{"id":132400,"date":"2020-02-22T14:38:44","date_gmt":"2020-02-22T13:38:44","guid":{"rendered":"https:\/\/www.cined.com\/?p=132400"},"modified":"2020-02-27T21:50:50","modified_gmt":"2020-02-27T20:50:50","slug":"roger-deakins-arri-relationship-1917","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/roger-deakins-arri-relationship-1917\/","title":{"rendered":"Roger Deakins y su relaci\u00f3n con ARRI en &#8220;1917&#8221;"},"content":{"rendered":"<p><strong>El \u00faltimo largometraje de Sam Mendes,\u00a0<a href=\"https:\/\/www.cined.com\/es\/1917-dp-roger-deakins\/\" target=\"_blank\" rel=\"noopener\"> &#8220;1917&#8221;<\/a>, rodado por el DF Roger Deakins, gan\u00f3 recientemente 3 Oscars, incluyendo mejor edici\u00f3n de sonido, efectos visuales y cinematograf\u00eda. En este video en profundidad, Deakins habla sobre su relaci\u00f3n con el equipamiento ARRI y c\u00f3mo hicieron posible esta pel\u00edcula. \u00a1Echemos un vistazo m\u00e1s de cerca!<br \/>\n<\/strong><\/p><132400-inline-buylinks\/>\n<p><iframe title=\"ARRI Interview: The immersive camera movement of \u201c1917\u201d\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/vpCD67BEjiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>Roger Deakins &#8211; DF ganador de un Oscar<\/h2>\n<p>En total, a lo largo de su carrera, Deakins ha sido nominado m\u00e1s de 15 veces para un Oscar, pero nunca tuvo la oportunidad de llevarse uno a casa. A Roger Deakins le tom\u00f3 d\u00e9cadas de trabajo duro, dedicaci\u00f3n y paciencia ganar su primer Premio de la Academia por &#8220;Blade Runner 2049&#8221; en 2018.<\/p>\n<div id=\"attachment_131569\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_01.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131569\" class=\"size-large wp-image-131569\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_01-640x360.jpg\" alt=\"RogerDeakins_01\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131569\" class=\"wp-caption-text\">Cr\u00e9dito de la imagen: Oscars<\/p><\/div>\n<p>Este a\u00f1o, el director de fotograf\u00eda de 70 a\u00f1os gan\u00f3 otro Oscar a la Mejor Fotograf\u00eda por su incre\u00edble trabajo en &#8220;1917&#8221;.<\/p>\n<h2>Roger Deakins y ARRI<\/h2>\n<p>Si a\u00fan no lo has visto, puedes consultar el art\u00edculo <a href=\"https:\/\/www.cined.com\/es\/1917-dp-roger-deakins\/\">&#8220;Dentro del Look de 1917&#8221;<\/a> que escrib\u00ed el mes pasado. En ese art\u00edculo, hablamos sobre la mayor\u00eda de los logros t\u00e9cnicos que Deakins y su equipo produjeron en la obra maestra de dos horas de Sam Mendes.<\/p>\n<div id=\"attachment_131578\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_03.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131578\" class=\"size-large wp-image-131578\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_03-640x360.jpg\" alt=\"RogerDeakins_03\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131578\" class=\"wp-caption-text\">Roger Deakins y la ARRI Alexa  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1470346-REG\/arri_k1_0024074_alexa_mini_lf_camera.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Mini LF<\/a> usada para filmar &#8220;1917&#8221;. Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<p>Si quieres saber un poco m\u00e1s sobre el tema, ARRI lanz\u00f3 recientemente la entrevista en video de arriba. En efecto, la charla es sobre Deakins y su uso de los productos ARRI, incluido el rodaje con la ARRI Alexa  Mini LF, los primes ARRI Signature y el sistema de estabilizaci\u00f3n ARRI Trinity.<\/p>\n<h2>ARRI Signature Primes y filtros ND<\/h2>\n<p>Supimos que el 90% de 1917 fue filmada con el ARRI Signature Prime 40mm T\/1.8. El 47 mm se us\u00f3 para que en la secuencia del r\u00edo el fondo se perdiera un poco m\u00e1s de lo habitual. El 35 mm se utiliz\u00f3 dentro del b\u00fanker.<\/p>\n<div id=\"attachment_131581\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_04.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131581\" class=\"size-large wp-image-131581\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_04-640x360.jpg\" alt=\"RogerDeakins_04\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131581\" class=\"wp-caption-text\">El ARRI Signature Prime 47mm T\/1.8 se utiliz\u00f3 para rodar la secuencia del r\u00edo. Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<p>Adem\u00e1s, lo interesante es que la mayor\u00eda de las escenas oscuras dentro del b\u00fanker fueron filmadas a 1600 ISO. Incluso con una ganancia relativamente alta -para lo que es una pel\u00edcula- la imagen que sale de la ARRI Alexa  Mini LF est\u00e1 limpia. Un peque\u00f1o detalle divertido es escuchar que Deakins consigui\u00f3 que ARRI le diera algunos de los \u00fanicos prototipos funcionales de la entonces nueva Mini  Mini LF para la filmaci\u00f3n, por lo que tuvieron que tener mucho cuidado de no da\u00f1ar las c\u00e1maras ya que no hab\u00eda reemplazos.<\/p>\n<p>La capacidad de rodar a una sensibilidad m\u00e1s alta le dio a Deakins m\u00e1s espacio para rodar a una apertura de T\/2.4 dentro del b\u00fanker, en lugar de estar completamente abierto en T\/1.8. La mayor\u00eda de las secuencias en exteriores de d\u00eda se filman entre T\/3.5 a T\/4, y algunas escenas incluso se a T\/5.6.<\/p>\n<div id=\"attachment_131584\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131584\" class=\"size-large wp-image-131584\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_05-640x360.jpg\" alt=\"RogerDeakins_05\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131584\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<p>De hecho, el equipo tuvo que moverse r\u00e1pido porque, en las secuencias exteriores de d\u00eda, no se utiliz\u00f3 iluminaci\u00f3n adicional. Roger Deakins y su equipo solo confiaron en el clima y las nubes. Ten\u00edan que moverse r\u00e1pido, con dos plataformas listas para funcionar en todo momento, y a veces ni siquiera ten\u00edan tiempo para poner un filtro ND adicional. Hablando de filtros ND, tambi\u00e9n supimos que usaron un filtro interno 0.6 ND, m\u00e1s un filtro ND adicional frente al lente (en la caja mate).<\/p>\n<div id=\"attachment_131573\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_02.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131573\" class=\"size-large wp-image-131573\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_02-640x360.jpg\" alt=\"RogerDeakins_02\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131573\" class=\"wp-caption-text\">El ARRI Trinity. Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<h2>ARRI Trinity<\/h2>\n<p>Gran parte de la entrevista es sobre el sistema ARRI Trinity. Charlie Rizek, operador del Trinity en &#8220;1917&#8221;, habla sobre los beneficios de este estabilizador de 5 ejes \u00fanico en su tipo. De hecho, el ARRI Trinity es un sistema h\u00edbrido que combina una Steadicam tradicional con un eje de inclinaci\u00f3n y balanceo estabilizado con gimbal. Puedes <a href=\"\/?p=38282\" target=\"_blank\" rel=\"noopener\">ver nuestro video pr\u00e1ctico con el sistema Trinity de la IBC 2015 (!) Con el inventor Curt Schaller aqu\u00ed<\/a>. (En ese momento, el sistema Trinity, y Curt, todav\u00eda comercializaban y trabajaban con Sachtler, una marca del Grupo Vitec, pero ARRI m\u00e1s tarde se hizo cargo del proyecto y lo integr\u00f3 en su portfolio).<\/p>\n<p>Este sistema le da mucha m\u00e1s libertad al operador. Puedes mover la c\u00e1mara sin preocuparte por mantener el horizonte recto porque los motores lo compensar\u00e1n. Adem\u00e1s, es mucho m\u00e1s f\u00e1cil pasar del modo alto al bajo durante la toma.<\/p>\n<p><strong>\u00bfQu\u00e9 opinas de esta entrevista con Roger Deakins? \u00bfYa viste &#8220;1917&#8221;? \u00bfQuieres que hagamos m\u00e1s art\u00edculos detr\u00e1s de escena como ese? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<132400-main-buylinks\/>","protected":false,"clean_render":"<p><strong>El \u00faltimo largometraje de Sam Mendes,\u00a0<a href=\"https:\/\/www.cined.com\/es\/1917-dp-roger-deakins\/\" target=\"_blank\" rel=\"noopener\"> &#8220;1917&#8221;<\/a>, rodado por el DF Roger Deakins, gan\u00f3 recientemente 3 Oscars, incluyendo mejor edici\u00f3n de sonido, efectos visuales y cinematograf\u00eda. En este video en profundidad, Deakins habla sobre su relaci\u00f3n con el equipamiento ARRI y c\u00f3mo hicieron posible esta pel\u00edcula. \u00a1Echemos un vistazo m\u00e1s de cerca!<br \/>\n<\/strong><\/p><132400-inline-buylinks\/>\n<p><iframe title=\"ARRI Interview: The immersive camera movement of \u201c1917\u201d\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/vpCD67BEjiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>Roger Deakins &#8211; DF ganador de un Oscar<\/h2>\n<p>En total, a lo largo de su carrera, Deakins ha sido nominado m\u00e1s de 15 veces para un Oscar, pero nunca tuvo la oportunidad de llevarse uno a casa. A Roger Deakins le tom\u00f3 d\u00e9cadas de trabajo duro, dedicaci\u00f3n y paciencia ganar su primer Premio de la Academia por &#8220;Blade Runner 2049&#8221; en 2018.<\/p>\n<div id=\"attachment_131569\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_01.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131569\" class=\"size-large wp-image-131569\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_01-640x360.jpg\" alt=\"RogerDeakins_01\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_01.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131569\" class=\"wp-caption-text\">Cr\u00e9dito de la imagen: Oscars<\/p><\/div>\n<p>Este a\u00f1o, el director de fotograf\u00eda de 70 a\u00f1os gan\u00f3 otro Oscar a la Mejor Fotograf\u00eda por su incre\u00edble trabajo en &#8220;1917&#8221;.<\/p>\n<h2>Roger Deakins y ARRI<\/h2>\n<p>Si a\u00fan no lo has visto, puedes consultar el art\u00edculo <a href=\"https:\/\/www.cined.com\/es\/1917-dp-roger-deakins\/\">&#8220;Dentro del Look de 1917&#8221;<\/a> que escrib\u00ed el mes pasado. En ese art\u00edculo, hablamos sobre la mayor\u00eda de los logros t\u00e9cnicos que Deakins y su equipo produjeron en la obra maestra de dos horas de Sam Mendes.<\/p>\n<div id=\"attachment_131578\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_03.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131578\" class=\"size-large wp-image-131578\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_03-640x360.jpg\" alt=\"RogerDeakins_03\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_03.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131578\" class=\"wp-caption-text\">Roger Deakins y la ARRI Alexa  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1470346-REG\/arri_k1_0024074_alexa_mini_lf_camera.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Mini LF<\/a> usada para filmar &#8220;1917&#8221;. Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<p>Si quieres saber un poco m\u00e1s sobre el tema, ARRI lanz\u00f3 recientemente la entrevista en video de arriba. En efecto, la charla es sobre Deakins y su uso de los productos ARRI, incluido el rodaje con la ARRI Alexa  Mini LF, los primes ARRI Signature y el sistema de estabilizaci\u00f3n ARRI Trinity.<\/p>\n<h2>ARRI Signature Primes y filtros ND<\/h2>\n<p>Supimos que el 90% de 1917 fue filmada con el ARRI Signature Prime 40mm T\/1.8. El 47 mm se us\u00f3 para que en la secuencia del r\u00edo el fondo se perdiera un poco m\u00e1s de lo habitual. El 35 mm se utiliz\u00f3 dentro del b\u00fanker.<\/p>\n<div id=\"attachment_131581\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_04.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131581\" class=\"size-large wp-image-131581\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_04-640x360.jpg\" alt=\"RogerDeakins_04\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_04.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131581\" class=\"wp-caption-text\">El ARRI Signature Prime 47mm T\/1.8 se utiliz\u00f3 para rodar la secuencia del r\u00edo. Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<p>Adem\u00e1s, lo interesante es que la mayor\u00eda de las escenas oscuras dentro del b\u00fanker fueron filmadas a 1600 ISO. Incluso con una ganancia relativamente alta -para lo que es una pel\u00edcula- la imagen que sale de la ARRI Alexa  Mini LF est\u00e1 limpia. Un peque\u00f1o detalle divertido es escuchar que Deakins consigui\u00f3 que ARRI le diera algunos de los \u00fanicos prototipos funcionales de la entonces nueva Mini  Mini LF para la filmaci\u00f3n, por lo que tuvieron que tener mucho cuidado de no da\u00f1ar las c\u00e1maras ya que no hab\u00eda reemplazos.<\/p>\n<p>La capacidad de rodar a una sensibilidad m\u00e1s alta le dio a Deakins m\u00e1s espacio para rodar a una apertura de T\/2.4 dentro del b\u00fanker, en lugar de estar completamente abierto en T\/1.8. La mayor\u00eda de las secuencias en exteriores de d\u00eda se filman entre T\/3.5 a T\/4, y algunas escenas incluso se a T\/5.6.<\/p>\n<div id=\"attachment_131584\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131584\" class=\"size-large wp-image-131584\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_05-640x360.jpg\" alt=\"RogerDeakins_05\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_05.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131584\" class=\"wp-caption-text\">Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<p>De hecho, el equipo tuvo que moverse r\u00e1pido porque, en las secuencias exteriores de d\u00eda, no se utiliz\u00f3 iluminaci\u00f3n adicional. Roger Deakins y su equipo solo confiaron en el clima y las nubes. Ten\u00edan que moverse r\u00e1pido, con dos plataformas listas para funcionar en todo momento, y a veces ni siquiera ten\u00edan tiempo para poner un filtro ND adicional. Hablando de filtros ND, tambi\u00e9n supimos que usaron un filtro interno 0.6 ND, m\u00e1s un filtro ND adicional frente al lente (en la caja mate).<\/p>\n<div id=\"attachment_131573\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_02.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-131573\" class=\"size-large wp-image-131573\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/02\/RogerDeakins_02-640x360.jpg\" alt=\"RogerDeakins_02\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/02\/RogerDeakins_02.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-131573\" class=\"wp-caption-text\">El ARRI Trinity. Cr\u00e9dito de imagen: ARRI<\/p><\/div>\n<h2>ARRI Trinity<\/h2>\n<p>Gran parte de la entrevista es sobre el sistema ARRI Trinity. Charlie Rizek, operador del Trinity en &#8220;1917&#8221;, habla sobre los beneficios de este estabilizador de 5 ejes \u00fanico en su tipo. De hecho, el ARRI Trinity es un sistema h\u00edbrido que combina una Steadicam tradicional con un eje de inclinaci\u00f3n y balanceo estabilizado con gimbal. Puedes <a href=\"\/?p=38282\" target=\"_blank\" rel=\"noopener\">ver nuestro video pr\u00e1ctico con el sistema Trinity de la IBC 2015 (!) Con el inventor Curt Schaller aqu\u00ed<\/a>. (En ese momento, el sistema Trinity, y Curt, todav\u00eda comercializaban y trabajaban con Sachtler, una marca del Grupo Vitec, pero ARRI m\u00e1s tarde se hizo cargo del proyecto y lo integr\u00f3 en su portfolio).<\/p>\n<p>Este sistema le da mucha m\u00e1s libertad al operador. Puedes mover la c\u00e1mara sin preocuparte por mantener el horizonte recto porque los motores lo compensar\u00e1n. Adem\u00e1s, es mucho m\u00e1s f\u00e1cil pasar del modo alto al bajo durante la toma.<\/p>\n<p><strong>\u00bfQu\u00e9 opinas de esta entrevista con Roger Deakins? \u00bfYa viste &#8220;1917&#8221;? \u00bfQuieres que hagamos m\u00e1s art\u00edculos detr\u00e1s de escena como ese? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<132400-main-buylinks\/>"},"excerpt":{"rendered":"<p>El \u00faltimo largometraje de Sam Mendes,\u00a0 &#8220;1917&#8221;, rodado por el DF Roger Deakins, gan\u00f3 recientemente 3 Oscars, incluyendo mejor edici\u00f3n de sonido, efectos visuales y cinematograf\u00eda. En este video en profundidad, Deakins habla sobre su relaci\u00f3n con el equipamiento ARRI y c\u00f3mo hicieron posible esta pel\u00edcula. \u00a1Echemos un vistazo m\u00e1s de cerca! Roger Deakins &#8211; DF ganador de un Oscar En total, a lo largo de su carrera, Deakins ha sido nominado m\u00e1s de 15 veces para un Oscar, pero nunca tuvo la oportunidad de llevarse uno a casa. A Roger Deakins le tom\u00f3 d\u00e9cadas de trabajo duro, dedicaci\u00f3n y paciencia ganar su primer Premio de la Academia por &#8220;Blade [&hellip;]<\/p>\n","protected":false},"author":15720,"featured_media":131580,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[30774,31306,37203,37208,37209,37864,38332,24526],"tag_label":[],"brand":[],"class_list":["post-132400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","category-camaras","tag-alexa-mini-lf-es","tag-arri-alexa-mini-lf-es","tag-1917-es","tag-roger-deakins-es","tag-sam-mendes-es","tag-oscar-es","tag-arri-trinity-es","tag-arri-es"],"yoast_head":"<!-- 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>ARRI ALEXA Mini LF - Body<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cvp.com\/images\/products\/28-03-20191553766603alexa-mini-lf-body-no-adapter-small.jpg\" alt=\"ARRI ALEXA Mini LF - Body\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1470346-REG\/arri_k1_0024074_alexa_mini_lf_camera.html\/BI\/7953\/KBID\/8488\/SID\/jeff\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">See more<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/arri-alexa-mini-lf-body?aff_id=101&tid1=jeff\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 0.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"132400-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>ARRI ALEXA Mini LF - Body<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1470346-REG\/arri_k1_0024074_alexa_mini_lf_camera.html\/BI\/7953\/KBID\/8488\/SID\/jeff\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">See more<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/arri-alexa-mini-lf-body?aff_id=101&tid1=jeff\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 0.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":344293,"title":"Anuncian la ARRI Hi-5 SX - Unidad manual inal\u00e1mbrica de un solo eje","url":"https:\/\/staging.cined.dev\/es\/arri-hi-5-sx-announced-single-axis-wireless-hand-unit\/","author":9439,"author_details":{"display_name":"Jose Prada","first_name":"Jose","last_name":"Prada"},"publish_date":"June, 17 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-Hi5SX-featured-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42299,"name":"Accesorios","link":"https:\/\/staging.cined.dev\/es\/noticias\/accesorios\/","slug":"accesorios"}],"custom_labels":[{"id":65103,"name":"Accessory News","link":"https:\/\/staging.cined.dev\/es\/labels\/accessory-news-es\/","slug":"accessory-news-es"}],"total_comments":0,"video_url":""},{"id":342865,"title":"Panasonic LUMIX GH7 admitir\u00e1 la grabaci\u00f3n de ARRI LogC3","url":"https:\/\/staging.cined.dev\/es\/panasonic-lumix-gh7-to-support-arri-logc3-internal-recording\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"June, 05 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/ARRI-LUMIX-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":[{"id":53275,"name":"Camera News","link":"https:\/\/staging.cined.dev\/es\/labels\/camera-news-es\/","slug":"camera-news-es"}],"total_comments":0,"video_url":""},{"id":333325,"title":"Anuncian las LED Fresnels ARRI L-Series Plus - 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