{"id":142513,"date":"2020-06-20T15:23:54","date_gmt":"2020-06-20T13:23:54","guid":{"rendered":"https:\/\/www.cined.com\/?p=142513"},"modified":"2020-06-22T19:16:20","modified_gmt":"2020-06-22T17:16:20","slug":"davinci-resolve-white-balancing","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/davinci-resolve-white-balancing\/","title":{"rendered":"Consejo r\u00e1pido: Balance de Blancos en DaVinci Resolve"},"content":{"rendered":"

Las circunstancias no siempre permiten balancear adecuadamente el blanco de la c\u00e1mara en el set. Hay muchas razones para ello, como una iluminaci\u00f3n mixta, incrementos discretos en los ajustes Kelvin de la c\u00e1mara -como cuando se filma en modo Cine EI en una c\u00e1mara Sony- incidencia de luz tonal de ventanas o farolas de la calle, o incluso un camar\u00f3grafo incompetente.<\/strong><\/p><142513-inline-buylinks\/>\n

\"White

Credito de imagen: cinema5D<\/p><\/div>\n

Incluso aunque todos hayan hecho su trabajo en el set, a menudo es necesario balancear adecuadamente el material.<\/p>\n

No importa si solo est\u00e1s aplicando una LUT creativa en tu material para crear un look o si haces la gradaci\u00f3n de color cuidadosamente a mano; si no comienzas con una imagen correctamente balanceada en blancos, est\u00e1s perdiendo el tiempo. Por ejemplo, si deseas dise\u00f1ar Powergrades, debes hacerlos de manera que se basen en una imagen correctamente balanceada, u obtendr\u00e1s resultados inconsistentes.<\/p>\n

Cuando comenc\u00e9 a usar DaVinci Resolve, me costaba un poco que mis tomas quedaran balanceadas en blanco r\u00e1pidamente. Giraba fren\u00e9ticamente las ruedas de colores y rodaba las bolas de Lift, Gamma y Gain, sin m\u00e1s gu\u00eda que mi instinto y un chequeo ocasional al vectorscopio.<\/p>\n

Los par\u00e1metros de temperatura\/tinte de color incorporados funcionan en algunos casos -como el primero que muestro en el tutorial-, pero a veces simplemente no son lo suficientemente precisos y\/o introducen matices de color en partes m\u00e1s oscuras o m\u00e1s brillantes de la imagen.<\/p>\n

Conseguir el balance de blancos correcto<\/h2>\n

Era frustrante y me llevaba mucho tiempo, por lo que busqu\u00e9 un enfoque m\u00e1s met\u00f3dico. En este video, comparto dos de las t\u00e9cnicas que encontr\u00e9 y que uso con m\u00e1s frecuencia para evitar adivinar el balance de blancos.<\/p>\n

El primero es adecuado para situaciones en las que la imagen tiene un color uniforme como el que ocurre cuando los ajustes Kelvin (temperatura de color) de la c\u00e1mara est\u00e1n desactivados.<\/p>\n

El segundo enfoque es \u00fatil cuando diferentes \u00e1reas tonales de la imagen tienen diferentes matices de color, por ejemplo, luces altas c\u00e1lidas, medios correctos y sombras azules.<\/p>\n

Espero que esto evite que est\u00e9s girando fren\u00e9ticamente las ruedas de color y rodando las bolas de Lift, Gamma y Gain.<\/p>\n

Si tienes preguntas, ideas, sugerencias, o tal vez tienes una peque\u00f1a gema de conocimiento para compartir, \u00a1por favor escribe en los comentarios!<\/strong><\/p>\n<142513-main-buylinks\/>","protected":false,"clean_render":"

Las circunstancias no siempre permiten balancear adecuadamente el blanco de la c\u00e1mara en el set. Hay muchas razones para ello, como una iluminaci\u00f3n mixta, incrementos discretos en los ajustes Kelvin de la c\u00e1mara -como cuando se filma en modo Cine EI en una c\u00e1mara Sony- incidencia de luz tonal de ventanas o farolas de la calle, o incluso un camar\u00f3grafo incompetente.<\/strong><\/p><142513-inline-buylinks\/>\n

\"White

Credito de imagen: cinema5D<\/p><\/div>\n

Incluso aunque todos hayan hecho su trabajo en el set, a menudo es necesario balancear adecuadamente el material.<\/p>\n

No importa si solo est\u00e1s aplicando una LUT creativa en tu material para crear un look o si haces la gradaci\u00f3n de color cuidadosamente a mano; si no comienzas con una imagen correctamente balanceada en blancos, est\u00e1s perdiendo el tiempo. Por ejemplo, si deseas dise\u00f1ar Powergrades, debes hacerlos de manera que se basen en una imagen correctamente balanceada, u obtendr\u00e1s resultados inconsistentes.<\/p>\n

Cuando comenc\u00e9 a usar DaVinci Resolve, me costaba un poco que mis tomas quedaran balanceadas en blanco r\u00e1pidamente. Giraba fren\u00e9ticamente las ruedas de colores y rodaba las bolas de Lift, Gamma y Gain, sin m\u00e1s gu\u00eda que mi instinto y un chequeo ocasional al vectorscopio.<\/p>\n

Los par\u00e1metros de temperatura\/tinte de color incorporados funcionan en algunos casos -como el primero que muestro en el tutorial-, pero a veces simplemente no son lo suficientemente precisos y\/o introducen matices de color en partes m\u00e1s oscuras o m\u00e1s brillantes de la imagen.<\/p>\n

Conseguir el balance de blancos correcto<\/h2>\n

Era frustrante y me llevaba mucho tiempo, por lo que busqu\u00e9 un enfoque m\u00e1s met\u00f3dico. En este video, comparto dos de las t\u00e9cnicas que encontr\u00e9 y que uso con m\u00e1s frecuencia para evitar adivinar el balance de blancos.<\/p>\n

El primero es adecuado para situaciones en las que la imagen tiene un color uniforme como el que ocurre cuando los ajustes Kelvin (temperatura de color) de la c\u00e1mara est\u00e1n desactivados.<\/p>\n

El segundo enfoque es \u00fatil cuando diferentes \u00e1reas tonales de la imagen tienen diferentes matices de color, por ejemplo, luces altas c\u00e1lidas, medios correctos y sombras azules.<\/p>\n

Espero que esto evite que est\u00e9s girando fren\u00e9ticamente las ruedas de color y rodando las bolas de Lift, Gamma y Gain.<\/p>\n

Si tienes preguntas, ideas, sugerencias, o tal vez tienes una peque\u00f1a gema de conocimiento para compartir, \u00a1por favor escribe en los comentarios!<\/strong><\/p>\n<142513-main-buylinks\/>"},"excerpt":{"rendered":"

Las circunstancias no siempre permiten balancear adecuadamente el blanco de la c\u00e1mara en el set. Hay muchas razones para ello, como una iluminaci\u00f3n mixta, incrementos discretos en los ajustes Kelvin de la c\u00e1mara -como cuando se filma en modo Cine EI en una c\u00e1mara Sony- incidencia de luz tonal de ventanas o farolas de la calle, o incluso un camar\u00f3grafo incompetente. Incluso aunque todos hayan hecho su trabajo en el set, a menudo es necesario balancear adecuadamente el material. No importa si solo est\u00e1s aplicando una LUT creativa en tu material para crear un look o si haces la gradaci\u00f3n de color cuidadosamente a mano; si no comienzas con una […]<\/p>\n","protected":false},"author":14551,"featured_media":135244,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[41433,41434,24433,24605,24692,41431,41432],"tag_label":[],"brand":[],"class_list":["post-142513","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","tag-white-balance-es","tag-whitebalance-es","tag-davinci-resolve-es","tag-grading-es","tag-color-correction-2-es","tag-color-temperature-es","tag-kelvin-es","post_format-post-format-video"],"yoast_head":"\nConsejo r\u00e1pido: Balance de Blancos en 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DaVinci Resolve Studio (Activation Card)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1508191528000_1366318.jpg\" alt=\"DaVinci Resolve Studio (Activation Card)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags 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Update","link":"https:\/\/staging.cined.dev\/es\/labels\/software-update-es\/","slug":"software-update-es"}],"total_comments":0,"video_url":""},{"id":349846,"title":"Lanzan el DaVinci Resolve 19 Beta 6","url":"https:\/\/staging.cined.dev\/es\/davinci-resolve-19-beta-6-released\/","author":9439,"author_details":{"display_name":"Jose Prada","first_name":"Jose","last_name":"Prada"},"publish_date":"August, 07 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