{"id":166852,"date":"2020-12-05T13:47:02","date_gmt":"2020-12-05T12:47:02","guid":{"rendered":"https:\/\/www.cined.com\/oscars-2021-contenders-which-cameras-lenses-were-used\/"},"modified":"2020-12-07T20:40:51","modified_gmt":"2020-12-07T19:40:51","slug":"oscars-2021-contenders-which-cameras-lenses-were-used","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/oscars-2021-contenders-which-cameras-lenses-were-used\/","title":{"rendered":"Competidores de los Oscar 2021: \u00bfqu\u00e9 c\u00e1maras y lentes se usaron?"},"content":{"rendered":"\n<p><strong>La ceremonia de los Premios de la Academia 2021 tal vez se posponga hasta finales de abril, pero la carrera contin\u00faa de todos modos. Para nuestra industria, el Oscar a la &#8220;Mejor Fotograf\u00eda&#8221; es el que m\u00e1s nos interesa, as\u00ed que a lo nuestro: estos son los posibles contendientes (y las c\u00e1maras utilizadas) en la carrera por los Oscar 2021.<\/strong><\/p>\n\n\n\n<p>Cada a\u00f1o, la <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">revista estadounidense Variety<\/a> presenta posibles candidatos al Oscar y enumera los ganadores m\u00e1s probables en cada categor\u00eda. A\u00f1o tras a\u00f1o, el Oscar a la \u201cMejor Fotograf\u00eda\u201d tiene que ver no solo con qu\u00e9 director de fotograf\u00eda va a ganar, sino tambi\u00e9n con qu\u00e9 c\u00e1mara se utiliz\u00f3. \u00bfCu\u00e1l es la marca m\u00e1s popular de todas? Bueno, ya conoces la respuesta, \u00bfcierto?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Largometrajes para el Premio Oscar 2021 a la &#8220;Mejor Fotograf\u00eda&#8221;<\/h2>\n\n\n\n<p>Seg\u00fan Variety, su lista todav\u00eda se denomina &#8220;<em>pretemporada<\/em>&#8220;, por lo que estas predicciones a\u00fan no son definitivas, pero creo que nos ofrece una buena indicaci\u00f3n de si cierto largometraje tiene chances decentes en la carrera a los Oscar 2021 para mejor cinematograf\u00eda. La lista de los diez primeros es la siguiente:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10618286\/technical?ref_=tt_dt_spec\" target=\"_blank\">Mank<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Erik Messerschmidt \/\/ Red Ranger Helium Monochrome, lentes Leica Summilux-C<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt9770150\/technical?ref_=tt_dt_spec\" target=\"_blank\">Nomadland<\/a><\/strong>&#8221; (Searchlight Pictures) \/\/ Director de fotograf\u00eda: Joshua James Richards \/\/ ARRI ALEXA Mini, ARRI AMIRA, lentes Zeiss Ultra Prime<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10539608\/technical?ref_=tt_dt_spec\" target=\"_blank\">The Midnight Sky<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Martin Ruhe \/\/ ARRI ALEXA 65, ARRI ALEXA Mini, lentes Hasselblad Prime DNA<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt9784798\/technical?ref_=tt_dt_spec\" target=\"_blank\">Judas and the Black Messiah<\/a><\/strong>&#8221; (Warner Bros.) \/\/ Director de fotograf\u00eda: Sean Bobbit \/\/ ARRI ALEXA  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1470346-REG\/arri_k1_0024074_alexa_mini_lf_camera.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Mini LF<\/a>, lentes Hasselblad DNA LF<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt9777644\/technical?ref_=tt_dt_spec\" target=\"_blank\">Da 5 Bloods<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Newton Thomas Sigel \/\/  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1389652-REG\/arri_k0_0019228_alexa_lf_basic_camera.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">ARRI ALEXA LF<\/a>, ARRI ALEXA Mini, ARRIFLEX 416, lentes Hasselblad DNA LF, lentes Angenieux Optimo, zoom Canon 11-165 mm, lentes Zeiss Super Speed<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10612922\/technical?ref_=tt_dt_spec\" target=\"_blank\">One Night in Miami<\/a><\/strong>&#8221; (Amazon Studios) \/\/ Director de fotograf\u00eda: Tami Reiker<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt6723592\/technical?ref_=tt_dt_spec\" target=\"_blank\">Tenet<\/a><\/strong>&#8221; (Warner Bros.) \/\/ Director de fotograf\u00eda: Hoyte van Hoytema \/\/ ARRIFLEX 765, IMAX MKIII, IMAX MKIV, IMAX MSM 9802, Panavision Panaflex System 65 Studio, lentes Panavision Sphero 65 y System 65, lentes Hasselblad<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10633456\/technical?ref_=tt_dt_spec\" target=\"_blank\">Minari<\/a><\/strong>&#8221; (A24) \/\/ Director de fotograf\u00eda: Lachlan Milne \/\/ ARRI ALEXA Mini, lentes Panvision PVintage<\/li><li>&#8220;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt6878306\/technical?ref_=tt_dt_spec\" target=\"_blank\"><strong>News of the World<\/strong><\/a>&#8221; (Universal Pictures) \/\/ Director de fotograf\u00eda: Dariusz Wolski \/\/  ARRI ALEXA LF, ARRI ALEXA  Mini LF, lentes Panavision Sphero 65<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt1070874\/technical?ref_=tt_dt_spec\" target=\"_blank\">The Trial of the Chicago 7<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Phedon Papamichael \/\/ ARRI ALKEXA LF, lentes Panavision C- y T- series<\/li><\/ol>\n\n\n\n<p>Para obtener la lista completa con las 30 entradas, <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">ingresa en revista Variety<\/a>. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Observaciones sobre los Oscar 2021<\/h2>\n\n\n\n<p>Hay algunos hechos ocultos en esta lista que creo que vale la pena mencionar. En primer lugar, el auge de los servicios de streaming parece imparable. Hay cuatro lanzamientos de Netflix y uno de Amazon Studios en este top 10. Esto representa el 50% de los diez primeros nominados a los Oscar 2021 en la categor\u00eda \u201cMejor Fotograf\u00eda\u201d. Por supuesto, esto se debe -al menos en parte- al hecho de que muchos cines est\u00e1n cerrados debido a la pandemia actual.<\/p>\n\n\n\n<p>En segundo lugar, solo hay un largometraje en esta lista que se film\u00f3 con una c\u00e1mara RED, pero es cierto que est\u00e1 arriba de todo en la lista. La gran mayor\u00eda de los largometrajes mencionados anteriormente se rodaron con sistemas de c\u00e1maras ARRI. Tambi\u00e9n se utilizaron algunos sistemas Panavision e IMAX. Pero otras marcas como Canon o Sony (VENICE) est\u00e1n completamente ausentes de esta lista. Para ser justos,  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1381355-REG\/sony_mpc3610_venice_6k_motion_picture.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Sony VENICE<\/a> aparece tres veces m\u00e1s abajo <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">en la lista de los 30 primeros<\/a>. Los sistemas de RED aparecen una vez m\u00e1s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"289\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/12\/Oscars_ARRI-640x289.jpg\" alt=\"ARRI ALEXA LF\" class=\"wp-image-166037\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-640x289.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-300x135.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-768x347.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-510x230.jpg 510w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI.jpg 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>La  ARRI ALEXA LF. Cr\u00e9dito de la imagen: ARRI<\/figcaption><\/figure>\n\n\n\n<p>La marca de c\u00e1maras predominante es, por lo tanto, como en Premios Oscars anteriores, ARRI. Como explic\u00f3 <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/camera-technology-blinding\/\" data-type=\"post\" data-id=\"115566\" target=\"_blank\">Jeff Loch en su nota de opini\u00f3n<\/a> sobre si la tecnolog\u00eda de c\u00e1maras nos est\u00e1 cegando, \u00e9l dec\u00eda que el costo del paquete de c\u00e1mara es pr\u00e1cticamente insignificante para una pel\u00edcula con un gran presupuesto. Y creo que esto resulta muy evidente en la lista anterior. Si tienes los fondos, \u00bfpor qu\u00e9 cometer\u00edas la locura de querer experimentar? Simplemente consigue la c\u00e1mara m\u00e1s confiable y prestigiosa que puedas conseguir, y esa parece ser la ARRI ALEXA.<\/p>\n\n\n\n<p>La pregunta es: \u00bfPuede alguno de los otros fabricantes aparecer con algo que realmente pueda competir con el dominio de ARRI en el negocio del cine de alta gama? En esta etapa, lo dudo.<\/p>\n\n\n\n<p>Enlace: <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">Variety<\/a><\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 largometraje ganar\u00e1 el Oscar 2021 a \u201cMejor fotograf\u00eda\u201d? \u00a1Dinos lo que piensas en los comentarios debajo!<\/strong><\/p>\n<166852-main-buylinks\/>","protected":false,"clean_render":"<p><strong>La ceremonia de los Premios de la Academia 2021 tal vez se posponga hasta finales de abril, pero la carrera contin\u00faa de todos modos. Para nuestra industria, el Oscar a la &#8220;Mejor Fotograf\u00eda&#8221; es el que m\u00e1s nos interesa, as\u00ed que a lo nuestro: estos son los posibles contendientes (y las c\u00e1maras utilizadas) en la carrera por los Oscar 2021.<\/strong><\/p>\n\n\n\n<p>Cada a\u00f1o, la <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">revista estadounidense Variety<\/a> presenta posibles candidatos al Oscar y enumera los ganadores m\u00e1s probables en cada categor\u00eda. A\u00f1o tras a\u00f1o, el Oscar a la \u201cMejor Fotograf\u00eda\u201d tiene que ver no solo con qu\u00e9 director de fotograf\u00eda va a ganar, sino tambi\u00e9n con qu\u00e9 c\u00e1mara se utiliz\u00f3. \u00bfCu\u00e1l es la marca m\u00e1s popular de todas? Bueno, ya conoces la respuesta, \u00bfcierto?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Largometrajes para el Premio Oscar 2021 a la &#8220;Mejor Fotograf\u00eda&#8221;<\/h2>\n\n\n\n<p>Seg\u00fan Variety, su lista todav\u00eda se denomina &#8220;<em>pretemporada<\/em>&#8220;, por lo que estas predicciones a\u00fan no son definitivas, pero creo que nos ofrece una buena indicaci\u00f3n de si cierto largometraje tiene chances decentes en la carrera a los Oscar 2021 para mejor cinematograf\u00eda. La lista de los diez primeros es la siguiente:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10618286\/technical?ref_=tt_dt_spec\" target=\"_blank\">Mank<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Erik Messerschmidt \/\/ Red Ranger Helium Monochrome, lentes Leica Summilux-C<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt9770150\/technical?ref_=tt_dt_spec\" target=\"_blank\">Nomadland<\/a><\/strong>&#8221; (Searchlight Pictures) \/\/ Director de fotograf\u00eda: Joshua James Richards \/\/ ARRI ALEXA Mini, ARRI AMIRA, lentes Zeiss Ultra Prime<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10539608\/technical?ref_=tt_dt_spec\" target=\"_blank\">The Midnight Sky<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Martin Ruhe \/\/ ARRI ALEXA 65, ARRI ALEXA Mini, lentes Hasselblad Prime DNA<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt9784798\/technical?ref_=tt_dt_spec\" target=\"_blank\">Judas and the Black Messiah<\/a><\/strong>&#8221; (Warner Bros.) \/\/ Director de fotograf\u00eda: Sean Bobbit \/\/ ARRI ALEXA  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1470346-REG\/arri_k1_0024074_alexa_mini_lf_camera.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Mini LF<\/a>, lentes Hasselblad DNA LF<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt9777644\/technical?ref_=tt_dt_spec\" target=\"_blank\">Da 5 Bloods<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Newton Thomas Sigel \/\/  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1389652-REG\/arri_k0_0019228_alexa_lf_basic_camera.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">ARRI ALEXA LF<\/a>, ARRI ALEXA Mini, ARRIFLEX 416, lentes Hasselblad DNA LF, lentes Angenieux Optimo, zoom Canon 11-165 mm, lentes Zeiss Super Speed<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10612922\/technical?ref_=tt_dt_spec\" target=\"_blank\">One Night in Miami<\/a><\/strong>&#8221; (Amazon Studios) \/\/ Director de fotograf\u00eda: Tami Reiker<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt6723592\/technical?ref_=tt_dt_spec\" target=\"_blank\">Tenet<\/a><\/strong>&#8221; (Warner Bros.) \/\/ Director de fotograf\u00eda: Hoyte van Hoytema \/\/ ARRIFLEX 765, IMAX MKIII, IMAX MKIV, IMAX MSM 9802, Panavision Panaflex System 65 Studio, lentes Panavision Sphero 65 y System 65, lentes Hasselblad<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10633456\/technical?ref_=tt_dt_spec\" target=\"_blank\">Minari<\/a><\/strong>&#8221; (A24) \/\/ Director de fotograf\u00eda: Lachlan Milne \/\/ ARRI ALEXA Mini, lentes Panvision PVintage<\/li><li>&#8220;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt6878306\/technical?ref_=tt_dt_spec\" target=\"_blank\"><strong>News of the World<\/strong><\/a>&#8221; (Universal Pictures) \/\/ Director de fotograf\u00eda: Dariusz Wolski \/\/  ARRI ALEXA LF, ARRI ALEXA  Mini LF, lentes Panavision Sphero 65<\/li><li>&#8220;<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt1070874\/technical?ref_=tt_dt_spec\" target=\"_blank\">The Trial of the Chicago 7<\/a><\/strong>&#8221; (Netflix) \/\/ Director de fotograf\u00eda: Phedon Papamichael \/\/ ARRI ALKEXA LF, lentes Panavision C- y T- series<\/li><\/ol>\n\n\n\n<p>Para obtener la lista completa con las 30 entradas, <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">ingresa en revista Variety<\/a>. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Observaciones sobre los Oscar 2021<\/h2>\n\n\n\n<p>Hay algunos hechos ocultos en esta lista que creo que vale la pena mencionar. En primer lugar, el auge de los servicios de streaming parece imparable. Hay cuatro lanzamientos de Netflix y uno de Amazon Studios en este top 10. Esto representa el 50% de los diez primeros nominados a los Oscar 2021 en la categor\u00eda \u201cMejor Fotograf\u00eda\u201d. Por supuesto, esto se debe -al menos en parte- al hecho de que muchos cines est\u00e1n cerrados debido a la pandemia actual.<\/p>\n\n\n\n<p>En segundo lugar, solo hay un largometraje en esta lista que se film\u00f3 con una c\u00e1mara RED, pero es cierto que est\u00e1 arriba de todo en la lista. La gran mayor\u00eda de los largometrajes mencionados anteriormente se rodaron con sistemas de c\u00e1maras ARRI. Tambi\u00e9n se utilizaron algunos sistemas Panavision e IMAX. Pero otras marcas como Canon o Sony (VENICE) est\u00e1n completamente ausentes de esta lista. Para ser justos,  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1381355-REG\/sony_mpc3610_venice_6k_motion_picture.html\/BI\/7953\/KBID\/8488\/\" class=\"content-keyword-linked\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Sony VENICE<\/a> aparece tres veces m\u00e1s abajo <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">en la lista de los 30 primeros<\/a>. Los sistemas de RED aparecen una vez m\u00e1s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"289\" src=\"https:\/\/www.cined.com\/content\/uploads\/2020\/12\/Oscars_ARRI-640x289.jpg\" alt=\"ARRI ALEXA LF\" class=\"wp-image-166037\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-640x289.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-300x135.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-768x347.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI-510x230.jpg 510w, https:\/\/staging.cined.dev\/content\/uploads\/2020\/12\/Oscars_ARRI.jpg 1440w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>La  ARRI ALEXA LF. Cr\u00e9dito de la imagen: ARRI<\/figcaption><\/figure>\n\n\n\n<p>La marca de c\u00e1maras predominante es, por lo tanto, como en Premios Oscars anteriores, ARRI. Como explic\u00f3 <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/camera-technology-blinding\/\" data-type=\"post\" data-id=\"115566\" target=\"_blank\">Jeff Loch en su nota de opini\u00f3n<\/a> sobre si la tecnolog\u00eda de c\u00e1maras nos est\u00e1 cegando, \u00e9l dec\u00eda que el costo del paquete de c\u00e1mara es pr\u00e1cticamente insignificante para una pel\u00edcula con un gran presupuesto. Y creo que esto resulta muy evidente en la lista anterior. Si tienes los fondos, \u00bfpor qu\u00e9 cometer\u00edas la locura de querer experimentar? Simplemente consigue la c\u00e1mara m\u00e1s confiable y prestigiosa que puedas conseguir, y esa parece ser la ARRI ALEXA.<\/p>\n\n\n\n<p>La pregunta es: \u00bfPuede alguno de los otros fabricantes aparecer con algo que realmente pueda competir con el dominio de ARRI en el negocio del cine de alta gama? En esta etapa, lo dudo.<\/p>\n\n\n\n<p>Enlace: <a rel=\"noreferrer noopener\" href=\"https:\/\/variety.com\/feature\/2021-oscars-best-cinematography-predictions-1234772994\/\" target=\"_blank\">Variety<\/a><\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 largometraje ganar\u00e1 el Oscar 2021 a \u201cMejor fotograf\u00eda\u201d? \u00a1Dinos lo que piensas en los comentarios debajo!<\/strong><\/p>\n<166852-main-buylinks\/>"},"excerpt":{"rendered":"<p>La ceremonia de los Premios de la Academia 2021 tal vez se posponga hasta finales de abril, pero la carrera contin\u00faa de todos modos. Para nuestra industria, el Oscar a la &#8220;Mejor Fotograf\u00eda&#8221; es el que m\u00e1s nos interesa, as\u00ed que a lo nuestro: estos son los posibles contendientes (y las c\u00e1maras utilizadas) en la carrera por los Oscar 2021. Cada a\u00f1o, la revista estadounidense Variety presenta posibles candidatos al Oscar y enumera los ganadores m\u00e1s probables en cada categor\u00eda. A\u00f1o tras a\u00f1o, el Oscar a la \u201cMejor Fotograf\u00eda\u201d tiene que ver no solo con qu\u00e9 director de fotograf\u00eda va a ganar, sino tambi\u00e9n con qu\u00e9 c\u00e1mara se utiliz\u00f3. \u00bfCu\u00e1l [&hellip;]<\/p>\n","protected":false},"author":10704,"featured_media":166036,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[54842,27352,54843,54844,29256,54845,30062,54846,31292,54848,54849,24280,24526,25216,54841,25421],"tag_label":[54735],"brand":[54847,52128,52889],"class_list":["post-166852","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","tag-imax-es","tag-netflix-es","tag-best-cinematography-es","tag-amazono-studios-es","tag-panavision-es","tag-2021-oscars-es","tag-premios-oscar","tag-oscars-es","tag-awards-es","tag-mejor-fotografia","tag-oscar-a-mejor-fotografia","tag-sony-es","tag-arri-es","tag-red-camera-es","tag-academy-awards-es","tag-streaming-2-es","tag_label-award-es","brand-panavision-es","brand-red-es","brand-arri-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Competidores de los Oscar 2021: \u00bfqu\u00e9 c\u00e1maras y lentes se usaron? | CineD<\/title>\n<meta name=\"description\" content=\"These are the likely contenders (and the cameras used) in the race for the 2021 Oscars. 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