{"id":167760,"date":"2020-12-16T12:04:39","date_gmt":"2020-12-16T11:04:39","guid":{"rendered":"https:\/\/www.cined.com\/quick-tip-lighting-interview-with-one-light\/"},"modified":"2020-12-16T16:33:18","modified_gmt":"2020-12-16T15:33:18","slug":"quick-tip-lighting-interview-with-one-light","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/quick-tip-lighting-interview-with-one-light\/","title":{"rendered":"Consejo r\u00e1pido: c\u00f3mo iluminar una entrevista con una sola fuente de luz"},"content":{"rendered":"\n

En este video de consejos r\u00e1pidos, podr\u00e1s aprender los conceptos b\u00e1sicos de la iluminaci\u00f3n de una entrevista cl\u00e1sica configurada con una sola luz. Hablar\u00e9 de c\u00f3mo la posici\u00f3n de una luz (clave) afecta el look del video y c\u00f3mo se puede hacerla rebotar para crear una luz de relleno falsa. Adem\u00e1s, hablar\u00e9 sobre el uso de una ventana como fuente de luz adicional, uso de una luz pr\u00e1ctica, etc.<\/strong><\/p>\n\n\n\n

Es posible que hayan escuchado esto antes, pero perm\u00edtanme decirlo nuevamente: la luz influye en la impresi\u00f3n general de un video mucho m\u00e1s que la c\u00e1mara o el lente utilizado. Como he realizado numerosas entrevistas en los \u00faltimos a\u00f1os, decid\u00ed hacer un video de consejos r\u00e1pidos sobre c\u00f3mo resuelvo la iluminaci\u00f3n de una entrevista con una sola fuente de luz. Como la iluminaci\u00f3n en general es un tema muy complejo, eleg\u00ed centrarme en las configuraciones de interior con una sola luz. Si deseas obtener m\u00e1s informaci\u00f3n, puedes leer nuestro art\u00edculo sobre el tema<\/a>.<\/p>\n\n\n\n

\"Interview
Iluminaci\u00f3n para entrevistas con tres luces. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

El prop\u00f3sito del video es brindar un consejo r\u00e1pido sobre c\u00f3mo trabajar con equipos limitados. Las configuraciones de luz para filmar una entrevista pueden volverse muy complejas e incluir muchas fuentes de luz. Por lo general, las configuraciones de luz en una entrevista consisten en al menos tres luces: luz clave, que es la fuente de luz principal, luz de relleno, que llena las sombras en el otro lado de la cara del artista, y una luz de fondo, que crea un bonito contorno alrededor de la cabeza del artista y lo separa del fondo. Idealmente, el fondo en s\u00ed mismo tambi\u00e9n se ilumina por separado.<\/p>\n\n\n\n

Iluminando una entrevista con una sola luz<\/h2>\n\n\n\n
\"Interview
Iluminando una entrevista con una sola luz. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Cuando trabajas con una sola fuente de luz, autom\u00e1ticamente se convierte en tu luz clave. En una entrevista tradicional de conversaci\u00f3n bidireccional, el artista debe mirar hacia el espacio en el lado ancho de la imagen. La luz clave debe posicionarse al lado de la c\u00e1mara, en el mismo lateral donde se sienta el entrevistador. La luz debe provenir del lado ancho de la imagen en el rostro del artista.<\/p>\n\n\n\n

\"Broad
Iluminando una entrevista con una luz. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Al elegir la locaci\u00f3n para realizar la entrevista, trata de dejar el mayor espacio posible entre el artista y el fondo. En primer lugar, ser\u00e1 m\u00e1s f\u00e1cil dejar el fondo borroso y separar \u00f3pticamente al artista del fondo. En segundo lugar, mantendr\u00e1 el fondo inalterado por la luz clave.<\/p>\n\n\n\n

La posici\u00f3n de la luz clave afecta las sombras faciales<\/h2>\n\n\n\n

Generalmente, al filmar una entrevista, deseas obtener sombras suaves en la cara del artista. Son muchos los factores que juegan un papel importante en la obtenci\u00f3n de sombras suaves. Eleg\u00ed resaltar dos que creo que son los principales: el tama\u00f1o de tu luz y su distancia respecto al artista. Las sombras se vuelven m\u00e1s suaves cuando la fuente de luz aumenta (esto tambi\u00e9n se puede lograr moviendo la luz m\u00e1s cerca de la cara). Si tienes una fuente de luz peque\u00f1a, puedes hacerla rebotar en una pared o en un reflector para suavizarla.<\/p>\n\n\n\n

\"Interview
Luz clave lateral para obtener un look dram\u00e1tico. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Debido a que no hay una luz de relleno para compensar las sombras en la cara de nuestro artista, la luz clave deber\u00e1 colocarse con m\u00e1s cuidado. Dependiendo del look deseado, puedes alejar la luz de la c\u00e1mara para obtener m\u00e1s sombras y un look dram\u00e1tico, o bien, puedes acercarla a la c\u00e1mara para obtener menos sombras. Solo ten en cuenta que cuando la luz clave se acerca mucho a la c\u00e1mara, la cara del artista lucir\u00e1 demasiado plana.<\/p>\n\n\n\n

Adem\u00e1s, para evitar reflejos en los anteojos, es posible que debas ajustar la posici\u00f3n de la luz clave (o, alternativamente, la c\u00e1mara). Por lo general, es de gran ayuda mover la luz hacia arriba.<\/p>\n\n\n\n

Rebotando la luz con reflectores<\/h2>\n\n\n\n
\"using
Iluminar una entrevista con una sola luz – Rebote. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Si cuentas con un reflector, puedes intentar hacer rebotar la luz y crear una luz de relleno falsa. Puedes jugar con el reflector y colocarlo donde m\u00e1s te convenga para rellenar un \u00e1rea oscura con un poco de luz.<\/p>\n\n\n\n

Utilizando luces practicas<\/h2>\n\n\n\n

Para iluminar el fondo, puedes intentar utilizar las luces pr\u00e1cticas que ya est\u00e9n disponibles en la locaci\u00f3n. Si no est\u00e1s familiarizado con este t\u00e9rmino, una “luz pr\u00e1ctica” es una fuente de luz que se puede ver en el cuadro, por ejemplo, una l\u00e1mpara hogare\u00f1a, una pantalla de computadora, una tira de LED, etc., las luces pr\u00e1cticas tambi\u00e9n tienen un prop\u00f3sito decorativo.<\/p>\n\n\n\n

\"Lighting
Iluminar una entrevista con una luz \u2013 Luces pr\u00e1cticas. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Utilizando una ventana como fuente de luz adicional<\/h2>\n\n\n\n

Dependiendo de la locaci\u00f3n, el clima y la hora del d\u00eda, es posible que tambi\u00e9n puedas usar una ventana como fuente de luz para complementar tu \u00fanica luminaria disponible. Solo debes tener en cuenta que la intensidad de la luz que entra por la ventana puede cambiar r\u00e1pidamente y arruinar tu toma.<\/p>\n\n\n\n

Aprende las reglas para luego romperlas<\/h2>\n\n\n\n

Finalmente, a medida que ganes m\u00e1s experiencia y aprendas las reglas simples, podr\u00e1s comenzar a romperlas y crear un dise\u00f1o de luz completamente diferente seg\u00fan el look y la tem\u00e1tica que desees lograr.<\/p>\n\n\n\n

\u00bfQu\u00e9 opinas de mi video de consejos r\u00e1pidos? \u00bfTe result\u00f3 \u00fatil alguno de los consejos? \u00bfOlvid\u00e9 mencionar algo importante? Cu\u00e9ntame tu opini\u00f3n en la secci\u00f3n de comentarios debajo del art\u00edculo.<\/strong><\/p>\n<167760-main-buylinks\/>","protected":false,"clean_render":"

En este video de consejos r\u00e1pidos, podr\u00e1s aprender los conceptos b\u00e1sicos de la iluminaci\u00f3n de una entrevista cl\u00e1sica configurada con una sola luz. Hablar\u00e9 de c\u00f3mo la posici\u00f3n de una luz (clave) afecta el look del video y c\u00f3mo se puede hacerla rebotar para crear una luz de relleno falsa. Adem\u00e1s, hablar\u00e9 sobre el uso de una ventana como fuente de luz adicional, uso de una luz pr\u00e1ctica, etc.<\/strong><\/p>\n\n\n\n

Es posible que hayan escuchado esto antes, pero perm\u00edtanme decirlo nuevamente: la luz influye en la impresi\u00f3n general de un video mucho m\u00e1s que la c\u00e1mara o el lente utilizado. Como he realizado numerosas entrevistas en los \u00faltimos a\u00f1os, decid\u00ed hacer un video de consejos r\u00e1pidos sobre c\u00f3mo resuelvo la iluminaci\u00f3n de una entrevista con una sola fuente de luz. Como la iluminaci\u00f3n en general es un tema muy complejo, eleg\u00ed centrarme en las configuraciones de interior con una sola luz. Si deseas obtener m\u00e1s informaci\u00f3n, puedes leer nuestro art\u00edculo sobre el tema<\/a>.<\/p>\n\n\n\n

\"Interview
Iluminaci\u00f3n para entrevistas con tres luces. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

El prop\u00f3sito del video es brindar un consejo r\u00e1pido sobre c\u00f3mo trabajar con equipos limitados. Las configuraciones de luz para filmar una entrevista pueden volverse muy complejas e incluir muchas fuentes de luz. Por lo general, las configuraciones de luz en una entrevista consisten en al menos tres luces: luz clave, que es la fuente de luz principal, luz de relleno, que llena las sombras en el otro lado de la cara del artista, y una luz de fondo, que crea un bonito contorno alrededor de la cabeza del artista y lo separa del fondo. Idealmente, el fondo en s\u00ed mismo tambi\u00e9n se ilumina por separado.<\/p>\n\n\n\n

Iluminando una entrevista con una sola luz<\/h2>\n\n\n\n
\"Interview
Iluminando una entrevista con una sola luz. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Cuando trabajas con una sola fuente de luz, autom\u00e1ticamente se convierte en tu luz clave. En una entrevista tradicional de conversaci\u00f3n bidireccional, el artista debe mirar hacia el espacio en el lado ancho de la imagen. La luz clave debe posicionarse al lado de la c\u00e1mara, en el mismo lateral donde se sienta el entrevistador. La luz debe provenir del lado ancho de la imagen en el rostro del artista.<\/p>\n\n\n\n

\"Broad
Iluminando una entrevista con una luz. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Al elegir la locaci\u00f3n para realizar la entrevista, trata de dejar el mayor espacio posible entre el artista y el fondo. En primer lugar, ser\u00e1 m\u00e1s f\u00e1cil dejar el fondo borroso y separar \u00f3pticamente al artista del fondo. En segundo lugar, mantendr\u00e1 el fondo inalterado por la luz clave.<\/p>\n\n\n\n

La posici\u00f3n de la luz clave afecta las sombras faciales<\/h2>\n\n\n\n

Generalmente, al filmar una entrevista, deseas obtener sombras suaves en la cara del artista. Son muchos los factores que juegan un papel importante en la obtenci\u00f3n de sombras suaves. Eleg\u00ed resaltar dos que creo que son los principales: el tama\u00f1o de tu luz y su distancia respecto al artista. Las sombras se vuelven m\u00e1s suaves cuando la fuente de luz aumenta (esto tambi\u00e9n se puede lograr moviendo la luz m\u00e1s cerca de la cara). Si tienes una fuente de luz peque\u00f1a, puedes hacerla rebotar en una pared o en un reflector para suavizarla.<\/p>\n\n\n\n

\"Interview
Luz clave lateral para obtener un look dram\u00e1tico. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Debido a que no hay una luz de relleno para compensar las sombras en la cara de nuestro artista, la luz clave deber\u00e1 colocarse con m\u00e1s cuidado. Dependiendo del look deseado, puedes alejar la luz de la c\u00e1mara para obtener m\u00e1s sombras y un look dram\u00e1tico, o bien, puedes acercarla a la c\u00e1mara para obtener menos sombras. Solo ten en cuenta que cuando la luz clave se acerca mucho a la c\u00e1mara, la cara del artista lucir\u00e1 demasiado plana.<\/p>\n\n\n\n

Adem\u00e1s, para evitar reflejos en los anteojos, es posible que debas ajustar la posici\u00f3n de la luz clave (o, alternativamente, la c\u00e1mara). Por lo general, es de gran ayuda mover la luz hacia arriba.<\/p>\n\n\n\n

Rebotando la luz con reflectores<\/h2>\n\n\n\n
\"using
Iluminar una entrevista con una sola luz – Rebote. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Si cuentas con un reflector, puedes intentar hacer rebotar la luz y crear una luz de relleno falsa. Puedes jugar con el reflector y colocarlo donde m\u00e1s te convenga para rellenar un \u00e1rea oscura con un poco de luz.<\/p>\n\n\n\n

Utilizando luces practicas<\/h2>\n\n\n\n

Para iluminar el fondo, puedes intentar utilizar las luces pr\u00e1cticas que ya est\u00e9n disponibles en la locaci\u00f3n. Si no est\u00e1s familiarizado con este t\u00e9rmino, una “luz pr\u00e1ctica” es una fuente de luz que se puede ver en el cuadro, por ejemplo, una l\u00e1mpara hogare\u00f1a, una pantalla de computadora, una tira de LED, etc., las luces pr\u00e1cticas tambi\u00e9n tienen un prop\u00f3sito decorativo.<\/p>\n\n\n\n

\"Lighting
Iluminar una entrevista con una luz \u2013 Luces pr\u00e1cticas. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Utilizando una ventana como fuente de luz adicional<\/h2>\n\n\n\n

Dependiendo de la locaci\u00f3n, el clima y la hora del d\u00eda, es posible que tambi\u00e9n puedas usar una ventana como fuente de luz para complementar tu \u00fanica luminaria disponible. Solo debes tener en cuenta que la intensidad de la luz que entra por la ventana puede cambiar r\u00e1pidamente y arruinar tu toma.<\/p>\n\n\n\n

Aprende las reglas para luego romperlas<\/h2>\n\n\n\n

Finalmente, a medida que ganes m\u00e1s experiencia y aprendas las reglas simples, podr\u00e1s comenzar a romperlas y crear un dise\u00f1o de luz completamente diferente seg\u00fan el look y la tem\u00e1tica que desees lograr.<\/p>\n\n\n\n

\u00bfQu\u00e9 opinas de mi video de consejos r\u00e1pidos? \u00bfTe result\u00f3 \u00fatil alguno de los consejos? \u00bfOlvid\u00e9 mencionar algo importante? Cu\u00e9ntame tu opini\u00f3n en la secci\u00f3n de comentarios debajo del art\u00edculo.<\/strong><\/p>\n<167760-main-buylinks\/>"},"excerpt":{"rendered":"

En este video de consejos r\u00e1pidos, podr\u00e1s aprender los conceptos b\u00e1sicos de la iluminaci\u00f3n de una entrevista cl\u00e1sica configurada con una sola luz. Hablar\u00e9 de c\u00f3mo la posici\u00f3n de una luz (clave) afecta el look del video y c\u00f3mo se puede hacerla rebotar para crear una luz de relleno falsa. Adem\u00e1s, hablar\u00e9 sobre el uso de una ventana como fuente de luz adicional, uso de una luz pr\u00e1ctica, etc. Es posible que hayan escuchado esto antes, pero perm\u00edtanme decirlo nuevamente: la luz influye en la impresi\u00f3n general de un video mucho m\u00e1s que la c\u00e1mara o el lente utilizado. Como he realizado numerosas entrevistas en los \u00faltimos a\u00f1os, decid\u00ed hacer […]<\/p>\n","protected":false},"author":12862,"featured_media":167708,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[25343,55102,27244,55103,27247,55105,55106,40035,40769,51975,55099,55100,25339,55101],"tag_label":[],"brand":[],"class_list":["post-167760","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","tag-luz","tag-una-sola-fuente-de-luz","tag-interview-es","tag-luz-clave","tag-entrevista","tag-conceptos-basicos-de-la-iluminacion","tag-como-iluminar-entrevista","tag-quick-tip-es","tag-quick-tip-video-es","tag-cined-quick-tip-video-es","tag-one-light-es","tag-key-light-es","tag-light-es","tag-lighting-basics-es","post_format-post-format-video"],"yoast_head":"\nConsejo r\u00e1pido: c\u00f3mo iluminar una entrevista con una sola fuente de luz | CineD<\/title>\n<meta name=\"description\" content=\"Watch my quick tip video with basic tips on how to lighting an interview set up using only one light, bouncing it, using practicals, etc\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/quick-tip-lighting-interview-with-one-light\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Consejo r\u00e1pido: c\u00f3mo iluminar una entrevista con una sola fuente de luz | CineD\" \/>\n<meta property=\"og:description\" content=\"Watch my quick tip video with basic tips on how to lighting an interview set up using only one light, bouncing it, using practicals, etc\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/quick-tip-lighting-interview-with-one-light\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" 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