{"id":129334,"date":"2020-01-18T11:56:39","date_gmt":"2020-01-18T10:56:39","guid":{"rendered":"https:\/\/www.cined.com\/?p=129334"},"modified":"2020-01-21T18:26:32","modified_gmt":"2020-01-21T17:26:32","slug":"stranger-scenes-dp-tim-ives","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/stranger-scenes-dp-tim-ives\/","title":{"rendered":"La realizaci\u00f3n de &#8220;Stranger Things&#8221; con el director de fotograf\u00eda Tim Ives"},"content":{"rendered":"<p><strong>American Cinematographer lanz\u00f3 una entrevista muy interesante con el director de fotograf\u00eda Tim Ives, ASC, para hablar sobre su trabajo en Stranger Things. Ives ha sido el director de fotograf\u00eda de las tres temporadas de esta serie de Netflix. \u00a1Hablemos sobre los movimientos de c\u00e1mara, la iluminaci\u00f3n, las opciones de c\u00e1maras, y de c\u00f3mo estas cosas pueden ayudarte a contar una historia que es un homenaje a la cultura pop de los a\u00f1os 70 y 80!<\/strong><\/p>\n<p><iframe title=\"The Making of Stranger Things with Cinematographer Tim Ives, ASC\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/8WtQG-LaQUQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>Stranger Things &#8211; La Historia<\/h2>\n<p>Stranger Things es una serie de Netflix de ciencia ficci\u00f3n\/terror creada por los Hermanos Duffer que comenz\u00f3 en 2016. La historia tiene lugar en una ciudad inventada -Hawkins, Indiana- en la d\u00e9cada de 1980. Los h\u00e9roes son un grupo de ni\u00f1os que intentan encontrar a otro ni\u00f1o que desapareci\u00f3 misteriosamente. Suceder\u00e1n muchos eventos paranormales y conocer\u00e1n a otras personas con poderes sobrenaturales.<\/p>\n<p>Es bastante dif\u00edcil resumir una serie de tres temporadas sin espoilearla, y si nunca la has visto, Stranger Things es una serie fascinante. Los Hermanos Duffer localizaron la serie en los a\u00f1os 80 como un homenaje a la cultura pop. Junto a Tim Ives, el director de fotograf\u00eda desde el primer d\u00eda, optaron por una est\u00e9tica que recuerda a las pel\u00edculas de Steven Spielberg, el universo de Stephen King o la pel\u00edcula original de Ghostbuster. Si quieres saber m\u00e1s sobre todas las referencias y homenajes en Stranger Things, aqu\u00ed hay otra incre\u00edble <a href=\"https:\/\/www.youtube.com\/watch?time_continue=134&amp;v=qGGc1wGmgbM&amp;feature=emb_title\">entrevista a los Hermanos Duffer<\/a>.<\/p>\n<div id=\"attachment_129102\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_02.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129102\" class=\"size-large wp-image-129102\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_02-640x360.jpg\" alt=\"StrangerThings_02\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129102\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; la preproducci\u00f3n y el look<\/h2>\n<p>En esta entrevista, es interesante escuchar a Tim Ives hablar sobre c\u00f3mo la historia llev\u00f3 a varias opciones en el dise\u00f1o del set, los colores y los tonos de la serie. Por ejemplo, los tonos y colores en la primera temporada de Stranger Things est\u00e1n bastante apagados, sin demasiada saturaci\u00f3n, para reflejar el estado de \u00e1nimo de 1982. A medida que avanza la historia, comenzaron a introducir m\u00e1s y m\u00e1s colores y saturaci\u00f3n en las temporadas dos\/tres para reflejar el ambiente de 1985.<\/p>\n<p>Adem\u00e1s, Ives describe su relaci\u00f3n con los Hermanos Duffer en la preproducci\u00f3n como algo crucial. El director de fotograf\u00eda y los directores pasan mucho tiempo hablando de referencias visuales y el ambiente que quieren lograr, que, por supuesto, est\u00e1 motivado por la historia.<\/p>\n<div id=\"attachment_129095\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_Featured.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129095\" class=\"size-large wp-image-129095\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_Featured-640x360.jpg\" alt=\"StrangerThings_Featured\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129095\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; Moverse R\u00e1pido<\/h2>\n<p>Cuando tienes que filmar tantas escenas y secuencias por d\u00eda en una serie con un presupuesto razonable -6 millones de d\u00f3lares por episodio en la primera temporada- como es Stranger Things, debes moverte r\u00e1pido. De hecho, Tim Ives hizo un uso extensivo del Technocrane SuperTechno 50 durante toda la serie. Si no sabes c\u00f3mo es un Technocrane, aqu\u00ed est\u00e1.<\/p>\n<div id=\"attachment_129092\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_01.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129092\" class=\"size-large wp-image-129092\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_01-640x360.jpg\" alt=\"StrangerThings_01\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129092\" class=\"wp-caption-text\">No, un SuperTechno 50 no cabe en tu auto. Cr\u00e9dito de la imagen: Technocrane<\/p><\/div>\n<p>Un Technocrane es una gr\u00faa telesc\u00f3pica gigante que puede extenderse durante la toma a una velocidad de 2 m\/seg. Puedes pensarlo como un Moza Slypod con esteroides, con un precio de $ 500.000. Ives us\u00f3 el Technocrane de &#8220;2 a 3 veces por semana&#8221;, y les ahorr\u00f3 algo de tiempo para obtener m\u00faltiples tomas sin tener que instalar un carro de dolly con rieles.<\/p>\n<div id=\"attachment_129105\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_03.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129105\" class=\"size-large wp-image-129105\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_03-640x360.jpg\" alt=\"StrangerThings_03\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129105\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; Iluminaci\u00f3n de Utiler\u00eda<\/h2>\n<p>Otra cosa que Tim Ives us\u00f3 de forma intensiva fueron las luces de utiler\u00eda. En efecto, \u00e9l describe a la iluminaci\u00f3n de utiler\u00eda como parte de la &#8220;biblia de Stranger Things&#8221;. En las tomas donde se supon\u00eda que no deb\u00edan parpadear ninguna luz, Ives y su equipo ten\u00edan la costumbre de colocar luces con atenuadores. Lo que es m\u00e1s interesante es c\u00f3mo describe la influencia de los fans de Stranger Things en este look de &#8220;luces parpadeantes&#8221;.<\/p>\n<div id=\"attachment_129108\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_04.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129108\" class=\"size-large wp-image-129108\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_04-640x360.jpg\" alt=\"StrangerThings_04\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129108\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<p>En la tercera temporada de Stranger Things, la secuencia del centro comercial Starcourt Mall es impresionante porque hay montones de luces parpadeando al mismo tiempo. John Hilton, el gaffer de Stranger Things, y su equipo, tardaron un mes y medio en cablear todo para que las luces pudieran parpadear. En una <a href=\"https:\/\/acmag.com.au\/2019\/09\/01\/stranger-things-3\/\">entrevista para AC Mag<\/a>, lo describe de la siguiente manera:<\/p>\n<blockquote><p><em>El equipo pas\u00f3 la noche de un s\u00e1bado en el centro comercial con una c\u00e1mara probando diferentes balastos, atenuadores Variac y algunas cintas de luz LED de ne\u00f3n. Milne (el segundo director de fotograf\u00eda de Stranger Things) quer\u00eda desesperadamente usar las l\u00e1mparas existentes, pero nada las iba a replicar de la misma manera en que lo quer\u00eda el director de fotograf\u00eda. Al final, despu\u00e9s de probar aproximadamente seis de los neones a trav\u00e9s de un balasto diferente durante ocho horas sin fallar, Milne asumi\u00f3 el riesgo y consigui\u00f3 que la compa\u00f1\u00eda que los dise\u00f1\u00f3 cambiara todos los balastos en el centro comercial por unos nuevos. Fue una gran apuesta para el director de fotograf\u00eda, pero al final todo el parpadeo que ves en el final de la temporada es &#8220;en c\u00e1mara&#8221; y realmente vali\u00f3 la pena.<\/em><\/p><\/blockquote>\n<div id=\"attachment_129115\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_06.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129115\" class=\"size-large wp-image-129115\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_06-640x360.jpg\" alt=\"StrangerThings_06\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129115\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; C\u00e1mara y Lentes<\/h2>\n<p>Stranger Things se film\u00f3 con varias c\u00e1maras RED: la RED Epic Dragon (resoluci\u00f3n 6K) para la primera temporada, y la RED Weapon Helium (resoluci\u00f3n 8K) para la segunda temporada. En cuanto a lentes, usaron lentes Leica Summilux-C, que son conocidos por tener un look muy natural y suave.<\/p>\n<p>Pero decidieron sacudir un poco las cosas para la tercera temporada, y optaron por la RED Monstro VV, que cuenta con un sensor full frame. En Stranger Things trabajan con un solo LUT, y tuvieron que volver a crear un LUT espec\u00edfico para la Monstro VV. Al optar por el camino del full frame, lograron obtener una profundidad de campo m\u00e1s estrecha, lo que result\u00f3 en &#8220;tomas m\u00e1s cinematogr\u00e1ficas&#8221;, seg\u00fan Ives.<\/p>\n<div id=\"attachment_129112\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129112\" class=\"size-large wp-image-129112\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_05-640x360.jpg\" alt=\"StrangerThings_05\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129112\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<p>Adem\u00e1s, los lentes Leica Summilux-C no cubren sensores full frame, por lo que optaron por lentes Leitz Thalia y un par de lentes Sigma para las tomas angulares. El cambio m\u00e1s importante, aparte del \u201clook\u201d y la sensaci\u00f3n full frame, es que los lentes Thalia son T\/2.6-2.8 en comparaci\u00f3n con T\/1.4 de los Summilux-C. En una <a href=\"https:\/\/www.leitz-cine.com\/tim-ives-leitz-thalia-stranger-things-season-3\/\">entrevista para Leica<\/a>, Ives describe a estos lentes de la siguiente manera:<\/p>\n<blockquote><p><em>Cuando pusimos los lentes Leitz Thalia en la c\u00e1mara, vi las mejores partes de lo que ve\u00eda con los lentes Summilux-C, pero en una escala m\u00e1s \u00e9pica. Con nuevos sensores que filman limpio a ISO m\u00e1s altas, el stop no es tan importante para la iluminaci\u00f3n. Incluso a 800 ISO estamos en un T4.0 y nunca es un problema. No tuve problemas para iluminar a los sujetos. De hecho, estoy incorporando mis instintos m\u00e1s oscuros.<\/em><\/p><\/blockquote>\n<p><strong>\u00bfQu\u00e9 piensas sobre esta mirada detr\u00e1s de escena de Stranger Things? \u00bfViste Stranger Things? \u00bfEst\u00e1s esperando que salga la cuarta temporada?<\/strong><\/p>\n<129334-main-buylinks\/>","protected":false,"clean_render":"<p><strong>American Cinematographer lanz\u00f3 una entrevista muy interesante con el director de fotograf\u00eda Tim Ives, ASC, para hablar sobre su trabajo en Stranger Things. Ives ha sido el director de fotograf\u00eda de las tres temporadas de esta serie de Netflix. \u00a1Hablemos sobre los movimientos de c\u00e1mara, la iluminaci\u00f3n, las opciones de c\u00e1maras, y de c\u00f3mo estas cosas pueden ayudarte a contar una historia que es un homenaje a la cultura pop de los a\u00f1os 70 y 80!<\/strong><\/p>\n<p><iframe title=\"The Making of Stranger Things with Cinematographer Tim Ives, ASC\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/8WtQG-LaQUQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>Stranger Things &#8211; La Historia<\/h2>\n<p>Stranger Things es una serie de Netflix de ciencia ficci\u00f3n\/terror creada por los Hermanos Duffer que comenz\u00f3 en 2016. La historia tiene lugar en una ciudad inventada -Hawkins, Indiana- en la d\u00e9cada de 1980. Los h\u00e9roes son un grupo de ni\u00f1os que intentan encontrar a otro ni\u00f1o que desapareci\u00f3 misteriosamente. Suceder\u00e1n muchos eventos paranormales y conocer\u00e1n a otras personas con poderes sobrenaturales.<\/p>\n<p>Es bastante dif\u00edcil resumir una serie de tres temporadas sin espoilearla, y si nunca la has visto, Stranger Things es una serie fascinante. Los Hermanos Duffer localizaron la serie en los a\u00f1os 80 como un homenaje a la cultura pop. Junto a Tim Ives, el director de fotograf\u00eda desde el primer d\u00eda, optaron por una est\u00e9tica que recuerda a las pel\u00edculas de Steven Spielberg, el universo de Stephen King o la pel\u00edcula original de Ghostbuster. Si quieres saber m\u00e1s sobre todas las referencias y homenajes en Stranger Things, aqu\u00ed hay otra incre\u00edble <a href=\"https:\/\/www.youtube.com\/watch?time_continue=134&amp;v=qGGc1wGmgbM&amp;feature=emb_title\">entrevista a los Hermanos Duffer<\/a>.<\/p>\n<div id=\"attachment_129102\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_02.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129102\" class=\"size-large wp-image-129102\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_02-640x360.jpg\" alt=\"StrangerThings_02\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_02.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129102\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; la preproducci\u00f3n y el look<\/h2>\n<p>En esta entrevista, es interesante escuchar a Tim Ives hablar sobre c\u00f3mo la historia llev\u00f3 a varias opciones en el dise\u00f1o del set, los colores y los tonos de la serie. Por ejemplo, los tonos y colores en la primera temporada de Stranger Things est\u00e1n bastante apagados, sin demasiada saturaci\u00f3n, para reflejar el estado de \u00e1nimo de 1982. A medida que avanza la historia, comenzaron a introducir m\u00e1s y m\u00e1s colores y saturaci\u00f3n en las temporadas dos\/tres para reflejar el ambiente de 1985.<\/p>\n<p>Adem\u00e1s, Ives describe su relaci\u00f3n con los Hermanos Duffer en la preproducci\u00f3n como algo crucial. El director de fotograf\u00eda y los directores pasan mucho tiempo hablando de referencias visuales y el ambiente que quieren lograr, que, por supuesto, est\u00e1 motivado por la historia.<\/p>\n<div id=\"attachment_129095\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_Featured.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129095\" class=\"size-large wp-image-129095\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_Featured-640x360.jpg\" alt=\"StrangerThings_Featured\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_Featured.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129095\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; Moverse R\u00e1pido<\/h2>\n<p>Cuando tienes que filmar tantas escenas y secuencias por d\u00eda en una serie con un presupuesto razonable -6 millones de d\u00f3lares por episodio en la primera temporada- como es Stranger Things, debes moverte r\u00e1pido. De hecho, Tim Ives hizo un uso extensivo del Technocrane SuperTechno 50 durante toda la serie. Si no sabes c\u00f3mo es un Technocrane, aqu\u00ed est\u00e1.<\/p>\n<div id=\"attachment_129092\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_01.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129092\" class=\"size-large wp-image-129092\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_01-640x360.jpg\" alt=\"StrangerThings_01\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_01.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129092\" class=\"wp-caption-text\">No, un SuperTechno 50 no cabe en tu auto. Cr\u00e9dito de la imagen: Technocrane<\/p><\/div>\n<p>Un Technocrane es una gr\u00faa telesc\u00f3pica gigante que puede extenderse durante la toma a una velocidad de 2 m\/seg. Puedes pensarlo como un Moza Slypod con esteroides, con un precio de $ 500.000. Ives us\u00f3 el Technocrane de &#8220;2 a 3 veces por semana&#8221;, y les ahorr\u00f3 algo de tiempo para obtener m\u00faltiples tomas sin tener que instalar un carro de dolly con rieles.<\/p>\n<div id=\"attachment_129105\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_03.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129105\" class=\"size-large wp-image-129105\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_03-640x360.jpg\" alt=\"StrangerThings_03\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_03.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129105\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; Iluminaci\u00f3n de Utiler\u00eda<\/h2>\n<p>Otra cosa que Tim Ives us\u00f3 de forma intensiva fueron las luces de utiler\u00eda. En efecto, \u00e9l describe a la iluminaci\u00f3n de utiler\u00eda como parte de la &#8220;biblia de Stranger Things&#8221;. En las tomas donde se supon\u00eda que no deb\u00edan parpadear ninguna luz, Ives y su equipo ten\u00edan la costumbre de colocar luces con atenuadores. Lo que es m\u00e1s interesante es c\u00f3mo describe la influencia de los fans de Stranger Things en este look de &#8220;luces parpadeantes&#8221;.<\/p>\n<div id=\"attachment_129108\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_04.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129108\" class=\"size-large wp-image-129108\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_04-640x360.jpg\" alt=\"StrangerThings_04\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_04.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129108\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<p>En la tercera temporada de Stranger Things, la secuencia del centro comercial Starcourt Mall es impresionante porque hay montones de luces parpadeando al mismo tiempo. John Hilton, el gaffer de Stranger Things, y su equipo, tardaron un mes y medio en cablear todo para que las luces pudieran parpadear. En una <a href=\"https:\/\/acmag.com.au\/2019\/09\/01\/stranger-things-3\/\">entrevista para AC Mag<\/a>, lo describe de la siguiente manera:<\/p>\n<blockquote><p><em>El equipo pas\u00f3 la noche de un s\u00e1bado en el centro comercial con una c\u00e1mara probando diferentes balastos, atenuadores Variac y algunas cintas de luz LED de ne\u00f3n. Milne (el segundo director de fotograf\u00eda de Stranger Things) quer\u00eda desesperadamente usar las l\u00e1mparas existentes, pero nada las iba a replicar de la misma manera en que lo quer\u00eda el director de fotograf\u00eda. Al final, despu\u00e9s de probar aproximadamente seis de los neones a trav\u00e9s de un balasto diferente durante ocho horas sin fallar, Milne asumi\u00f3 el riesgo y consigui\u00f3 que la compa\u00f1\u00eda que los dise\u00f1\u00f3 cambiara todos los balastos en el centro comercial por unos nuevos. Fue una gran apuesta para el director de fotograf\u00eda, pero al final todo el parpadeo que ves en el final de la temporada es &#8220;en c\u00e1mara&#8221; y realmente vali\u00f3 la pena.<\/em><\/p><\/blockquote>\n<div id=\"attachment_129115\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_06.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129115\" class=\"size-large wp-image-129115\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_06-640x360.jpg\" alt=\"StrangerThings_06\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_06.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129115\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<h2>Stranger Things &#8211; C\u00e1mara y Lentes<\/h2>\n<p>Stranger Things se film\u00f3 con varias c\u00e1maras RED: la RED Epic Dragon (resoluci\u00f3n 6K) para la primera temporada, y la RED Weapon Helium (resoluci\u00f3n 8K) para la segunda temporada. En cuanto a lentes, usaron lentes Leica Summilux-C, que son conocidos por tener un look muy natural y suave.<\/p>\n<p>Pero decidieron sacudir un poco las cosas para la tercera temporada, y optaron por la RED Monstro VV, que cuenta con un sensor full frame. En Stranger Things trabajan con un solo LUT, y tuvieron que volver a crear un LUT espec\u00edfico para la Monstro VV. Al optar por el camino del full frame, lograron obtener una profundidad de campo m\u00e1s estrecha, lo que result\u00f3 en &#8220;tomas m\u00e1s cinematogr\u00e1ficas&#8221;, seg\u00fan Ives.<\/p>\n<div id=\"attachment_129112\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129112\" class=\"size-large wp-image-129112\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/01\/StrangerThings_05-640x360.jpg\" alt=\"StrangerThings_05\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/01\/StrangerThings_05.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-129112\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: Netflix<\/p><\/div>\n<p>Adem\u00e1s, los lentes Leica Summilux-C no cubren sensores full frame, por lo que optaron por lentes Leitz Thalia y un par de lentes Sigma para las tomas angulares. El cambio m\u00e1s importante, aparte del \u201clook\u201d y la sensaci\u00f3n full frame, es que los lentes Thalia son T\/2.6-2.8 en comparaci\u00f3n con T\/1.4 de los Summilux-C. En una <a href=\"https:\/\/www.leitz-cine.com\/tim-ives-leitz-thalia-stranger-things-season-3\/\">entrevista para Leica<\/a>, Ives describe a estos lentes de la siguiente manera:<\/p>\n<blockquote><p><em>Cuando pusimos los lentes Leitz Thalia en la c\u00e1mara, vi las mejores partes de lo que ve\u00eda con los lentes Summilux-C, pero en una escala m\u00e1s \u00e9pica. Con nuevos sensores que filman limpio a ISO m\u00e1s altas, el stop no es tan importante para la iluminaci\u00f3n. Incluso a 800 ISO estamos en un T4.0 y nunca es un problema. No tuve problemas para iluminar a los sujetos. De hecho, estoy incorporando mis instintos m\u00e1s oscuros.<\/em><\/p><\/blockquote>\n<p><strong>\u00bfQu\u00e9 piensas sobre esta mirada detr\u00e1s de escena de Stranger Things? \u00bfViste Stranger Things? \u00bfEst\u00e1s esperando que salga la cuarta temporada?<\/strong><\/p>\n<129334-main-buylinks\/>"},"excerpt":{"rendered":"<p>American Cinematographer lanz\u00f3 una entrevista muy interesante con el director de fotograf\u00eda Tim Ives, ASC, para hablar sobre su trabajo en Stranger Things. Ives ha sido el director de fotograf\u00eda de las tres temporadas de esta serie de Netflix. \u00a1Hablemos sobre los movimientos de c\u00e1mara, la iluminaci\u00f3n, las opciones de c\u00e1maras, y de c\u00f3mo estas cosas pueden ayudarte a contar una historia que es un homenaje a la cultura pop de los a\u00f1os 70 y 80! Stranger Things &#8211; La Historia Stranger Things es una serie de Netflix de ciencia ficci\u00f3n\/terror creada por los Hermanos Duffer que comenz\u00f3 en 2016. La historia tiene lugar en una ciudad inventada -Hawkins, Indiana- [&hellip;]<\/p>\n","protected":false},"author":15720,"featured_media":129145,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[37402,37403,37404,37405,24961,37406,24964,35761,35764,36450,37401],"tag_label":[],"brand":[],"class_list":["post-129334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","tag-red-monstro-vv-es","tag-stranger-things-es","tag-supertechno-50-es","tag-technocrane-es","tag-asc-es","tag-tim-ives-es","tag-dp-es","tag-behind-the-scenes-es","tag-detras-de-escena","tag-director-de-fotografia","tag-leitz-talia-es"],"yoast_head":"<!-- This site is optimized 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