony FX9. (En caso de que te la hayas perdido, encontrar\u00e1s nuestra\u00a0<a href=\"https:\/\/www.cined.com\/es\/sony-fx9-announced-full-frame-fast-hybrid-autofocus-dual-iso-camera\/\" target=\"_blank\" rel=\"noopener\">cobertura sobre la FX9 aqu\u00ed<\/a> y <a href=\"https:\/\/www.cined.com\/es\/sony-fx9-handson-footage-exclusive\/\" target=\"_blank\" rel=\"noopener\">aqu\u00ed<\/a>).<\/p>\n<div id=\"attachment_119974\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_04.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-119974\" class=\"size-large wp-image-119974\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony1635_04-640x360.jpg\" alt=\"Sony1635_04\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony1635_04.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-119974\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Sony<\/p><\/div>\n<h2>Precios y disponibilidad<\/h2>\n<p>El Sony FE C 16-35mm T\/3.1 G podr\u00eda estar disponible en la primavera de 2020. Durante el evento de Sony nos dijeron que el precio estar\u00e1 alrededor de \u20ac6.000,00, pero no est\u00e1 confirmado.<\/p>\n<p><strong>\u00bfQu\u00e9 opinas del nuevo Sony FE C 16-35mm T\/3.1 G? \u00bfCrees que es un lente zoom que funcionar\u00eda bien con la FX9? \u00a1Haznos saber tu opini\u00f3n en los comentarios!<\/strong><\/p>\n<120134-main-buylinks\/>"},"excerpt":{"rendered":"<p>Durante la IBC 2019, lanzaron un nuevo lente con montura E que se agregar\u00e1 a su ya extensa l\u00ednea de lentes: el Sony FE C 16-35mm T\/3.1 G. Se trata de un lente de cine que tambi\u00e9n puede controlarse con AF y es compatible con todas las c\u00e1maras full frame con montura E, incluyendo la recientemente presentada Sony FX9. Ech\u00e9mosle un vistazo. Sony FE C 16-35mm T\/3.1 G El Sony FE C 16-35mm T\/3.1 G es el novedoso lente G Master compatible con Full-Frame de Sony. De hecho, es compatible con la \u00faltima c\u00e1mara Sony FX9, pero tambi\u00e9n con cualquier otra c\u00e1mara Alpha e incluso la Sony VENICE. El dise\u00f1o [&hellip;]<\/p>\n","protected":false},"author":15720,"featured_media":120110,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"tags":[26058,26867,34386,34507,34566,34587,34711,34712,34713],"tag_label":[],"brand":[],"class_list":["post-120134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-lente","tag-ibc-es","tag-ibc-2019-es","tag-sony-fx9-es","tag-ibc-show-es","tag-feria-ibc","tag-full-frame-e-mount-lens-es","tag-sony-fe-c-16-35mm-t-3-1-g-es","tag-montura-full-frame"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Anunciaron un nuevo lente full frame de montura E: el Sony FE C 16-35 mm T\/3.1 G | CineD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anunciaron un nuevo lente full frame de montura E: el Sony FE C 16-35 mm T\/3.1 G | CineD\" \/>\n<meta property=\"og:description\" content=\"Durante la IBC 2019, lanzaron un nuevo lente con montura E que se agregar\u00e1 a su ya extensa l\u00ednea de lentes: el Sony FE C 16-35mm T\/3.1 G. Se trata de un lente de cine que tambi\u00e9n puede controlarse con AF y es compatible con todas las c\u00e1maras full frame con montura E, incluyendo la recientemente presentada Sony FX9. Ech\u00e9mosle un vistazo. Sony FE C 16-35mm T\/3.1 G El Sony FE C 16-35mm T\/3.1 G es el novedoso lente G Master compatible con Full-Frame de Sony. De hecho, es compatible con la \u00faltima c\u00e1mara Sony FX9, pero tambi\u00e9n con cualquier otra c\u00e1mara Alpha e incluso la Sony VENICE. El dise\u00f1o [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/JeffLochOfficiel\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-16T13:22:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-16T20:29:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jeff Loch\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta 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class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1506716-REG\/sony_selc1635g_fe_c_16_35mm_t_3_1.html\/BI\/7953\/KBID\/8488\/SID\/jeff\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 5,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-selc1635g-16-35mm-e-mount?aff_id=101&tid1=jeff\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 5,229.31<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"120134-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>FE C 16-35mm T3.1 G E-Mount Lens<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1506716-REG\/sony_selc1635g_fe_c_16_35mm_t_3_1.html\/BI\/7953\/KBID\/8488\/SID\/jeff\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 5,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-selc1635g-16-35mm-e-mount?aff_id=101&tid1=jeff\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 5,229.31<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":351725,"title":"Samyang Presenta el Remaster Slim, el Primer Lente del Mundo con Autoenfoque e Intercambio \u00d3ptico","url":"https:\/\/staging.cined.dev\/es\/samyang-unveils-remaster-slim-worlds-first-optical-exchange-autofocus-lens\/","author":40219,"author_details":{"display_name":"Omri Keren Lapidot","first_name":"Omri","last_name":"Keren Lapidot"},"publish_date":"August, 23 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"custom_labels":[{"id":52841,"name":"Lens News","link":"https:\/\/staging.cined.dev\/es\/labels\/lens-news-es\/","slug":"lens-news-es"}],"total_comments":0,"video_url":""},{"id":350106,"title":"El Lente Zoom de Cine 7Artisans Sprite 24-96mm T2.9 Super35 Ya Est\u00e1 Disponible por $1.999","url":"https:\/\/staging.cined.dev\/es\/7artisans-sprite-24-96mm-t2-9-super35-cine-zoom-lens-is-now-available-for-1999\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"August, 09 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