{"id":164222,"date":"2020-11-18T16:57:30","date_gmt":"2020-11-18T15:57:30","guid":{"rendered":"https:\/\/www.cined.com\/sony-fe-c-16-35mm-t3-1-g-e-mount-cinema-zoom-lens-available-for-pre-order\/"},"modified":"2020-11-18T20:32:37","modified_gmt":"2020-11-18T19:32:37","slug":"sony-fe-c-16-35mm-t3-1-g-e-mount-cinema-zoom-lens-available-for-pre-order","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-fe-c-16-35mm-t3-1-g-e-mount-cinema-zoom-lens-available-for-pre-order\/","title":{"rendered":"Ya est\u00e1 disponible para pre-pedido el lente Zoom de Cine Sony FE C 16-35mm T3.1 G E-Mount"},"content":{"rendered":"\n<p><strong>Inmediatamente despu\u00e9s del anuncio de su \u00faltima c\u00e1mara de cine de la serie FX, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\" data-type=\"post\" data-id=\"163756\" target=\"_blank\">la FX6<\/a>, Sony tambi\u00e9n present\u00f3 su nuevo lente zoom de cine que se <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/\" target=\"_blank\">anunci\u00f3 inicialmente con la FX9 el a\u00f1o pasado<\/a>: el Sony FE C 16-35mm T3.1 G. Ya est\u00e1 disponible para pre-pedido.<\/strong><\/p><164222-inline-buylinks\/>\n\n\n\n<p>Este lente fue anunciado por la empresa japonesa hace bastante tiempo atr\u00e1s. Originalmente, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/\" data-type=\"post\" data-id=\"119466\" target=\"_blank\">se mostr\u00f3 un anticipo<\/a> junto con la presentaci\u00f3n de la FX9 en septiembre de 2019. Reci\u00e9n ahora, en el menguante a\u00f1o 2020, est\u00e1 listo para preordenar.<\/p>\n\n\n\n<p>Como se ve en la imagen de abajo, este nuevo lente zoom de cine es el primero de tres (o m\u00e1s) que se a\u00f1adir\u00e1n a la l\u00ednea <em>C<\/em> de lentes zoom de cine.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg\" alt=\"Sony-FX9 16-35mm T3.1 G\" class=\"wp-image-119402\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>El primero de su tipo. El lente zoom de cine Sony FE C 16-35mm T3.1 G. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Lente Zoom de Cine Sony FE C 16-35mm Z3.2<\/h2>\n\n\n\n<p>Este lente viene equipado con una montura E-Mount, lo cual no es una sorpresa. Cubre el extremo angular de la llamada sant\u00edsima trinidad de lentes zoom: 16-35mm, 24-70mm y 70-200mm. La apertura es T3.1 que, si bien no es excelente, es totalmente razonable si se tiene en cuenta el costo y especialmente el tama\u00f1o del lente. Dado que las paradas en T se miden en contraste con los f-stops calculados matem\u00e1ticamente, las primeras tienden a ser un poco m\u00e1s lentas que sus respectivos valores de f-stops. En este caso, la apertura T3.1 podr\u00eda traducirse a aproximadamente f\/2.8.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Product Feature | FE C 16-35mm T3.1 G | Sony | Lens\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2ZqA8NS_ZIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Video de la presentaci\u00f3n del lente (sep 2019). Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El Sony FE C 16-35mm T3.1 cubre sensores full-frame, lo cual es l\u00f3gico porque se dio a conocer su desarrollo junto con la presentaci\u00f3n de la c\u00e1mara de cine <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-fx9-firmware-2-0-update-released-a-month-earlier-than-expected\/\" data-type=\"post\" data-id=\"157175\" target=\"_blank\">Sony FX9<\/a> que tiene un sensor full-frame. Lo mismo ocurre con la <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-fx6-review-first-look-an-almost-perfect-camera\/\" data-type=\"post\" data-id=\"163923\" target=\"_blank\">recientemente lanzada c\u00e1mara de cine FX6<\/a>. A pesar de no tener una apertura T impresionante, este lente podr\u00eda ser perfecto para ambas c\u00e1maras cuando se graba una gran cantidad de trabajos documentales de ritmo r\u00e1pido. (\u00a1Para ser justos, es un lente bastante r\u00e1pido para ser un zoom gran angular!).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Especificaciones<\/h2>\n\n\n\n<p>El nuevo zoom de cine viene con algunas de las caracter\u00edsticas que esperar\u00edas de un lente de cine dedicado, pero tambi\u00e9n carece de otras. Tiene tres anillos (con paradas bruscas) para controlar el enfoque, el iris y el zoom. La rotaci\u00f3n del anillo de enfoque es de 120\u00b0, por lo que es mayor que la de los lentes tradicionales de fotograf\u00eda fija.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"312\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg\" alt=\"zoom servo\" class=\"wp-image-120116\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-300x146.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-768x374.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-1536x748.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-472x230.jpg 472w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2.jpg 1650w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Servo de zoom desmontable. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El Sony FE C 16-35mm T3.1 viene con una unidad de servo desmontable para que puedas hacer zoom sin problemas utilizando el control de zoom integrado en el lente. Tambi\u00e9n puedes quitar el servo y el parasol del lente para obtener una configuraci\u00f3n m\u00e1s compacta.<\/p>\n\n\n\n<figure class=\"wp-block-image size-cinema_single_featured_photo\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"567\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hood-servo-1600x567.jpg\" alt=\"lens hood and servo\" class=\"wp-image-164176\" \/><figcaption>El lente con parasol y servo (izquierda) y sin los mismos (derecha). Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El anillo AF se puede empujar hacia adelante y hacia atr\u00e1s para ingresar a los modos AF o MF. Dado que el lente tiene capacidad de AF, el enfoque manual no es exactamente manual sino por cable (fly-by-wire).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"368\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-640x368.jpg\" alt=\"focus ring\" class=\"wp-image-164161\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-640x368.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-300x173.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-768x442.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-385x220.jpg 385w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-400x230.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-1300x750.jpg 1300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF.jpg 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Puedes alternar entre el enfoque autom\u00e1tico y enfoque manual. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Un lente de cine adecuado y completamente mec\u00e1nico generalmente es parafocal (sin cambio de enfoque cuando se modifica la distancia focal) y tiene la respiraci\u00f3n suprimida (cambio del campo de visi\u00f3n al seguir el enfoque). El nuevo lente presenta ambas cualidades, pero no de forma exacta. Sony afirma que es casi parafocal, por ello no es directamente etiquetado como parafocal. La respiraci\u00f3n focal parece estar bien controlada, solo queda probarlo en el mundo real.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\">Montura<\/td><td>Sony E-mount<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Formato<\/td><td>Full frame de 35 mm<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Distancia focal<\/td><td>16mm &#8211; 35mm<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Grupos\/elementos del lente<\/td><td>13 \/ 16<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">\u00c1ngulo de visi\u00f3n (full-frame horizontal de 35mm)<\/td><td>97\u00b0 &#8211; 54\u00b0<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Apertura m\u00e1xima<\/td><td>T3.1 (F2.8)<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Apertura m\u00ednima<\/td><td>T25 (F22)<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Hojas de apertura<\/td><td>11 (circular)<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Distancia m\u00ednima de enfoque<\/td><td>0.28 m \/ 0.92 pies<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Relaci\u00f3n de aumento m\u00e1xima<\/td><td>0.19x<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Sistema de zoom<\/td><td>Tanto manual como motorizado<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Dimensiones Di\u00e1metro x Longitud<\/td><td>\u03a6118.4mm (4.7&#8243;) x 146.6mm (5.8&#8243;)<br>Di\u00e1metro delantero 114mm<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Qu\u00e9 contiene el set<\/td><td>Parasol<br>Tapa de lente frontal<br>Tapa de lente trasera<br>Estuche blando<br>Montura para tr\u00edpode<br>Adaptador de soporte para lente<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>El lente consta de 16 elementos divididos en 13 grupos. Los dos elementos XA (Extreme Aspherical) y los tres elementos asf\u00e9ricos minimizan la distorsi\u00f3n, la curvatura y el astigmatismo. Los dos elementos de vidrio ED (dispersi\u00f3n extrabaja) suprimen la distorsi\u00f3n del color, mientras que el revestimiento nano AR (antirreflejos) avanzado en las superficies \u00f3pticas reduce los destellos y el efecto ghosting. Sony afirma que el mecanismo de enfoque flotante fue optimizado para &#8220;aplicaciones de im\u00e1genes en movimiento&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"386\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-640x386.jpg\" alt=\"optical design\" class=\"wp-image-164179\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-640x386.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-300x181.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-768x463.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-382x230.jpg 382w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign.jpg 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Dise\u00f1o \u00f3ptico del lente zoom de cine Sony FE C 16-35mm T3.1. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n &#8211; \u00bfUn lente para todos los oficios?<\/h2>\n\n\n\n<p>En definitiva, este lente de zoom de cine es algo as\u00ed como un lente para todos los oficios. Tiene capacidad de AF, pero tambi\u00e9n enfoque manual. Se puede operar con un servo de zoom dedicado pero tambi\u00e9n puedes desconectar la unidad y hacer zoom manualmente. Puedes alternar entre iris escalonado y sin clics. Todo eso es muy \u00fatil, pero tiene un precio y no me refiero a los d\u00f3lares.<\/p>\n\n\n\n<p>Un lente zoom de cine <em>adecuado<\/em> es un pony de un solo truco. No hace mucho, pero lo que hace lo hace perfecto. Parafocal, sin respiraci\u00f3n de enfoque, enfoque manual suave y confiable. Todo esto tambi\u00e9n tiene un precio, y esta vez s\u00ed hablo de d\u00f3lares.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"187\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-640x187.jpg\" alt=\"Sony FX9\" class=\"wp-image-164170\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-640x187.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-300x88.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-768x224.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-1536x449.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-787x230.jpg 787w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FE C 16-35mm T3.1 en una Sony FX9. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Tener capacidad de AF significa que el Sony FE C 16-35mm T3.1 depende de un mecanismo de enfoque por cable. Este nunca es tan bueno como el mecanismo de enfoque mec\u00e1nico directo que se encuentra en los lentes de gama alta que utilizan un motor de enfoque externo, por ejemplo. Pero el enfoque por cable o fly-by-wire permite que el lente tenga AF, por lo que deber\u00e1s tomar una decisi\u00f3n.<\/p>\n\n\n\n<p>Si bien este lente te permite salir y grabar sin tener que llevar un bolso lleno de lentes, todav\u00eda tiene ciertos compromisos. Quiz\u00e1s, Sony alcanz\u00f3 el punto \u00f3ptimo de ser s\u00faper vers\u00e1til sin demasiados inconvenientes en t\u00e9rminos de rendimiento \u00f3ptico y usabilidad (\u00a1enfoque fly-by-wire!). Tendremos que esperar a tener pruebas m\u00e1s contundentes para estar seguros de ello.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"283\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-640x283.jpg\" alt=\"cine vs stills version\" class=\"wp-image-164167\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-640x283.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-300x133.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-768x340.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-1536x680.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-520x230.jpg 520w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-750x330.jpg 750w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FE C 16-35mm T3.1 (izquierda) y FE 16-35mm f\/2.8 GM (derecha). Cr\u00e9dito de imagen: Sonyy<\/figcaption><\/figure>\n\n\n\n<p>A\u00fan est\u00e1 por verse si el precio (mucho) m\u00e1s alto del nuevo lente Sony FE 16-35mm f\/2.8 GM, vale la pena en comparaci\u00f3n con la versi\u00f3n para im\u00e1genes fijas ya disponible. Ambos lentes comparten exactamente el mismo dise\u00f1o \u00f3ptico interno.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"273\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-640x273.jpg\" alt=\"close up 16-35mm\" class=\"wp-image-164173\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-640x273.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-300x128.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-768x328.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-1536x656.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-539x230.jpg 539w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Enlace: <a href=\"https:\/\/pro.sony\/ue_US\/products\/camera-lenses\/selc1635g\">Sitio web de Sony<\/a><\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas? \u00bfVale la pena pagar por este lente o prefieres utilizar un lente para im\u00e1genes fijas? \u00a1Comparte tu opini\u00f3n en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n<164222-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Inmediatamente despu\u00e9s del anuncio de su \u00faltima c\u00e1mara de cine de la serie FX, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/\" data-type=\"post\" data-id=\"163756\" target=\"_blank\">la FX6<\/a>, Sony tambi\u00e9n present\u00f3 su nuevo lente zoom de cine que se <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/\" target=\"_blank\">anunci\u00f3 inicialmente con la FX9 el a\u00f1o pasado<\/a>: el Sony FE C 16-35mm T3.1 G. Ya est\u00e1 disponible para pre-pedido.<\/strong><\/p><164222-inline-buylinks\/>\n\n\n\n<p>Este lente fue anunciado por la empresa japonesa hace bastante tiempo atr\u00e1s. Originalmente, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/\" data-type=\"post\" data-id=\"119466\" target=\"_blank\">se mostr\u00f3 un anticipo<\/a> junto con la presentaci\u00f3n de la FX9 en septiembre de 2019. Reci\u00e9n ahora, en el menguante a\u00f1o 2020, est\u00e1 listo para preordenar.<\/p>\n\n\n\n<p>Como se ve en la imagen de abajo, este nuevo lente zoom de cine es el primero de tres (o m\u00e1s) que se a\u00f1adir\u00e1n a la l\u00ednea <em>C<\/em> de lentes zoom de cine.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg\" alt=\"Sony-FX9 16-35mm T3.1 G\" class=\"wp-image-119402\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/Sony-FX9-32.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>El primero de su tipo. El lente zoom de cine Sony FE C 16-35mm T3.1 G. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Lente Zoom de Cine Sony FE C 16-35mm Z3.2<\/h2>\n\n\n\n<p>Este lente viene equipado con una montura E-Mount, lo cual no es una sorpresa. Cubre el extremo angular de la llamada sant\u00edsima trinidad de lentes zoom: 16-35mm, 24-70mm y 70-200mm. La apertura es T3.1 que, si bien no es excelente, es totalmente razonable si se tiene en cuenta el costo y especialmente el tama\u00f1o del lente. Dado que las paradas en T se miden en contraste con los f-stops calculados matem\u00e1ticamente, las primeras tienden a ser un poco m\u00e1s lentas que sus respectivos valores de f-stops. En este caso, la apertura T3.1 podr\u00eda traducirse a aproximadamente f\/2.8.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Product Feature | FE C 16-35mm T3.1 G | Sony | Lens\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2ZqA8NS_ZIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Video de la presentaci\u00f3n del lente (sep 2019). Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El Sony FE C 16-35mm T3.1 cubre sensores full-frame, lo cual es l\u00f3gico porque se dio a conocer su desarrollo junto con la presentaci\u00f3n de la c\u00e1mara de cine <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-fx9-firmware-2-0-update-released-a-month-earlier-than-expected\/\" data-type=\"post\" data-id=\"157175\" target=\"_blank\">Sony FX9<\/a> que tiene un sensor full-frame. Lo mismo ocurre con la <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/sony-fx6-review-first-look-an-almost-perfect-camera\/\" data-type=\"post\" data-id=\"163923\" target=\"_blank\">recientemente lanzada c\u00e1mara de cine FX6<\/a>. A pesar de no tener una apertura T impresionante, este lente podr\u00eda ser perfecto para ambas c\u00e1maras cuando se graba una gran cantidad de trabajos documentales de ritmo r\u00e1pido. (\u00a1Para ser justos, es un lente bastante r\u00e1pido para ser un zoom gran angular!).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Especificaciones<\/h2>\n\n\n\n<p>El nuevo zoom de cine viene con algunas de las caracter\u00edsticas que esperar\u00edas de un lente de cine dedicado, pero tambi\u00e9n carece de otras. Tiene tres anillos (con paradas bruscas) para controlar el enfoque, el iris y el zoom. La rotaci\u00f3n del anillo de enfoque es de 120\u00b0, por lo que es mayor que la de los lentes tradicionales de fotograf\u00eda fija.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"312\" src=\"https:\/\/www.cined.com\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg\" alt=\"zoom servo\" class=\"wp-image-120116\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-640x312.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-300x146.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-768x374.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-1536x748.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2-472x230.jpg 472w, https:\/\/staging.cined.dev\/content\/uploads\/2019\/09\/sony-16-35-cinema-lens-2.jpg 1650w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Servo de zoom desmontable. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El Sony FE C 16-35mm T3.1 viene con una unidad de servo desmontable para que puedas hacer zoom sin problemas utilizando el control de zoom integrado en el lente. Tambi\u00e9n puedes quitar el servo y el parasol del lente para obtener una configuraci\u00f3n m\u00e1s compacta.<\/p>\n\n\n\n<figure class=\"wp-block-image size-cinema_single_featured_photo\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"567\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hood-servo-1600x567.jpg\" alt=\"lens hood and servo\" class=\"wp-image-164176\" \/><figcaption>El lente con parasol y servo (izquierda) y sin los mismos (derecha). Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El anillo AF se puede empujar hacia adelante y hacia atr\u00e1s para ingresar a los modos AF o MF. Dado que el lente tiene capacidad de AF, el enfoque manual no es exactamente manual sino por cable (fly-by-wire).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"368\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-640x368.jpg\" alt=\"focus ring\" class=\"wp-image-164161\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-640x368.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-300x173.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-768x442.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-385x220.jpg 385w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-400x230.jpg 400w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF-1300x750.jpg 1300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_AF-MF.jpg 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Puedes alternar entre el enfoque autom\u00e1tico y enfoque manual. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Un lente de cine adecuado y completamente mec\u00e1nico generalmente es parafocal (sin cambio de enfoque cuando se modifica la distancia focal) y tiene la respiraci\u00f3n suprimida (cambio del campo de visi\u00f3n al seguir el enfoque). El nuevo lente presenta ambas cualidades, pero no de forma exacta. Sony afirma que es casi parafocal, por ello no es directamente etiquetado como parafocal. La respiraci\u00f3n focal parece estar bien controlada, solo queda probarlo en el mundo real.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\">Montura<\/td><td>Sony E-mount<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Formato<\/td><td>Full frame de 35 mm<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Distancia focal<\/td><td>16mm &#8211; 35mm<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Grupos\/elementos del lente<\/td><td>13 \/ 16<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">\u00c1ngulo de visi\u00f3n (full-frame horizontal de 35mm)<\/td><td>97\u00b0 &#8211; 54\u00b0<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Apertura m\u00e1xima<\/td><td>T3.1 (F2.8)<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Apertura m\u00ednima<\/td><td>T25 (F22)<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Hojas de apertura<\/td><td>11 (circular)<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Distancia m\u00ednima de enfoque<\/td><td>0.28 m \/ 0.92 pies<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Relaci\u00f3n de aumento m\u00e1xima<\/td><td>0.19x<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Sistema de zoom<\/td><td>Tanto manual como motorizado<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Dimensiones Di\u00e1metro x Longitud<\/td><td>\u03a6118.4mm (4.7&#8243;) x 146.6mm (5.8&#8243;)<br>Di\u00e1metro delantero 114mm<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Qu\u00e9 contiene el set<\/td><td>Parasol<br>Tapa de lente frontal<br>Tapa de lente trasera<br>Estuche blando<br>Montura para tr\u00edpode<br>Adaptador de soporte para lente<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>El lente consta de 16 elementos divididos en 13 grupos. Los dos elementos XA (Extreme Aspherical) y los tres elementos asf\u00e9ricos minimizan la distorsi\u00f3n, la curvatura y el astigmatismo. Los dos elementos de vidrio ED (dispersi\u00f3n extrabaja) suprimen la distorsi\u00f3n del color, mientras que el revestimiento nano AR (antirreflejos) avanzado en las superficies \u00f3pticas reduce los destellos y el efecto ghosting. Sony afirma que el mecanismo de enfoque flotante fue optimizado para &#8220;aplicaciones de im\u00e1genes en movimiento&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"386\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-640x386.jpg\" alt=\"optical design\" class=\"wp-image-164179\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-640x386.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-300x181.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-768x463.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign-382x230.jpg 382w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_opticaldesign.jpg 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Dise\u00f1o \u00f3ptico del lente zoom de cine Sony FE C 16-35mm T3.1. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n &#8211; \u00bfUn lente para todos los oficios?<\/h2>\n\n\n\n<p>En definitiva, este lente de zoom de cine es algo as\u00ed como un lente para todos los oficios. Tiene capacidad de AF, pero tambi\u00e9n enfoque manual. Se puede operar con un servo de zoom dedicado pero tambi\u00e9n puedes desconectar la unidad y hacer zoom manualmente. Puedes alternar entre iris escalonado y sin clics. Todo eso es muy \u00fatil, pero tiene un precio y no me refiero a los d\u00f3lares.<\/p>\n\n\n\n<p>Un lente zoom de cine <em>adecuado<\/em> es un pony de un solo truco. No hace mucho, pero lo que hace lo hace perfecto. Parafocal, sin respiraci\u00f3n de enfoque, enfoque manual suave y confiable. Todo esto tambi\u00e9n tiene un precio, y esta vez s\u00ed hablo de d\u00f3lares.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"187\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-640x187.jpg\" alt=\"Sony FX9\" class=\"wp-image-164170\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-640x187.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-300x88.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-768x224.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-1536x449.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field-787x230.jpg 787w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_field.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FE C 16-35mm T3.1 en una Sony FX9. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Tener capacidad de AF significa que el Sony FE C 16-35mm T3.1 depende de un mecanismo de enfoque por cable. Este nunca es tan bueno como el mecanismo de enfoque mec\u00e1nico directo que se encuentra en los lentes de gama alta que utilizan un motor de enfoque externo, por ejemplo. Pero el enfoque por cable o fly-by-wire permite que el lente tenga AF, por lo que deber\u00e1s tomar una decisi\u00f3n.<\/p>\n\n\n\n<p>Si bien este lente te permite salir y grabar sin tener que llevar un bolso lleno de lentes, todav\u00eda tiene ciertos compromisos. Quiz\u00e1s, Sony alcanz\u00f3 el punto \u00f3ptimo de ser s\u00faper vers\u00e1til sin demasiados inconvenientes en t\u00e9rminos de rendimiento \u00f3ptico y usabilidad (\u00a1enfoque fly-by-wire!). Tendremos que esperar a tener pruebas m\u00e1s contundentes para estar seguros de ello.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"283\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-640x283.jpg\" alt=\"cine vs stills version\" class=\"wp-image-164167\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-640x283.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-300x133.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-768x340.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-1536x680.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-520x230.jpg 520w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills-750x330.jpg 750w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_cine-stills.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FE C 16-35mm T3.1 (izquierda) y FE 16-35mm f\/2.8 GM (derecha). Cr\u00e9dito de imagen: Sonyy<\/figcaption><\/figure>\n\n\n\n<p>A\u00fan est\u00e1 por verse si el precio (mucho) m\u00e1s alto del nuevo lente Sony FE 16-35mm f\/2.8 GM, vale la pena en comparaci\u00f3n con la versi\u00f3n para im\u00e1genes fijas ya disponible. Ambos lentes comparten exactamente el mismo dise\u00f1o \u00f3ptico interno.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"273\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-640x273.jpg\" alt=\"close up 16-35mm\" class=\"wp-image-164173\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-640x273.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-300x128.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-768x328.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-1536x656.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero-539x230.jpg 539w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/SonyFE-C-16-35mm_hero.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Enlace: <a href=\"https:\/\/pro.sony\/ue_US\/products\/camera-lenses\/selc1635g\">Sitio web de Sony<\/a><\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas? \u00bfVale la pena pagar por este lente o prefieres utilizar un lente para im\u00e1genes fijas? \u00a1Comparte tu opini\u00f3n en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n<164222-main-buylinks\/>"},"excerpt":{"rendered":"<p>Inmediatamente despu\u00e9s del anuncio de su \u00faltima c\u00e1mara de cine de la serie FX, la FX6, Sony tambi\u00e9n present\u00f3 su nuevo lente zoom de cine que se anunci\u00f3 inicialmente con la FX9 el a\u00f1o pasado: el Sony FE C 16-35mm T3.1 G. Ya est\u00e1 disponible para pre-pedido. Este lente fue anunciado por la empresa japonesa hace bastante tiempo atr\u00e1s. Originalmente, se mostr\u00f3 un anticipo junto con la presentaci\u00f3n de la FX9 en septiembre de 2019. Reci\u00e9n ahora, en el menguante a\u00f1o 2020, est\u00e1 listo para preordenar. Como se ve en la imagen de abajo, este nuevo lente zoom de cine es el primero de tres (o m\u00e1s) que se a\u00f1adir\u00e1n [&hellip;]<\/p>\n","protected":false},"author":10704,"featured_media":164187,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"tags":[33203,34506,24279,24280,24453,24553,52127,24583,26718,54213,54214,31560,31712],"tag_label":[52841],"brand":[51341],"class_list":["post-164222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-lente-sony","tag-fx9-es","tag-full-frame-es","tag-sony-es","tag-e-mount-es","tag-cine-zoom-es","tag-montura-e-mount","tag-cine-lens-es","tag-lente-de-cine","tag-fe-c-16-35mm-es","tag-parafocal","tag-zoom-de-cine","tag-parfocal-es","tag_label-lens-news-es","brand-sony-es"],"yoast_head":"<!-- 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Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FE C 16-35mm T3.1 G E-Mount Lens<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1587408748000_1506716.jpg\" alt=\"FE C 16-35mm T3.1 G E-Mount Lens\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1506716-REG\/sony_selc1635g_fe_c_16_35mm_t_3_1.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 5,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-selc1635g-16-35mm-e-mount?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 5,314.41<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FE 16-35mm f\/2.8 GM Lens<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1495038144000_1338516.jpg\" alt=\"FE 16-35mm f\/2.8 GM Lens\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1338516-REG\/sony_sel1635gm_fe_16_35mm_f_2_8_gm.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 1,948.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony_sel1635gm_16-35mm_lens?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,920.70<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FX6 Full-Frame Cinema Camera (Body Only)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1673544913000_1592066.jpg\" alt=\"FX6 Full-Frame Cinema Camera (Body Only)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1592066-REG\/sony_pxw_fx6_cinema_camera_body.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-pxw-fx6?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 4,999.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Sony PXW-FX9 Full Frame Camcorder<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cvp.com\/images\/products\/12-09-20191568300090200.jpg\" alt=\"Sony PXW-FX9 Full Frame Camcorder\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-pxw-fx9?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 9,525.80<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"164222-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>FE C 16-35mm T3.1 G E-Mount Lens<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1506716-REG\/sony_selc1635g_fe_c_16_35mm_t_3_1.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 5,498.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-selc1635g-16-35mm-e-mount?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 5,314.41<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":164103,"title":"Lanzaron la Sony FX6: Full-Frame, 4K 120 fps, ISO nativo dual","url":"https:\/\/staging.cined.dev\/es\/sony-fx6-released-full-frame-4k-120-fps-dual-native-iso\/","author":8,"author_details":{"display_name":"Nino Leitner","first_name":"Nino","last_name":"Leitner"},"publish_date":"November, 17 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":1200,"height":675,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/Sony-FX6-feat.jpg","width":1200,"height":675,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":[{"id":53275,"name":"Camera 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un nuevo lente full frame de montura E: el Sony FE C 16-35 mm T\/3.1 G","url":"https:\/\/staging.cined.dev\/es\/ibc-2019-sony-fe-1635mm-t31-fullframe-emount-lens\/","author":15720,"author_details":{"display_name":"Jeff Loch","first_name":"Jeff","last_name":"Loch"},"publish_date":"September, 16 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von Voss","first_name":"Olaf","last_name":"von 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