{"id":137205,"date":"2020-04-19T14:53:39","date_gmt":"2020-04-19T12:53:39","guid":{"rendered":"https:\/\/www.cined.com\/?p=137205"},"modified":"2020-04-21T16:03:26","modified_gmt":"2020-04-21T14:03:26","slug":"media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing\/","title":{"rendered":"Lentes ultrarr\u00e1pidos f\/0.7 &#8211; mitos, opciones seg\u00fan tu presupuesto, modificaciones, pruebas y m\u00e1s en el Canal Media Division"},"content":{"rendered":"<p><strong>Los chicos detr\u00e1s de <a href=\"https:\/\/www.youtube.com\/channel\/UCPf67c3vUrFlNOERwjHyR2w\">Media Division, un canal de Youtube<\/a>, publicaron recientemente un nuevo episodio sobre grabaciones con lentes ultrarr\u00e1pidos con aperturas por debajo de f\/1. Durante m\u00e1s de 50 minutos, Media Division se sumerge en la experimentaci\u00f3n con lentes ultrarr\u00e1pidos: mitos, opciones seg\u00fan tu presupuesto, modificaciones y pruebas. Sigue leyendo para conocer m\u00e1s sobre la historia de fondo y encontrar\u00e1s la entrevista con Nikolas Moldenhauer de Media Division.<br \/>\n<\/strong><\/p><137205-inline-buylinks\/>\n<div id=\"attachment_136450\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136450\" class=\"size-large wp-image-136450\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Featured-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136450\" class=\"wp-caption-text\">Grabaci\u00f3n con lentes ultrarr\u00e1pidos. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<p>Llevo m\u00e1s de un a\u00f1o siguiendo el <a href=\"https:\/\/www.youtube.com\/channel\/UCPf67c3vUrFlNOERwjHyR2w\">canal Media Division<\/a> en Youtube. Creo que el contenido que producen es realmente muy \u00fatil para los cineastas, y el valor de producci\u00f3n de sus episodios es alt\u00edsimo. En el canal tienen una gran cantidad de modificaciones, tutoriales y material t\u00e9cnico, que personalmente me parecen un factor positivo. El protagonista principal detr\u00e1s del canal es Nikolas Moldenhauer, un director de fotograf\u00eda que reside en Alemania.<\/p>\n<h2>Media Division \u2013 Episodio sobre los lentes ultrarr\u00e1pidos f\/0.7<\/h2>\n<p><iframe title=\"f0.7 \u2013 Ultrafast Lenses \u2013 Legends, budget options, modding, and testing \u2013 Epic Episode #13\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2p5E7iXxeQE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Si bien creo que vale la pena ver todos los episodios de Media Division, en este art\u00edculo en particular hablaremos sobre el \u00faltimo video, que est\u00e1 dedicado a la filmaci\u00f3n con lentes ultrarr\u00e1pidos, principalmente con el lente modificado de rayos X Zeiss R-Biotar 100 mm f\/0.73. Dado que el lente cubre los sensores full-frame, Nikolas modific\u00f3 su c\u00e1mara Kinefinity Mavo LF para trabajar con la distancia focal extremadamente corta.<\/p>\n<p>En el video, Nikolas explica informaci\u00f3n t\u00e9cnica sobre el significado y lo que implica el valor F de un lente. Despu\u00e9s de jugar con la configuraci\u00f3n modificada con el Zeiss R-Biotar, tambi\u00e9n prob\u00f3 otros pr\u00e1cticos lentes ultrarr\u00e1pidos alternativos:<\/p>\n<ul>\n<li>KIPON Ibelux 40mm f\/0.85 Mark II<\/li>\n<li>SLR Magic 25mm T0.95 (aproximadamente f\/0.92) &#8211; solo para Micro Four Thirds, por lo que Nikolas us\u00f3 la BMPCC 4K<\/li>\n<li>Canon FD 55 mm f\/1.2 con el adaptador FD-EF y los adaptadores Speedbooster<\/li>\n<\/ul>\n<div id=\"attachment_136453\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136453\" class=\"size-large wp-image-136453\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136453\" class=\"wp-caption-text\">Comparando el tama\u00f1o entre el Zeiss R-Biotar 100 mm f\/0.73 y el SLR Magic 25 mm T0.95. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<h2>Entrevista con Nikolas Moldenhauer de Media Division<\/h2>\n<p>Me contact\u00e9 con Nikolas, le envi\u00e9 algunas preguntas y, adem\u00e1s de sus respuestas, tambi\u00e9n me envi\u00f3 una breve historia interesante para este episodio, que creo que vale la pena leer:<\/p>\n<blockquote><p><em>\u201cNikolas: Como fan\u00e1tico de Kubrick, siempre admir\u00e9 la cinematograf\u00eda de Barry Lyndon y la poes\u00eda visual pura de las escenas a la luz de las velas. Durante la producci\u00f3n de nuestro episodio sobre CONTAX Zeiss, hemos hablado con Zeiss en Alemania, y nos han apoyaron mucho. Haciendo un par\u00e9ntesis, hablamos sobre el misterioso Zeiss Planar f\/0.7 &#8211; el lente &#8220;lunar&#8221;. Le pregunt\u00e9 si pod\u00edamos &#8220;pedirlo prestado&#8221; (Zeiss todav\u00eda posee una copia). Desafortunadamente, es parte de una exposici\u00f3n permanente en un museo, y no puedo culpar a Zeiss por no mover cielo y tierra para hacerlo posible.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136456\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136456\" class=\"size-large wp-image-136456\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136456\" class=\"wp-caption-text\">Grabando con el Zeiss R-Biotar f\/0.73. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>Si conoces algo sobre m\u00ed, sabr\u00e1s que me cuesta mucho aceptar un &#8220;no&#8221; como respuesta. Naci\u00f3 la idea de filmar en f\/0.7, y comenz\u00f3 la b\u00fasqueda de un lente alternativo. Tiempo atr\u00e1s, estaba la posibilidad de alquilar en el mercado (la &#8220;Colecci\u00f3n Kubrick&#8221;), pero luego desapareci\u00f3; despu\u00e9s de hacer este episodio, sabemos porque ocurri\u00f3. Los \u00fanicos lentes disponibles lo suficientemente r\u00e1pidos que tambi\u00e9n cubren Full Frame son lentes selectos de rayos X de los a\u00f1os 60: compramos un Zeiss R-Biotar 100mm f\/0.73 por un precio razonable en eBay.<\/em><\/p><\/blockquote>\n<p><strong>cinema5D: \u00bfAproximadamente, cu\u00e1ntas horas de trabajo hay en total detr\u00e1s este episodio (desde la preproducci\u00f3n hasta la carga final)?<\/strong><\/p>\n<blockquote><p><em>Nikolas: L\u00f3gicamente, esto resulta dif\u00edcil de contestar. Distintos aspectos del episodio tuvieron que ser investigados y los problemas tuvieron que ser superados, todo esto ocurri\u00f3 durante un largo per\u00edodo de tiempo. La planificaci\u00f3n y la investigaci\u00f3n comenzaron en agosto de 2019. Si se incluyen todas las pruebas e investigaciones, la escritura de guiones, el rodaje y la post-producci\u00f3n, creo que este episodio cost\u00f3 alrededor de 100 horas de trabajo. Las tomas avanzadas de mesa solo fueron posibles con la ayuda de nuestros amigos de <a href=\"https:\/\/www.themarmalade.com\/\">TheMarmalade<\/a>, que tambi\u00e9n dedicaron muchas horas a esto.<br \/>\n<\/em><\/p><\/blockquote>\n<div id=\"attachment_136462\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136462\" class=\"size-large wp-image-136462\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-640x349.jpg\" alt=\"\" width=\"640\" height=\"349\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-640x349.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-300x164.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-768x419.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-1536x838.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-422x230.jpg 422w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS.jpg 1808w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136462\" class=\"wp-caption-text\">Grabaci\u00f3n con el Zeiss R-Biotar f\/0.73 &#8211; Detr\u00e1s de escena. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>\u201cSolo piensa en ese loco control deslizante macro motorizado que construy\u00f3 uno de sus especialistas en SFX y, obviamente, Lyndon, que operaba el sistema de control de movimiento Spike y ten\u00eda muchos trucos de la vieja escuela que ayudaron con la estupenda profundidad de campo. Estamos muy agradecidos de tener un equipo tan incre\u00edble de profesionales creativos, que son tan curiosos y apasionados como nosotros; Esto no tiene precio, por ello las horas de trabajo realmente no son importantes.<\/em><\/p><\/blockquote>\n<p><strong>cinema5D: \u00bfCu\u00e1l fue para ti el mayor desaf\u00edo de este proyecto?<\/strong><\/p>\n<blockquote><p><em>Nikolas: El mayor desaf\u00edo fue, sin lugar a dudas, modificar la c\u00e1mara. No somos (obviamente) t\u00e9cnicos de c\u00e1mara. Kinefinity Amsterdam fue \u00fatil para reasegurarnos que podr\u00edamos (al menos en teor\u00eda) hacerlo sin da\u00f1ar la c\u00e1mara. El resto lo fuimos aprendiendo mientras lo haciamos&#8230; y fue bastante estresante.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136444\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136444\" class=\"size-large wp-image-136444\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136444\" class=\"wp-caption-text\">Modificaci\u00f3n de la Kinefinity Mavo LF para que se ajuste al Zeiss R-Biotar f \/ 0.73. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>\u201cConectar el conjunto de filtros ultradelgados de Kalori Vision directamente al sensor fue como desactivar una bomba, y esto fue pan comido si lo comparamos con el proceso de quitarlo. La cinta de doble cara que utilizamos se vulcaniz\u00f3 durante la filmaci\u00f3n. No hagan esto en casa, en serio. Por suerte, finalmente logramos terminar con una c\u00e1mara no-modificada en perfecto estado, y tomas que valieron la pena.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136447\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136447\" class=\"size-large wp-image-136447\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-640x404.jpg\" alt=\"\" width=\"640\" height=\"404\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-640x404.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-300x189.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-768x484.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-1536x969.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-365x230.jpg 365w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136447\" class=\"wp-caption-text\">Modificaci\u00f3n del Kinefinity Mavo LF para que se ajuste al Zeiss R-Biotar f \/ 0.73. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<p><strong>cinema5D: \u00bfPuedes decirnos qu\u00e9 temas planeas cubrir en los pr\u00f3ximos episodios?<\/strong><\/p>\n<blockquote><p><em>\u201cNikolas: Tantas ideas, tan poco tiempo&#8230; Creo que vamos a seguir con uno o dos episodios m\u00e1s cortos para el &#8220;Compendio de cineastas&#8221;, que tratan conceptos err\u00f3neos y conceptos b\u00e1sicos de una manera divertida. Nuestro pr\u00f3ximo episodio \u00e9pico podr\u00eda ser sobre lentes anam\u00f3rficos, ya que tenemos una gran obsesi\u00f3n con ellos, y todav\u00eda tengo un gran lente de un avi\u00f3n esp\u00eda que necesita que explotemos su potencial. Adem\u00e1s, tendremos que romper <a href=\"https:\/\/www.youtube.com\/watch?v=oIhCyPaDP6g\">nuestro r\u00e9cord de resoluci\u00f3n del a\u00f1o pasado<\/a>. <strong>Los 32K tendr\u00e1n que ser superados este a\u00f1o<\/strong>&#8230; solamente porque s\u00ed.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136459\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136459\" class=\"size-large wp-image-136459\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136459\" class=\"wp-caption-text\">Prueba de luz ultrabaja con la Mavo LF. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<p><strong>cinema5D: \u00bfTe gustar\u00eda agregar algo m\u00e1s?<\/strong><\/p>\n<blockquote><p><em>\u201cNikolas: Tengo que hacer una correcci\u00f3n. En el video asumimos que el Zeiss Planar fue dise\u00f1ado para formato medio. Un espectador nos corrigi\u00f3 y pudo mostrarnos un documento que demuestra que, aunque en realidad estaba instalado en una c\u00e1mara Hasselblad modificada (est\u00e1ndar para el proyecto Apollo), la cobertura se acerca al super35. Muy inusual para una c\u00e1mara\/lente &#8220;a\u00e9rea&#8221;. Esto hace que nuestro Full-frame f\/0.73 sea a\u00fan m\u00e1s impresionante y un verdadero rey de la recolecci\u00f3n de luz.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136441\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-acting.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136441\" class=\"size-large wp-image-136441\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-acting-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136441\" class=\"wp-caption-text\">Grabaci\u00f3n con el Zeiss R-Biotar f \/ 0.73 &#8211; Detr\u00e1s de escena. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>Realmente me gustar\u00eda agradecer enormemente a Lyndon, Niklas, Maciej y The Marmalade por ser nuestros socios creativos en este proyecto. Adem\u00e1s, me gustar\u00eda agradecer a Kolari Vision y Kipon por sus contribuciones esenciales para el equipo. Y, por supuesto, perm\u00edtanme darles las gracias a los miembros de nuestro equipo, cuyas contribuciones hacen posible proyectos de este tipo. Me encanta la idea de que nuestra comunidad tenga esta profunda pasi\u00f3n y curiosidad, y que Media Division pueda explorar para satisfacer esta curiosidad, por ellos, por nosotros y por todos los que est\u00e1n enamorados de la cinematograf\u00eda. \u00a1Gracias!<\/em><\/p><\/blockquote>\n<p><strong>\u00bfQu\u00e9 opinas del video? \u00bfHas estado siguiendo a Media Division desde antes? \u00bfAlguna vez grabaste con lentes m\u00e1s r\u00e1pidos que f\/1? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<137205-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Los chicos detr\u00e1s de <a href=\"https:\/\/www.youtube.com\/channel\/UCPf67c3vUrFlNOERwjHyR2w\">Media Division, un canal de Youtube<\/a>, publicaron recientemente un nuevo episodio sobre grabaciones con lentes ultrarr\u00e1pidos con aperturas por debajo de f\/1. Durante m\u00e1s de 50 minutos, Media Division se sumerge en la experimentaci\u00f3n con lentes ultrarr\u00e1pidos: mitos, opciones seg\u00fan tu presupuesto, modificaciones y pruebas. Sigue leyendo para conocer m\u00e1s sobre la historia de fondo y encontrar\u00e1s la entrevista con Nikolas Moldenhauer de Media Division.<br \/>\n<\/strong><\/p><137205-inline-buylinks\/>\n<div id=\"attachment_136450\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136450\" class=\"size-large wp-image-136450\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Featured-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136450\" class=\"wp-caption-text\">Grabaci\u00f3n con lentes ultrarr\u00e1pidos. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<p>Llevo m\u00e1s de un a\u00f1o siguiendo el <a href=\"https:\/\/www.youtube.com\/channel\/UCPf67c3vUrFlNOERwjHyR2w\">canal Media Division<\/a> en Youtube. Creo que el contenido que producen es realmente muy \u00fatil para los cineastas, y el valor de producci\u00f3n de sus episodios es alt\u00edsimo. En el canal tienen una gran cantidad de modificaciones, tutoriales y material t\u00e9cnico, que personalmente me parecen un factor positivo. El protagonista principal detr\u00e1s del canal es Nikolas Moldenhauer, un director de fotograf\u00eda que reside en Alemania.<\/p>\n<h2>Media Division \u2013 Episodio sobre los lentes ultrarr\u00e1pidos f\/0.7<\/h2>\n<p><iframe title=\"f0.7 \u2013 Ultrafast Lenses \u2013 Legends, budget options, modding, and testing \u2013 Epic Episode #13\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2p5E7iXxeQE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Si bien creo que vale la pena ver todos los episodios de Media Division, en este art\u00edculo en particular hablaremos sobre el \u00faltimo video, que est\u00e1 dedicado a la filmaci\u00f3n con lentes ultrarr\u00e1pidos, principalmente con el lente modificado de rayos X Zeiss R-Biotar 100 mm f\/0.73. Dado que el lente cubre los sensores full-frame, Nikolas modific\u00f3 su c\u00e1mara Kinefinity Mavo LF para trabajar con la distancia focal extremadamente corta.<\/p>\n<p>En el video, Nikolas explica informaci\u00f3n t\u00e9cnica sobre el significado y lo que implica el valor F de un lente. Despu\u00e9s de jugar con la configuraci\u00f3n modificada con el Zeiss R-Biotar, tambi\u00e9n prob\u00f3 otros pr\u00e1cticos lentes ultrarr\u00e1pidos alternativos:<\/p>\n<ul>\n<li>KIPON Ibelux 40mm f\/0.85 Mark II<\/li>\n<li>SLR Magic 25mm T0.95 (aproximadamente f\/0.92) &#8211; solo para Micro Four Thirds, por lo que Nikolas us\u00f3 la BMPCC 4K<\/li>\n<li>Canon FD 55 mm f\/1.2 con el adaptador FD-EF y los adaptadores Speedbooster<\/li>\n<\/ul>\n<div id=\"attachment_136453\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136453\" class=\"size-large wp-image-136453\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-lenses-comparison.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136453\" class=\"wp-caption-text\">Comparando el tama\u00f1o entre el Zeiss R-Biotar 100 mm f\/0.73 y el SLR Magic 25 mm T0.95. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<h2>Entrevista con Nikolas Moldenhauer de Media Division<\/h2>\n<p>Me contact\u00e9 con Nikolas, le envi\u00e9 algunas preguntas y, adem\u00e1s de sus respuestas, tambi\u00e9n me envi\u00f3 una breve historia interesante para este episodio, que creo que vale la pena leer:<\/p>\n<blockquote><p><em>\u201cNikolas: Como fan\u00e1tico de Kubrick, siempre admir\u00e9 la cinematograf\u00eda de Barry Lyndon y la poes\u00eda visual pura de las escenas a la luz de las velas. Durante la producci\u00f3n de nuestro episodio sobre CONTAX Zeiss, hemos hablado con Zeiss en Alemania, y nos han apoyaron mucho. Haciendo un par\u00e9ntesis, hablamos sobre el misterioso Zeiss Planar f\/0.7 &#8211; el lente &#8220;lunar&#8221;. Le pregunt\u00e9 si pod\u00edamos &#8220;pedirlo prestado&#8221; (Zeiss todav\u00eda posee una copia). Desafortunadamente, es parte de una exposici\u00f3n permanente en un museo, y no puedo culpar a Zeiss por no mover cielo y tierra para hacerlo posible.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136456\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136456\" class=\"size-large wp-image-136456\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Lyndon-sample.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136456\" class=\"wp-caption-text\">Grabando con el Zeiss R-Biotar f\/0.73. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>Si conoces algo sobre m\u00ed, sabr\u00e1s que me cuesta mucho aceptar un &#8220;no&#8221; como respuesta. Naci\u00f3 la idea de filmar en f\/0.7, y comenz\u00f3 la b\u00fasqueda de un lente alternativo. Tiempo atr\u00e1s, estaba la posibilidad de alquilar en el mercado (la &#8220;Colecci\u00f3n Kubrick&#8221;), pero luego desapareci\u00f3; despu\u00e9s de hacer este episodio, sabemos porque ocurri\u00f3. Los \u00fanicos lentes disponibles lo suficientemente r\u00e1pidos que tambi\u00e9n cubren Full Frame son lentes selectos de rayos X de los a\u00f1os 60: compramos un Zeiss R-Biotar 100mm f\/0.73 por un precio razonable en eBay.<\/em><\/p><\/blockquote>\n<p><strong>cinema5D: \u00bfAproximadamente, cu\u00e1ntas horas de trabajo hay en total detr\u00e1s este episodio (desde la preproducci\u00f3n hasta la carga final)?<\/strong><\/p>\n<blockquote><p><em>Nikolas: L\u00f3gicamente, esto resulta dif\u00edcil de contestar. Distintos aspectos del episodio tuvieron que ser investigados y los problemas tuvieron que ser superados, todo esto ocurri\u00f3 durante un largo per\u00edodo de tiempo. La planificaci\u00f3n y la investigaci\u00f3n comenzaron en agosto de 2019. Si se incluyen todas las pruebas e investigaciones, la escritura de guiones, el rodaje y la post-producci\u00f3n, creo que este episodio cost\u00f3 alrededor de 100 horas de trabajo. Las tomas avanzadas de mesa solo fueron posibles con la ayuda de nuestros amigos de <a href=\"https:\/\/www.themarmalade.com\/\">TheMarmalade<\/a>, que tambi\u00e9n dedicaron muchas horas a esto.<br \/>\n<\/em><\/p><\/blockquote>\n<div id=\"attachment_136462\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136462\" class=\"size-large wp-image-136462\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-640x349.jpg\" alt=\"\" width=\"640\" height=\"349\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-640x349.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-300x164.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-768x419.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-1536x838.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS-422x230.jpg 422w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Tabletop-BTS.jpg 1808w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136462\" class=\"wp-caption-text\">Grabaci\u00f3n con el Zeiss R-Biotar f\/0.73 &#8211; Detr\u00e1s de escena. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>\u201cSolo piensa en ese loco control deslizante macro motorizado que construy\u00f3 uno de sus especialistas en SFX y, obviamente, Lyndon, que operaba el sistema de control de movimiento Spike y ten\u00eda muchos trucos de la vieja escuela que ayudaron con la estupenda profundidad de campo. Estamos muy agradecidos de tener un equipo tan incre\u00edble de profesionales creativos, que son tan curiosos y apasionados como nosotros; Esto no tiene precio, por ello las horas de trabajo realmente no son importantes.<\/em><\/p><\/blockquote>\n<p><strong>cinema5D: \u00bfCu\u00e1l fue para ti el mayor desaf\u00edo de este proyecto?<\/strong><\/p>\n<blockquote><p><em>Nikolas: El mayor desaf\u00edo fue, sin lugar a dudas, modificar la c\u00e1mara. No somos (obviamente) t\u00e9cnicos de c\u00e1mara. Kinefinity Amsterdam fue \u00fatil para reasegurarnos que podr\u00edamos (al menos en teor\u00eda) hacerlo sin da\u00f1ar la c\u00e1mara. El resto lo fuimos aprendiendo mientras lo haciamos&#8230; y fue bastante estresante.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136444\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136444\" class=\"size-large wp-image-136444\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136444\" class=\"wp-caption-text\">Modificaci\u00f3n de la Kinefinity Mavo LF para que se ajuste al Zeiss R-Biotar f \/ 0.73. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>\u201cConectar el conjunto de filtros ultradelgados de Kalori Vision directamente al sensor fue como desactivar una bomba, y esto fue pan comido si lo comparamos con el proceso de quitarlo. La cinta de doble cara que utilizamos se vulcaniz\u00f3 durante la filmaci\u00f3n. No hagan esto en casa, en serio. Por suerte, finalmente logramos terminar con una c\u00e1mara no-modificada en perfecto estado, y tomas que valieron la pena.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136447\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136447\" class=\"size-large wp-image-136447\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-640x404.jpg\" alt=\"\" width=\"640\" height=\"404\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-640x404.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-300x189.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-768x484.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-1536x969.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2-365x230.jpg 365w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-camera-modding2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136447\" class=\"wp-caption-text\">Modificaci\u00f3n del Kinefinity Mavo LF para que se ajuste al Zeiss R-Biotar f \/ 0.73. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<p><strong>cinema5D: \u00bfPuedes decirnos qu\u00e9 temas planeas cubrir en los pr\u00f3ximos episodios?<\/strong><\/p>\n<blockquote><p><em>\u201cNikolas: Tantas ideas, tan poco tiempo&#8230; Creo que vamos a seguir con uno o dos episodios m\u00e1s cortos para el &#8220;Compendio de cineastas&#8221;, que tratan conceptos err\u00f3neos y conceptos b\u00e1sicos de una manera divertida. Nuestro pr\u00f3ximo episodio \u00e9pico podr\u00eda ser sobre lentes anam\u00f3rficos, ya que tenemos una gran obsesi\u00f3n con ellos, y todav\u00eda tengo un gran lente de un avi\u00f3n esp\u00eda que necesita que explotemos su potencial. Adem\u00e1s, tendremos que romper <a href=\"https:\/\/www.youtube.com\/watch?v=oIhCyPaDP6g\">nuestro r\u00e9cord de resoluci\u00f3n del a\u00f1o pasado<\/a>. <strong>Los 32K tendr\u00e1n que ser superados este a\u00f1o<\/strong>&#8230; solamente porque s\u00ed.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136459\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136459\" class=\"size-large wp-image-136459\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Nikolas-Ultralowlight.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136459\" class=\"wp-caption-text\">Prueba de luz ultrabaja con la Mavo LF. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<p><strong>cinema5D: \u00bfTe gustar\u00eda agregar algo m\u00e1s?<\/strong><\/p>\n<blockquote><p><em>\u201cNikolas: Tengo que hacer una correcci\u00f3n. En el video asumimos que el Zeiss Planar fue dise\u00f1ado para formato medio. Un espectador nos corrigi\u00f3 y pudo mostrarnos un documento que demuestra que, aunque en realidad estaba instalado en una c\u00e1mara Hasselblad modificada (est\u00e1ndar para el proyecto Apollo), la cobertura se acerca al super35. Muy inusual para una c\u00e1mara\/lente &#8220;a\u00e9rea&#8221;. Esto hace que nuestro Full-frame f\/0.73 sea a\u00fan m\u00e1s impresionante y un verdadero rey de la recolecci\u00f3n de luz.<\/em><\/p><\/blockquote>\n<div id=\"attachment_136441\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-acting.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136441\" class=\"size-large wp-image-136441\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-acting-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-acting.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-136441\" class=\"wp-caption-text\">Grabaci\u00f3n con el Zeiss R-Biotar f \/ 0.73 &#8211; Detr\u00e1s de escena. Cr\u00e9dito de imagen: Media Division<\/p><\/div>\n<blockquote><p><em>Realmente me gustar\u00eda agradecer enormemente a Lyndon, Niklas, Maciej y The Marmalade por ser nuestros socios creativos en este proyecto. Adem\u00e1s, me gustar\u00eda agradecer a Kolari Vision y Kipon por sus contribuciones esenciales para el equipo. Y, por supuesto, perm\u00edtanme darles las gracias a los miembros de nuestro equipo, cuyas contribuciones hacen posible proyectos de este tipo. Me encanta la idea de que nuestra comunidad tenga esta profunda pasi\u00f3n y curiosidad, y que Media Division pueda explorar para satisfacer esta curiosidad, por ellos, por nosotros y por todos los que est\u00e1n enamorados de la cinematograf\u00eda. \u00a1Gracias!<\/em><\/p><\/blockquote>\n<p><strong>\u00bfQu\u00e9 opinas del video? \u00bfHas estado siguiendo a Media Division desde antes? \u00bfAlguna vez grabaste con lentes m\u00e1s r\u00e1pidos que f\/1? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<137205-main-buylinks\/>"},"excerpt":{"rendered":"<p>Los chicos detr\u00e1s de Media Division, un canal de Youtube, publicaron recientemente un nuevo episodio sobre grabaciones con lentes ultrarr\u00e1pidos con aperturas por debajo de f\/1. Durante m\u00e1s de 50 minutos, Media Division se sumerge en la experimentaci\u00f3n con lentes ultrarr\u00e1pidos: mitos, opciones seg\u00fan tu presupuesto, modificaciones y pruebas. Sigue leyendo para conocer m\u00e1s sobre la historia de fondo y encontrar\u00e1s la entrevista con Nikolas Moldenhauer de Media Division. Llevo m\u00e1s de un a\u00f1o siguiendo el canal Media Division en Youtube. Creo que el contenido que producen es realmente muy \u00fatil para los cineastas, y el valor de producci\u00f3n de sus episodios es alt\u00edsimo. En el canal tienen una gran [&hellip;]<\/p>\n","protected":false},"author":12862,"featured_media":136452,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"},{"id":42299,"name":"Accesorios","link":"https:\/\/staging.cined.dev\/es\/noticias\/accesorios\/","slug":"accesorios"}],"tags":[39849,24435,26058,26161,39843,39844,39845,39846,39847,39848],"tag_label":[],"brand":[],"class_list":["post-137205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","category-lentes","category-accesorios","tag-lente-modificado","tag-kinefinity-es","tag-lente","tag-lentes","tag-nikolas-moldenhauer-es","tag-ultra-fast-es","tag-ultrafast-es","tag-under-f-1-es","tag-under-f1-es","tag-zeiss-r-biotar-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lentes ultrarr\u00e1pidos f\/0.7 - mitos, opciones seg\u00fan tu presupuesto, modificaciones, pruebas y m\u00e1s en el Canal Media Division | CineD<\/title>\n<meta name=\"description\" content=\"Media Division published a very interesting Youtube video about shooting with ultrafast lenses, like a modified Zeiss R-Biotar 100mm f\/0.73.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lentes ultrarr\u00e1pidos f\/0.7 - mitos, opciones seg\u00fan tu presupuesto, modificaciones, pruebas y m\u00e1s en el Canal Media Division | CineD\" \/>\n<meta property=\"og:description\" content=\"Media Division published a very interesting Youtube video about shooting with ultrafast lenses, like a modified Zeiss R-Biotar 100mm f\/0.73.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"http:\/\/www.facebook.com\/jakubhan.visual\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-04-19T12:53:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-21T14:03:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jakub Han\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jakub Han\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing\/\"},\"author\":{\"name\":\"Jakub Han\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/c573668c82b204165628d2b1cc2b0244\"},\"headline\":\"Lentes ultrarr\u00e1pidos f\/0.7 &#8211; 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Jakub has over 10 years of experience with camera work and post-production.","sameAs":["http:\/\/www.jakubhan.com\/","http:\/\/www.facebook.com\/jakubhan.visual\/"],"url":"https:\/\/staging.cined.dev\/es\/author\/jakub\/"}]}},"feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/Media-Division-Featured.jpg","width":1600,"height":900,"type":"featured"}],"custom_labels":null,"mzed_course":{"content":null,"uuid":null},"buylinks":{"main_buylinks":{"uuid":"137205-main-buylinks","content":"<div id=\"initial-buylinks\" class=\"alternative-links\">\n\t<div class=\"affilite-banner-block\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col l3 m3 s12 center affilate-logo\">\t\t\t\t\t\n\t\t\t\t<img src=\"https:\/\/staging.cined.dev\/content\/themes\/cinemad\/assets\/images\/icons\/cined-logo-affilate-white.png\" alt=\"Logo\">\n\t\t\t<\/div>\n\t\t\t<div class=\"col l9 m9 s12 affilite-banner-content\">\n\t\t\t\t<h4>Apoya a CineD. Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Ibelux 40mm f\/0.85 Lens for Sony E<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1578675945000_1456699.jpg\" alt=\"Ibelux 40mm f\/0.85 Lens for Sony E\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags 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link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1456699-REG\/kipon_40mm_f0_85_sony_e_mark2_40mm_f_0_85_lens_for.html\/BI\/7953\/KBID\/8488\/SID\/jakub\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">See more<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":351725,"title":"Samyang Presenta el Remaster Slim, el Primer Lente del Mundo con Autoenfoque e Intercambio \u00d3ptico","url":"https:\/\/staging.cined.dev\/es\/samyang-unveils-remaster-slim-worlds-first-optical-exchange-autofocus-lens\/","author":40219,"author_details":{"display_name":"Omri Keren Lapidot","first_name":"Omri","last_name":"Keren Lapidot"},"publish_date":"August, 23 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/SamRemasSlim1-1-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"custom_labels":[{"id":52841,"name":"Lens News","link":"https:\/\/staging.cined.dev\/es\/labels\/lens-news-es\/","slug":"lens-news-es"}],"total_comments":0,"video_url":""},{"id":350106,"title":"El Lente Zoom de Cine 7Artisans Sprite 24-96mm T2.9 Super35 Ya Est\u00e1 Disponible por $1.999","url":"https:\/\/staging.cined.dev\/es\/7artisans-sprite-24-96mm-t2-9-super35-cine-zoom-lens-is-now-available-for-1999\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"August, 09 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/7artisans-sprite-24-96mm-featured-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"custom_labels":[{"id":52841,"name":"Lens 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