{"id":153230,"date":"2020-08-05T11:32:47","date_gmt":"2020-08-05T09:32:47","guid":{"rendered":"https:\/\/www.cined.com\/75-minute-long-sony-a7s-iii-review-by-philip-bloom\/"},"modified":"2020-08-07T20:51:46","modified_gmt":"2020-08-07T18:51:46","slug":"75-minute-long-sony-a7s-iii-review-by-philip-bloom","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/75-minute-long-sony-a7s-iii-review-by-philip-bloom\/","title":{"rendered":"Rese\u00f1a de Philip Bloom sobre la Sony a7S III \u2013Video de 75 minutos de duraci\u00f3n"},"content":{"rendered":"\n<p><strong>Recientemente Philip Bloom public\u00f3 su rese\u00f1a de la Sony a7S III. Si bien tiene una duraci\u00f3n de 75 minutos, lo cual es bastante largo, en mi opini\u00f3n me result\u00f3 muy informativa y \u00fatil. Puedes verla en el canal de Youtube o Vimeo de Philip.<\/strong><\/p><153230-inline-buylinks\/>\n\n\n\n<p>La tan esperada Sony a7S III, una bestia mirrorless full-frame de luz baja, fue lanzada hace aproximadamente una semana. Aunque la c\u00e1mara ya puede reservarse, el env\u00edo comenzar\u00e1 en septiembre. Mientras tanto, si est\u00e1s interesado en saber m\u00e1s sobre esta c\u00e1mara, puede ser una buena idea mirar algunas rese\u00f1as.<\/p>\n\n\n\n<p>Obviamente, tambi\u00e9n puedes ver la <a href=\"https:\/\/www.cined.com\/es\/sony-a7s-iii-review-mini-documentary-and-lowlight-sample-footage\/\">rese\u00f1a sobre la a7S III<\/a> que realiz\u00f3 Johnnie aqu\u00ed en CineD. Nuestra prueba de laboratorio a\u00fan no fue realizada, pero la haremos tan pronto recibamos una unidad de producci\u00f3n en nuestra sede de Viena. Pueden encontrar otras rese\u00f1as de la a7S III que son bastante interesantes en el <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=AG79FkN7EPk\" target=\"_blank\">canal de Youtube de Gerald Undone<\/a> o en el  <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=lkEQazJ5jQ8\" target=\"_blank\">canal de Youtube de Potato Jet<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-640x360.jpeg\" alt=\"\" class=\"wp-image-153069\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula- La lista de deseos de Philip. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Philip Bloom lanz\u00f3 su rese\u00f1a de la a7S III un poco m\u00e1s tarde porque, como dijo, estaba demasiado ocupado terminando los otros dos videos para el lanzamiento de la a7S III (que se hicieron como videos de lanzamiento oficiales para Sony y Atomos). Es mucho m\u00e1s larga que otras rese\u00f1as (aunque no tanto como su <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/philip-blooms-sony-fx9-review-nearly-two-hours-in-depth-video\/\" target=\"_blank\">rese\u00f1a de la Sony FX9<\/a>) y creo que es un video muy informativo y \u00fatil, as\u00ed que decid\u00ed escribir un art\u00edculo sobre ello por separado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rese\u00f1a de Philip Bloom sobre la Sony a7S III: la pel\u00edcula<\/h2>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Review Of The Sony A7S III: THE MOVIE!\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/W6G7Lk3tr0Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Review Of The Sony A7S III: THE MOVIE! (Part 1)\" src=\"https:\/\/player.vimeo.com\/video\/444338470?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Philip comenz\u00f3 su rese\u00f1a con un montaje de diferentes personas diciendo lo que esperan de la Sony a7S III. Es interesante ver que Sony realmente cumpli\u00f3 la mayor\u00eda de esos deseos.<\/p>\n\n\n\n<p>Una de las solicitudes que se repiti\u00f3 con bastante frecuencia fue la mejora del rolling shutter. Sony afirma haberlo mejorado, por lo que Philip lo contrast\u00f3 con la Sony a7S II y la a7 III. De hecho, mejor\u00f3 notablemente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-640x360.jpeg\" alt=\"\" class=\"wp-image-153066\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula\u2013Rendimiento del Rolling Shutter. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-640x360.jpeg\" alt=\"\" class=\"wp-image-153063\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula\u2013Rendimiento del Rolling Shutter. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>El espacio de color de 10 bits en la a7S III est\u00e1 disponible en todos los modos de grabaci\u00f3n y resoluciones, lo cual es excelente. Como dijo Philip, gracias a eso es posible que pueda utilizarse Slog3 en esta c\u00e1mara y, por lo tanto, se combina mejor con la FX9 u otras c\u00e1maras Sony m\u00e1s grandes. Sin embargo, no hay un perfil de color S-Cinetone.<\/p>\n\n\n\n<p>Lo bueno es que la Sony a7S III les permite a los usuarios cambiar de PAL a NTSC (o viceversa) y continuar grabando en la misma tarjeta de memoria. Anteriormente, la mayor\u00eda de las c\u00e1maras requer\u00edan formatear la tarjeta de memoria antes de poder grabar en un est\u00e1ndar de frecuencia diferente. Probablemente no haya muchas personas que aprovechen al m\u00e1ximo esta funci\u00f3n, pero es bueno ver que Sony pens\u00f3 en esto.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ISO alto y luz baja<\/h2>\n\n\n\n<p>L\u00f3gicamente, el rendimiento con luz baja ha sido uno de los puntos fuertes de venta de la serie Sony Alpha 7S. La a7S III no es una excepci\u00f3n. Con el sensor full-frame de 12MP, el rendimiento con luz baja es excelente.<\/p>\n\n\n\n<p>El ISO base de la a7S III es 640, que es sorprendentemente bajo en comparaci\u00f3n con los modelos de las a7S anteriores. Con ISO ampliado, es posible reducirlo a\u00fan m\u00e1s. Eso hace que esta c\u00e1mara sea m\u00e1s \u00fatil a plena luz del d\u00eda ya que los filtros ND no tienen que ser tan fuertes todo el tiempo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-640x360.jpeg\" alt=\"\" class=\"wp-image-153033\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Curiosamente, la c\u00e1mara comienza a producir im\u00e1genes mucho m\u00e1s limpias cuando el ISO pasa de 12.800 a 16.000. Esto tambi\u00e9n se aplica para la salida RAW. Parece como si el sensor tuviera un segundo ISO nativo en 16.000, pero Sony ha negado esto. Mi colega Johnnie y Gerald Undone tambi\u00e9n notaron esto durante sus pruebas. Tengo curiosidad por saber si esto seguir\u00e1 ocurriendo cuando finalmente se lance la c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-640x360.jpeg\" alt=\"\" class=\"wp-image-153054\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula \u2013 Un limpio ISO de 16000. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>De lo \u00fanico que se quej\u00f3 Philip es que la reducci\u00f3n de ruido en la c\u00e1mara no se puede desactivar cuando se graba internamente. Eso caus\u00f3 que algunos de sus clips con ISO alto fueran inutilizables. La reducci\u00f3n de ruido siempre se puede aplicar con mayor precisi\u00f3n en post-producci\u00f3n con Neat Video, por ejemplo. Si bien es bastante f\u00e1cil eliminar el ruido en la postproducci\u00f3n, es casi imposible eliminar los artefactos de la reducci\u00f3n de ruido interno de la c\u00e1mara. Ser\u00eda genial que Sony habilite el apagado de la reducci\u00f3n de ruido mediante una actualizaci\u00f3n de software.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-640x360.jpeg\" alt=\"\" class=\"wp-image-153036\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Al grabar externamente con la a7S III, la transmisi\u00f3n de video RAW no tiene ning\u00fan NR aplicado, y eso nos posiciona en un lugar inicial m\u00e1s favorable para el trabajo en post.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">C\u00e1mara lenta<\/h2>\n\n\n\n<p>Como probablemente sepas por publicaciones anteriores, la c\u00e1mara puede grabar en UHD 4K hasta 100\/120fps. No es necesario tener el modo S&amp;Q activado, la c\u00e1mara puede grabar una alta velocidad de fotogramas en el modo normal, y tambi\u00e9n tiene la ventaja de grabar audio (el modo S&amp;Q no lo permite). Philip grab\u00f3 la mayor\u00eda de sus im\u00e1genes de c\u00e1mara lenta en modo normal.<\/p>\n\n\n\n<p>Respecto al modo Full HD 200\/240fps (este requiere que el S&amp;Q est\u00e9 encendido), Philip mencion\u00f3 lo importante que es no subexponer en estos modos, porque hay bastante ruido en las sombras.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ergonom\u00eda<\/h2>\n\n\n\n<p>Philip cont\u00f3 que le gusta la nueva pantalla giratoria, pero no le agradan el auto-espejado y la rotaci\u00f3n autom\u00e1tica de la imagen que terminan por complicar el trabajo en \u00e1ngulos no convencionales. Lo bueno es que el conector jack del micr\u00f3fono no se interpone con la pantalla plegable. Sin embargo, el conector para auriculares y todos los dem\u00e1s puertos se interponen cuando la pantalla est\u00e1 orientada hacia adelante en la posici\u00f3n de vlogging.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-640x360.jpeg\" alt=\"\" class=\"wp-image-153057\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; Nueva estructura de men\u00fa. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Otra gran mejora ergon\u00f3mica es la nueva estructura del men\u00fa y la capacidad de pantalla t\u00e1ctil.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-640x360.jpeg\" alt=\"\" class=\"wp-image-153051\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; HDMI de tama\u00f1o completo. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Otra adici\u00f3n muy bien recibida es el puerto HDMI de tama\u00f1o completo, que generalmente es mucho m\u00e1s resistente que los puertos HDMI peque\u00f1os. Adem\u00e1s, la c\u00e1mara tiene puertos Micro USB y USB-C. El USB Tipo-C tambi\u00e9n puede utilizarse para cargarla. Cuenta con una zapata Sony MI para accesorios como el m\u00f3dulo Sony XLR K3M para hasta cuatro canales de audio.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-640x360.jpeg\" alt=\"\" class=\"wp-image-153072\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; Unidad Sony XLR K3M. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Estabilizaci\u00f3n<\/h2>\n\n\n\n<p>En cuanto a la estabilizaci\u00f3n, seg\u00fan Philip el IBIS no es perfecto pero es aceptable. El modo activo (que no est\u00e1 disponible en UHD 100\/120) agrega un recorte de 1.1x y ayuda a mejorar bastante la experiencia con el IBIS.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-640x360.jpeg\" alt=\"\" class=\"wp-image-153027\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Curiosamente, al igual que la Sony FX9, la a7S III tambi\u00e9n registra datos girosc\u00f3picos con los archivos de video. Esto puede ayudar a estabilizar a\u00fan m\u00e1s el material en la postproducci\u00f3n con el software Catalyst Browse. Sin embargo, los datos girosc\u00f3picos no est\u00e1n disponibles en UHD 100\/120fps y HD 200\/240fps.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sobrecalentamiento<\/h2>\n\n\n\n<p>Philip prob\u00f3 el sobrecalentamiento de forma minuciosa. Si bien la opci\u00f3n de Apagado T\u00e9rmico Autom\u00e1tico se configur\u00f3 alto, seg\u00fan la experiencia de Philip, la c\u00e1mara casi nunca se sobrecalienta y se apaga. La prob\u00f3 junto a una l\u00e1mpara c\u00e1lida en su casa y la c\u00e1mara solo se apag\u00f3 despu\u00e9s de una hora de grabaci\u00f3n en modo UHD 100fps XAVC HS H.265 en un entorno con m\u00e1s de 40\u00b0 Celsius.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-640x360.jpeg\" alt=\"\" class=\"wp-image-153060\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; Pruebas de sobrecalentamiento. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Afortunadamente, el tiempo de recuperaci\u00f3n tampoco fue demasiado largo. En resumen, la c\u00e1mara tiene una muy buena gesti\u00f3n del calor y la mayor\u00eda de los usuarios no se ver\u00e1n limitados por el sobrecalentamiento.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Enfoque autom\u00e1tico<\/h2>\n\n\n\n<p>El enfoque autom\u00e1tico es muy bueno, pero lamentablemente el enfoque autom\u00e1tico de animales por el momento solo funciona en modo de im\u00e1genes fijas. Philip mencion\u00f3 que Canon manej\u00f3 mucho mejor el enfoque autom\u00e1tico en ojos de animales con el nuevo Dual Pixel en sus c\u00e1maras recientes.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-640x360.jpeg\" alt=\"\" class=\"wp-image-153039\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: La pel\u00edcula\u2013el enfoque autom\u00e1tico de ojos funciona correctamente para los humanos. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Sony utiliz\u00f3 en la c\u00e1mara una combinaci\u00f3n de Enfoque Autom\u00e1tico de Contraste y Detecci\u00f3n de Fase, y es muy bueno. Al igual que la FX9, la a7S III ofrece ajustes precisos de m\u00faltiples aspectos del enfoque autom\u00e1tico.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-640x360.jpeg\" alt=\"\" class=\"wp-image-153042\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula\u2013el enfoque autom\u00e1tico de animales no funciona en video. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Desafortunadamente, el enfoque autom\u00e1tico de seguimiento t\u00e1ctil de Sony no funciona cuando la pantalla de la c\u00e1mara se emite en un monitor externo a trav\u00e9s de HDMI. Tal como mencion\u00f3 Philip, ser\u00eda genial que Sony tambi\u00e9n solucionara esto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-640x360.jpeg\" alt=\"\" class=\"wp-image-153045\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula- Ajustes del enfoque autom\u00e1tico. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Salida RAW de 16 bits<\/h2>\n\n\n\n<p>Philip habl\u00f3 sobre la salida RAW al Ninja V y c\u00f3mo grab\u00f3 su pel\u00edcula promocional para Sony y Atomos llamada &#8220;The Paddleboarder&#8221;. Ya hemos publicado un art\u00edculo sobre la funci\u00f3n de salida RAW que puedes leer <a href=\"https:\/\/www.cined.com\/es\/atomos-ninja-record-12bit-prores-raw-hdmi-sony-a7s-iii\/\">aqu\u00ed<\/a>.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas sobre la rese\u00f1a de la Sony a7S III que realiz\u00f3 Philip? \u00bfYa has ordenado la c\u00e1mara? \u00bfHay algo que realmente no te guste de la a7S III? Cu\u00e9ntanos en la secci\u00f3n de comentarios debajo del art\u00edculo.<\/strong><\/p>\n<153230-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Recientemente Philip Bloom public\u00f3 su rese\u00f1a de la Sony a7S III. Si bien tiene una duraci\u00f3n de 75 minutos, lo cual es bastante largo, en mi opini\u00f3n me result\u00f3 muy informativa y \u00fatil. Puedes verla en el canal de Youtube o Vimeo de Philip.<\/strong><\/p><153230-inline-buylinks\/>\n\n\n\n<p>La tan esperada Sony a7S III, una bestia mirrorless full-frame de luz baja, fue lanzada hace aproximadamente una semana. Aunque la c\u00e1mara ya puede reservarse, el env\u00edo comenzar\u00e1 en septiembre. Mientras tanto, si est\u00e1s interesado en saber m\u00e1s sobre esta c\u00e1mara, puede ser una buena idea mirar algunas rese\u00f1as.<\/p>\n\n\n\n<p>Obviamente, tambi\u00e9n puedes ver la <a href=\"https:\/\/www.cined.com\/es\/sony-a7s-iii-review-mini-documentary-and-lowlight-sample-footage\/\">rese\u00f1a sobre la a7S III<\/a> que realiz\u00f3 Johnnie aqu\u00ed en CineD. Nuestra prueba de laboratorio a\u00fan no fue realizada, pero la haremos tan pronto recibamos una unidad de producci\u00f3n en nuestra sede de Viena. Pueden encontrar otras rese\u00f1as de la a7S III que son bastante interesantes en el <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=AG79FkN7EPk\" target=\"_blank\">canal de Youtube de Gerald Undone<\/a> o en el  <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=lkEQazJ5jQ8\" target=\"_blank\">canal de Youtube de Potato Jet<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-640x360.jpeg\" alt=\"\" class=\"wp-image-153069\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-wishlist-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula- La lista de deseos de Philip. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Philip Bloom lanz\u00f3 su rese\u00f1a de la a7S III un poco m\u00e1s tarde porque, como dijo, estaba demasiado ocupado terminando los otros dos videos para el lanzamiento de la a7S III (que se hicieron como videos de lanzamiento oficiales para Sony y Atomos). Es mucho m\u00e1s larga que otras rese\u00f1as (aunque no tanto como su <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/philip-blooms-sony-fx9-review-nearly-two-hours-in-depth-video\/\" target=\"_blank\">rese\u00f1a de la Sony FX9<\/a>) y creo que es un video muy informativo y \u00fatil, as\u00ed que decid\u00ed escribir un art\u00edculo sobre ello por separado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rese\u00f1a de Philip Bloom sobre la Sony a7S III: la pel\u00edcula<\/h2>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Review Of The Sony A7S III: THE MOVIE!\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/W6G7Lk3tr0Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Review Of The Sony A7S III: THE MOVIE! (Part 1)\" src=\"https:\/\/player.vimeo.com\/video\/444338470?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Philip comenz\u00f3 su rese\u00f1a con un montaje de diferentes personas diciendo lo que esperan de la Sony a7S III. Es interesante ver que Sony realmente cumpli\u00f3 la mayor\u00eda de esos deseos.<\/p>\n\n\n\n<p>Una de las solicitudes que se repiti\u00f3 con bastante frecuencia fue la mejora del rolling shutter. Sony afirma haberlo mejorado, por lo que Philip lo contrast\u00f3 con la Sony a7S II y la a7 III. De hecho, mejor\u00f3 notablemente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-640x360.jpeg\" alt=\"\" class=\"wp-image-153066\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-2-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula\u2013Rendimiento del Rolling Shutter. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-640x360.jpeg\" alt=\"\" class=\"wp-image-153063\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-rolling-shutter-1-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula\u2013Rendimiento del Rolling Shutter. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>El espacio de color de 10 bits en la a7S III est\u00e1 disponible en todos los modos de grabaci\u00f3n y resoluciones, lo cual es excelente. Como dijo Philip, gracias a eso es posible que pueda utilizarse Slog3 en esta c\u00e1mara y, por lo tanto, se combina mejor con la FX9 u otras c\u00e1maras Sony m\u00e1s grandes. Sin embargo, no hay un perfil de color S-Cinetone.<\/p>\n\n\n\n<p>Lo bueno es que la Sony a7S III les permite a los usuarios cambiar de PAL a NTSC (o viceversa) y continuar grabando en la misma tarjeta de memoria. Anteriormente, la mayor\u00eda de las c\u00e1maras requer\u00edan formatear la tarjeta de memoria antes de poder grabar en un est\u00e1ndar de frecuencia diferente. Probablemente no haya muchas personas que aprovechen al m\u00e1ximo esta funci\u00f3n, pero es bueno ver que Sony pens\u00f3 en esto.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ISO alto y luz baja<\/h2>\n\n\n\n<p>L\u00f3gicamente, el rendimiento con luz baja ha sido uno de los puntos fuertes de venta de la serie Sony Alpha 7S. La a7S III no es una excepci\u00f3n. Con el sensor full-frame de 12MP, el rendimiento con luz baja es excelente.<\/p>\n\n\n\n<p>El ISO base de la a7S III es 640, que es sorprendentemente bajo en comparaci\u00f3n con los modelos de las a7S anteriores. Con ISO ampliado, es posible reducirlo a\u00fan m\u00e1s. Eso hace que esta c\u00e1mara sea m\u00e1s \u00fatil a plena luz del d\u00eda ya que los filtros ND no tienen que ser tan fuertes todo el tiempo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-640x360.jpeg\" alt=\"\" class=\"wp-image-153033\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-4-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Curiosamente, la c\u00e1mara comienza a producir im\u00e1genes mucho m\u00e1s limpias cuando el ISO pasa de 12.800 a 16.000. Esto tambi\u00e9n se aplica para la salida RAW. Parece como si el sensor tuviera un segundo ISO nativo en 16.000, pero Sony ha negado esto. Mi colega Johnnie y Gerald Undone tambi\u00e9n notaron esto durante sus pruebas. Tengo curiosidad por saber si esto seguir\u00e1 ocurriendo cuando finalmente se lance la c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-640x360.jpeg\" alt=\"\" class=\"wp-image-153054\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-High-ISO-16000-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula \u2013 Un limpio ISO de 16000. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>De lo \u00fanico que se quej\u00f3 Philip es que la reducci\u00f3n de ruido en la c\u00e1mara no se puede desactivar cuando se graba internamente. Eso caus\u00f3 que algunos de sus clips con ISO alto fueran inutilizables. La reducci\u00f3n de ruido siempre se puede aplicar con mayor precisi\u00f3n en post-producci\u00f3n con Neat Video, por ejemplo. Si bien es bastante f\u00e1cil eliminar el ruido en la postproducci\u00f3n, es casi imposible eliminar los artefactos de la reducci\u00f3n de ruido interno de la c\u00e1mara. Ser\u00eda genial que Sony habilite el apagado de la reducci\u00f3n de ruido mediante una actualizaci\u00f3n de software.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-640x360.jpeg\" alt=\"\" class=\"wp-image-153036\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-5-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Al grabar externamente con la a7S III, la transmisi\u00f3n de video RAW no tiene ning\u00fan NR aplicado, y eso nos posiciona en un lugar inicial m\u00e1s favorable para el trabajo en post.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">C\u00e1mara lenta<\/h2>\n\n\n\n<p>Como probablemente sepas por publicaciones anteriores, la c\u00e1mara puede grabar en UHD 4K hasta 100\/120fps. No es necesario tener el modo S&amp;Q activado, la c\u00e1mara puede grabar una alta velocidad de fotogramas en el modo normal, y tambi\u00e9n tiene la ventaja de grabar audio (el modo S&amp;Q no lo permite). Philip grab\u00f3 la mayor\u00eda de sus im\u00e1genes de c\u00e1mara lenta en modo normal.<\/p>\n\n\n\n<p>Respecto al modo Full HD 200\/240fps (este requiere que el S&amp;Q est\u00e9 encendido), Philip mencion\u00f3 lo importante que es no subexponer en estos modos, porque hay bastante ruido en las sombras.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ergonom\u00eda<\/h2>\n\n\n\n<p>Philip cont\u00f3 que le gusta la nueva pantalla giratoria, pero no le agradan el auto-espejado y la rotaci\u00f3n autom\u00e1tica de la imagen que terminan por complicar el trabajo en \u00e1ngulos no convencionales. Lo bueno es que el conector jack del micr\u00f3fono no se interpone con la pantalla plegable. Sin embargo, el conector para auriculares y todos los dem\u00e1s puertos se interponen cuando la pantalla est\u00e1 orientada hacia adelante en la posici\u00f3n de vlogging.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-640x360.jpeg\" alt=\"\" class=\"wp-image-153057\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-menu-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; Nueva estructura de men\u00fa. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Otra gran mejora ergon\u00f3mica es la nueva estructura del men\u00fa y la capacidad de pantalla t\u00e1ctil.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-640x360.jpeg\" alt=\"\" class=\"wp-image-153051\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-HDMI-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; HDMI de tama\u00f1o completo. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Otra adici\u00f3n muy bien recibida es el puerto HDMI de tama\u00f1o completo, que generalmente es mucho m\u00e1s resistente que los puertos HDMI peque\u00f1os. Adem\u00e1s, la c\u00e1mara tiene puertos Micro USB y USB-C. El USB Tipo-C tambi\u00e9n puede utilizarse para cargarla. Cuenta con una zapata Sony MI para accesorios como el m\u00f3dulo Sony XLR K3M para hasta cuatro canales de audio.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-640x360.jpeg\" alt=\"\" class=\"wp-image-153072\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-XLR-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; Unidad Sony XLR K3M. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Estabilizaci\u00f3n<\/h2>\n\n\n\n<p>En cuanto a la estabilizaci\u00f3n, seg\u00fan Philip el IBIS no es perfecto pero es aceptable. El modo activo (que no est\u00e1 disponible en UHD 100\/120) agrega un recorte de 1.1x y ayuda a mejorar bastante la experiencia con el IBIS.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-640x360.jpeg\" alt=\"\" class=\"wp-image-153027\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-2-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Curiosamente, al igual que la Sony FX9, la a7S III tambi\u00e9n registra datos girosc\u00f3picos con los archivos de video. Esto puede ayudar a estabilizar a\u00fan m\u00e1s el material en la postproducci\u00f3n con el software Catalyst Browse. Sin embargo, los datos girosc\u00f3picos no est\u00e1n disponibles en UHD 100\/120fps y HD 200\/240fps.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sobrecalentamiento<\/h2>\n\n\n\n<p>Philip prob\u00f3 el sobrecalentamiento de forma minuciosa. Si bien la opci\u00f3n de Apagado T\u00e9rmico Autom\u00e1tico se configur\u00f3 alto, seg\u00fan la experiencia de Philip, la c\u00e1mara casi nunca se sobrecalienta y se apaga. La prob\u00f3 junto a una l\u00e1mpara c\u00e1lida en su casa y la c\u00e1mara solo se apag\u00f3 despu\u00e9s de una hora de grabaci\u00f3n en modo UHD 100fps XAVC HS H.265 en un entorno con m\u00e1s de 40\u00b0 Celsius.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-640x360.jpeg\" alt=\"\" class=\"wp-image-153060\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-overheating-tests-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula &#8211; Pruebas de sobrecalentamiento. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Afortunadamente, el tiempo de recuperaci\u00f3n tampoco fue demasiado largo. En resumen, la c\u00e1mara tiene una muy buena gesti\u00f3n del calor y la mayor\u00eda de los usuarios no se ver\u00e1n limitados por el sobrecalentamiento.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Enfoque autom\u00e1tico<\/h2>\n\n\n\n<p>El enfoque autom\u00e1tico es muy bueno, pero lamentablemente el enfoque autom\u00e1tico de animales por el momento solo funciona en modo de im\u00e1genes fijas. Philip mencion\u00f3 que Canon manej\u00f3 mucho mejor el enfoque autom\u00e1tico en ojos de animales con el nuevo Dual Pixel en sus c\u00e1maras recientes.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-640x360.jpeg\" alt=\"\" class=\"wp-image-153039\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF1-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: La pel\u00edcula\u2013el enfoque autom\u00e1tico de ojos funciona correctamente para los humanos. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Sony utiliz\u00f3 en la c\u00e1mara una combinaci\u00f3n de Enfoque Autom\u00e1tico de Contraste y Detecci\u00f3n de Fase, y es muy bueno. Al igual que la FX9, la a7S III ofrece ajustes precisos de m\u00faltiples aspectos del enfoque autom\u00e1tico.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-640x360.jpeg\" alt=\"\" class=\"wp-image-153042\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF2-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula\u2013el enfoque autom\u00e1tico de animales no funciona en video. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<p>Desafortunadamente, el enfoque autom\u00e1tico de seguimiento t\u00e1ctil de Sony no funciona cuando la pantalla de la c\u00e1mara se emite en un monitor externo a trav\u00e9s de HDMI. Tal como mencion\u00f3 Philip, ser\u00eda genial que Sony tambi\u00e9n solucionara esto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-640x360.jpeg\" alt=\"\" class=\"wp-image-153045\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-2048x1152.jpeg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/a7S-III-Review-Philip-Bloom-AF3-1600x900.jpeg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rese\u00f1a sobre la Sony a7S III: la pel\u00edcula- Ajustes del enfoque autom\u00e1tico. Cr\u00e9dito de imagen: Philip Bloom<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Salida RAW de 16 bits<\/h2>\n\n\n\n<p>Philip habl\u00f3 sobre la salida RAW al Ninja V y c\u00f3mo grab\u00f3 su pel\u00edcula promocional para Sony y Atomos llamada &#8220;The Paddleboarder&#8221;. Ya hemos publicado un art\u00edculo sobre la funci\u00f3n de salida RAW que puedes leer <a href=\"https:\/\/www.cined.com\/es\/atomos-ninja-record-12bit-prores-raw-hdmi-sony-a7s-iii\/\">aqu\u00ed<\/a>.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas sobre la rese\u00f1a de la Sony a7S III que realiz\u00f3 Philip? \u00bfYa has ordenado la c\u00e1mara? \u00bfHay algo que realmente no te guste de la a7S III? Cu\u00e9ntanos en la secci\u00f3n de comentarios debajo del art\u00edculo.<\/strong><\/p>\n<153230-main-buylinks\/>"},"excerpt":{"rendered":"<p>Recientemente Philip Bloom public\u00f3 su rese\u00f1a de la Sony a7S III. Si bien tiene una duraci\u00f3n de 75 minutos, lo cual es bastante largo, en mi opini\u00f3n me result\u00f3 muy informativa y \u00fatil. Puedes verla en el canal de Youtube o Vimeo de Philip. La tan esperada Sony a7S III, una bestia mirrorless full-frame de luz baja, fue lanzada hace aproximadamente una semana. Aunque la c\u00e1mara ya puede reservarse, el env\u00edo comenzar\u00e1 en septiembre. Mientras tanto, si est\u00e1s interesado en saber m\u00e1s sobre esta c\u00e1mara, puede ser una buena idea mirar algunas rese\u00f1as. Obviamente, tambi\u00e9n puedes ver la rese\u00f1a sobre la a7S III que realiz\u00f3 Johnnie aqu\u00ed en CineD. Nuestra [&hellip;]<\/p>\n","protected":false},"author":12862,"featured_media":153026,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[51337,24280,51338,24595,51339,24618,51340,24989,27071,51342,27073,51343,27408,51344],"tag_label":[],"brand":[51341],"class_list":["post-153230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-camaras","tag-camera-review-es","tag-sony-es","tag-sony-alpha-7s-iii-es","tag-camera-es","tag-sony-a7s-iii-review-es","tag-philip-bloom-es","tag-a7s-iii-review-es","tag-camara","tag-a7s-iii-es","tag-resena-de-la-a7s-iii","tag-sony-a7s-iii-es","tag-resena-de-la-sony-a-7s-iii","tag-resena","tag-resena-de-camara","brand-sony-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rese\u00f1a de Philip Bloom sobre la Sony a7S III \u2013Video de 75 minutos de duraci\u00f3n | CineD<\/title>\n<meta name=\"description\" content=\"Philip Bloom published his 74 minutes long Sony a7S review. 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