{"id":155813,"date":"2020-08-28T14:47:55","date_gmt":"2020-08-28T12:47:55","guid":{"rendered":"https:\/\/www.cined.com\/quick-tip-color-reference-charts-part-1\/"},"modified":"2020-08-29T00:17:14","modified_gmt":"2020-08-28T22:17:14","slug":"quick-tip-color-reference-charts-part-1","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/quick-tip-color-reference-charts-part-1\/","title":{"rendered":"Consejo r\u00e1pido: Tablas de referencia de color, Parte 1"},"content":{"rendered":"

Generalmente tenemos que usar diferentes modelos y marcas de c\u00e1maras y una gran variedad de lentes para realizar una producci\u00f3n en particular.<\/strong>
\nDesde el punto de vista de la gradaci\u00f3n de color, esto hace que sea m\u00e1s dif\u00edcil hacer coincidir los archivos de las diferentes c\u00e1maras para obtener una salida coherente. Las tablas de referencia de color pueden ayudar con esta tarea, incluso tambi\u00e9n resultan \u00fatiles en tomas realizadas con una sola c\u00e1mara.<\/strong><\/p>\n

\"Color

Tabla de referencia de color en acci\u00f3n. Imagen: CineD<\/p><\/div>\n

Entonces, \u00bfqu\u00e9 son las tablas de referencia de color?<\/h2>\n

B\u00e1sicamente son tarjetas de cart\u00f3n con un mont\u00f3n de “fichas” o “parches” de diferentes colores. Estos parches de color est\u00e1n dise\u00f1ados y dispuestos de manera estandarizada y los colores en s\u00ed mismos se fabrican con un alto grado de precisi\u00f3n. Vienen en diferentes tama\u00f1os, algunos son solo un poco m\u00e1s grandes que un smartphone, mientras que otros vienen en versiones XL para planos largos. La idea es colocar la tabla dentro de tu cuadro y filmar un par de segundos con todas las c\u00e1maras involucradas cada vez que cambies la configuraci\u00f3n o la locaci\u00f3n. Hay diferentes tama\u00f1os de gr\u00e1ficos disponibles para planos generales y primeros planos.
\nUna vez en el estudio, el editor o colorista puede comparar los colores del gr\u00e1fico tal como fueron registrados por la c\u00e1mara con el look que deber\u00edan tener, y de esta manera pueden ajustar la imagen compensando las variaciones de contraste y color introducidas por las distintas c\u00e1maras o lentes que participaron del proceso.
\nLa tabla de referencia de color es uno de los elementos que siempre se encuentran en el bolso de mi c\u00e1mara, incluso cuando filmo con una sola c\u00e1mara. En situaciones de iluminaci\u00f3n dif\u00edciles, puede proporcionarle al colorista informaci\u00f3n vital sobre c\u00f3mo gradar la toma.<\/p>\n

Este tutorial fue divido en dos partes. Si est\u00e1s trabajando en Blackmagic DaVinci Resolve, es posible que te interese la segunda parte que se publicar\u00e1 muy pronto.<\/p>\n

Descargo de responsabilidad:<\/strong><\/em><\/p>\n

El art\u00edculo y el video reflejan mi opini\u00f3n honesta, ni CineD ni yo estamos asociados con X-Rite. Compr\u00e9 estas tablas con mi propio dinero. (El “legado” m\u00e1s importante de Panavision London en 1998 cuando estaba en la escuela de cine).<\/p>\n

\u00bfUtilizas tablas de referencia de color o lo haces manualmente? \u00bfTe interesan las tablas? \u00bfTienes alguna pregunta o idea? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<155813-main-buylinks\/>","protected":false,"clean_render":"

Generalmente tenemos que usar diferentes modelos y marcas de c\u00e1maras y una gran variedad de lentes para realizar una producci\u00f3n en particular.<\/strong>
\nDesde el punto de vista de la gradaci\u00f3n de color, esto hace que sea m\u00e1s dif\u00edcil hacer coincidir los archivos de las diferentes c\u00e1maras para obtener una salida coherente. Las tablas de referencia de color pueden ayudar con esta tarea, incluso tambi\u00e9n resultan \u00fatiles en tomas realizadas con una sola c\u00e1mara.<\/strong><\/p>\n

\"Color

Tabla de referencia de color en acci\u00f3n. Imagen: CineD<\/p><\/div>\n

Entonces, \u00bfqu\u00e9 son las tablas de referencia de color?<\/h2>\n

B\u00e1sicamente son tarjetas de cart\u00f3n con un mont\u00f3n de “fichas” o “parches” de diferentes colores. Estos parches de color est\u00e1n dise\u00f1ados y dispuestos de manera estandarizada y los colores en s\u00ed mismos se fabrican con un alto grado de precisi\u00f3n. Vienen en diferentes tama\u00f1os, algunos son solo un poco m\u00e1s grandes que un smartphone, mientras que otros vienen en versiones XL para planos largos. La idea es colocar la tabla dentro de tu cuadro y filmar un par de segundos con todas las c\u00e1maras involucradas cada vez que cambies la configuraci\u00f3n o la locaci\u00f3n. Hay diferentes tama\u00f1os de gr\u00e1ficos disponibles para planos generales y primeros planos.
\nUna vez en el estudio, el editor o colorista puede comparar los colores del gr\u00e1fico tal como fueron registrados por la c\u00e1mara con el look que deber\u00edan tener, y de esta manera pueden ajustar la imagen compensando las variaciones de contraste y color introducidas por las distintas c\u00e1maras o lentes que participaron del proceso.
\nLa tabla de referencia de color es uno de los elementos que siempre se encuentran en el bolso de mi c\u00e1mara, incluso cuando filmo con una sola c\u00e1mara. En situaciones de iluminaci\u00f3n dif\u00edciles, puede proporcionarle al colorista informaci\u00f3n vital sobre c\u00f3mo gradar la toma.<\/p>\n

Este tutorial fue divido en dos partes. Si est\u00e1s trabajando en Blackmagic DaVinci Resolve, es posible que te interese la segunda parte que se publicar\u00e1 muy pronto.<\/p>\n

Descargo de responsabilidad:<\/strong><\/em><\/p>\n

El art\u00edculo y el video reflejan mi opini\u00f3n honesta, ni CineD ni yo estamos asociados con X-Rite. Compr\u00e9 estas tablas con mi propio dinero. (El “legado” m\u00e1s importante de Panavision London en 1998 cuando estaba en la escuela de cine).<\/p>\n

\u00bfUtilizas tablas de referencia de color o lo haces manualmente? \u00bfTe interesan las tablas? \u00bfTienes alguna pregunta o idea? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<155813-main-buylinks\/>"},"excerpt":{"rendered":"

Generalmente tenemos que usar diferentes modelos y marcas de c\u00e1maras y una gran variedad de lentes para realizar una producci\u00f3n en particular. Desde el punto de vista de la gradaci\u00f3n de color, esto hace que sea m\u00e1s dif\u00edcil hacer coincidir los archivos de las diferentes c\u00e1maras para obtener una salida coherente. Las tablas de referencia de color pueden ayudar con esta tarea, incluso tambi\u00e9n resultan \u00fatiles en tomas realizadas con una sola c\u00e1mara. Entonces, \u00bfqu\u00e9 son las tablas de referencia de color? B\u00e1sicamente son tarjetas de cart\u00f3n con un mont\u00f3n de “fichas” o “parches” de diferentes colores. Estos parches de color est\u00e1n dise\u00f1ados y dispuestos de manera estandarizada y los […]<\/p>\n","protected":false},"author":14551,"featured_media":154600,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[51972,51973,51974,24514,51975,51976,32469,51977,40035,51978,40769,40770],"tag_label":[],"brand":[],"class_list":["post-155813","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","category-noticias-software","tag-balancing-es","tag-chart-es","tag-reference-es","tag-color-es","tag-cined-quick-tip-video-es","tag-tabla","tag-referencia","tag-tabla-de-referencia-de-color","tag-quick-tip-es","tag-consejo-rapido-cined","tag-quick-tip-video-es","tag-consejo-rapido","post_format-post-format-video"],"yoast_head":"\nConsejo r\u00e1pido: Tablas de referencia de color, Parte 1 | CineD<\/title>\n<meta name=\"description\" content=\"Color Reference Charts can help with matching cameras in multicam-shoots, but they are 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