{"id":133022,"date":"2020-02-15T12:13:33","date_gmt":"2020-02-15T11:13:33","guid":{"rendered":"https:\/\/www.cined.com\/?p=133022"},"modified":"2020-03-09T21:09:23","modified_gmt":"2020-03-09T20:09:23","slug":"inside-the-look-of-joker","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/inside-the-look-of-joker\/","title":{"rendered":"Dentro del look de “Joker”"},"content":{"rendered":"

En los Premios de la Academia de este a\u00f1o, Joker, de Todd Phillips, se llev\u00f3 a casa los Oscar a Mejor Actor por Joaquin Phoenix y al Mejor Banda Sonora Original por Hildur Gu\u00f0nad\u00f3ttir. Recibi\u00f3 la mayor cantidad de nominaciones (11) para una pel\u00edcula basada en un c\u00f3mic.<\/strong><\/p>\n

Filmada por el asiduo colaborador y director de fotograf\u00eda, Lawrence Sher (Hangover, Garden State<\/em>) La Academia Hurlbut<\/a> ha lanzado un video de an\u00e1lisis que habla sobre el look y la fotograf\u00eda de Joker. Este es el primero de su serie de videos “el Look de”<\/a> en pel\u00edculas recientes.
\n<\/strong><\/p>\n

https:\/\/www.youtube.com\/watch?v=f_Pfc4oLLic<\/p>\n

Joker – la pel\u00edcula<\/h2>\n

Si no la has visto, Joker<\/em> est\u00e1 disponible en l\u00ednea<\/a> y nominada para 11 Premios de la Academia, incluyendo Mejor pel\u00edcula y Mejor director (gan\u00f3 en Mejor Actor y Banda Sonora). Domin\u00f3 toda la temporada de los Oscar, y tambi\u00e9n obtuvo los premios a Mejor Actor en los Globos de Oro, los Premios Screen Actors Guild, los Premios Critic\u2019s Choice y los BAFTA. Originalmente controvertida, lleg\u00f3 a romper r\u00e9cords para la pel\u00edcula R m\u00e1s taquillera de todos los tiempos.<\/p>\n

La historia cuenta sobre el comediante fracasado Arthur Fleck que usa 2 m\u00e1scaras: una f\u00edsica (pintura) y una emocional relacionada con el p\u00fablico mientras se transforma lentamente en el Joker. La pel\u00edcula est\u00e1 ambientada en la ficticia Gotham City, criminal y sucia, pero utiliz\u00f3 la ciudad de Nueva York de los 1970-80 como referencia visual y tonal.<\/p>\n

\"Joker<\/a>

Joker La Pel\u00edcula<\/p><\/div>\n

Joker: decisiones de preproducci\u00f3n y c\u00e1mara<\/h2>\n

El look y la vibra de Joker<\/em> se basaron en los recuerdos del cineasta de la ciudad de Nueva York de los a\u00f1os 70-80. Taxi Driver, el Rey de la Comedia, Serpico y One Flew Over the Cuckoo\u2019s Nest fueron influyentes y el director Todd Philips las llam\u00f3 un “tiempo de pel\u00edculas”. El director de fotograf\u00eda Lawrence Sher dice que “es el recuerdo de la pel\u00edcula lo que estaba buscando … no necesariamente el look de la pel\u00edcula en s\u00ed”. Los c\u00f3mics de Joker tambi\u00e9n se mencionaron durante la exploraci\u00f3n de locaciones, para tener una idea de la representaci\u00f3n de Joker y Gotham City fuera del mundo de las pel\u00edculas. (En caso de que te lo hayas perdido, recientemente informamos<\/a> sobre la biblioteca colaborativa en l\u00ednea de im\u00e1genes de pel\u00edculas de Lawrence Sher, Shotdeck).<\/p>\n

Las locaciones en el \u00e1rea de Nueva York fueron preferidas antes que los sets, para alejarse de la sensaci\u00f3n l\u00edmpida de superh\u00e9roe. Inicialmente queriendo filmar en pel\u00edcula de gran formato (65 mm) por su poca profundidad de campo, finalmente se decidieron por la Alexa. Les permiti\u00f3 hacer m\u00e1s tomas y fue una buena opci\u00f3n para la actuaci\u00f3n improvisada de Joaquin Phoenix. A trav\u00e9s de numerosas pruebas, crearon un LUT para recrear el look de la pel\u00edcula Kodak 5293.<\/p>\n

\"Vintage_NYC\"<\/a><\/h2>\n

Joker – C\u00e1mara y lentes<\/h2>\n

El arco visual del personaje se desarroll\u00f3 al igual que el arco de la historia. Lawrence Sher dice: “Ciertamente, al comienzo de la pel\u00edcula, realmente trat\u00e9 de pensar en el arco de la fotograf\u00eda como el arco del personaje”.<\/p>\n

Utilizaron tres c\u00e1maras diferentes (ALEXA 65, ALEXA LF, ALEXA Mini LF<\/a>) y usaron \u00f3pticas vintage para acercarse a un look anal\u00f3gico. Quer\u00edan usar lentes que se sintieran como la Nueva York del 70-80 con vi\u00f1eteo y destellos de lentes de estilo anam\u00f3rfico. Uno de los objetivos era usar la c\u00e1mara para conectar al Joker con la audiencia, por lo que el encuadre cambia a trav\u00e9s de la pel\u00edcula para imitar los cambios de Arthur. Las tomas largas y est\u00e1ticas se reemplazan lentamente por tomas de gran angular con c\u00e1mara en mano. El movimiento de la c\u00e1mara comienza lento y tedioso y se vuelve en\u00e9rgico, y Arthur se convierte en el Joker. El director de fotograf\u00eda Lawrence Sher lo describe como “Un set de lentes Frankenstein” que se sent\u00edan como los lentes de esa \u00e9poca.<\/p>\n

\"Arri_Joker\"<\/a><\/p>\n

Joker: iluminaci\u00f3n, edici\u00f3n y sonido<\/h2>\n

Visualmente, la pel\u00edcula se vuelve m\u00e1s oscura a medida que Arthur cambia, y los espejos ilustran sus dos seres diferentes. El espejo comienza como un triste reflejo, pero finalmente, el espejo se convierte en el Joker perturbado pero empoderado. Las luces de vapor de mercurio influyen en la paleta naranja-verde para dar una est\u00e9tica arenosa al look que refleja la agitaci\u00f3n de nuestra sociedad moderna. La edici\u00f3n y el sonido (m\u00fasica, dise\u00f1o de sonido) refuerzan el ambiente oscuro y arenoso que establecen la historia y las im\u00e1genes.<\/p>\n

\"Joker_Mirror\"<\/a><\/p>\n

\u00bfQu\u00e9 opinas de este detr\u00e1s de escena\/enfoque a la fotograf\u00eda de Joker?<\/strong><\/p>\n

\u00bfYa viste la pel\u00edcula? \u00bfQuieres que hagamos m\u00e1s art\u00edculos detr\u00e1s de escena como este? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<133022-main-buylinks\/>","protected":false,"clean_render":"

En los Premios de la Academia de este a\u00f1o, Joker, de Todd Phillips, se llev\u00f3 a casa los Oscar a Mejor Actor por Joaquin Phoenix y al Mejor Banda Sonora Original por Hildur Gu\u00f0nad\u00f3ttir. Recibi\u00f3 la mayor cantidad de nominaciones (11) para una pel\u00edcula basada en un c\u00f3mic.<\/strong><\/p>\n

Filmada por el asiduo colaborador y director de fotograf\u00eda, Lawrence Sher (Hangover, Garden State<\/em>) La Academia Hurlbut<\/a> ha lanzado un video de an\u00e1lisis que habla sobre el look y la fotograf\u00eda de Joker. Este es el primero de su serie de videos “el Look de”<\/a> en pel\u00edculas recientes.
\n<\/strong><\/p>\n

https:\/\/www.youtube.com\/watch?v=f_Pfc4oLLic<\/p>\n

Joker – la pel\u00edcula<\/h2>\n

Si no la has visto, Joker<\/em> est\u00e1 disponible en l\u00ednea<\/a> y nominada para 11 Premios de la Academia, incluyendo Mejor pel\u00edcula y Mejor director (gan\u00f3 en Mejor Actor y Banda Sonora). Domin\u00f3 toda la temporada de los Oscar, y tambi\u00e9n obtuvo los premios a Mejor Actor en los Globos de Oro, los Premios Screen Actors Guild, los Premios Critic\u2019s Choice y los BAFTA. Originalmente controvertida, lleg\u00f3 a romper r\u00e9cords para la pel\u00edcula R m\u00e1s taquillera de todos los tiempos.<\/p>\n

La historia cuenta sobre el comediante fracasado Arthur Fleck que usa 2 m\u00e1scaras: una f\u00edsica (pintura) y una emocional relacionada con el p\u00fablico mientras se transforma lentamente en el Joker. La pel\u00edcula est\u00e1 ambientada en la ficticia Gotham City, criminal y sucia, pero utiliz\u00f3 la ciudad de Nueva York de los 1970-80 como referencia visual y tonal.<\/p>\n

\"Joker<\/a>

Joker La Pel\u00edcula<\/p><\/div>\n

Joker: decisiones de preproducci\u00f3n y c\u00e1mara<\/h2>\n

El look y la vibra de Joker<\/em> se basaron en los recuerdos del cineasta de la ciudad de Nueva York de los a\u00f1os 70-80. Taxi Driver, el Rey de la Comedia, Serpico y One Flew Over the Cuckoo\u2019s Nest fueron influyentes y el director Todd Philips las llam\u00f3 un “tiempo de pel\u00edculas”. El director de fotograf\u00eda Lawrence Sher dice que “es el recuerdo de la pel\u00edcula lo que estaba buscando … no necesariamente el look de la pel\u00edcula en s\u00ed”. Los c\u00f3mics de Joker tambi\u00e9n se mencionaron durante la exploraci\u00f3n de locaciones, para tener una idea de la representaci\u00f3n de Joker y Gotham City fuera del mundo de las pel\u00edculas. (En caso de que te lo hayas perdido, recientemente informamos<\/a> sobre la biblioteca colaborativa en l\u00ednea de im\u00e1genes de pel\u00edculas de Lawrence Sher, Shotdeck).<\/p>\n

Las locaciones en el \u00e1rea de Nueva York fueron preferidas antes que los sets, para alejarse de la sensaci\u00f3n l\u00edmpida de superh\u00e9roe. Inicialmente queriendo filmar en pel\u00edcula de gran formato (65 mm) por su poca profundidad de campo, finalmente se decidieron por la Alexa. Les permiti\u00f3 hacer m\u00e1s tomas y fue una buena opci\u00f3n para la actuaci\u00f3n improvisada de Joaquin Phoenix. A trav\u00e9s de numerosas pruebas, crearon un LUT para recrear el look de la pel\u00edcula Kodak 5293.<\/p>\n

\"Vintage_NYC\"<\/a><\/h2>\n

Joker – C\u00e1mara y lentes<\/h2>\n

El arco visual del personaje se desarroll\u00f3 al igual que el arco de la historia. Lawrence Sher dice: “Ciertamente, al comienzo de la pel\u00edcula, realmente trat\u00e9 de pensar en el arco de la fotograf\u00eda como el arco del personaje”.<\/p>\n

Utilizaron tres c\u00e1maras diferentes (ALEXA 65, ALEXA LF, ALEXA Mini LF<\/a>) y usaron \u00f3pticas vintage para acercarse a un look anal\u00f3gico. Quer\u00edan usar lentes que se sintieran como la Nueva York del 70-80 con vi\u00f1eteo y destellos de lentes de estilo anam\u00f3rfico. Uno de los objetivos era usar la c\u00e1mara para conectar al Joker con la audiencia, por lo que el encuadre cambia a trav\u00e9s de la pel\u00edcula para imitar los cambios de Arthur. Las tomas largas y est\u00e1ticas se reemplazan lentamente por tomas de gran angular con c\u00e1mara en mano. El movimiento de la c\u00e1mara comienza lento y tedioso y se vuelve en\u00e9rgico, y Arthur se convierte en el Joker. El director de fotograf\u00eda Lawrence Sher lo describe como “Un set de lentes Frankenstein” que se sent\u00edan como los lentes de esa \u00e9poca.<\/p>\n

\"Arri_Joker\"<\/a><\/p>\n

Joker: iluminaci\u00f3n, edici\u00f3n y sonido<\/h2>\n

Visualmente, la pel\u00edcula se vuelve m\u00e1s oscura a medida que Arthur cambia, y los espejos ilustran sus dos seres diferentes. El espejo comienza como un triste reflejo, pero finalmente, el espejo se convierte en el Joker perturbado pero empoderado. Las luces de vapor de mercurio influyen en la paleta naranja-verde para dar una est\u00e9tica arenosa al look que refleja la agitaci\u00f3n de nuestra sociedad moderna. La edici\u00f3n y el sonido (m\u00fasica, dise\u00f1o de sonido) refuerzan el ambiente oscuro y arenoso que establecen la historia y las im\u00e1genes.<\/p>\n

\"Joker_Mirror\"<\/a><\/p>\n

\u00bfQu\u00e9 opinas de este detr\u00e1s de escena\/enfoque a la fotograf\u00eda de Joker?<\/strong><\/p>\n

\u00bfYa viste la pel\u00edcula? \u00bfQuieres que hagamos m\u00e1s art\u00edculos detr\u00e1s de escena como este? \u00a1Cu\u00e9ntanos en los comentarios debajo!<\/strong><\/p>\n<133022-main-buylinks\/>"},"excerpt":{"rendered":"

En los Premios de la Academia de este a\u00f1o, Joker, de Todd Phillips, se llev\u00f3 a casa los Oscar a Mejor Actor por Joaquin Phoenix y al Mejor Banda Sonora Original por Hildur Gu\u00f0nad\u00f3ttir. Recibi\u00f3 la mayor cantidad de nominaciones (11) para una pel\u00edcula basada en un c\u00f3mic. Filmada por el asiduo colaborador y director de fotograf\u00eda, Lawrence Sher (Hangover, Garden State) La Academia Hurlbut ha lanzado un video de an\u00e1lisis que habla sobre el look y la fotograf\u00eda de Joker. Este es el primero de su serie de videos “el Look de” en pel\u00edculas recientes. https:\/\/www.youtube.com\/watch?v=f_Pfc4oLLic Joker – la pel\u00edcula Si no la has visto, Joker est\u00e1 disponible en […]<\/p>\n","protected":false},"author":15693,"featured_media":131129,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[38594,38595,38596,24527,29637,35352,37206,38591,38592,38593],"tag_label":[],"brand":[],"class_list":["post-133022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","tag-the-look-of-the-joker-es","tag-todd-phillips-es","tag-ganador-del-oscar","tag-cinematography-es","tag-fotografia","tag-aspecto","tag-hurlbut-academy-es","tag-academy-award-winner-es","tag-joker-es","tag-lawrence-sher-es"],"yoast_head":"\nDentro del look de "Joker" | CineD<\/title>\n<meta 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