{"id":126694,"date":"2019-12-11T15:54:33","date_gmt":"2019-12-11T14:54:33","guid":{"rendered":"https:\/\/www.cined.com\/?p=126694"},"modified":"2019-12-11T18:51:09","modified_gmt":"2019-12-11T17:51:09","slug":"i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/","title":{"rendered":"\u201cCompr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda\u201d – \u00bfpuedes conseguir trabajo por tener una c\u00e1mara costosa?"},"content":{"rendered":"

Una historia con un t\u00edtulo interesante – “Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda” es una presentaci\u00f3n personal retrospectiva de Christoph Tilley. \u00c9l compr\u00f3 una Sony F65 en 2011 por unos \u20ac 100.000 con la esperanza de que tener la c\u00e1mara lo har\u00eda entrar al negocio publicitario alto presupuesto. El resultado no fue exactamente como esperaba, pero finalmente lo logr\u00f3.<\/strong><\/p>\n

\"\"<\/a>

Filmando con la Sony F65. Cr\u00e9dito de la imagen: Christoph Tilley<\/p><\/div>\n

Durante la feria “Foto & Aventura” de este a\u00f1o en Viena, Austria, el equipo de cinema5D estuvo a cargo del “Escenario de Cine & Video” programado en dicha feria. Invitamos a muchos presentadores interesantes a hablar sobre varios temas. Puedes ver la publicaci\u00f3n inicial aqu\u00ed. Decidimos publicar los temas m\u00e1s interesantes de nuevo en art\u00edculos aparte. Puedes esperar que se publiquen en las pr\u00f3ximas semanas. Comenzamos con la presentaci\u00f3n de Christoph Tilley llamada “Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda”.<\/p>\n

\"\"<\/a>

Este contenido se transmiti\u00f3 originalmente en vivo desde el escenario “Film + Video” de la feria Foto & Aventura en noviembre<\/a>. Estamos re-publicando y destacando algunos de los mejores contenidos del escenario.<\/p><\/div>\n

Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda<\/h2>\n

Christoph Tilley es un director de fotograf\u00eda con sede en Viena, Austria. \u00daltimamente, ha estado trabajando con \u00e9xito en rodajes en todo el mundo. En su presentaci\u00f3n en la Foto & Aventura, habl\u00f3 de su historia y de c\u00f3mo invirti\u00f3 mucho dinero en una c\u00e1mara de cine.<\/p>\n

Christoph fund\u00f3 su productora de cine MXR<\/a> all\u00e1 por 2003. Estaba rodando varios proyectos peque\u00f1os, pero eso no era suficiente. Quer\u00eda rodar comerciales importantes. Por eso, en el 2011, compr\u00f3 una c\u00e1mara de cine Sony F65 4K con todos los accesorios necesarios, lo que supuso una inversi\u00f3n de unos 100.000 \u20ac. Ten\u00eda la esperanza de obtener un trabajo comercial de alto presupuesto basado en poseer esa c\u00e1mara. Result\u00f3 que sus expectativas no fueron exactamente precisas.<\/p>\n

\"\"<\/a>

C\u00e1mara de cine Sony F65.<\/p><\/div>\n

Finalmente obtuvo su primer trabajo comercial importante para Samsung, pero fue gracias a una “muestra” que hizo para su amigo, con la Sony F65. Christoph enfatiz\u00f3 la importancia de las “muestras” varias veces durante su presentaci\u00f3n. Una “muestra” es una pieza visual no pagada, creada solo para mostrar las habilidades de su creador. Ser\u00eda, por ejemplo, un comercial de autom\u00f3viles, que haces solo con tu propio dinero y usas ese video en tu portfolio para obtener un trabajo comercial remunerado.<\/p>\n

Durante muchos a\u00f1os trabajando en la industria, Christoph ha aprendido cinco cosas. Creo que estos consejos son un buen y \u00fatil resumen de su presentaci\u00f3n:<\/p>\n

    \n
  1. Tener una c\u00e1mara te dar\u00e1 la oportunidad de mejorar tus habilidades en el d\u00eda a d\u00eda.<\/li>\n
  2. Trabajar con creativos y directores de arte me ense\u00f1\u00f3 la importancia de las decisiones creativas sobre las cosas que est\u00e1n delante de la c\u00e1mara.<\/li>\n
  3. No existe tal cosa como la c\u00e1mara perfecta. Cada trabajo necesita de la herramienta adecuada.<\/li>\n
  4. La toma es m\u00e1s importante que el equipamiento.<\/li>\n
  5. Sigue desafi\u00e1ndote a ti mismo, sigue aprendiendo.<\/li>\n<\/ol>\n
    \"\"<\/a>

    La hija de Christoph sentada sobre la Sony F65. Cr\u00e9dito de la imagen: Christoph Tilley<\/p><\/div>\n

    Para ver el trabajo de Christoph y su equipo, dir\u00edgete al sitio web de producci\u00f3n de pel\u00edculas MXR<\/a> o chequea sus redes sociales – Instagram<\/a> y Facebook<\/a>.<\/p>\n

    \u00bfQu\u00e9 opinas de la historia de Christoph? \u00bfIntentaste tu, o alguien que conoces, el mismo enfoque? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<126694-main-buylinks\/>","protected":false,"clean_render":"

    Una historia con un t\u00edtulo interesante – “Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda” es una presentaci\u00f3n personal retrospectiva de Christoph Tilley. \u00c9l compr\u00f3 una Sony F65 en 2011 por unos \u20ac 100.000 con la esperanza de que tener la c\u00e1mara lo har\u00eda entrar al negocio publicitario alto presupuesto. El resultado no fue exactamente como esperaba, pero finalmente lo logr\u00f3.<\/strong><\/p>\n

    \"\"<\/a>

    Filmando con la Sony F65. Cr\u00e9dito de la imagen: Christoph Tilley<\/p><\/div>\n

    Durante la feria “Foto & Aventura” de este a\u00f1o en Viena, Austria, el equipo de cinema5D estuvo a cargo del “Escenario de Cine & Video” programado en dicha feria. Invitamos a muchos presentadores interesantes a hablar sobre varios temas. Puedes ver la publicaci\u00f3n inicial aqu\u00ed. Decidimos publicar los temas m\u00e1s interesantes de nuevo en art\u00edculos aparte. Puedes esperar que se publiquen en las pr\u00f3ximas semanas. Comenzamos con la presentaci\u00f3n de Christoph Tilley llamada “Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda”.<\/p>\n

    \"\"<\/a>

    Este contenido se transmiti\u00f3 originalmente en vivo desde el escenario “Film + Video” de la feria Foto & Aventura en noviembre<\/a>. Estamos re-publicando y destacando algunos de los mejores contenidos del escenario.<\/p><\/div>\n

    Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda<\/h2>\n

    Christoph Tilley es un director de fotograf\u00eda con sede en Viena, Austria. \u00daltimamente, ha estado trabajando con \u00e9xito en rodajes en todo el mundo. En su presentaci\u00f3n en la Foto & Aventura, habl\u00f3 de su historia y de c\u00f3mo invirti\u00f3 mucho dinero en una c\u00e1mara de cine.<\/p>\n

    Christoph fund\u00f3 su productora de cine MXR<\/a> all\u00e1 por 2003. Estaba rodando varios proyectos peque\u00f1os, pero eso no era suficiente. Quer\u00eda rodar comerciales importantes. Por eso, en el 2011, compr\u00f3 una c\u00e1mara de cine Sony F65 4K con todos los accesorios necesarios, lo que supuso una inversi\u00f3n de unos 100.000 \u20ac. Ten\u00eda la esperanza de obtener un trabajo comercial de alto presupuesto basado en poseer esa c\u00e1mara. Result\u00f3 que sus expectativas no fueron exactamente precisas.<\/p>\n

    \"\"<\/a>

    C\u00e1mara de cine Sony F65.<\/p><\/div>\n

    Finalmente obtuvo su primer trabajo comercial importante para Samsung, pero fue gracias a una “muestra” que hizo para su amigo, con la Sony F65. Christoph enfatiz\u00f3 la importancia de las “muestras” varias veces durante su presentaci\u00f3n. Una “muestra” es una pieza visual no pagada, creada solo para mostrar las habilidades de su creador. Ser\u00eda, por ejemplo, un comercial de autom\u00f3viles, que haces solo con tu propio dinero y usas ese video en tu portfolio para obtener un trabajo comercial remunerado.<\/p>\n

    Durante muchos a\u00f1os trabajando en la industria, Christoph ha aprendido cinco cosas. Creo que estos consejos son un buen y \u00fatil resumen de su presentaci\u00f3n:<\/p>\n

      \n
    1. Tener una c\u00e1mara te dar\u00e1 la oportunidad de mejorar tus habilidades en el d\u00eda a d\u00eda.<\/li>\n
    2. Trabajar con creativos y directores de arte me ense\u00f1\u00f3 la importancia de las decisiones creativas sobre las cosas que est\u00e1n delante de la c\u00e1mara.<\/li>\n
    3. No existe tal cosa como la c\u00e1mara perfecta. Cada trabajo necesita de la herramienta adecuada.<\/li>\n
    4. La toma es m\u00e1s importante que el equipamiento.<\/li>\n
    5. Sigue desafi\u00e1ndote a ti mismo, sigue aprendiendo.<\/li>\n<\/ol>\n
      \"\"<\/a>

      La hija de Christoph sentada sobre la Sony F65. Cr\u00e9dito de la imagen: Christoph Tilley<\/p><\/div>\n

      Para ver el trabajo de Christoph y su equipo, dir\u00edgete al sitio web de producci\u00f3n de pel\u00edculas MXR<\/a> o chequea sus redes sociales – Instagram<\/a> y Facebook<\/a>.<\/p>\n

      \u00bfQu\u00e9 opinas de la historia de Christoph? \u00bfIntentaste tu, o alguien que conoces, el mismo enfoque? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<126694-main-buylinks\/>"},"excerpt":{"rendered":"

      Una historia con un t\u00edtulo interesante – “Compr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda” es una presentaci\u00f3n personal retrospectiva de Christoph Tilley. \u00c9l compr\u00f3 una Sony F65 en 2011 por unos \u20ac 100.000 con la esperanza de que tener la c\u00e1mara lo har\u00eda entrar al negocio publicitario alto presupuesto. El resultado no fue exactamente como esperaba, pero finalmente lo logr\u00f3. Durante la feria “Foto & Aventura” de este a\u00f1o en Viena, Austria, el equipo de cinema5D estuvo a cargo del “Escenario de Cine & Video” programado en dicha feria. Invitamos a muchos presentadores interesantes a hablar sobre varios temas. Puedes ver la publicaci\u00f3n inicial aqu\u00ed. Decidimos publicar los […]<\/p>\n","protected":false},"author":12862,"featured_media":125887,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[27781,27786,36446,36447,36448,24595,36450,24964,36451,24989,36452,27404,36453,27407],"tag_label":[],"brand":[],"class_list":["post-126694","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-industria","category-noticias","tag-video-production-es","tag-produccion-de-video","tag-expensive-camera-es","tag-expensive-gear-es","tag-film-production-es","tag-camera-es","tag-director-de-fotografia","tag-dp-es","tag-educacion","tag-camara","tag-equipo-costoso","tag-presentation-es","tag-realizador","tag-presentacion","post_format-post-format-video"],"yoast_head":"\n\u201cCompr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda\u201d - \u00bfpuedes conseguir trabajo por tener una c\u00e1mara costosa? | CineD<\/title>\n<meta name=\"description\" content=\""I bought an expensive camera, now I am a DP" is a story of Christoph Tilley's personal experience working in the film industry since 2003.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cCompr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda\u201d - \u00bfpuedes conseguir trabajo por tener una c\u00e1mara costosa? | CineD\" \/>\n<meta property=\"og:description\" content=\""I bought an expensive camera, now I am a DP" is a story of Christoph Tilley's personal experience working in the film industry since 2003.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"http:\/\/www.facebook.com\/jakubhan.visual\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-12-11T14:54:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-12-11T17:51:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2019\/11\/Sony-F65-daughter.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1617\" \/>\n\t<meta property=\"og:image:height\" content=\"1078\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jakub Han\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jakub Han\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/\"},\"author\":{\"name\":\"Jakub Han\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/c573668c82b204165628d2b1cc2b0244\"},\"headline\":\"\u201cCompr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda\u201d – \u00bfpuedes conseguir trabajo por tener una c\u00e1mara costosa?\",\"datePublished\":\"2019-12-11T14:54:33+00:00\",\"dateModified\":\"2019-12-11T17:51:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/\"},\"wordCount\":652,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/11\/Sony-F65-daughter.jpg\",\"keywords\":[\"video production\",\"producci\u00f3n de video\",\"expensive camera\",\"expensive gear\",\"film production\",\"camera\",\"director de fotograf\u00eda\",\"DP\",\"educaci\u00f3n\",\"c\u00e1mara\",\"equipo costoso\",\"presentation\",\"realizador\",\"presentaci\u00f3n\"],\"articleSection\":[\"Industria\",\"Noticias\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/i-bought-an-expensive-camera-now-i-am-a-dp-can-owning-an-expensive-camera-get-you-work\/\",\"name\":\"\u201cCompr\u00e9 una c\u00e1mara costosa, ahora soy director de fotograf\u00eda\u201d - \u00bfpuedes conseguir trabajo por tener una c\u00e1mara costosa? 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