{"id":137465,"date":"2020-04-20T19:21:56","date_gmt":"2020-04-20T17:21:56","guid":{"rendered":"https:\/\/www.cined.com\/?p=137465"},"modified":"2020-04-24T02:15:33","modified_gmt":"2020-04-24T00:15:33","slug":"canon-c300-mark-iii-first-look-review-impressions-footage","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/","title":{"rendered":"Canon C300 Mark III – Rese\u00f1a preliminar y opiniones – Im\u00e1genes"},"content":{"rendered":"

Probablemente ya hayas visto nuestra entrevista con Canon sobre la reci\u00e9n anunciada C300 Mark III<\/a> y hayas le\u00eddo la publicaci\u00f3n. Tuve la c\u00e1mara durante un par de d\u00edas y sal\u00ed durante el “encierro” en Viena a capturar el distanciamiento social en todo su esplendor para esta primer vistazo, para reunir algunas impresiones sobre la c\u00e1mara.
\n<\/strong><\/p><137465-inline-buylinks\/>\n

Cuando tuvimos la oportunidad de probar la C300 Mark III, me entusiasm\u00e9 mucho: ten\u00eda una C300 original y, antes de eso, en 2011, cuando se anunci\u00f3, film\u00e9 un cortometraje y me enamor\u00e9 de esta c\u00e1mara: puedes ver el corto “13:59” dirigido por Mario Feil aqu\u00ed<\/a>. Todav\u00eda se mantiene bien, 9 a\u00f1os despu\u00e9s.<\/p>\n

Pero volvamos a la C300 Mark III, avancemos 9 a\u00f1os hasta el presente: en primer lugar, la Canon C300 Mark III se parece mucho a la C500 Mark II full frame (mira nuestra primera pr\u00e1ctica aqu\u00ed<\/a> y lee nuestra prueba de laboratorio sobre rango din\u00e1mico y rolling shutter aqu\u00ed<\/a>). La raz\u00f3n es simple, comparte el mismo cuerpo.<\/p>\n

Adem\u00e1s de las caracter\u00edsticas que ya hicieron de la C500 Mark II una propuesta interesante -grabaci\u00f3n interna en Cinema RAW Light, enfoque autom\u00e1tico dual pixel- en mi opini\u00f3n, hay dos nuevas funciones de la C300 Mark III que son m\u00e1s interesantes: la reci\u00e9n presentada Salida de Ganancia Dual (DGO), que esencialmente combina dos amplificaciones de una imagen en una, logrando un rango din\u00e1mico (seg\u00fan Canon) de m\u00e1s de 16 paradas. Y el otro es el hecho de que esta c\u00e1mara puede disparar hasta 120 fps a una resoluci\u00f3n de 4K, incluso en Cinema RAW Light.<\/p>\n

\"\"

Afuera, usando la Canon C300 Mark III. Cr\u00e9dito de imagen: Anita Prager<\/p><\/div>\n

En cuanto al DGO, debo remitirlo a nuestra prueba de laboratorio C300 Mark III de mi colega Gunther Machu, que se lanzar\u00e1 ma\u00f1ana; \u00e9l ya se ha anotado algunos (buenos) resultados de rango din\u00e1mico. En cuanto a la grabaci\u00f3n de alta velocidad, esto es sorprendente. Hasta ahora, las c\u00e1maras Canon, e incluso la C500 Mark II, fueron decepcionantes en lo que respecta a la grabaci\u00f3n a alta velocidad. Tan pronto como quer\u00eda alcanzar m\u00e1s de 60 fps, la mayor\u00eda de las c\u00e1maras recortaban enormemente en el sensor. Pero los 120 fps en 4K de la C300 Mark III se ven incre\u00edbles, y son notablemente f\u00e1ciles de configurar, y no hay diferencia entre PAL y NTSC y puedes acceder a 120 fps de manera r\u00e1pida y f\u00e1cil a trav\u00e9s del men\u00fa. No puedes seleccionar el valor de cuadro individualmente, ya que hay “saltos” en el medio, pero no veo esto como un problema, ya que todos son m\u00faltiplos de 24, 25 o 30p.<\/p>\n

Lo extra\u00f1o de la grabaci\u00f3n de alta velocidad es que 180 fps solo est\u00e1 disponible en un modo de recorte Super16mm. Esto es “t\u00edpico de Canon”, y no entiendo por qu\u00e9 no fue posible al menos darnos 180 fps en 1080p mientras se manten\u00eda la lectura completa del sensor (eso habr\u00eda puesto a Canon a la par con las ofertas m\u00e1s recientes de Sony) . Sin embargo, 120 fps en 4K (y RAW) son realmente sorprendentes y mejores que lo que ofrece la mayor\u00eda de la competencia, por lo que deber\u00edamos estar m\u00e1s que contentos con eso.<\/p>\n

En cuanto a operabilidad y calidad de construcci\u00f3n, creo que esta c\u00e1mara es extremadamente vers\u00e1til. La Unidad de Extensi\u00f3n 2 agrega una gran cantidad de funcionalidades, pero el cuerpo en s\u00ed tambi\u00e9n se puede usar muy bien solo, y es lo suficientemente peque\u00f1o como para usarlo en un gimbal. Sin embargo, todav\u00eda no puedo ver a nadie comprando el visor est\u00e1ndar que solo funciona cuando NO se usa una unidad de extensi\u00f3n. La pantalla t\u00e1ctil tambi\u00e9n es la misma que en la C500 Mark II y funciona realmente bien: combinada con el enfoque autom\u00e1tico dual Pixel que funciona de maravillas, tiene mucho sentido tener una pantalla t\u00e1ctil (espero que Sony est\u00e9 leyendo esto, por m\u00e1s que me encante la FX9, \u00a1pero realmente necesita una pantalla t\u00e1ctil para su genial enfoque autom\u00e1tico!).<\/p>\n

Intentaremos trabajar m\u00e1s con la C300 Mark III en el futuro cercano para compartir algunas opiniones m\u00e1s extensas, pero por el momento te dejar\u00e9 con este adelanto de im\u00e1genes. Dime lo que piensas en los comentarios a continuaci\u00f3n.<\/strong><\/p>\n<137465-main-buylinks\/>","protected":false,"clean_render":"

Probablemente ya hayas visto nuestra entrevista con Canon sobre la reci\u00e9n anunciada C300 Mark III<\/a> y hayas le\u00eddo la publicaci\u00f3n. Tuve la c\u00e1mara durante un par de d\u00edas y sal\u00ed durante el “encierro” en Viena a capturar el distanciamiento social en todo su esplendor para esta primer vistazo, para reunir algunas impresiones sobre la c\u00e1mara.
\n<\/strong><\/p><137465-inline-buylinks\/>\n

Cuando tuvimos la oportunidad de probar la C300 Mark III, me entusiasm\u00e9 mucho: ten\u00eda una C300 original y, antes de eso, en 2011, cuando se anunci\u00f3, film\u00e9 un cortometraje y me enamor\u00e9 de esta c\u00e1mara: puedes ver el corto “13:59” dirigido por Mario Feil aqu\u00ed<\/a>. Todav\u00eda se mantiene bien, 9 a\u00f1os despu\u00e9s.<\/p>\n

Pero volvamos a la C300 Mark III, avancemos 9 a\u00f1os hasta el presente: en primer lugar, la Canon C300 Mark III se parece mucho a la C500 Mark II full frame (mira nuestra primera pr\u00e1ctica aqu\u00ed<\/a> y lee nuestra prueba de laboratorio sobre rango din\u00e1mico y rolling shutter aqu\u00ed<\/a>). La raz\u00f3n es simple, comparte el mismo cuerpo.<\/p>\n

Adem\u00e1s de las caracter\u00edsticas que ya hicieron de la C500 Mark II una propuesta interesante -grabaci\u00f3n interna en Cinema RAW Light, enfoque autom\u00e1tico dual pixel- en mi opini\u00f3n, hay dos nuevas funciones de la C300 Mark III que son m\u00e1s interesantes: la reci\u00e9n presentada Salida de Ganancia Dual (DGO), que esencialmente combina dos amplificaciones de una imagen en una, logrando un rango din\u00e1mico (seg\u00fan Canon) de m\u00e1s de 16 paradas. Y el otro es el hecho de que esta c\u00e1mara puede disparar hasta 120 fps a una resoluci\u00f3n de 4K, incluso en Cinema RAW Light.<\/p>\n

\"\"

Afuera, usando la Canon C300 Mark III. Cr\u00e9dito de imagen: Anita Prager<\/p><\/div>\n

En cuanto al DGO, debo remitirlo a nuestra prueba de laboratorio C300 Mark III de mi colega Gunther Machu, que se lanzar\u00e1 ma\u00f1ana; \u00e9l ya se ha anotado algunos (buenos) resultados de rango din\u00e1mico. En cuanto a la grabaci\u00f3n de alta velocidad, esto es sorprendente. Hasta ahora, las c\u00e1maras Canon, e incluso la C500 Mark II, fueron decepcionantes en lo que respecta a la grabaci\u00f3n a alta velocidad. Tan pronto como quer\u00eda alcanzar m\u00e1s de 60 fps, la mayor\u00eda de las c\u00e1maras recortaban enormemente en el sensor. Pero los 120 fps en 4K de la C300 Mark III se ven incre\u00edbles, y son notablemente f\u00e1ciles de configurar, y no hay diferencia entre PAL y NTSC y puedes acceder a 120 fps de manera r\u00e1pida y f\u00e1cil a trav\u00e9s del men\u00fa. No puedes seleccionar el valor de cuadro individualmente, ya que hay “saltos” en el medio, pero no veo esto como un problema, ya que todos son m\u00faltiplos de 24, 25 o 30p.<\/p>\n

Lo extra\u00f1o de la grabaci\u00f3n de alta velocidad es que 180 fps solo est\u00e1 disponible en un modo de recorte Super16mm. Esto es “t\u00edpico de Canon”, y no entiendo por qu\u00e9 no fue posible al menos darnos 180 fps en 1080p mientras se manten\u00eda la lectura completa del sensor (eso habr\u00eda puesto a Canon a la par con las ofertas m\u00e1s recientes de Sony) . Sin embargo, 120 fps en 4K (y RAW) son realmente sorprendentes y mejores que lo que ofrece la mayor\u00eda de la competencia, por lo que deber\u00edamos estar m\u00e1s que contentos con eso.<\/p>\n

En cuanto a operabilidad y calidad de construcci\u00f3n, creo que esta c\u00e1mara es extremadamente vers\u00e1til. La Unidad de Extensi\u00f3n 2 agrega una gran cantidad de funcionalidades, pero el cuerpo en s\u00ed tambi\u00e9n se puede usar muy bien solo, y es lo suficientemente peque\u00f1o como para usarlo en un gimbal. Sin embargo, todav\u00eda no puedo ver a nadie comprando el visor est\u00e1ndar que solo funciona cuando NO se usa una unidad de extensi\u00f3n. La pantalla t\u00e1ctil tambi\u00e9n es la misma que en la C500 Mark II y funciona realmente bien: combinada con el enfoque autom\u00e1tico dual Pixel que funciona de maravillas, tiene mucho sentido tener una pantalla t\u00e1ctil (espero que Sony est\u00e9 leyendo esto, por m\u00e1s que me encante la FX9, \u00a1pero realmente necesita una pantalla t\u00e1ctil para su genial enfoque autom\u00e1tico!).<\/p>\n

Intentaremos trabajar m\u00e1s con la C300 Mark III en el futuro cercano para compartir algunas opiniones m\u00e1s extensas, pero por el momento te dejar\u00e9 con este adelanto de im\u00e1genes. Dime lo que piensas en los comentarios a continuaci\u00f3n.<\/strong><\/p>\n<137465-main-buylinks\/>"},"excerpt":{"rendered":"

Probablemente ya hayas visto nuestra entrevista con Canon sobre la reci\u00e9n anunciada C300 Mark III y hayas le\u00eddo la publicaci\u00f3n. Tuve la c\u00e1mara durante un par de d\u00edas y sal\u00ed durante el “encierro” en Viena a capturar el distanciamiento social en todo su esplendor para esta primer vistazo, para reunir algunas impresiones sobre la c\u00e1mara. Cuando tuvimos la oportunidad de probar la C300 Mark III, me entusiasm\u00e9 mucho: ten\u00eda una C300 original y, antes de eso, en 2011, cuando se anunci\u00f3, film\u00e9 un cortometraje y me enamor\u00e9 de esta c\u00e1mara: puedes ver el corto “13:59” dirigido por Mario Feil aqu\u00ed. Todav\u00eda se mantiene bien, 9 a\u00f1os despu\u00e9s. Pero volvamos a […]<\/p>\n","protected":false},"author":8,"featured_media":137012,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42314,"name":"Rese\u00f1as","link":"https:\/\/staging.cined.dev\/es\/resenas\/","slug":"resenas"},{"id":42317,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/resenas\/resenas-camaras-es\/","slug":"resenas-camaras-es"}],"tags":[29160,37660,39891,39892,24578,39929,24588,24989,27408,28532,28533],"tag_label":[],"brand":[51412],"class_list":["post-137465","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-camaras","category-resenas","category-resenas-camaras-es","tag-imagenes","tag-first-look-es","tag-c300-mark-iii-es","tag-c300-mk3-es","tag-review-2-es","tag-c300-mk-3-es","tag-hands-on-es","tag-camara","tag-resena","tag-footage-es","tag-material-es","post_format-post-format-video","brand-canon-es"],"yoast_head":"\nCanon C300 Mark III - Rese\u00f1a preliminar y opiniones - Im\u00e1genes | CineD<\/title>\n<meta name=\"description\" content=\"We shot the first footage with the newly announced Canon C300 Mark III - check out our hands-on first look and review!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Canon C300 Mark III - Rese\u00f1a preliminar y opiniones - Im\u00e1genes | CineD\" \/>\n<meta property=\"og:description\" content=\"We shot the first footage with the newly announced Canon C300 Mark III - check out our hands-on first look and review!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/nino.leitner\" \/>\n<meta property=\"article:published_time\" content=\"2020-04-20T17:21:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-24T00:15:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2020\/04\/DSC01349.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nino Leitner\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/NinoLeitner\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nino Leitner\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/\"},\"author\":{\"name\":\"Nino Leitner\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/b49bb7ca89242c625b7cf51359ec3bc8\"},\"headline\":\"Canon C300 Mark III – Rese\u00f1a preliminar y opiniones – Im\u00e1genes\",\"datePublished\":\"2020-04-20T17:21:56+00:00\",\"dateModified\":\"2020-04-24T00:15:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/\"},\"wordCount\":776,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/04\/DSC01349.jpg\",\"keywords\":[\"im\u00e1genes\",\"first look\",\"C300 Mark III\",\"C300 MK3\",\"review\",\"C300 Mk 3\",\"hands-on\",\"c\u00e1mara\",\"rese\u00f1a\",\"footage\",\"material\"],\"articleSection\":[\"Noticias\",\"C\u00e1maras\",\"Rese\u00f1as\",\"C\u00e1maras\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/canon-c300-mark-iii-first-look-review-impressions-footage\/\",\"name\":\"Canon C300 Mark III - 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He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. 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He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1587401284000_1557488.jpg\" alt=\"EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1557488-REG\/canon_3795c002_cinema_eos_c300_mark.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,349.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/canon-c300-mark-iii?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 8,695.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"137465-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1557488-REG\/canon_3795c002_cinema_eos_c300_mark.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,349.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/canon-c300-mark-iii?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 8,695.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":349710,"title":"Rese\u00f1a de la DJI Osmo Pocket 3 - 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