{"id":164103,"date":"2020-11-17T16:01:38","date_gmt":"2020-11-17T15:01:38","guid":{"rendered":"https:\/\/www.cined.com\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/"},"modified":"2020-11-18T20:06:39","modified_gmt":"2020-11-18T19:06:39","slug":"sony-fx6-released-full-frame-4k-120-fps-dual-native-iso","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","title":{"rendered":"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual"},"content":{"rendered":"\n<p><strong>Despu\u00e9s de anunciar la Sony FX6 en septiembre, <a rel=\"noreferrer noopener\" href=\"https:\/\/pro.sony\/ue_US\/home\" target=\"_blank\">Sony acaba de publicar todos los detalles<\/a>, especificaciones y precios de su nueva c\u00e1mara que se suma a la l\u00ednea Cinema. Puedes <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">leer aqu\u00ed nuestra rese\u00f1a pr\u00e1ctica<\/a>. La FX6 es una c\u00e1mara con ISO nativo dual que probablemente utiliza el sensor de la a7S III, puede grabar hasta 120 fps en 4K y 240 fps en HD (lectura completa del sensor), cuenta con un filtro ND variable electr\u00f3nico incorporado, S-Cinetone, S -log 3 y mucho m\u00e1s. \u00a1Contin\u00faa leyendo para obtener m\u00e1s informaci\u00f3n!<\/strong><\/p><164103-inline-buylinks\/>\n\n\n\n<p>Hubo mucha expectativa por esta c\u00e1mara y finalmente est\u00e1 aqu\u00ed: la Sony FX6 es una c\u00e1mara peque\u00f1a y potente que parece ser una combinaci\u00f3n perfecta de la FX9 de l\u00ednea profesional y la tan elogiada Sony a7S III.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163874\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX6 &#8211; solo el cuerpo, sin mangos. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Especificaciones de la Sony FX6 &#8211; Sensor 4K Exmor R de 10.2 megap\u00edxeles<\/h2>\n\n\n\n<p>Comencemos por sus caracter\u00edsticas: la Sony FX6 cuenta con un sensor CMOS full-frame Exmor R retroiluminado de 10.2 megap\u00edxeles, lo que significa que es un sensor full-frame 4K nativo. Esto la diferencia de su hermana mayor, la FX9, que cuenta con un sensor 6K que se reduce a 4K para la grabaci\u00f3n. Sony no pudo confirmar si utilizan el sensor de la a7S III en la FX6, sin embargo, creemos que si (y si haces los c\u00e1lculos tomando el sensor 3:2 de 12.1 megap\u00edxeles de la a7S III sin tener en cuenta la parte superior e inferior para que coincida con la relaci\u00f3n de aspecto de la FX6, terminas aproximadamente con un sensor de 10.2 megap\u00edxeles).<\/p>\n\n\n\n<p>Es importante tener en cuenta que en la FX6 no hay un modo de recorte 4K para Super35mm. En ello es id\u00e9ntica a la a7S III. En mi opini\u00f3n, este es el mayor inconveniente de la c\u00e1mara, ya que eso significa que no se puede utilizar con una amplia cantidad de lentes, especialmente con los lentes profesionales con montura PL que generalmente cubren un c\u00edrculo de imagen S35. Sin embargo, presenta un recorte HD para S35. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Procesador BIONZ XR<\/h2>\n\n\n\n<p>La FX6 cuenta con el nuevo procesador BIONZ XR que ya se est\u00e1 utilizando en la a7s III. Este le da la potencia de procesamiento necesaria para realizar tareas exigentes, como por ejemplo, un excelente rendimiento con poca luz y grabaci\u00f3n a alta velocidad (hay m\u00e1s informaci\u00f3n sobre eso a continuaci\u00f3n). Sony afirma en su lista de especificaciones que \u201cla arquitectura orientada al futuro aumenta la potencia de procesamiento hasta 4 veces\u201d. No est\u00e1 claro a qu\u00e9 se refiere esta comparaci\u00f3n, podr\u00eda pensarse que hace referencia a la a7S III o a la FX9.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/Sony-FX6-feat-640x360.jpg\" alt=\"\" class=\"wp-image-163871\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ISO nativo dual de 800 y 12.800<\/h2>\n\n\n\n<p>La Sony FX6 cuenta con un ISO nativo dual. Si bien Sony no lo ha confirmado p\u00fablicamente, la a7S III claramente tiene un sistema ISO dual, porque muestra la imagen m\u00e1s clara en ambos modos (<a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-a7s-iii-review-mini-documentary-and-lowlight-sample-footage\/\" target=\"_blank\">puedes leer nuestra rese\u00f1a de la a7S III aqu\u00ed<\/a>). El ISO nativo m\u00ednimo en la FX6 no es 640 como en la a7S III sino que es 800. En cambio, el ISO nativo m\u00e1ximo es de 12.800 para ambas c\u00e1maras. <\/p>\n\n\n\n<p>Tal como pude <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">confirmar en mi rese\u00f1a pr\u00e1ctica de primer vistazo<\/a>, la FX6 parece ser tan capaz de trabajar con poca luz como la a7S III. Incluso quiz\u00e1s tenga m\u00e1s capacidad debido a que tiene un mejor procesamiento (menos ruido). Seguiremos probando esto con la unidad de producci\u00f3n de la FX6.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cinema Line FX6 Overview | Sony Cine\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/qv2eHXJqbIQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Rango Din\u00e1mico<\/h2>\n\n\n\n<p>Sony sostiene que la FX6 posee un rango din\u00e1mico de m\u00e1s de 15 paradas. Esto ser\u00e1 probado por nosotros a trav\u00e9s de una <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/lab-tests\/\" target=\"_blank\">prueba de laboratorio<\/a>. Por lo general, las afirmaciones de los fabricantes no coinciden con nuestras pruebas cient\u00edficas. <\/p>\n\n\n\n<p>Suponiendo que se trata del mismo sensor o un sensor similar al de la a7S III entonces tenemos grandes esperanzas para esta c\u00e1mara, puesto que <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-a7s-iii-lab-test-does-it-live-up-to-the-hype\/\" target=\"_blank\">a la a7S III le fue muy bien en nuestra prueba de laboratorio<\/a> (hemos vuelto a probar el ISO nativo 12.800 que antes era de 16.000 en la versi\u00f3n de producci\u00f3n. Pronto actualizaremos la prueba de laboratorio de la a7S III).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Look S-Cinetone y Slog 3<\/h2>\n\n\n\n<p>Al igual que la FX9, la c\u00e1mara tiene S-Cinetone incorporado. El perfil de imagen de Sony con &#8220;Look Venice&#8221; brinda tonos de piel agradables y elimina la &#8220;frialdad&#8221; de Sony con la que muchas personas han tenido problemas anteriormente. L\u00f3gicamente, la c\u00e1mara tambi\u00e9n tiene Slog 3 incorporado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">AF h\u00edbrido r\u00e1pido, incluso en los modos S&amp;Q<\/h2>\n\n\n\n<p>Al igual que la a7S III y la FX9, la Sony FX6 presenta capacidades excepcionales de enfoque autom\u00e1tico con reconocimiento y seguimiento facial y ocular. A diferencia de la a7s III, el seguimiento t\u00e1ctil en la pantalla no funciona para los objetos, sin embargo, puede rastrear muy bien los rostros. La pantalla de 720p utilizada en la FX6 es la misma que en la FX9, que es b\u00e1sicamente una pantalla t\u00e1ctil que no es tan receptiva ni vers\u00e1til como en la a7S III.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163880\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>La Sony FX6 usa la misma pantalla de 720p que la FX9. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Lo que es excepcional en la FX6 en comparaci\u00f3n con la FX9, es que tambi\u00e9n puede usar el enfoque autom\u00e1tico en los modos S&amp;Q: puede rastrear rostros hasta 100 fps en 4K con una base de tiempo de 25p e incluso hasta 120 fps en 4K con una base de tiempo de 29.97 . Es un poco confuso saber cu\u00e1ndo est\u00e1 disponible a determinada velocidad de cuadros y cu\u00e1ndo no, pero <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">puedes consultar mi rese\u00f1a<\/a> para obtener m\u00e1s informaci\u00f3n al respecto. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Altas velocidades de cuadro \u2013 slow motion de hasta 120 fps en 4K y 240 fps en HD<\/h2>\n\n\n\n<p>Los modos de alta velocidad de cuadros de la FX6 coinciden con los de la a7S III: puede grabar hasta 120 fps en 4K y hasta 240 fps en HD, ambos en una lectura completa del sensor. Esto es asombroso comparado con la FX9, que no puede alcanzar m\u00e1s de 30p con una lectura completa del sensor. Para poder grabar a 50 o 60p, deber\u00e1s recortar a un modo de recorte 5K que cubre aproximadamente el 83% del sensor. La c\u00e1mara alcanza un m\u00e1ximo de 180 fps HD en modo S&amp;Q. <strong>Encontrar\u00e1s m\u00e1s informaci\u00f3n sobre ello en mi rese\u00f1a.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Filtro ND variable electr\u00f3nico<\/h2>\n\n\n\n<p>El excepcional ND variable electr\u00f3nico de Sony est\u00e1 presente y sigue siendo una de las caracter\u00edsticas que distingue a las c\u00e1maras Sony del resto. El ajuste continuo de ND entre 1\/4 y 1\/128 de intensidad es simplemente asombroso y resulta muy \u00fatil.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"553\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-640x553.jpg\" alt=\"\" class=\"wp-image-163890\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-640x553.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-300x259.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-768x664.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-266x230.jpg 266w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Vista lateral del cuerpo de la Sony FX6. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">C\u00f3decs XAVC-I y XAVC-L, tal como en la FX9<\/h2>\n\n\n\n<p>Sorprendentemente, la Sony FX6 comparte los c\u00f3decs con la FX9 pero no as\u00ed con la a7S III: tanto el XAVC-I (intra-frame) como el XAVC-L (Long GOP) en MXF se encuentran all\u00ed, todos ellos basados en el formato H.264. No cuenta con un c\u00f3dec basado en H.265 como el XAVC HS 4K UHD 120p de la a7S III. Esto significa que todos los c\u00f3decs grabados en la FX6 tendr\u00e1n una buena compatibilidad con las plataformas de edici\u00f3n existentes, tal como ocurre con la FS7 y la FX9.<\/p>\n\n\n\n<p>A continuaci\u00f3n encontrar\u00e1n la descripci\u00f3n completa de los c\u00f3decs de Sony.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"917\" height=\"544\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison.jpg\" alt=\"\" class=\"wp-image-163858\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison.jpg 917w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-300x178.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-640x380.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-768x456.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-388x230.jpg 388w\" sizes=\"auto, (max-width: 917px) 100vw, 917px\" \/><figcaption>Comparaci\u00f3n de los c\u00f3decs de la Sony FX6, FX9 y a7S III. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Soportes de grabaci\u00f3n<\/h2>\n\n\n\n<p>Aqu\u00ed hay otra similitud con la a7S III: la FX6 utiliza tarjetas SDXC V90 (UHS-II\/UHS-I) o CFexpress Tipo A (Sony Tough) como soportes de grabaci\u00f3n. Ya no emplea tarjetas XQD como la FS7 o la FX9, sino que usa las nuevas tarjetas m\u00e1s r\u00e1pidas del mercado. Las tarjetas CFexpress Tipo A son caras, pero ofrecen todas las opciones de grabaci\u00f3n de la FX6. Adem\u00e1s, pronto se sumar\u00e1n m\u00e1s fabricantes en este sector del mercado, lo que deber\u00eda bajar los precios de las mismas. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163877\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>La Sony FX6 con los mangos extra\u00edbles y sin la pantalla. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Cuerpo, mangos y alimentaci\u00f3n<\/h2>\n\n\n\n<p>El cuerpo en s\u00ed es realmente peque\u00f1o y cuenta con un mango superior desmontable, un monitor que se puede colocar en varios puntos, as\u00ed como una empu\u00f1adura que se puede ajustar f\u00e1cilmente. Todo este dise\u00f1o se parece mucho al de las Sony FS5 y FS5 II, sin embargo, hay una gran diferencia: no poseen un visor electr\u00f3nico en la parte posterior de la c\u00e1mara.<\/p>\n\n\n\n<p>La c\u00e1mara utiliza el est\u00e1ndar de bater\u00eda BP-U de Sony que ya conocemos desde las Sony EX1\/EX3. Tanto la FS7 como las FS5 y FX9 utilizan el mismo est\u00e1ndar.<\/p>\n\n\n\n<p>La c\u00e1mara tiene un nuevo men\u00fa r\u00e1pido que brinda una descripci\u00f3n general de las funciones m\u00e1s importantes en una vista general de cuadr\u00edcula de diez p\u00e1ginas. Si bien es una gran idea, en mi opini\u00f3n necesita ser mejorada porque algunas funciones que se supone que funcionan entre s\u00ed, simplemente no lo hacen. He utilizado el men\u00fa normal con mucha frecuencia y el mismo se habilita presionando prolongadamente el bot\u00f3n de men\u00fa, podr\u00e1n <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">saber m\u00e1s sobre ello en mi rese\u00f1a pr\u00e1ctica de la c\u00e1mara<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163884\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Men\u00fa r\u00e1pido de la Sony FX6. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sin visor electr\u00f3nico<\/h2>\n\n\n\n<p>Si bien el visor electr\u00f3nico de la FS5 no era genial pues no era OLED, era bueno que estuviera all\u00ed. La FX6 no viene con una lupa para el visor como la FX9, por lo que definitivamente necesitar\u00e1s alg\u00fan tipo de accesorio para ver la imagen en el exterior a la luz del sol. Manten\u00eda la esperanza de que hubieran incluido el brillante visor OLED de la a7S III, pero eso no ocurri\u00f3. <\/p>\n\n\n\n<p>\u00a1Realmente es hora de que Sony venda un visor OLED separado que se pueda usar con cualquier c\u00e1mara! Lo hicieron una vez con el visor RX100 que utilizaba un cable largo, \u00bfpor qu\u00e9 no usar esa misma tecnolog\u00eda y darle un conector HDMI para que sea independiente de la c\u00e1mara? Si logran solucionar como alimentarlo, ser\u00eda un producto extremadamente exitoso, ya que a\u00fan no hay peque\u00f1os EVF independientes en el mercado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Puertos: salidas SDI y HDMI, salida de video RAW, entrada\/salida de TC<\/h2>\n\n\n\n<p>La c\u00e1mara cuenta con un puerto SDI y HDMI, y ambos parecen poder emitir 4K al mismo tiempo, lo que tambi\u00e9n es sorprendente para una c\u00e1mara tan peque\u00f1a. Puede haber algunas limitaciones en determinadas velocidades de cuadros tal como mencion\u00f3 Yann de Sony en la entrevista anterior, pero lo verificaremos una vez que tengamos en nuestras manos una versi\u00f3n de producci\u00f3n de la c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-640x640.jpg\" alt=\"\" class=\"wp-image-163887\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-640x640.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-300x300.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-150x150.jpg 150w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-768x768.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-230x230.jpg 230w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Todos los puertos de la Sony FX6. Fuente de la imagen: Sony.<\/figcaption><\/figure>\n\n\n\n<p>La FX6 tambi\u00e9n puede emitir video RAW desde su puerto SDI y, seg\u00fan Sony (puedes ver la entrevista m\u00e1s arriba), es el mismo RAW que ya han utilizado en otras c\u00e1maras Sony. En la Sony FX9, solo era posible contar con esta salida RAW al comprar el costoso adaptador XDCA-FX9, <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">que tambi\u00e9n he mencionado en mi rese\u00f1a pr\u00e1ctica de la FX6<\/a>.<\/p>\n\n\n\n<p>La Sony FX6 cuenta con un puerto BNC para generar e ingresar un timecode, lo que es excelente y muy necesario para las producciones profesionales.<\/p>\n\n\n\n<p>Tambi\u00e9n tiene un puerto USB-C que, seg\u00fan nuestro conocimiento, solo se usa para actualizaciones de firmware y no se puede utilizar para grabar im\u00e1genes (como, por ejemplo, en la  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1401512-REG\/blackmagic_design_pocket_cinema_camera_4k.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Blackmagic Pocket Cinema Camera 4K<\/a> o 6K).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Puertos XLR y de audio<\/h2>\n\n\n\n<p>Los dos puertos XLR de la c\u00e1mara est\u00e1n situados en el mango superior extra\u00edble, al igual que el micr\u00f3fono integrado. Esto genera un desaf\u00edo al quitar el mango y usar la c\u00e1mara al desnudo al grabar en un espacio peque\u00f1o o con un gimbal.<\/p>\n\n\n\n<p>La FS5 ten\u00eda un puerto XLR integrado en el propio cuerpo y me pareci\u00f3 una elecci\u00f3n muy inteligente. Como podr\u00e1s ver en la entrevista anterior, Sony sostiene que eso gener\u00f3 controversias y, aparentemente, las personas quer\u00edan tener esos puertos XLR nuevamente uno al lado del otro.<\/p>\n\n\n\n<p>En cualquier caso, es una pena que ni siquiera cuente con una entrada de audio mini jack en el mismo cuerpo para poder conectar un peque\u00f1o micr\u00f3fono de referencia al &#8220;cerebro de la c\u00e1mara&#8221; cuando se opera de forma minimalista. Hay un peque\u00f1o micr\u00f3fono de baja calidad integrado en el chip de la c\u00e1mara, por lo que no ser\u00e1 silenciosa como la Canon C300 original. Adem\u00e1s, hay un puerto de entrada\/salida de TC, por lo que podr\u00e1s colocar un generador de timecode Tentacle Sync o un producto similar para sincronizarlo con la grabaci\u00f3n de audio o con una segunda c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"563\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-640x563.jpg\" alt=\"\" class=\"wp-image-163893\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-640x563.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-300x264.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-768x676.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-261x230.jpg 261w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX6 junto con el lente 70-200 G-Master. Fuente de la imagen: Sony.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n<\/h2>\n\n\n\n<p>Sony parece haber hecho sus deberes con la FX6 y es probablemente la c\u00e1mara peque\u00f1a m\u00e1s capaz que jam\u00e1s hayan producido. Queda por ver c\u00f3mo se adaptar\u00e1 al mercado, pero supongo que ser\u00e1 extremadamente popular. Despu\u00e9s de haber usado una versi\u00f3n de preproducci\u00f3n de la c\u00e1mara durante varios d\u00edas <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">para realizar mi rese\u00f1a pr\u00e1ctica<\/a><strong>,<\/strong> debo decir que estoy muy entusiasmado con ella. He comprado una FX9 pero la FX6 a mitad de precio la supera en muchos sentidos. Tengo mucha curiosidad por ver c\u00f3mo reaccionar\u00e1n los propietarios de la FX9 ante la presentaci\u00f3n de la FX6.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Precios y disponibilidad<\/h2>\n\n\n\n<p>La Sony FX6 costar\u00e1 $5,998 o \u20ac5,500 m\u00e1s impuestos\/IVA. Estar\u00e1 disponible en diciembre.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas de la Sony FX6? \u00bfPlaneas comprar una? \u00bfEres propietario de una FX9 como yo y no puedes creer las excelentes funciones de la nueva c\u00e1mara mucho m\u00e1s econ\u00f3mica?<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Product Announcement Cinema Line FX6 | Sony | \u03b1 [Subtitle available in 13 languages]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/l0asz2VuXIg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<164103-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Despu\u00e9s de anunciar la Sony FX6 en septiembre, <a rel=\"noreferrer noopener\" href=\"https:\/\/pro.sony\/ue_US\/home\" target=\"_blank\">Sony acaba de publicar todos los detalles<\/a>, especificaciones y precios de su nueva c\u00e1mara que se suma a la l\u00ednea Cinema. Puedes <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">leer aqu\u00ed nuestra rese\u00f1a pr\u00e1ctica<\/a>. La FX6 es una c\u00e1mara con ISO nativo dual que probablemente utiliza el sensor de la a7S III, puede grabar hasta 120 fps en 4K y 240 fps en HD (lectura completa del sensor), cuenta con un filtro ND variable electr\u00f3nico incorporado, S-Cinetone, S -log 3 y mucho m\u00e1s. \u00a1Contin\u00faa leyendo para obtener m\u00e1s informaci\u00f3n!<\/strong><\/p><164103-inline-buylinks\/>\n\n\n\n<p>Hubo mucha expectativa por esta c\u00e1mara y finalmente est\u00e1 aqu\u00ed: la Sony FX6 es una c\u00e1mara peque\u00f1a y potente que parece ser una combinaci\u00f3n perfecta de la FX9 de l\u00ednea profesional y la tan elogiada Sony a7S III.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163874\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_04-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX6 &#8211; solo el cuerpo, sin mangos. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Especificaciones de la Sony FX6 &#8211; Sensor 4K Exmor R de 10.2 megap\u00edxeles<\/h2>\n\n\n\n<p>Comencemos por sus caracter\u00edsticas: la Sony FX6 cuenta con un sensor CMOS full-frame Exmor R retroiluminado de 10.2 megap\u00edxeles, lo que significa que es un sensor full-frame 4K nativo. Esto la diferencia de su hermana mayor, la FX9, que cuenta con un sensor 6K que se reduce a 4K para la grabaci\u00f3n. Sony no pudo confirmar si utilizan el sensor de la a7S III en la FX6, sin embargo, creemos que si (y si haces los c\u00e1lculos tomando el sensor 3:2 de 12.1 megap\u00edxeles de la a7S III sin tener en cuenta la parte superior e inferior para que coincida con la relaci\u00f3n de aspecto de la FX6, terminas aproximadamente con un sensor de 10.2 megap\u00edxeles).<\/p>\n\n\n\n<p>Es importante tener en cuenta que en la FX6 no hay un modo de recorte 4K para Super35mm. En ello es id\u00e9ntica a la a7S III. En mi opini\u00f3n, este es el mayor inconveniente de la c\u00e1mara, ya que eso significa que no se puede utilizar con una amplia cantidad de lentes, especialmente con los lentes profesionales con montura PL que generalmente cubren un c\u00edrculo de imagen S35. Sin embargo, presenta un recorte HD para S35. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Procesador BIONZ XR<\/h2>\n\n\n\n<p>La FX6 cuenta con el nuevo procesador BIONZ XR que ya se est\u00e1 utilizando en la a7s III. Este le da la potencia de procesamiento necesaria para realizar tareas exigentes, como por ejemplo, un excelente rendimiento con poca luz y grabaci\u00f3n a alta velocidad (hay m\u00e1s informaci\u00f3n sobre eso a continuaci\u00f3n). Sony afirma en su lista de especificaciones que \u201cla arquitectura orientada al futuro aumenta la potencia de procesamiento hasta 4 veces\u201d. No est\u00e1 claro a qu\u00e9 se refiere esta comparaci\u00f3n, podr\u00eda pensarse que hace referencia a la a7S III o a la FX9.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/Sony-FX6-feat-640x360.jpg\" alt=\"\" class=\"wp-image-163871\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ISO nativo dual de 800 y 12.800<\/h2>\n\n\n\n<p>La Sony FX6 cuenta con un ISO nativo dual. Si bien Sony no lo ha confirmado p\u00fablicamente, la a7S III claramente tiene un sistema ISO dual, porque muestra la imagen m\u00e1s clara en ambos modos (<a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-a7s-iii-review-mini-documentary-and-lowlight-sample-footage\/\" target=\"_blank\">puedes leer nuestra rese\u00f1a de la a7S III aqu\u00ed<\/a>). El ISO nativo m\u00ednimo en la FX6 no es 640 como en la a7S III sino que es 800. En cambio, el ISO nativo m\u00e1ximo es de 12.800 para ambas c\u00e1maras. <\/p>\n\n\n\n<p>Tal como pude <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">confirmar en mi rese\u00f1a pr\u00e1ctica de primer vistazo<\/a>, la FX6 parece ser tan capaz de trabajar con poca luz como la a7S III. Incluso quiz\u00e1s tenga m\u00e1s capacidad debido a que tiene un mejor procesamiento (menos ruido). Seguiremos probando esto con la unidad de producci\u00f3n de la FX6.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cinema Line FX6 Overview | Sony Cine\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/qv2eHXJqbIQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Rango Din\u00e1mico<\/h2>\n\n\n\n<p>Sony sostiene que la FX6 posee un rango din\u00e1mico de m\u00e1s de 15 paradas. Esto ser\u00e1 probado por nosotros a trav\u00e9s de una <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/lab-tests\/\" target=\"_blank\">prueba de laboratorio<\/a>. Por lo general, las afirmaciones de los fabricantes no coinciden con nuestras pruebas cient\u00edficas. <\/p>\n\n\n\n<p>Suponiendo que se trata del mismo sensor o un sensor similar al de la a7S III entonces tenemos grandes esperanzas para esta c\u00e1mara, puesto que <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-a7s-iii-lab-test-does-it-live-up-to-the-hype\/\" target=\"_blank\">a la a7S III le fue muy bien en nuestra prueba de laboratorio<\/a> (hemos vuelto a probar el ISO nativo 12.800 que antes era de 16.000 en la versi\u00f3n de producci\u00f3n. Pronto actualizaremos la prueba de laboratorio de la a7S III).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Look S-Cinetone y Slog 3<\/h2>\n\n\n\n<p>Al igual que la FX9, la c\u00e1mara tiene S-Cinetone incorporado. El perfil de imagen de Sony con &#8220;Look Venice&#8221; brinda tonos de piel agradables y elimina la &#8220;frialdad&#8221; de Sony con la que muchas personas han tenido problemas anteriormente. L\u00f3gicamente, la c\u00e1mara tambi\u00e9n tiene Slog 3 incorporado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">AF h\u00edbrido r\u00e1pido, incluso en los modos S&amp;Q<\/h2>\n\n\n\n<p>Al igual que la a7S III y la FX9, la Sony FX6 presenta capacidades excepcionales de enfoque autom\u00e1tico con reconocimiento y seguimiento facial y ocular. A diferencia de la a7s III, el seguimiento t\u00e1ctil en la pantalla no funciona para los objetos, sin embargo, puede rastrear muy bien los rostros. La pantalla de 720p utilizada en la FX6 es la misma que en la FX9, que es b\u00e1sicamente una pantalla t\u00e1ctil que no es tan receptiva ni vers\u00e1til como en la a7S III.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163880\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_035-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>La Sony FX6 usa la misma pantalla de 720p que la FX9. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Lo que es excepcional en la FX6 en comparaci\u00f3n con la FX9, es que tambi\u00e9n puede usar el enfoque autom\u00e1tico en los modos S&amp;Q: puede rastrear rostros hasta 100 fps en 4K con una base de tiempo de 25p e incluso hasta 120 fps en 4K con una base de tiempo de 29.97 . Es un poco confuso saber cu\u00e1ndo est\u00e1 disponible a determinada velocidad de cuadros y cu\u00e1ndo no, pero <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">puedes consultar mi rese\u00f1a<\/a> para obtener m\u00e1s informaci\u00f3n al respecto. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Altas velocidades de cuadro \u2013 slow motion de hasta 120 fps en 4K y 240 fps en HD<\/h2>\n\n\n\n<p>Los modos de alta velocidad de cuadros de la FX6 coinciden con los de la a7S III: puede grabar hasta 120 fps en 4K y hasta 240 fps en HD, ambos en una lectura completa del sensor. Esto es asombroso comparado con la FX9, que no puede alcanzar m\u00e1s de 30p con una lectura completa del sensor. Para poder grabar a 50 o 60p, deber\u00e1s recortar a un modo de recorte 5K que cubre aproximadamente el 83% del sensor. La c\u00e1mara alcanza un m\u00e1ximo de 180 fps HD en modo S&amp;Q. <strong>Encontrar\u00e1s m\u00e1s informaci\u00f3n sobre ello en mi rese\u00f1a.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Filtro ND variable electr\u00f3nico<\/h2>\n\n\n\n<p>El excepcional ND variable electr\u00f3nico de Sony est\u00e1 presente y sigue siendo una de las caracter\u00edsticas que distingue a las c\u00e1maras Sony del resto. El ajuste continuo de ND entre 1\/4 y 1\/128 de intensidad es simplemente asombroso y resulta muy \u00fatil.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"553\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-640x553.jpg\" alt=\"\" class=\"wp-image-163890\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-640x553.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-300x259.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-768x664.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid-266x230.jpg 266w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_side_44062_024-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Vista lateral del cuerpo de la Sony FX6. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">C\u00f3decs XAVC-I y XAVC-L, tal como en la FX9<\/h2>\n\n\n\n<p>Sorprendentemente, la Sony FX6 comparte los c\u00f3decs con la FX9 pero no as\u00ed con la a7S III: tanto el XAVC-I (intra-frame) como el XAVC-L (Long GOP) en MXF se encuentran all\u00ed, todos ellos basados en el formato H.264. No cuenta con un c\u00f3dec basado en H.265 como el XAVC HS 4K UHD 120p de la a7S III. Esto significa que todos los c\u00f3decs grabados en la FX6 tendr\u00e1n una buena compatibilidad con las plataformas de edici\u00f3n existentes, tal como ocurre con la FS7 y la FX9.<\/p>\n\n\n\n<p>A continuaci\u00f3n encontrar\u00e1n la descripci\u00f3n completa de los c\u00f3decs de Sony.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"917\" height=\"544\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison.jpg\" alt=\"\" class=\"wp-image-163858\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison.jpg 917w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-300x178.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-640x380.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-768x456.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-FX9-a7S-III-codec-comparison-388x230.jpg 388w\" sizes=\"auto, (max-width: 917px) 100vw, 917px\" \/><figcaption>Comparaci\u00f3n de los c\u00f3decs de la Sony FX6, FX9 y a7S III. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Soportes de grabaci\u00f3n<\/h2>\n\n\n\n<p>Aqu\u00ed hay otra similitud con la a7S III: la FX6 utiliza tarjetas SDXC V90 (UHS-II\/UHS-I) o CFexpress Tipo A (Sony Tough) como soportes de grabaci\u00f3n. Ya no emplea tarjetas XQD como la FS7 o la FX9, sino que usa las nuevas tarjetas m\u00e1s r\u00e1pidas del mercado. Las tarjetas CFexpress Tipo A son caras, pero ofrecen todas las opciones de grabaci\u00f3n de la FX6. Adem\u00e1s, pronto se sumar\u00e1n m\u00e1s fabricantes en este sector del mercado, lo que deber\u00eda bajar los precios de las mismas. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163877\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_034-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>La Sony FX6 con los mangos extra\u00edbles y sin la pantalla. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Cuerpo, mangos y alimentaci\u00f3n<\/h2>\n\n\n\n<p>El cuerpo en s\u00ed es realmente peque\u00f1o y cuenta con un mango superior desmontable, un monitor que se puede colocar en varios puntos, as\u00ed como una empu\u00f1adura que se puede ajustar f\u00e1cilmente. Todo este dise\u00f1o se parece mucho al de las Sony FS5 y FS5 II, sin embargo, hay una gran diferencia: no poseen un visor electr\u00f3nico en la parte posterior de la c\u00e1mara.<\/p>\n\n\n\n<p>La c\u00e1mara utiliza el est\u00e1ndar de bater\u00eda BP-U de Sony que ya conocemos desde las Sony EX1\/EX3. Tanto la FS7 como las FS5 y FX9 utilizan el mismo est\u00e1ndar.<\/p>\n\n\n\n<p>La c\u00e1mara tiene un nuevo men\u00fa r\u00e1pido que brinda una descripci\u00f3n general de las funciones m\u00e1s importantes en una vista general de cuadr\u00edcula de diez p\u00e1ginas. Si bien es una gran idea, en mi opini\u00f3n necesita ser mejorada porque algunas funciones que se supone que funcionan entre s\u00ed, simplemente no lo hacen. He utilizado el men\u00fa normal con mucha frecuencia y el mismo se habilita presionando prolongadamente el bot\u00f3n de men\u00fa, podr\u00e1n <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">saber m\u00e1s sobre ello en mi rese\u00f1a pr\u00e1ctica de la c\u00e1mara<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-640x480.jpg\" alt=\"\" class=\"wp-image-163884\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-640x480.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-300x225.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-768x576.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-307x230.jpg 307w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid-400x300.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_others_44111_036-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Men\u00fa r\u00e1pido de la Sony FX6. Fuente de la imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sin visor electr\u00f3nico<\/h2>\n\n\n\n<p>Si bien el visor electr\u00f3nico de la FS5 no era genial pues no era OLED, era bueno que estuviera all\u00ed. La FX6 no viene con una lupa para el visor como la FX9, por lo que definitivamente necesitar\u00e1s alg\u00fan tipo de accesorio para ver la imagen en el exterior a la luz del sol. Manten\u00eda la esperanza de que hubieran incluido el brillante visor OLED de la a7S III, pero eso no ocurri\u00f3. <\/p>\n\n\n\n<p>\u00a1Realmente es hora de que Sony venda un visor OLED separado que se pueda usar con cualquier c\u00e1mara! Lo hicieron una vez con el visor RX100 que utilizaba un cable largo, \u00bfpor qu\u00e9 no usar esa misma tecnolog\u00eda y darle un conector HDMI para que sea independiente de la c\u00e1mara? Si logran solucionar como alimentarlo, ser\u00eda un producto extremadamente exitoso, ya que a\u00fan no hay peque\u00f1os EVF independientes en el mercado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Puertos: salidas SDI y HDMI, salida de video RAW, entrada\/salida de TC<\/h2>\n\n\n\n<p>La c\u00e1mara cuenta con un puerto SDI y HDMI, y ambos parecen poder emitir 4K al mismo tiempo, lo que tambi\u00e9n es sorprendente para una c\u00e1mara tan peque\u00f1a. Puede haber algunas limitaciones en determinadas velocidades de cuadros tal como mencion\u00f3 Yann de Sony en la entrevista anterior, pero lo verificaremos una vez que tengamos en nuestras manos una versi\u00f3n de producci\u00f3n de la c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-640x640.jpg\" alt=\"\" class=\"wp-image-163887\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-640x640.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-300x300.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-150x150.jpg 150w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-768x768.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid-230x230.jpg 230w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_rear_44062_031-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Todos los puertos de la Sony FX6. Fuente de la imagen: Sony.<\/figcaption><\/figure>\n\n\n\n<p>La FX6 tambi\u00e9n puede emitir video RAW desde su puerto SDI y, seg\u00fan Sony (puedes ver la entrevista m\u00e1s arriba), es el mismo RAW que ya han utilizado en otras c\u00e1maras Sony. En la Sony FX9, solo era posible contar con esta salida RAW al comprar el costoso adaptador XDCA-FX9, <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">que tambi\u00e9n he mencionado en mi rese\u00f1a pr\u00e1ctica de la FX6<\/a>.<\/p>\n\n\n\n<p>La Sony FX6 cuenta con un puerto BNC para generar e ingresar un timecode, lo que es excelente y muy necesario para las producciones profesionales.<\/p>\n\n\n\n<p>Tambi\u00e9n tiene un puerto USB-C que, seg\u00fan nuestro conocimiento, solo se usa para actualizaciones de firmware y no se puede utilizar para grabar im\u00e1genes (como, por ejemplo, en la  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1401512-REG\/blackmagic_design_pocket_cinema_camera_4k.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Blackmagic Pocket Cinema Camera 4K<\/a> o 6K).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Puertos XLR y de audio<\/h2>\n\n\n\n<p>Los dos puertos XLR de la c\u00e1mara est\u00e1n situados en el mango superior extra\u00edble, al igual que el micr\u00f3fono integrado. Esto genera un desaf\u00edo al quitar el mango y usar la c\u00e1mara al desnudo al grabar en un espacio peque\u00f1o o con un gimbal.<\/p>\n\n\n\n<p>La FS5 ten\u00eda un puerto XLR integrado en el propio cuerpo y me pareci\u00f3 una elecci\u00f3n muy inteligente. Como podr\u00e1s ver en la entrevista anterior, Sony sostiene que eso gener\u00f3 controversias y, aparentemente, las personas quer\u00edan tener esos puertos XLR nuevamente uno al lado del otro.<\/p>\n\n\n\n<p>En cualquier caso, es una pena que ni siquiera cuente con una entrada de audio mini jack en el mismo cuerpo para poder conectar un peque\u00f1o micr\u00f3fono de referencia al &#8220;cerebro de la c\u00e1mara&#8221; cuando se opera de forma minimalista. Hay un peque\u00f1o micr\u00f3fono de baja calidad integrado en el chip de la c\u00e1mara, por lo que no ser\u00e1 silenciosa como la Canon C300 original. Adem\u00e1s, hay un puerto de entrada\/salida de TC, por lo que podr\u00e1s colocar un generador de timecode Tentacle Sync o un producto similar para sincronizarlo con la grabaci\u00f3n de audio o con una segunda c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"563\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-640x563.jpg\" alt=\"\" class=\"wp-image-163893\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-640x563.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-300x264.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-768x676.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid-261x230.jpg 261w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/ilmefx6_3q_44062_09-Mid.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX6 junto con el lente 70-200 G-Master. Fuente de la imagen: Sony.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n<\/h2>\n\n\n\n<p>Sony parece haber hecho sus deberes con la FX6 y es probablemente la c\u00e1mara peque\u00f1a m\u00e1s capaz que jam\u00e1s hayan producido. Queda por ver c\u00f3mo se adaptar\u00e1 al mercado, pero supongo que ser\u00e1 extremadamente popular. Despu\u00e9s de haber usado una versi\u00f3n de preproducci\u00f3n de la c\u00e1mara durante varios d\u00edas <a rel=\"noreferrer noopener\" href=\"\/?p=163923\" target=\"_blank\">para realizar mi rese\u00f1a pr\u00e1ctica<\/a><strong>,<\/strong> debo decir que estoy muy entusiasmado con ella. He comprado una FX9 pero la FX6 a mitad de precio la supera en muchos sentidos. Tengo mucha curiosidad por ver c\u00f3mo reaccionar\u00e1n los propietarios de la FX9 ante la presentaci\u00f3n de la FX6.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Precios y disponibilidad<\/h2>\n\n\n\n<p>La Sony FX6 costar\u00e1 $5,998 o \u20ac5,500 m\u00e1s impuestos\/IVA. Estar\u00e1 disponible en diciembre.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas de la Sony FX6? \u00bfPlaneas comprar una? \u00bfEres propietario de una FX9 como yo y no puedes creer las excelentes funciones de la nueva c\u00e1mara mucho m\u00e1s econ\u00f3mica?<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Product Announcement Cinema Line FX6 | Sony | \u03b1 [Subtitle available in 13 languages]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/l0asz2VuXIg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<164103-main-buylinks\/>"},"excerpt":{"rendered":"<p>Despu\u00e9s de anunciar la Sony FX6 en septiembre, Sony acaba de publicar todos los detalles, especificaciones y precios de su nueva c\u00e1mara que se suma a la l\u00ednea Cinema. Puedes leer aqu\u00ed nuestra rese\u00f1a pr\u00e1ctica. La FX6 es una c\u00e1mara con ISO nativo dual que probablemente utiliza el sensor de la a7S III, puede grabar hasta 120 fps en 4K y 240 fps en HD (lectura completa del sensor), cuenta con un filtro ND variable electr\u00f3nico incorporado, S-Cinetone, S -log 3 y mucho m\u00e1s. \u00a1Contin\u00faa leyendo para obtener m\u00e1s informaci\u00f3n! Hubo mucha expectativa por esta c\u00e1mara y finalmente est\u00e1 aqu\u00ed: la Sony FX6 es una c\u00e1mara peque\u00f1a y potente que [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":163873,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[54183,24506,52035,54184,24595,52125,54185,24632,52126,24989,52695,25682,27395,54178,54179,29654,54180,54181,24280,54182,24426],"tag_label":[53275],"brand":[51341],"class_list":["post-164103","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-camaras","tag-bionz-xr-es","tag-handheld-es","tag-portatil-2","tag-hd-240-fps-es","tag-camera-es","tag-sony-fx6-es","tag-iso-nativo-dual","tag-slow-motion-es","tag-fx6-es","tag-camara","tag-anuncio-2-es","tag-lanzamiento","tag-camara-lenta","tag-4k-120-fps-es","tag-dual-native-iso-es","tag-nueva-camara","tag-dual-iso-jp-es","tag-camera-news-es","tag-sony-es","tag-exmor-r-es","tag-4k-es","post_format-post-format-video","tag_label-camera-news-es","brand-sony-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual | CineD<\/title>\n<meta name=\"description\" content=\"As anticipated, the Sony FX6 was just released. It features a full-frame native 4K sensor, dual native ISO, 4K 120fps and much more.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual | CineD\" \/>\n<meta property=\"og:description\" content=\"As anticipated, the Sony FX6 was just released. It features a full-frame native 4K sensor, dual native ISO, 4K 120fps and much more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/nino.leitner\" \/>\n<meta property=\"article:published_time\" content=\"2020-11-17T15:01:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-11-18T19:06:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nino Leitner\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/NinoLeitner\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nino Leitner\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\"},\"author\":{\"name\":\"Nino Leitner\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/b49bb7ca89242c625b7cf51359ec3bc8\"},\"headline\":\"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual\",\"datePublished\":\"2020-11-17T15:01:38+00:00\",\"dateModified\":\"2020-11-18T19:06:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\"},\"wordCount\":2452,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg\",\"keywords\":[\"Bionz XR\",\"handheld\",\"p\u00f3rtatil\",\"HD 240 fps\",\"camera\",\"Sony FX6\",\"ISO nativo dual\",\"slow motion\",\"FX6\",\"c\u00e1mara\",\"anuncio\",\"lanzamiento\",\"c\u00e1mara lenta\",\"4K 120 fps\",\"dual native iso\",\"nueva c\u00e1mara\",\"Dual ISO\",\"camera news\",\"Sony\",\"Exmor R\",\"4k\"],\"articleSection\":[\"Noticias\",\"C\u00e1maras\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\",\"name\":\"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual | CineD\",\"isPartOf\":{\"@id\":\"https:\/\/www.cined.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg\",\"datePublished\":\"2020-11-17T15:01:38+00:00\",\"dateModified\":\"2020-11-18T19:06:39+00:00\",\"description\":\"As anticipated, the Sony FX6 was just released. It features a full-frame native 4K sensor, dual native ISO, 4K 120fps and much more.\",\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage\",\"url\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg\",\"contentUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg\",\"width\":1200,\"height\":675},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cined.com\/#website\",\"url\":\"https:\/\/www.cined.com\/\",\"name\":\"CineD\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cined.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es-ES\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cined.com\/#organization\",\"name\":\"CineD\",\"url\":\"https:\/\/www.cined.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg\",\"contentUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg\",\"width\":313,\"height\":285,\"caption\":\"CineD\"},\"image\":{\"@id\":\"https:\/\/www.cined.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"http:\/\/www.facebook.com\/C5Dnews\",\"https:\/\/x.com\/c5dnews\",\"https:\/\/www.youtube.com\/user\/cinema5Dnews\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/b49bb7ca89242c625b7cf51359ec3bc8\",\"name\":\"Nino Leitner\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/31c1cb03bdc7de6b5e423549a46b5b89a5e4fed4f40e8df0162ccc4800f68d1d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/31c1cb03bdc7de6b5e423549a46b5b89a5e4fed4f40e8df0162ccc4800f68d1d?s=96&d=mm&r=g\",\"caption\":\"Nino Leitner\"},\"description\":\"Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and son in Vienna, Austria.\",\"sameAs\":[\"http:\/\/www.ninofilm.net\/blog\",\"https:\/\/www.facebook.com\/nino.leitner\",\"https:\/\/www.instagram.com\/ninoleitner\/\",\"https:\/\/www.linkedin.com\/in\/ninoleitner\/\",\"https:\/\/x.com\/https:\/\/twitter.com\/NinoLeitner\",\"https:\/\/www.youtube.com\/ninoleitner1\"],\"url\":\"https:\/\/staging.cined.dev\/es\/author\/nino\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual | CineD","description":"As anticipated, the Sony FX6 was just released. It features a full-frame native 4K sensor, dual native ISO, 4K 120fps and much more.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","og_locale":"es_ES","og_type":"article","og_title":"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual | CineD","og_description":"As anticipated, the Sony FX6 was just released. It features a full-frame native 4K sensor, dual native ISO, 4K 120fps and much more.","og_url":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","og_site_name":"CineD","article_publisher":"http:\/\/www.facebook.com\/C5Dnews","article_author":"https:\/\/www.facebook.com\/nino.leitner","article_published_time":"2020-11-17T15:01:38+00:00","article_modified_time":"2020-11-18T19:06:39+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","type":"image\/jpeg"}],"author":"Nino Leitner","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/NinoLeitner","twitter_site":"@c5dnews","twitter_misc":{"Written by":"Nino Leitner","Est. reading time":"12 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#article","isPartOf":{"@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/"},"author":{"name":"Nino Leitner","@id":"https:\/\/www.cined.com\/#\/schema\/person\/b49bb7ca89242c625b7cf51359ec3bc8"},"headline":"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual","datePublished":"2020-11-17T15:01:38+00:00","dateModified":"2020-11-18T19:06:39+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/"},"wordCount":2452,"commentCount":0,"publisher":{"@id":"https:\/\/www.cined.com\/#organization"},"image":{"@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage"},"thumbnailUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","keywords":["Bionz XR","handheld","p\u00f3rtatil","HD 240 fps","camera","Sony FX6","ISO nativo dual","slow motion","FX6","c\u00e1mara","anuncio","lanzamiento","c\u00e1mara lenta","4K 120 fps","dual native iso","nueva c\u00e1mara","Dual ISO","camera news","Sony","Exmor R","4k"],"articleSection":["Noticias","C\u00e1maras"],"inLanguage":"es-ES","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","url":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","name":"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual | CineD","isPartOf":{"@id":"https:\/\/www.cined.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage"},"image":{"@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage"},"thumbnailUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","datePublished":"2020-11-17T15:01:38+00:00","dateModified":"2020-11-18T19:06:39+00:00","description":"As anticipated, the Sony FX6 was just released. It features a full-frame native 4K sensor, dual native ISO, 4K 120fps and much more.","inLanguage":"es-ES","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/"]}]},{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/#primaryimage","url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","contentUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":1200,"height":675},{"@type":"WebSite","@id":"https:\/\/www.cined.com\/#website","url":"https:\/\/www.cined.com\/","name":"CineD","description":"","publisher":{"@id":"https:\/\/www.cined.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cined.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es-ES"},{"@type":"Organization","@id":"https:\/\/www.cined.com\/#organization","name":"CineD","url":"https:\/\/www.cined.com\/","logo":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/#\/schema\/logo\/image\/","url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg","contentUrl":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/logo_email.jpg","width":313,"height":285,"caption":"CineD"},"image":{"@id":"https:\/\/www.cined.com\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/www.facebook.com\/C5Dnews","https:\/\/x.com\/c5dnews","https:\/\/www.youtube.com\/user\/cinema5Dnews"]},{"@type":"Person","@id":"https:\/\/www.cined.com\/#\/schema\/person\/b49bb7ca89242c625b7cf51359ec3bc8","name":"Nino Leitner","image":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/31c1cb03bdc7de6b5e423549a46b5b89a5e4fed4f40e8df0162ccc4800f68d1d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/31c1cb03bdc7de6b5e423549a46b5b89a5e4fed4f40e8df0162ccc4800f68d1d?s=96&d=mm&r=g","caption":"Nino Leitner"},"description":"Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and son in Vienna, Austria.","sameAs":["http:\/\/www.ninofilm.net\/blog","https:\/\/www.facebook.com\/nino.leitner","https:\/\/www.instagram.com\/ninoleitner\/","https:\/\/www.linkedin.com\/in\/ninoleitner\/","https:\/\/x.com\/https:\/\/twitter.com\/NinoLeitner","https:\/\/www.youtube.com\/ninoleitner1"],"url":"https:\/\/staging.cined.dev\/es\/author\/nino\/"}]}},"feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":1200,"height":675,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":1200,"height":675,"type":"featured"}],"custom_labels":[{"id":53275,"name":"Camera News","link":"https:\/\/staging.cined.dev\/es\/labels\/camera-news-es\/","slug":"camera-news-es"}],"mzed_course":{"content":null,"uuid":null},"buylinks":{"main_buylinks":{"uuid":"164103-main-buylinks","content":"<div id=\"initial-buylinks\" class=\"alternative-links\">\n\t<div class=\"affilite-banner-block\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col l3 m3 s12 center affilate-logo\">\t\t\t\t\t\n\t\t\t\t<img src=\"https:\/\/staging.cined.dev\/content\/themes\/cinemad\/assets\/images\/icons\/cined-logo-affilate-white.png\" alt=\"Logo\">\n\t\t\t<\/div>\n\t\t\t<div class=\"col l9 m9 s12 affilite-banner-content\">\n\t\t\t\t<h4>Apoya a CineD. Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FX6 Full-Frame Cinema Camera (Body Only)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1673544913000_1592066.jpg\" alt=\"FX6 Full-Frame Cinema Camera (Body Only)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1592066-REG\/sony_pxw_fx6_cinema_camera_body.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-pxw-fx6?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 4,999.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FX6 Digital Cinema Camera Kit with 24-105mm Lens<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1605624382000_1600161.jpg\" alt=\"FX6 Digital Cinema Camera Kit with 24-105mm Lens\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1600161-REG\/sony_ilme_fx6vk_fx6_digital_cinema_camera.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 7,798.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"164103-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>FX6 Full-Frame Cinema Camera (Body Only)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1592066-REG\/sony_pxw_fx6_cinema_camera_body.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-pxw-fx6?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 4,999.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":156473,"title":"Presentaron la l\u00ednea Sony Cinema: la Sony FX6 llegar\u00e1 a fines de 2020","url":"https:\/\/staging.cined.dev\/es\/sony-cinema-line-introduced-sony-fx6-comes-by-the-end-of-2020\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"September, 03 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/09\/Sony-FX6-featured-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":159528,"title":"Actualizaci\u00f3n de firmware 2.01 para la Sony FX9 - Correcci\u00f3n del ruido horizontal","url":"https:\/\/staging.cined.dev\/es\/sony-fx9-firmware-2-01-update-horizontal-noise-fix\/","author":15720,"author_details":{"display_name":"Jeff Loch","first_name":"Jeff","last_name":"Loch"},"publish_date":"October, 05 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/10\/SonyFX9FWUpdate_Featured-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":157295,"title":"La actualizaci\u00f3n de firmware 2.0 para la Sony FX9 se lanz\u00f3 un mes antes de lo esperado","url":"https:\/\/staging.cined.dev\/es\/sony-fx9-firmware-2-0-update-released-a-month-earlier-than-expected\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"September, 11 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-10.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":157193,"title":"Prueba de laboratorio de la Sony FX9: Rolling Shutter, Rango din\u00e1mico y Latitud","url":"https:\/\/staging.cined.dev\/es\/lab-test-sony-fx9-rolling-shutter-dynamic-range-latitude\/","author":8845,"author_details":{"display_name":"Gunther Machu","first_name":"Gunther","last_name":"Machu"},"publish_date":"September, 09 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/FX9-clean-cover-image-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42287,"name":"Pruebas de Laboratorio","link":"https:\/\/staging.cined.dev\/es\/pruebas-de-laboratorio\/","slug":"pruebas-de-laboratorio"}],"custom_labels":[{"id":53001,"name":"Lab Test","link":"https:\/\/staging.cined.dev\/es\/labels\/lab-test-es\/","slug":"lab-test-es"}],"total_comments":0,"video_url":""},{"id":140909,"title":"Gu\u00eda de referencia r\u00e1pida de Sony FX9: manual gratuito en PDF, por Alister Chapman","url":"https:\/\/staging.cined.dev\/es\/sony-fx9-quick-reference-guide-free-pdf-manual-alister-chapman\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"June, 02 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/06\/Sony-FX9-Netflix-Quick-quige-featured2.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":133431,"title":"Rese\u00f1a de la Sony FX9 por Philip Bloom \u2013 Video en detalle de casi dos horas","url":"https:\/\/staging.cined.dev\/es\/philip-blooms-sony-fx9-review-nearly-two-hours-in-depth-video\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"March, 14 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/03\/Sony-FX9-review3-Photo-Philip-Bloom.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":127931,"title":"Canon C500 Mark II vs. Sony FX9 - Panel de discusi\u00f3n - Philip Bloom, Hans von Sonntag, Nino Leitner","url":"https:\/\/staging.cined.dev\/es\/canon-c500-mark-ii-vs-sony-fx9-panel-discussion-philip-bloom-hans-von-sonntag-nino-leitner\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"January, 02 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/canon-c500-II-Sony-FX9.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"custom_labels":null,"total_comments":0,"video_url":"https:\/\/www.youtube.com\/watch?v=Mt7GvgRk1cI"},{"id":126713,"title":"Tutorial gratuito de la Sony FX9, 3.5 horas de duraci\u00f3n, con Alister Chapman","url":"https:\/\/staging.cined.dev\/es\/free-sony-fx9-tutorial-3-5-hours-long-with-alister-chapman\/","author":12862,"author_details":{"display_name":"Jakub Han","first_name":"Jakub","last_name":"Han"},"publish_date":"December, 09 2019","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":370,"height":208,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":1300,"height":731,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2019\/12\/Alister-Chapman-FX9-Workshop.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":null,"total_comments":0,"video_url":""}],"video_url":"https:\/\/www.youtube.com\/watch?v=wQJYxH0Kg7s&ab_channel=CineD","url":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","author_details":{"display_name":"Nino Leitner","first_name":"Nino","last_name":"Leitner","avatar":"https:\/\/staging.cined.dev\/content\/uploads\/userphoto\/11722325_10153337573530783_9108179215524125679_o.jpg"},"show_author":true,"cached":true,"likes":1,"_links":{"self":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/164103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/comments?post=164103"}],"version-history":[{"count":2,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/164103\/revisions"}],"predecessor-version":[{"id":164230,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/164103\/revisions\/164230"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/media\/163873"}],"wp:attachment":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/media?parent=164103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/categories?post=164103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/tags?post=164103"},{"taxonomy":"tag_label","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/tag_label?post=164103"},{"taxonomy":"brand","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/brand?post=164103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}