{"id":154096,"date":"2020-08-11T21:10:59","date_gmt":"2020-08-11T19:10:59","guid":{"rendered":"https:\/\/www.cined.com\/panasonic-lumix-s1h-prores-raw-recording-tested-interview-with-dp-matthias-bolliger\/"},"modified":"2020-08-11T22:41:39","modified_gmt":"2020-08-11T20:41:39","slug":"panasonic-lumix-s1h-prores-raw-recording-tested-interview-with-dp-matthias-bolliger","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-recording-tested-interview-with-dp-matthias-bolliger\/","title":{"rendered":"Prueba de grabaci\u00f3n en ProRes RAW con la Panasonic LUMIX S1H – Entrevista con el DF Matthias Bolliger"},"content":{"rendered":"\n

Hace poco dimos con el director de fotograf\u00eda Matthias Bolliger y su colorista Louise Temmesfeld para hablar sobre las capacidades de grabaci\u00f3n externa ProRes RAW con la Panasonic LUMIX S1H y el Atomos Ninja V<\/a>. En esta entrevista exhaustiva, hablamos sobre grabaci\u00f3n interna versus externa, rango din\u00e1mico, postproducci\u00f3n de ProRes RAW, etc. \u00a1Veamos m\u00e1s de cerca!<\/strong><\/p><154096-inline-buylinks\/>\n\n\n\n

Nota: esta entrevista y las pruebas de Matthias Bolliger se realizaron utilizando firmware de preproducci\u00f3n en la S1H y el Atomos Ninja V, as\u00ed que los resultados pueden variar en las versiones de producci\u00f3n reales.<\/em><\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Grabaci\u00f3n de ProRes RAW en la Panasonic LUMIX S1H y el Atomos Ninja V<\/h2>\n\n\n\n

Hace poco, Atomos lanz\u00f3 una actualizaci\u00f3n de firmware gratuita para su monitor\/grabador Atomos Ninja V, que permite la grabaci\u00f3n ProRes RAW desde el puerto HDMI de la Panasonic LUMIX S1H. Permite grabar en una resoluci\u00f3n de 5.9K (5888 x 3312) en modo 16:9 en 23.98p y 29.97p en NTSC y 25p en PAL utilizando todo el sensor full frame de la S1H. Para obtener m\u00e1s informaci\u00f3n sobre esta actualizaci\u00f3n, puedes leer nuestro art\u00edculo completo aqu\u00ed.<\/a><\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Durante la Feria Virtual de CineD, hablamos con el director de fotograf\u00eda suizo -y usuario de Panasonic desde hace mucho tiempo- Matthias Bolliger. En efecto, tuvo la oportunidad de poner a prueba las capacidades de grabaci\u00f3n externa de ProRes RAW en la S1H con el Atomos Ninja V<\/a>.<\/p>\n\n\n\n

Durante sus pruebas, Matthias Bolliger puso a prueba la c\u00e1mara y el sensor en una situaci\u00f3n de poca luz para evaluar el ruido, en condiciones de iluminaci\u00f3n dif\u00edciles para una c\u00e1mara. La escena que cre\u00f3 tiene muchos contrastes, que es la configuraci\u00f3n perfecta para comparar la grabaci\u00f3n interna con la externa de la c\u00e1mara.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Su prueba lado a lado compara la grabaci\u00f3n externa de ProRes RAW 5.9K de 12 bits en el Ninja V y la grabaci\u00f3n interna 4K 4:2:2 de 10 bits en la S1H. Como dijo Matthias Bolliger, es dif\u00edcil notar una gran diferencia entre los dos a simple vista en una situaci\u00f3n como esta, tan solo con iluminaci\u00f3n natural y alto contraste.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Postproducci\u00f3n de ProRes RAW \u2013 se\u00f1al lineal, sin V-Log<\/h2>\n\n\n\n

La colorista Louise Temmesfeld hizo la postproducci\u00f3n. Como ProRes RAW es algo novedoso para los artistas de post-producci\u00f3n, esta era la primera vez que esta experimentada colorista manipulaba material ProRes RAW. Adem\u00e1s, como este formato es relativamente nuevo, Louise prob\u00f3 flujos de trabajo con y sin gesti\u00f3n de color, tanto en SDR como en HDR.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Como la misma Louise Temmesfeld dijo, la se\u00f1al ProRes RAW grabada por el Atomos Ninja V y que sale de la S1H es una se\u00f1al RGB lineal. En resumen, significa que puedes capturar im\u00e1genes en el perfil de imagen de V-Log internamente, pero no externamente.<\/p>\n\n\n\n

Al mirar el material, Louise Temmesfeld descubri\u00f3 que la grabaci\u00f3n en ProRes RAW era m\u00e1s n\u00edtida, mientras que la grabaci\u00f3n interna en V-Log era un poco m\u00e1s suave.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

\u00bfVale la pena ProRes RAW?<\/h2>\n\n\n\n

Como mencion\u00f3 Matthias Bolliger, depende de lo que est\u00e9s haciendo y de d\u00f3nde quieras terminar. Si tu producto final ser\u00e1 en HD o 4K para la web, las potentes capacidades de grabaci\u00f3n interna de la Panasonic LUMIX S1H tienen mucho sentido. De lo contrario, las capacidades del Atomos Ninja V y del ProRes RAW liberan todo el potencial 6K de la S1H. Puedes acceder a m\u00e1s detalles, pero hay un precio que pagar: un nivel de ruido m\u00e1s alto.<\/p>\n\n\n\n

Adem\u00e1s, la tasa de datos de grabaci\u00f3n interna de la S1H en 4K 4:2:2 de 10 bits es de 6 a 8 veces menor que la grabaci\u00f3n externa en ProRes RAW de 12 bits. Significa que los archivos son m\u00e1s peque\u00f1os, ocupan menos espacio de almacenamiento y son mucho m\u00e1s f\u00e1ciles de procesar. En ProRes RAW, un SSD de 1TB te dar\u00e1 alrededor de 45 minutos de tiempo de grabaci\u00f3n.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Adem\u00e1s, como dijeron Matthias y Louise, el rango din\u00e1mico viene dado por el sensor de la S1H. Por lo tanto, incluso si grabas en ProRes RAW, no ampl\u00edas tu rango din\u00e1mico y estar\u00e1s limitado por lo que puede capturar el sensor real de la Panasonic S1H. En resumen, significa que cuando el sensor quema la imagen, la informaci\u00f3n se pierde para siempre.<\/p>\n\n\n\n

\u00bfYa probaste la grabaci\u00f3n externa en ProRes RAW con la Panasonic LUMIX S1H y el Atomos Ninja V? \u00bfCrees que te ser\u00eda \u00fatil? \u00a1No dudes en contarnos en los comentarios debajo!<\/strong><\/p>\n<154096-main-buylinks\/>","protected":false,"clean_render":"

Hace poco dimos con el director de fotograf\u00eda Matthias Bolliger y su colorista Louise Temmesfeld para hablar sobre las capacidades de grabaci\u00f3n externa ProRes RAW con la Panasonic LUMIX S1H y el Atomos Ninja V<\/a>. En esta entrevista exhaustiva, hablamos sobre grabaci\u00f3n interna versus externa, rango din\u00e1mico, postproducci\u00f3n de ProRes RAW, etc. \u00a1Veamos m\u00e1s de cerca!<\/strong><\/p><154096-inline-buylinks\/>\n\n\n\n

Nota: esta entrevista y las pruebas de Matthias Bolliger se realizaron utilizando firmware de preproducci\u00f3n en la S1H y el Atomos Ninja V, as\u00ed que los resultados pueden variar en las versiones de producci\u00f3n reales.<\/em><\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Grabaci\u00f3n de ProRes RAW en la Panasonic LUMIX S1H y el Atomos Ninja V<\/h2>\n\n\n\n

Hace poco, Atomos lanz\u00f3 una actualizaci\u00f3n de firmware gratuita para su monitor\/grabador Atomos Ninja V, que permite la grabaci\u00f3n ProRes RAW desde el puerto HDMI de la Panasonic LUMIX S1H. Permite grabar en una resoluci\u00f3n de 5.9K (5888 x 3312) en modo 16:9 en 23.98p y 29.97p en NTSC y 25p en PAL utilizando todo el sensor full frame de la S1H. Para obtener m\u00e1s informaci\u00f3n sobre esta actualizaci\u00f3n, puedes leer nuestro art\u00edculo completo aqu\u00ed.<\/a><\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Durante la Feria Virtual de CineD, hablamos con el director de fotograf\u00eda suizo -y usuario de Panasonic desde hace mucho tiempo- Matthias Bolliger. En efecto, tuvo la oportunidad de poner a prueba las capacidades de grabaci\u00f3n externa de ProRes RAW en la S1H con el Atomos Ninja V<\/a>.<\/p>\n\n\n\n

Durante sus pruebas, Matthias Bolliger puso a prueba la c\u00e1mara y el sensor en una situaci\u00f3n de poca luz para evaluar el ruido, en condiciones de iluminaci\u00f3n dif\u00edciles para una c\u00e1mara. La escena que cre\u00f3 tiene muchos contrastes, que es la configuraci\u00f3n perfecta para comparar la grabaci\u00f3n interna con la externa de la c\u00e1mara.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Su prueba lado a lado compara la grabaci\u00f3n externa de ProRes RAW 5.9K de 12 bits en el Ninja V y la grabaci\u00f3n interna 4K 4:2:2 de 10 bits en la S1H. Como dijo Matthias Bolliger, es dif\u00edcil notar una gran diferencia entre los dos a simple vista en una situaci\u00f3n como esta, tan solo con iluminaci\u00f3n natural y alto contraste.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Postproducci\u00f3n de ProRes RAW \u2013 se\u00f1al lineal, sin V-Log<\/h2>\n\n\n\n

La colorista Louise Temmesfeld hizo la postproducci\u00f3n. Como ProRes RAW es algo novedoso para los artistas de post-producci\u00f3n, esta era la primera vez que esta experimentada colorista manipulaba material ProRes RAW. Adem\u00e1s, como este formato es relativamente nuevo, Louise prob\u00f3 flujos de trabajo con y sin gesti\u00f3n de color, tanto en SDR como en HDR.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Como la misma Louise Temmesfeld dijo, la se\u00f1al ProRes RAW grabada por el Atomos Ninja V y que sale de la S1H es una se\u00f1al RGB lineal. En resumen, significa que puedes capturar im\u00e1genes en el perfil de imagen de V-Log internamente, pero no externamente.<\/p>\n\n\n\n

Al mirar el material, Louise Temmesfeld descubri\u00f3 que la grabaci\u00f3n en ProRes RAW era m\u00e1s n\u00edtida, mientras que la grabaci\u00f3n interna en V-Log era un poco m\u00e1s suave.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

\u00bfVale la pena ProRes RAW?<\/h2>\n\n\n\n

Como mencion\u00f3 Matthias Bolliger, depende de lo que est\u00e9s haciendo y de d\u00f3nde quieras terminar. Si tu producto final ser\u00e1 en HD o 4K para la web, las potentes capacidades de grabaci\u00f3n interna de la Panasonic LUMIX S1H tienen mucho sentido. De lo contrario, las capacidades del Atomos Ninja V y del ProRes RAW liberan todo el potencial 6K de la S1H. Puedes acceder a m\u00e1s detalles, pero hay un precio que pagar: un nivel de ruido m\u00e1s alto.<\/p>\n\n\n\n

Adem\u00e1s, la tasa de datos de grabaci\u00f3n interna de la S1H en 4K 4:2:2 de 10 bits es de 6 a 8 veces menor que la grabaci\u00f3n externa en ProRes RAW de 12 bits. Significa que los archivos son m\u00e1s peque\u00f1os, ocupan menos espacio de almacenamiento y son mucho m\u00e1s f\u00e1ciles de procesar. En ProRes RAW, un SSD de 1TB te dar\u00e1 alrededor de 45 minutos de tiempo de grabaci\u00f3n.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: Matthias Bolliger<\/figcaption><\/figure>\n\n\n\n

Adem\u00e1s, como dijeron Matthias y Louise, el rango din\u00e1mico viene dado por el sensor de la S1H. Por lo tanto, incluso si grabas en ProRes RAW, no ampl\u00edas tu rango din\u00e1mico y estar\u00e1s limitado por lo que puede capturar el sensor real de la Panasonic S1H. En resumen, significa que cuando el sensor quema la imagen, la informaci\u00f3n se pierde para siempre.<\/p>\n\n\n\n

\u00bfYa probaste la grabaci\u00f3n externa en ProRes RAW con la Panasonic LUMIX S1H y el Atomos Ninja V? \u00bfCrees que te ser\u00eda \u00fatil? \u00a1No dudes en contarnos en los comentarios debajo!<\/strong><\/p>\n<154096-main-buylinks\/>"},"excerpt":{"rendered":"

Hace poco dimos con el director de fotograf\u00eda Matthias Bolliger y su colorista Louise Temmesfeld para hablar sobre las capacidades de grabaci\u00f3n externa ProRes RAW con la Panasonic LUMIX S1H y el Atomos Ninja V. En esta entrevista exhaustiva, hablamos sobre grabaci\u00f3n interna versus externa, rango din\u00e1mico, postproducci\u00f3n de ProRes RAW, etc. \u00a1Veamos m\u00e1s de cerca! Nota: esta entrevista y las pruebas de Matthias Bolliger se realizaron utilizando firmware de preproducci\u00f3n en la S1H y el Atomos Ninja V, as\u00ed que los resultados pueden variar en las versiones de producci\u00f3n reales. Grabaci\u00f3n de ProRes RAW en la Panasonic LUMIX S1H y el Atomos Ninja V Hace poco, Atomos lanz\u00f3 una […]<\/p>\n","protected":false},"author":15720,"featured_media":154001,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[51560,34102,39685,39747,41617,24358,26606,51556,26761,51557,51558,27844,51559,32247],"tag_label":[56267],"brand":[51422],"class_list":["post-154096","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-industria","tag-grabacion-externa-panasonic-s1h","tag-s1h-es","tag-feria-virtual","tag-virtual-show-es","tag-prores-raw-external-recording-es","tag-panasonic-es","tag-atomos-ninja-v-es","tag-matthias-bolliger-es","tag-prores-raw-es","tag-louise-temmesfeld-es","tag-cined-virtual-show-es","tag-atomos-es","tag-grabacion-externa-2","tag-panasonic-lumix-s1h-es","post_format-post-format-video","tag_label-sponsored-educational-es","brand-panasonic-es"],"yoast_head":"\nPrueba de grabaci\u00f3n en ProRes RAW con la Panasonic LUMIX S1H - Entrevista con el DF Matthias Bolliger | CineD<\/title>\n<meta name=\"description\" content=\"We talked with DOP Matthias Bolliger to discuss the Panasonic LUMIX S1H ProRes RAW external recording capabilities on the Atomos Ninja V\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-recording-tested-interview-with-dp-matthias-bolliger\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prueba de grabaci\u00f3n en ProRes RAW con la Panasonic LUMIX S1H - Entrevista con el DF Matthias Bolliger | CineD\" \/>\n<meta property=\"og:description\" content=\"We talked with DOP Matthias Bolliger to discuss the Panasonic LUMIX S1H ProRes RAW external recording capabilities on the Atomos Ninja V\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-prores-raw-recording-tested-interview-with-dp-matthias-bolliger\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/JeffLochOfficiel\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-08-11T19:10:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-08-11T20:41:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2020\/08\/PanasonicLumixS1HProResRAW_05.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jeff Loch\" \/>\n<meta name=\"twitter:card\" 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