{"id":144643,"date":"2020-07-15T18:43:58","date_gmt":"2020-07-15T16:43:58","guid":{"rendered":"https:\/\/www.cined.com\/?p=144643"},"modified":"2020-07-16T23:34:46","modified_gmt":"2020-07-16T21:34:46","slug":"panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/","title":{"rendered":"Panasonic LUMIX S1H con capacidad ProRes RAW mediante el firmware Atomos Ninja V Beta"},"content":{"rendered":"

Tam\u00e1s Kiss<\/a>, un cineasta que reside en Viena prob\u00f3 el flujo de trabajo LUMIX S1H y Ninja V ProRes RAW de 12 bits para cinema5D. Ech\u00e9mosle un vistazo al video resultante y reflexionemos sobre el proceso de filmaci\u00f3n y postproducci\u00f3n en Adobe Premiere Pro.<\/strong><\/p><144643-inline-buylinks\/>\n

Anunciada en mayo de 2019, la LUMIX S1H es la \u00faltima c\u00e1mara mirrorlessfull-frame de Panasonic (puedes leer nuestra rese\u00f1a\u00a0aqu\u00ed<\/a>). Adem\u00e1s de sus modos de grabaci\u00f3n interna H.264 y H.265 de 10 bits, la c\u00e1mara\u00a0tambi\u00e9n puede emitir una se\u00f1al de video RAW de 12 bits a trav\u00e9s de HDMI<\/a>. Para ser preciso, podr\u00e1 hacerlo pr\u00f3ximamente: la actualizaci\u00f3n de firmware requerida a\u00fan no fue lanzada oficialmente. Panasonic present\u00f3 esta funci\u00f3n el a\u00f1o pasado junto con Atomos, quien tambi\u00e9n actualizar\u00e1 su grabador Ninja V para capturar la se\u00f1al en ProRes RAW.<\/p>\n

Panasonic LUMIX S1H y Atomos Ninja V<\/a> ProRes RAW en la pr\u00e1ctica<\/h2>\n
\"\"<\/a>

LUMIX S1H y Ninja V ProRes RAW, im\u00e1genes de la pr\u00e1ctica. Cr\u00e9dito de imagen: Sasa Tomic<\/p><\/div>\n

Panasonic y Atomos tuvieron la amabilidad de proporcionarnos unidades de prueba de la LUMIX S1H y Ninja V con la salida RAW y la grabaci\u00f3n ProRes RAW habilitada. Tam\u00e1s Kiss,fue quien se encarg\u00f3 de realizar la prueba. Comparti\u00f3 con nosotros algunas de sus opiniones sobre la filmaci\u00f3n con este combo y la edici\u00f3n de las im\u00e1genes ProRes RAW de 12 bits en Adobe Premiere Pro:<\/p>\n

Configurar el combo es muy sencillo: simplemente presionas un bot\u00f3n en la c\u00e1mara y en la grabadora y eso es todo, ya est\u00e1 listo. Lo bueno es que las configuraciones innecesarias en el Ninja V est\u00e1n atenuadas en modo RAW para minimizar el riesgo de obtener configuraciones incorrectas.<\/p>\n

No not\u00e9 que el S1H aumentara la velocidad del ventilador as\u00ed como tampoco me pareci\u00f3 que la c\u00e1mara se calent\u00f3 demasiado durante la filmaci\u00f3n. Punto importante: desafortunadamente, cuando se env\u00eda la se\u00f1al RAW a trav\u00e9s de HDMI, NO es posible grabar de manera simult\u00e1nea H.264\/H.265 internamente en la c\u00e1mara.<\/p><\/blockquote>\n

\"\"<\/a>

LUMIX S1H y Ninja V ProRes RAW – Imagen de la producci\u00f3n. Cr\u00e9dito de imagen: Sasa Tomic<\/p><\/div>\n

Los clips ProRes RAW se almacenan como archivos MOV, por lo que el proceso de postproducci\u00f3n es bastante sencillo. Fue f\u00e1cil importar a Adobe Premiere Pro y adem\u00e1s, como no necesita ning\u00fan plugin para funcionar con ProRes RAW, este no present\u00f3 ning\u00fan problema; Incluso llegu\u00e9 hasta el punto de no estar seguro de si realmente trabaja con RAW. Sin embargo, al gradar el material de archivo en Lumetri, te recordar\u00e1n que est\u00e1s trabajando con archivos RAW ProRes de 12 bits: hay mucha flexibilidad en las sombras y las luces, lo que te permitir\u00e1 jugar con el material.<\/p>\n

Me perd\u00ed las configuraciones de par\u00e1metros RAW (como con R3D por ejemplo). Entre otras cosas, no hay forma de cambiar el ISO en Premiere Pro con ProRes RAW. Esto deber\u00eda ser posible. En general, fue muy buena la experiencia de grabaci\u00f3n con el combo S1H – Ninja V, ya que tanto los flujos de trabajo de grabaci\u00f3n como de edici\u00f3n son realmente simples y directos.<\/p><\/blockquote>\n

Adem\u00e1s de esta rese\u00f1a pr\u00e1ctica, estamos planeamos lanzar un debate sobre el flujo de trabajo LUMIX S1H – Ninja V ProRes RAW con el director de fotograf\u00eda alem\u00e1n\/suizo Matthias Bolliger y la colorista Louise Temmesfeld. Mantente atento a la web de cinema5D para no perd\u00e9rtelo.<\/p>\n

\u00bfPiensas aprovechar la grabaci\u00f3n ProRes RAWcon la LUMIX S1H y el Atomos Ninja V? \u00bfTienes experiencia trabajando con ProRes RAW? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<144643-main-buylinks\/>","protected":false,"clean_render":"

Tam\u00e1s Kiss<\/a>, un cineasta que reside en Viena prob\u00f3 el flujo de trabajo LUMIX S1H y Ninja V ProRes RAW de 12 bits para cinema5D. Ech\u00e9mosle un vistazo al video resultante y reflexionemos sobre el proceso de filmaci\u00f3n y postproducci\u00f3n en Adobe Premiere Pro.<\/strong><\/p><144643-inline-buylinks\/>\n

Anunciada en mayo de 2019, la LUMIX S1H es la \u00faltima c\u00e1mara mirrorlessfull-frame de Panasonic (puedes leer nuestra rese\u00f1a\u00a0aqu\u00ed<\/a>). Adem\u00e1s de sus modos de grabaci\u00f3n interna H.264 y H.265 de 10 bits, la c\u00e1mara\u00a0tambi\u00e9n puede emitir una se\u00f1al de video RAW de 12 bits a trav\u00e9s de HDMI<\/a>. Para ser preciso, podr\u00e1 hacerlo pr\u00f3ximamente: la actualizaci\u00f3n de firmware requerida a\u00fan no fue lanzada oficialmente. Panasonic present\u00f3 esta funci\u00f3n el a\u00f1o pasado junto con Atomos, quien tambi\u00e9n actualizar\u00e1 su grabador Ninja V para capturar la se\u00f1al en ProRes RAW.<\/p>\n

Panasonic LUMIX S1H y Atomos Ninja V<\/a> ProRes RAW en la pr\u00e1ctica<\/h2>\n
\"\"<\/a>

LUMIX S1H y Ninja V ProRes RAW, im\u00e1genes de la pr\u00e1ctica. Cr\u00e9dito de imagen: Sasa Tomic<\/p><\/div>\n

Panasonic y Atomos tuvieron la amabilidad de proporcionarnos unidades de prueba de la LUMIX S1H y Ninja V con la salida RAW y la grabaci\u00f3n ProRes RAW habilitada. Tam\u00e1s Kiss,fue quien se encarg\u00f3 de realizar la prueba. Comparti\u00f3 con nosotros algunas de sus opiniones sobre la filmaci\u00f3n con este combo y la edici\u00f3n de las im\u00e1genes ProRes RAW de 12 bits en Adobe Premiere Pro:<\/p>\n

Configurar el combo es muy sencillo: simplemente presionas un bot\u00f3n en la c\u00e1mara y en la grabadora y eso es todo, ya est\u00e1 listo. Lo bueno es que las configuraciones innecesarias en el Ninja V est\u00e1n atenuadas en modo RAW para minimizar el riesgo de obtener configuraciones incorrectas.<\/p>\n

No not\u00e9 que el S1H aumentara la velocidad del ventilador as\u00ed como tampoco me pareci\u00f3 que la c\u00e1mara se calent\u00f3 demasiado durante la filmaci\u00f3n. Punto importante: desafortunadamente, cuando se env\u00eda la se\u00f1al RAW a trav\u00e9s de HDMI, NO es posible grabar de manera simult\u00e1nea H.264\/H.265 internamente en la c\u00e1mara.<\/p><\/blockquote>\n

\"\"<\/a>

LUMIX S1H y Ninja V ProRes RAW – Imagen de la producci\u00f3n. Cr\u00e9dito de imagen: Sasa Tomic<\/p><\/div>\n

Los clips ProRes RAW se almacenan como archivos MOV, por lo que el proceso de postproducci\u00f3n es bastante sencillo. Fue f\u00e1cil importar a Adobe Premiere Pro y adem\u00e1s, como no necesita ning\u00fan plugin para funcionar con ProRes RAW, este no present\u00f3 ning\u00fan problema; Incluso llegu\u00e9 hasta el punto de no estar seguro de si realmente trabaja con RAW. Sin embargo, al gradar el material de archivo en Lumetri, te recordar\u00e1n que est\u00e1s trabajando con archivos RAW ProRes de 12 bits: hay mucha flexibilidad en las sombras y las luces, lo que te permitir\u00e1 jugar con el material.<\/p>\n

Me perd\u00ed las configuraciones de par\u00e1metros RAW (como con R3D por ejemplo). Entre otras cosas, no hay forma de cambiar el ISO en Premiere Pro con ProRes RAW. Esto deber\u00eda ser posible. En general, fue muy buena la experiencia de grabaci\u00f3n con el combo S1H – Ninja V, ya que tanto los flujos de trabajo de grabaci\u00f3n como de edici\u00f3n son realmente simples y directos.<\/p><\/blockquote>\n

Adem\u00e1s de esta rese\u00f1a pr\u00e1ctica, estamos planeamos lanzar un debate sobre el flujo de trabajo LUMIX S1H – Ninja V ProRes RAW con el director de fotograf\u00eda alem\u00e1n\/suizo Matthias Bolliger y la colorista Louise Temmesfeld. Mantente atento a la web de cinema5D para no perd\u00e9rtelo.<\/p>\n

\u00bfPiensas aprovechar la grabaci\u00f3n ProRes RAWcon la LUMIX S1H y el Atomos Ninja V? \u00bfTienes experiencia trabajando con ProRes RAW? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<144643-main-buylinks\/>"},"excerpt":{"rendered":"

Tam\u00e1s Kiss, un cineasta que reside en Viena prob\u00f3 el flujo de trabajo LUMIX S1H y Ninja V ProRes RAW de 12 bits para cinema5D. Ech\u00e9mosle un vistazo al video resultante y reflexionemos sobre el proceso de filmaci\u00f3n y postproducci\u00f3n en Adobe Premiere Pro. Anunciada en mayo de 2019, la LUMIX S1H es la \u00faltima c\u00e1mara mirrorlessfull-frame de Panasonic (puedes leer nuestra rese\u00f1a\u00a0aqu\u00ed). Adem\u00e1s de sus modos de grabaci\u00f3n interna H.264 y H.265 de 10 bits, la c\u00e1mara\u00a0tambi\u00e9n puede emitir una se\u00f1al de video RAW de 12 bits a trav\u00e9s de HDMI. Para ser preciso, podr\u00e1 hacerlo pr\u00f3ximamente: la actualizaci\u00f3n de firmware requerida a\u00fan no fue lanzada oficialmente. Panasonic present\u00f3 […]<\/p>\n","protected":false},"author":12862,"featured_media":144488,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42299,"name":"Accesorios","link":"https:\/\/staging.cined.dev\/es\/noticias\/accesorios\/","slug":"accesorios"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[27567,27847,28532,34102,38312,41978,24588,26327,26761],"tag_label":[],"brand":[51422,51509],"class_list":["post-144643","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-camaras","category-accesorios","category-noticias-software","tag-lumix-es","tag-ninja-v-es","tag-footage-es","tag-s1h-es","tag-practica","tag-s1h-raw-es","tag-hands-on-es","tag-adobe-premiere-pro-es","tag-prores-raw-es","post_format-post-format-video","brand-panasonic-es","brand-atomos-es"],"yoast_head":"\nPanasonic LUMIX S1H con capacidad ProRes RAW mediante el firmware Atomos Ninja V Beta | CineD<\/title>\n<meta name=\"description\" content=\"We tested the Panasonic LUMIX S1H and Ninja V ProRes RAW recording workflow. 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Take a look at the resulting footage and thoughts on the process\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"http:\/\/www.facebook.com\/jakubhan.visual\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-15T16:43:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-16T21:34:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2020\/07\/LUMIX-S1H-Ninja-V-ProRes-RAW-featured_CLEAN.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jakub Han\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jakub Han\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/\"},\"author\":{\"name\":\"Jakub Han\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/c573668c82b204165628d2b1cc2b0244\"},\"headline\":\"Panasonic LUMIX S1H con capacidad ProRes RAW mediante el firmware Atomos Ninja V Beta\",\"datePublished\":\"2020-07-15T16:43:58+00:00\",\"dateModified\":\"2020-07-16T21:34:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/\"},\"wordCount\":675,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/07\/LUMIX-S1H-Ninja-V-ProRes-RAW-featured_CLEAN.jpg\",\"keywords\":[\"lumix\",\"Ninja V\",\"footage\",\"S1H\",\"pr\u00e1ctica\",\"S1H RAW\",\"hands-on\",\"adobe premiere pro\",\"ProRes RAW\"],\"articleSection\":[\"Noticias\",\"C\u00e1maras\",\"Accesorios\",\"Software\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/\",\"name\":\"Panasonic LUMIX S1H con capacidad ProRes RAW mediante el firmware Atomos Ninja V Beta | CineD\",\"isPartOf\":{\"@id\":\"https:\/\/www.cined.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-footage-with-atomos-ninja-v-beta-firmware\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/07\/LUMIX-S1H-Ninja-V-ProRes-RAW-featured_CLEAN.jpg\",\"datePublished\":\"2020-07-15T16:43:58+00:00\",\"dateModified\":\"2020-07-16T21:34:46+00:00\",\"description\":\"We tested the Panasonic LUMIX S1H and Ninja V ProRes RAW recording workflow. 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