{"id":155426,"date":"2020-08-25T14:18:53","date_gmt":"2020-08-25T12:18:53","guid":{"rendered":"https:\/\/www.cined.com\/panasonic-lumix-s1h-and-laowa-24mm-lens-good-match-for-macro-filming\/"},"modified":"2020-08-26T19:44:55","modified_gmt":"2020-08-26T17:44:55","slug":"panasonic-lumix-s1h-and-laowa-24mm-lens-good-match-for-macro-filming","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-and-laowa-24mm-lens-good-match-for-macro-filming\/","title":{"rendered":"Panasonic LUMIX S1H y lente Laowa 24 mm: Buena combinaci\u00f3n para la filmaci\u00f3n macro"},"content":{"rendered":"\n

Te preguntas qu\u00e9 hacer en estos tiempos de pandemia? Bueno, Ben Sherlock<\/a>, director de fotograf\u00eda brit\u00e1nico, decidi\u00f3 revelar un mundo invisible en su jard\u00edn. Tom\u00f3 una Panasonic Lumix DC-S1H, un lente de sonda macro Venus Optics Laowa de 24 mm y sali\u00f3.<\/strong><\/p><155426-inline-buylinks\/>\n\n\n\n

Como lector entusiasta, es posible que hayas escuchado su nombre con anterioridad. Hemos hablado con Ben varias veces (puedes leer sobre ello aqu\u00ed<\/a>) y en estos momentos especiales nuestro Johnnie Behiri se reuni\u00f3 con \u00e9l para darle seguimiento a un corto documental que Ben realiz\u00f3 recientemente: \u00a1Un viaje microsc\u00f3pico a la parte trasera de su jard\u00edn!<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

Filmando insectos con Ben Sherlock<\/h2>\n\n\n\n

Ben se restringi\u00f3 al limitar su equipo: un cuerpo de c\u00e1mara, un lente y un slider. Eso es todo lo que necesitaba en t\u00e9rminos de equipos. Eligi\u00f3 la Panasonic LUMIX DC-S1H debido a su excelente modo 4k de 10 bits (@ 25p). Para velocidades de cuadro m\u00e1s altas, necesitar\u00edas bajar a modo 1080p de 8 bits, lo cual es muy bueno, pero dado que el Laowa de 24 mm tiene una apertura (muy) lenta, la configuraci\u00f3n ISO necesaria ser\u00e1 alta, e introducir\u00eda ruido con bastante facilidad. Eso no era un problema a la luz del sol, pero una vez que Ben se coloc\u00f3 en el suelo, filmar con un lente tan lento se convirti\u00f3 en una tarea complicada.<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

El lente sonda macro Venus Optics Laowa 24 mm f\/14 (no es un error tipogr\u00e1fico) es una pieza de equipo bastante especial (puedes leer nuestra rese\u00f1a en profundidad aqu\u00ed<\/a>). Combina las capacidades macro cl\u00e1sicas con una distancia focal amplia bastante inusual de 24 mm, lo que resulta en una profundidad de campo mucho m\u00e1s agradable. Pero es lento. Muy lento.<\/p>\n\n\n\n

Conclusiones<\/h2>\n\n\n\n

Como se\u00f1ala Ben, fue un placer trabajar con una configuraci\u00f3n tan sencilla. Una c\u00e1mara, un lente y un slider es todo lo que necesitas para obtener im\u00e1genes asombrosas. Comb\u00ednalo con un poco de edici\u00f3n, un ligero toque de color, una buena banda sonora y listo. Todo lo que realmente necesitas es una buena idea, algo de tiempo libre y pasi\u00f3n.<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

Ben declar\u00f3 que sus habilidades de gradaci\u00f3n de color son “bastante deficientes”, por lo que film\u00f3 todo en el perfil Cinelike-D y solo ajust\u00f3 un poco el contraste y la saturaci\u00f3n en la postproducci\u00f3n.<\/p>\n\n\n\n

Eligi\u00f3 el modo 4K de 10 bits, y como se requer\u00edan 1080p de 8 bits para tomas en slow-motion y eso result\u00f3 en un aumento del ruido, Ben limit\u00f3 las tomas slow-motion para obtener una mejor apariencia de 4K de 10 bits a 25p.<\/p>\n\n\n\n

\"Panasonic
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

La mayor\u00eda de los movimientos de la c\u00e1mara que puedes ver en el documental se ejecutaron con un cabezal lineal Syrp Genie II en un slider. Pero a veces lleva demasiado tiempo configurar un slider, por lo que Ben volvi\u00f3 al viejo y querido modo a mano alzada, capturando algunas de las abejas en slow-motion, por ejemplo. El IBIS de Panasonic ayud\u00f3 en ese sentido.<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

En la postproducci\u00f3n Ben trabaj\u00f3 en una l\u00ednea de tiempo de 1080p, por lo que pudo hacer uso del material grabado en 4K para recortar ocasionalmente la imagen 4K y volver a encuadrar la toma ligeramente sin perder resoluci\u00f3n.<\/p>\n\n\n\n

En general, Ben parece estar muy satisfecho con el rendimiento de la c\u00e1mara Panasonic LUMIX S1H. Al usar su modo favorito de 4K de 10 bits a 25p, el material resultante fue muy limpio incluso con el ISO en 4000 o 5000. La estabilizaci\u00f3n de imagen en el cuerpo (IBIS) funciona lo suficientemente bien para algunos trabajos de c\u00e1mara en mano, incluso en el terreno macro, y la calidad general de construcci\u00f3n y el sistema de men\u00fas respaldan su flujo de trabajo en lugar de ralentizarlo.<\/p>\n\n\n\n

\"\"
Lente macro Panasonic S1H y Laowa de 24 mm. Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure>\n\n\n\n

Un llamado a la acci\u00f3n<\/h2>\n\n\n\n

Si t\u00fa, al igual que Ben, tienes un poco de tiempo libre para dedicarlo a proyectos apasionantes: \u00a1hazlo! Sal, encuentra algo que despierte tu imaginaci\u00f3n y ll\u00e9valo a cabo. No hay nada mejor para entrenar tus habilidades que ponerlas en pr\u00e1ctica. Graba, edita, haz el color, publ\u00edcalo: realiza un proyecto apasionante de principio a fin, ver\u00e1s cu\u00e1nto aprender\u00e1s tan solo con hacerlo.<\/p>\n\n\n\n

Enlaces: Sitio web de Ben<\/a><\/p>\n\n\n\n

\u00bfQu\u00e9 opinas? \u00bfTienes algunas ideas para realizar proyectos apasionantes en estos tiempos extra\u00f1os? \u00a1Cu\u00e9ntanos tus ideas en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n\n\n\n\n<155426-main-buylinks\/>","protected":false,"clean_render":"

Te preguntas qu\u00e9 hacer en estos tiempos de pandemia? Bueno, Ben Sherlock<\/a>, director de fotograf\u00eda brit\u00e1nico, decidi\u00f3 revelar un mundo invisible en su jard\u00edn. Tom\u00f3 una Panasonic Lumix DC-S1H, un lente de sonda macro Venus Optics Laowa de 24 mm y sali\u00f3.<\/strong><\/p><155426-inline-buylinks\/>\n\n\n\n

Como lector entusiasta, es posible que hayas escuchado su nombre con anterioridad. Hemos hablado con Ben varias veces (puedes leer sobre ello aqu\u00ed<\/a>) y en estos momentos especiales nuestro Johnnie Behiri se reuni\u00f3 con \u00e9l para darle seguimiento a un corto documental que Ben realiz\u00f3 recientemente: \u00a1Un viaje microsc\u00f3pico a la parte trasera de su jard\u00edn!<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

Filmando insectos con Ben Sherlock<\/h2>\n\n\n\n

Ben se restringi\u00f3 al limitar su equipo: un cuerpo de c\u00e1mara, un lente y un slider. Eso es todo lo que necesitaba en t\u00e9rminos de equipos. Eligi\u00f3 la Panasonic LUMIX DC-S1H debido a su excelente modo 4k de 10 bits (@ 25p). Para velocidades de cuadro m\u00e1s altas, necesitar\u00edas bajar a modo 1080p de 8 bits, lo cual es muy bueno, pero dado que el Laowa de 24 mm tiene una apertura (muy) lenta, la configuraci\u00f3n ISO necesaria ser\u00e1 alta, e introducir\u00eda ruido con bastante facilidad. Eso no era un problema a la luz del sol, pero una vez que Ben se coloc\u00f3 en el suelo, filmar con un lente tan lento se convirti\u00f3 en una tarea complicada.<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

El lente sonda macro Venus Optics Laowa 24 mm f\/14 (no es un error tipogr\u00e1fico) es una pieza de equipo bastante especial (puedes leer nuestra rese\u00f1a en profundidad aqu\u00ed<\/a>). Combina las capacidades macro cl\u00e1sicas con una distancia focal amplia bastante inusual de 24 mm, lo que resulta en una profundidad de campo mucho m\u00e1s agradable. Pero es lento. Muy lento.<\/p>\n\n\n\n

Conclusiones<\/h2>\n\n\n\n

Como se\u00f1ala Ben, fue un placer trabajar con una configuraci\u00f3n tan sencilla. Una c\u00e1mara, un lente y un slider es todo lo que necesitas para obtener im\u00e1genes asombrosas. Comb\u00ednalo con un poco de edici\u00f3n, un ligero toque de color, una buena banda sonora y listo. Todo lo que realmente necesitas es una buena idea, algo de tiempo libre y pasi\u00f3n.<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

Ben declar\u00f3 que sus habilidades de gradaci\u00f3n de color son “bastante deficientes”, por lo que film\u00f3 todo en el perfil Cinelike-D y solo ajust\u00f3 un poco el contraste y la saturaci\u00f3n en la postproducci\u00f3n.<\/p>\n\n\n\n

Eligi\u00f3 el modo 4K de 10 bits, y como se requer\u00edan 1080p de 8 bits para tomas en slow-motion y eso result\u00f3 en un aumento del ruido, Ben limit\u00f3 las tomas slow-motion para obtener una mejor apariencia de 4K de 10 bits a 25p.<\/p>\n\n\n\n

\"Panasonic
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

La mayor\u00eda de los movimientos de la c\u00e1mara que puedes ver en el documental se ejecutaron con un cabezal lineal Syrp Genie II en un slider. Pero a veces lleva demasiado tiempo configurar un slider, por lo que Ben volvi\u00f3 al viejo y querido modo a mano alzada, capturando algunas de las abejas en slow-motion, por ejemplo. El IBIS de Panasonic ayud\u00f3 en ese sentido.<\/p>\n\n\n\n

\"Ben
Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure><\/div>\n\n\n\n

En la postproducci\u00f3n Ben trabaj\u00f3 en una l\u00ednea de tiempo de 1080p, por lo que pudo hacer uso del material grabado en 4K para recortar ocasionalmente la imagen 4K y volver a encuadrar la toma ligeramente sin perder resoluci\u00f3n.<\/p>\n\n\n\n

En general, Ben parece estar muy satisfecho con el rendimiento de la c\u00e1mara Panasonic LUMIX S1H. Al usar su modo favorito de 4K de 10 bits a 25p, el material resultante fue muy limpio incluso con el ISO en 4000 o 5000. La estabilizaci\u00f3n de imagen en el cuerpo (IBIS) funciona lo suficientemente bien para algunos trabajos de c\u00e1mara en mano, incluso en el terreno macro, y la calidad general de construcci\u00f3n y el sistema de men\u00fas respaldan su flujo de trabajo en lugar de ralentizarlo.<\/p>\n\n\n\n

\"\"
Lente macro Panasonic S1H y Laowa de 24 mm. Cr\u00e9dito de imagen: Ben Sherlock<\/figcaption><\/figure>\n\n\n\n

Un llamado a la acci\u00f3n<\/h2>\n\n\n\n

Si t\u00fa, al igual que Ben, tienes un poco de tiempo libre para dedicarlo a proyectos apasionantes: \u00a1hazlo! Sal, encuentra algo que despierte tu imaginaci\u00f3n y ll\u00e9valo a cabo. No hay nada mejor para entrenar tus habilidades que ponerlas en pr\u00e1ctica. Graba, edita, haz el color, publ\u00edcalo: realiza un proyecto apasionante de principio a fin, ver\u00e1s cu\u00e1nto aprender\u00e1s tan solo con hacerlo.<\/p>\n\n\n\n

Enlaces: Sitio web de Ben<\/a><\/p>\n\n\n\n

\u00bfQu\u00e9 opinas? \u00bfTienes algunas ideas para realizar proyectos apasionantes en estos tiempos extra\u00f1os? \u00a1Cu\u00e9ntanos tus ideas en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n\n\n\n\n<155426-main-buylinks\/>"},"excerpt":{"rendered":"

Te preguntas qu\u00e9 hacer en estos tiempos de pandemia? Bueno, Ben Sherlock, director de fotograf\u00eda brit\u00e1nico, decidi\u00f3 revelar un mundo invisible en su jard\u00edn. Tom\u00f3 una Panasonic Lumix DC-S1H, un lente de sonda macro Venus Optics Laowa de 24 mm y sali\u00f3. Como lector entusiasta, es posible que hayas escuchado su nombre con anterioridad. Hemos hablado con Ben varias veces (puedes leer sobre ello aqu\u00ed) y en estos momentos especiales nuestro Johnnie Behiri se reuni\u00f3 con \u00e9l para darle seguimiento a un corto documental que Ben realiz\u00f3 recientemente: \u00a1Un viaje microsc\u00f3pico a la parte trasera de su jard\u00edn! Filmando insectos con Ben Sherlock Ben se restringi\u00f3 al limitar su equipo: […]<\/p>\n","protected":false},"author":10704,"featured_media":155335,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[51923,32248,51924,32908,37018,37028,40014,24391,25576,51921,51922,31685],"tag_label":[],"brand":[51422,51801],"class_list":["post-155426","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","tag-lente-sonda-laowa-24mm-f-14","tag-panasonic-s1h-es","tag-jardin","tag-syrp-genie-mini-ii-es","tag-laowa-24mm-f-14-probe-lens-es","tag-insectos","tag-ben-sherlock-es","tag-slider-es","tag-macro-es","tag-bugs-es","tag-garden-es","tag-genie-es","post_format-post-format-video","brand-panasonic-es","brand-laowa-es"],"yoast_head":"\nPanasonic LUMIX S1H y lente Laowa 24 mm: Buena combinaci\u00f3n para la filmaci\u00f3n macro | CineD<\/title>\n<meta name=\"description\" content=\"British DoP Ben Sherlock decided to unveil an unseen world in the back of his garden with a Panasonic S1H, a macro lens and a slider.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-and-laowa-24mm-lens-good-match-for-macro-filming\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Panasonic LUMIX S1H y lente Laowa 24 mm: Buena combinaci\u00f3n para la filmaci\u00f3n macro | CineD\" \/>\n<meta property=\"og:description\" content=\"British DoP Ben Sherlock decided to unveil an unseen world in the back of his garden with a Panasonic S1H, a macro lens and a slider.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/panasonic-lumix-s1h-and-laowa-24mm-lens-good-match-for-macro-filming\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" 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Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Lumix S1H Mirrorless Camera<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1566930092000_1501344.jpg\" alt=\"Lumix S1H Mirrorless Camera\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col 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