{"id":171914,"date":"2021-01-21T16:23:25","date_gmt":"2021-01-21T15:23:25","guid":{"rendered":"https:\/\/www.cined.com\/vazen-85mm-f2-8-1-8x-anamorphic-lens-review-and-footage\/"},"modified":"2021-01-21T23:03:22","modified_gmt":"2021-01-21T22:03:22","slug":"vazen-85mm-f2-8-1-8x-anamorphic-lens-review-and-footage","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/vazen-85mm-f2-8-1-8x-anamorphic-lens-review-and-footage\/","title":{"rendered":"Lente anam\u00f3rfico Vazen 85mm F2.8 1.8x – Rese\u00f1a e im\u00e1genes de muestra"},"content":{"rendered":"\n

Tras el lanzamiento de varios lentes prime anam\u00f3rficos de 28mm<\/a>, 40mm<\/a> y 65mm<\/a> para Micro Cuatro Tercios (MFT), Vazen lanz\u00f3 este lente de 85mm para full-frame. \u00bfTienes curiosidad por ver c\u00f3mo funciona? Sigue leyendo\u2026<\/strong><\/p><171914-inline-buylinks\/>\n\n\n\n

Recientemente, muchas empresas chinas han comenzado a ofrecer lentes anam\u00f3rficos m\u00e1s o menos asequibles, como SLR Magic, SIRUI, Vazen o Venus Optics (LAOWA), que anunciaron un adaptador trasero anam\u00f3rfico de 1.33x para su lente zoom de cine OOOM<\/a>.<\/p>\n\n\n\n

Sin embargo, lo que distingue a Vazen es el hecho de que dise\u00f1an sus lentes primes con un factor de extensi\u00f3n horizontal de 1.8x, en lugar del t\u00edpico factor de 1.33x que ofrecen la mayor\u00eda de las compa\u00f1\u00edas.<\/p>\n\n\n\n

\"\"
Lente anam\u00f3rfico full-frame Vazen 85mm f2.8 1.8x. Cr\u00e9dito de imagen: Vazen<\/figcaption><\/figure><\/div>\n\n\n\n

Si bien entiendo que la extensi\u00f3n de 1.33x es ideal para convertir tu imagen de video t\u00edpica de 16:9 en una imagen de pantalla ancha de 1:2.4′, personalmente creo que el “look anam\u00f3rfico” tiene que ver con cierta est\u00e9tica y car\u00e1cter, a saber, el estiramiento vertical de los objetos desenfocados o la reproducci\u00f3n el\u00edptica de las fuentes de luz, lo que ocurre solamente en de-compresiones de 1.8x o 2x.<\/p>\n\n\n\n

\"\"
Imagen de muestra del lente prime anam\u00f3rfico full-frame Vazen 85mm f2.8 1.8x. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

En caso de que no est\u00e9s familiarizado con la filmaci\u00f3n anam\u00f3rfica, puedes echarle un vistazo a nuestro art\u00edculo<\/a> donde explicamos los tama\u00f1os de los sensores y los looks que puedes obtener. Adem\u00e1s, puedes leer nuestro art\u00edculo aqu\u00ed<\/a> para obtener la lista de especificaciones completa del lente prime anam\u00f3rfico Vazen 85mm f\/2.8 1.8x.<\/p>\n\n\n\n

Rendimiento \u00f3ptico del Vazen 85mm f\/2.8 1.8x<\/h2>\n\n\n\n

Descargo completo: no he tomado un gr\u00e1fico de resoluci\u00f3n, por lo que las declaraciones que se hacen a continuaci\u00f3n son mis observaciones personales tras grabar en distintos escenarios en el transcurso de una semana.<\/p>\n\n\n\n

General <\/strong>\u2013 85mm en un sensor full-frame con una extensi\u00f3n horizontal de 1.8x se traducen en un campo de visi\u00f3n efectivo equivalente a 47mm, lo cual es una distancia focal muy \u00fatil.<\/p>\n\n\n\n

\"\"
Imagen de muestra con una relaci\u00f3n de aspecto de 1:2.7 (la diferencia a 1:2.4 est\u00e1 indicada por las barras negras). Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

Para obtener la imagen de muestra, utilic\u00e9 la Panasonic LUMIX S1H en modo de sensor full-frame 3:2 (V-Log) y la opci\u00f3n de compresi\u00f3n de 1.8x para estabilizar la imagen y el monitor. La toma realizada con el sensor full-frame 3:2 se traduce en una relaci\u00f3n de aspecto de 1:2.7, que tiene un poco menos de altura de imagen que la relaci\u00f3n de pantalla ancha est\u00e1ndar de 1:2.4. En la imagen de muestra de arriba indiqu\u00e9 esta diferencia con las peque\u00f1as barras negras ubicadas en la parte superior e inferior.<\/p>\n\n\n\n

Nota r\u00e1pida sobre c\u00f3mo trabajar con el material en DaVinci Resolve <\/strong>– la captura del sensor 3:2 de la LUMIX S1H est\u00e1 codificada en 10 bits H265, con una resoluci\u00f3n de 5952\u00d73968, lo que equivale a 23.6 megap\u00edxeles por cuadro, \u00a1casi 3 veces la resoluci\u00f3n UHD! Normalmente, editarlo ser\u00eda una pesadilla.<\/p>\n\n\n\n

Sin embargo, recientemente he construido una nueva PC (AMD Ryzen 3900x, 32GB de RAM) con una tarjeta gr\u00e1fica RTX3090 que me prest\u00f3 NVIDIA (\u00a1gracias!) y las cosas cambiaron. Es Incre\u00edble pero cierto, trabajar con estos archivos H265 de resoluci\u00f3n monstruosa en una l\u00ednea de tiempo de 3840\u00d72160 en DaVinci Resolve (versi\u00f3n 17 public beta 6) y algunos nodos para la gradaci\u00f3n de color, incluyendo un LUT, da como resultado una reproducci\u00f3n cont\u00ednua con una carga de GPU del 28% (7.6GM uso de memoria).<\/p>\n\n\n\n

Nitidez <\/strong>– a f\/2.8<\/strong>, el lente es un poco suave y muestra una curvatura de campo (es decir, cuando quieres grabar un paisaje y enfocas en el centro, las esquinas son suaves. Si enfocas en las esquinas, el centro es bastante suave). Personalmente, me gusta esta suavidad, ya que se siente muy natural y no tan r\u00edgidamente n\u00edtida como ocurre con algunos lentes modernos.<\/p>\n\n\n\n

En f\/4<\/strong>, el lente le aporta m\u00e1s nitidez a la imagen, incluyendo las esquinas. Con n\u00fameros de apertura m\u00e1s altos (por ejemplo, f\/8), las fuentes de luz brillante adoptan agradables formas de estrellas.<\/p>\n\n\n\n

Destellos <\/strong>\u2013 Observa la secuencia de im\u00e1genes a continuaci\u00f3n. En f\/2.8, el lente tiene bastantes destellos en general, y apuntar hacia el sol crea esas rayas horizontales azules caracter\u00edsticas.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Al cerrar la apertura a f\/4, f\/5.6 y f\/8, el destello se reduce, mientras que las rayas horizontales azules se vuelven m\u00e1s \u00e1speras y pronunciadas.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

\u00c1reas desenfocadas <\/strong>– Los objetos que se encuentran antes y detr\u00e1s del plano de enfoque est\u00e1n bellamente renderizados, y la extensi\u00f3n horizontal de 1.8x crea una reproducci\u00f3n de las fuentes de luz muy agradable y limpia en forma el\u00edptica. Adem\u00e1s, la transici\u00f3n de las \u00e1reas enfocadas a las desenfocadas es muy suave.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Distancia m\u00ednima de enfoque <\/strong>– Con 1,15m, la capacidad para realizar tomas de cerca se encuentra limitada. El lente Vazen 40mm T2<\/a> para MFT que probamos previamente ten\u00eda 0,85m, lo cual es mucho m\u00e1s utilizable.<\/p>\n\n\n\n

Calidad de construcci\u00f3n del Vazen 85mm <\/h2>\n\n\n\n

En general, la calidad de construcci\u00f3n es bastante buena, los anillos de enfoque y apertura se mueven con la \u201csensaci\u00f3n\u201d mec\u00e1nica adecuada. El peso es de 1,5kg y la longitud es de 17,5cm, por lo que no es tan pesado y es bastante manejable para las tomas con c\u00e1mara en mano.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

Tal como se puede ver en la imagen de arriba, no hay marcas precisas para la apertura y la distancia de enfoque.<\/p>\n\n\n\n

Lo que se siente un poco extra\u00f1o es que la grasa que se usa para lubricar los elementos m\u00f3viles en el lente es visible. Al parecer, utilizaron demasiada cantidad\u2026 (est\u00e1 indicada con una flecha roja en la imagen de abajo).<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

Adem\u00e1s, las inserciones de fibra de carbono tienen una apariencia barata. En mi opini\u00f3n, teniendo en cuenta el resto del dise\u00f1o, las inserciones no combinan con el lente.<\/p>\n\n\n\n

Por lo tanto, no est\u00e1 a la altura de mis expectativas de un lente que a $8,000 no es precisamente barato.<\/p>\n\n\n\n

Montura del lente <\/strong>– El lente viene con una montura PL y un kit de conversi\u00f3n EF. La montura PL es una gran ventaja en comparaci\u00f3n con otras monturas como la MFT, ya que no se flexiona y se siente s\u00faper s\u00f3lida. Junto con la LUMIX S1H, utilic\u00e9 un adaptador de montaje PL – L de Novoflex suministrado por AV Professional en Viena<\/a> (\u00a1Gracias por el pr\u00e9stamo!).<\/p>\n\n\n\n

Resumen<\/h2>\n\n\n\n

Me gusta mucho el resurgimiento del look anam\u00f3rfico que, en los \u00faltimos a\u00f1os, fue impulsado por empresas como Vazen o SIRUI que ofrecen lentes primes anam\u00f3rficos relativamente asequibles.<\/p>\n\n\n\n

Con la reciente incorporaci\u00f3n del lente Vazen de 85mm f\/2.8 1.8x, la l\u00ednea ya no es exactamente “barata” teniendo en cuenta su precio de $8,000 d\u00f3lares, pero de todos modos tiene un precio razonable en comparaci\u00f3n con lentes tradicionales como los anam\u00f3rficos de Kowa. Adem\u00e1s, despu\u00e9s de todo, este lente cubre un sensor full-frame como el de la Red Monstro y Alexa LF, por ejemplo.<\/p>\n\n\n\n

Las caracter\u00edsticas generales de la imagen son realmente hermosas, y disfrut\u00e9 mucho trabajar con este lente. Simplemente ofrece un look diferente en comparaci\u00f3n con el set de lentes esf\u00e9ricos est\u00e1ndar, y esta diferencia hace que tu producci\u00f3n se destaque.<\/p>\n\n\n\n

Estoy muy ansioso por tener en mis manos los otros dos lentes primes anam\u00f3rficos full-frame que anunci\u00f3 Vazen. Las distancias focales de 55mm y 105mm se lanzar\u00e1n a principios de 2021.<\/p>\n\n\n\n

\u00bfHas trabajo recientemente con los lentes primes anam\u00f3rficos de Vazen? \u00bfCu\u00e1les son tus impresiones sobre los mismos? Cu\u00e9ntanos en los comentarios a continuaci\u00f3n.<\/strong><\/p>\n<171914-main-buylinks\/>","protected":false,"clean_render":"

Tras el lanzamiento de varios lentes prime anam\u00f3rficos de 28mm<\/a>, 40mm<\/a> y 65mm<\/a> para Micro Cuatro Tercios (MFT), Vazen lanz\u00f3 este lente de 85mm para full-frame. \u00bfTienes curiosidad por ver c\u00f3mo funciona? Sigue leyendo\u2026<\/strong><\/p><171914-inline-buylinks\/>\n\n\n\n

Recientemente, muchas empresas chinas han comenzado a ofrecer lentes anam\u00f3rficos m\u00e1s o menos asequibles, como SLR Magic, SIRUI, Vazen o Venus Optics (LAOWA), que anunciaron un adaptador trasero anam\u00f3rfico de 1.33x para su lente zoom de cine OOOM<\/a>.<\/p>\n\n\n\n

Sin embargo, lo que distingue a Vazen es el hecho de que dise\u00f1an sus lentes primes con un factor de extensi\u00f3n horizontal de 1.8x, en lugar del t\u00edpico factor de 1.33x que ofrecen la mayor\u00eda de las compa\u00f1\u00edas.<\/p>\n\n\n\n

\"\"
Lente anam\u00f3rfico full-frame Vazen 85mm f2.8 1.8x. Cr\u00e9dito de imagen: Vazen<\/figcaption><\/figure><\/div>\n\n\n\n

Si bien entiendo que la extensi\u00f3n de 1.33x es ideal para convertir tu imagen de video t\u00edpica de 16:9 en una imagen de pantalla ancha de 1:2.4′, personalmente creo que el “look anam\u00f3rfico” tiene que ver con cierta est\u00e9tica y car\u00e1cter, a saber, el estiramiento vertical de los objetos desenfocados o la reproducci\u00f3n el\u00edptica de las fuentes de luz, lo que ocurre solamente en de-compresiones de 1.8x o 2x.<\/p>\n\n\n\n

\"\"
Imagen de muestra del lente prime anam\u00f3rfico full-frame Vazen 85mm f2.8 1.8x. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

En caso de que no est\u00e9s familiarizado con la filmaci\u00f3n anam\u00f3rfica, puedes echarle un vistazo a nuestro art\u00edculo<\/a> donde explicamos los tama\u00f1os de los sensores y los looks que puedes obtener. Adem\u00e1s, puedes leer nuestro art\u00edculo aqu\u00ed<\/a> para obtener la lista de especificaciones completa del lente prime anam\u00f3rfico Vazen 85mm f\/2.8 1.8x.<\/p>\n\n\n\n

Rendimiento \u00f3ptico del Vazen 85mm f\/2.8 1.8x<\/h2>\n\n\n\n

Descargo completo: no he tomado un gr\u00e1fico de resoluci\u00f3n, por lo que las declaraciones que se hacen a continuaci\u00f3n son mis observaciones personales tras grabar en distintos escenarios en el transcurso de una semana.<\/p>\n\n\n\n

General <\/strong>\u2013 85mm en un sensor full-frame con una extensi\u00f3n horizontal de 1.8x se traducen en un campo de visi\u00f3n efectivo equivalente a 47mm, lo cual es una distancia focal muy \u00fatil.<\/p>\n\n\n\n

\"\"
Imagen de muestra con una relaci\u00f3n de aspecto de 1:2.7 (la diferencia a 1:2.4 est\u00e1 indicada por las barras negras). Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

Para obtener la imagen de muestra, utilic\u00e9 la Panasonic LUMIX S1H en modo de sensor full-frame 3:2 (V-Log) y la opci\u00f3n de compresi\u00f3n de 1.8x para estabilizar la imagen y el monitor. La toma realizada con el sensor full-frame 3:2 se traduce en una relaci\u00f3n de aspecto de 1:2.7, que tiene un poco menos de altura de imagen que la relaci\u00f3n de pantalla ancha est\u00e1ndar de 1:2.4. En la imagen de muestra de arriba indiqu\u00e9 esta diferencia con las peque\u00f1as barras negras ubicadas en la parte superior e inferior.<\/p>\n\n\n\n

Nota r\u00e1pida sobre c\u00f3mo trabajar con el material en DaVinci Resolve <\/strong>– la captura del sensor 3:2 de la LUMIX S1H est\u00e1 codificada en 10 bits H265, con una resoluci\u00f3n de 5952\u00d73968, lo que equivale a 23.6 megap\u00edxeles por cuadro, \u00a1casi 3 veces la resoluci\u00f3n UHD! Normalmente, editarlo ser\u00eda una pesadilla.<\/p>\n\n\n\n

Sin embargo, recientemente he construido una nueva PC (AMD Ryzen 3900x, 32GB de RAM) con una tarjeta gr\u00e1fica RTX3090 que me prest\u00f3 NVIDIA (\u00a1gracias!) y las cosas cambiaron. Es Incre\u00edble pero cierto, trabajar con estos archivos H265 de resoluci\u00f3n monstruosa en una l\u00ednea de tiempo de 3840\u00d72160 en DaVinci Resolve (versi\u00f3n 17 public beta 6) y algunos nodos para la gradaci\u00f3n de color, incluyendo un LUT, da como resultado una reproducci\u00f3n cont\u00ednua con una carga de GPU del 28% (7.6GM uso de memoria).<\/p>\n\n\n\n

Nitidez <\/strong>– a f\/2.8<\/strong>, el lente es un poco suave y muestra una curvatura de campo (es decir, cuando quieres grabar un paisaje y enfocas en el centro, las esquinas son suaves. Si enfocas en las esquinas, el centro es bastante suave). Personalmente, me gusta esta suavidad, ya que se siente muy natural y no tan r\u00edgidamente n\u00edtida como ocurre con algunos lentes modernos.<\/p>\n\n\n\n

En f\/4<\/strong>, el lente le aporta m\u00e1s nitidez a la imagen, incluyendo las esquinas. Con n\u00fameros de apertura m\u00e1s altos (por ejemplo, f\/8), las fuentes de luz brillante adoptan agradables formas de estrellas.<\/p>\n\n\n\n

Destellos <\/strong>\u2013 Observa la secuencia de im\u00e1genes a continuaci\u00f3n. En f\/2.8, el lente tiene bastantes destellos en general, y apuntar hacia el sol crea esas rayas horizontales azules caracter\u00edsticas.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Al cerrar la apertura a f\/4, f\/5.6 y f\/8, el destello se reduce, mientras que las rayas horizontales azules se vuelven m\u00e1s \u00e1speras y pronunciadas.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

\u00c1reas desenfocadas <\/strong>– Los objetos que se encuentran antes y detr\u00e1s del plano de enfoque est\u00e1n bellamente renderizados, y la extensi\u00f3n horizontal de 1.8x crea una reproducci\u00f3n de las fuentes de luz muy agradable y limpia en forma el\u00edptica. Adem\u00e1s, la transici\u00f3n de las \u00e1reas enfocadas a las desenfocadas es muy suave.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Distancia m\u00ednima de enfoque <\/strong>– Con 1,15m, la capacidad para realizar tomas de cerca se encuentra limitada. El lente Vazen 40mm T2<\/a> para MFT que probamos previamente ten\u00eda 0,85m, lo cual es mucho m\u00e1s utilizable.<\/p>\n\n\n\n

Calidad de construcci\u00f3n del Vazen 85mm <\/h2>\n\n\n\n

En general, la calidad de construcci\u00f3n es bastante buena, los anillos de enfoque y apertura se mueven con la \u201csensaci\u00f3n\u201d mec\u00e1nica adecuada. El peso es de 1,5kg y la longitud es de 17,5cm, por lo que no es tan pesado y es bastante manejable para las tomas con c\u00e1mara en mano.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

Tal como se puede ver en la imagen de arriba, no hay marcas precisas para la apertura y la distancia de enfoque.<\/p>\n\n\n\n

Lo que se siente un poco extra\u00f1o es que la grasa que se usa para lubricar los elementos m\u00f3viles en el lente es visible. Al parecer, utilizaron demasiada cantidad\u2026 (est\u00e1 indicada con una flecha roja en la imagen de abajo).<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure><\/div>\n\n\n\n

Adem\u00e1s, las inserciones de fibra de carbono tienen una apariencia barata. En mi opini\u00f3n, teniendo en cuenta el resto del dise\u00f1o, las inserciones no combinan con el lente.<\/p>\n\n\n\n

Por lo tanto, no est\u00e1 a la altura de mis expectativas de un lente que a $8,000 no es precisamente barato.<\/p>\n\n\n\n

Montura del lente <\/strong>– El lente viene con una montura PL y un kit de conversi\u00f3n EF. La montura PL es una gran ventaja en comparaci\u00f3n con otras monturas como la MFT, ya que no se flexiona y se siente s\u00faper s\u00f3lida. Junto con la LUMIX S1H, utilic\u00e9 un adaptador de montaje PL – L de Novoflex suministrado por AV Professional en Viena<\/a> (\u00a1Gracias por el pr\u00e9stamo!).<\/p>\n\n\n\n

Resumen<\/h2>\n\n\n\n

Me gusta mucho el resurgimiento del look anam\u00f3rfico que, en los \u00faltimos a\u00f1os, fue impulsado por empresas como Vazen o SIRUI que ofrecen lentes primes anam\u00f3rficos relativamente asequibles.<\/p>\n\n\n\n

Con la reciente incorporaci\u00f3n del lente Vazen de 85mm f\/2.8 1.8x, la l\u00ednea ya no es exactamente “barata” teniendo en cuenta su precio de $8,000 d\u00f3lares, pero de todos modos tiene un precio razonable en comparaci\u00f3n con lentes tradicionales como los anam\u00f3rficos de Kowa. Adem\u00e1s, despu\u00e9s de todo, este lente cubre un sensor full-frame como el de la Red Monstro y Alexa LF, por ejemplo.<\/p>\n\n\n\n

Las caracter\u00edsticas generales de la imagen son realmente hermosas, y disfrut\u00e9 mucho trabajar con este lente. Simplemente ofrece un look diferente en comparaci\u00f3n con el set de lentes esf\u00e9ricos est\u00e1ndar, y esta diferencia hace que tu producci\u00f3n se destaque.<\/p>\n\n\n\n

Estoy muy ansioso por tener en mis manos los otros dos lentes primes anam\u00f3rficos full-frame que anunci\u00f3 Vazen. Las distancias focales de 55mm y 105mm se lanzar\u00e1n a principios de 2021.<\/p>\n\n\n\n

\u00bfHas trabajo recientemente con los lentes primes anam\u00f3rficos de Vazen? \u00bfCu\u00e1les son tus impresiones sobre los mismos? Cu\u00e9ntanos en los comentarios a continuaci\u00f3n.<\/strong><\/p>\n<171914-main-buylinks\/>"},"excerpt":{"rendered":"

Tras el lanzamiento de varios lentes prime anam\u00f3rficos de 28mm, 40mm y 65mm para Micro Cuatro Tercios (MFT), Vazen lanz\u00f3 este lente de 85mm para full-frame. \u00bfTienes curiosidad por ver c\u00f3mo funciona? Sigue leyendo\u2026 Recientemente, muchas empresas chinas han comenzado a ofrecer lentes anam\u00f3rficos m\u00e1s o menos asequibles, como SLR Magic, SIRUI, Vazen o Venus Optics (LAOWA), que anunciaron un adaptador trasero anam\u00f3rfico de 1.33x para su lente zoom de cine OOOM. Sin embargo, lo que distingue a Vazen es el hecho de que dise\u00f1an sus lentes primes con un factor de extensi\u00f3n horizontal de 1.8x, en lugar del t\u00edpico factor de 1.33x que ofrecen la mayor\u00eda de las compa\u00f1\u00edas. […]<\/p>\n","protected":false},"author":8845,"featured_media":171921,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42314,"name":"Rese\u00f1as","link":"https:\/\/staging.cined.dev\/es\/resenas\/","slug":"resenas"},{"id":42320,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/resenas\/resenas-lentes-es\/","slug":"resenas-lentes-es"}],"tags":[34102,36485,51789,24279,51791,26882,27408,56015,32247,56017,32248,56018],"tag_label":[56016],"brand":[51792],"class_list":["post-171914","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-resenas","category-resenas-lentes-es","tag-s1h-es","tag-anamorphic-filming-es","tag-vazen-85mm-es","tag-full-frame-es","tag-full-frame-anamorphic-es","tag-anamorfico","tag-resena","tag-lens-review-es","tag-panasonic-lumix-s1h-es","tag-resena-de-lente","tag-panasonic-s1h-es","tag-imagenes-de-muestra","post_format-post-format-video","tag_label-lens-review-es","brand-vazen-es"],"yoast_head":"\nLente anam\u00f3rfico Vazen 85mm F2.8 1.8x - Rese\u00f1a e im\u00e1genes de muestra | CineD<\/title>\n<meta name=\"description\" content=\"Vazen 85mm f2.8 1.8x Anamorphic Lens for Full Frame Cameras - Review and Sample Footage. 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>85mm T2.8 1.8x Full-Frame Anamorphic Lens (PL\/EF-Mount)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1597866320000_1585643.jpg\" alt=\"85mm T2.8 1.8x Full-Frame Anamorphic Lens (PL\/EF-Mount)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1585643-REG\/vazen_vz8518ffana_85mm_t2_8_1_8x_anamorphic.html\/BI\/7953\/KBID\/8488\/SID\/gunther\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,000.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Lumix S1H Mirrorless Camera<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1566930092000_1501344.jpg\" alt=\"Lumix S1H Mirrorless Camera\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1501344-REG\/panasonic_dc_s1hbody_lumix_dc_s1h_mirrorless_digital.html\/BI\/7953\/KBID\/8488\/SID\/gunther\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">See more<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Pro Lens Mount Adapter for ARRI PL-Mount Lens to Leica L-Mount Camera<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1588625777000_1522398.jpg\" alt=\"Pro Lens Mount Adapter for ARRI PL-Mount Lens to Leica L-Mount Camera\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1522398-REG\/kipon_pro_pl_l_pro_pl_adapter_for.html\/BI\/7953\/KBID\/8488\/SID\/gunther\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 180.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"171914-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>85mm T2.8 1.8x Full-Frame Anamorphic Lens (PL\/EF-Mount)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1585643-REG\/vazen_vz8518ffana_85mm_t2_8_1_8x_anamorphic.html\/BI\/7953\/KBID\/8488\/SID\/gunther\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 6,000.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":154894,"title":"Vazen 85mm T2.8 1.8X - Lente anam\u00f3rfico econ\u00f3mico para c\u00e1maras Full Frame","url":"https:\/\/staging.cined.dev\/es\/vazen-85mm-t2-8-1-8x-budget-anamorphic-lens-for-full-frame-cameras\/","author":110,"author_details":{"display_name":"Tim Fok","first_name":"Tim","last_name":"Fok"},"publish_date":"August, 19 2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/08\/Vazen-85mm-anamorphic-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"custom_labels":null,"total_comments":0,"video_url":""},{"id":165749,"title":"Anunciaron 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2020","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2.jpg","width":978,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2.jpg","width":740,"height":416,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2.jpg","width":770,"height":433,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2.jpg","width":385,"height":217,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2020\/11\/vazen-65mm-_2-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"custom_labels":[{"id":52841,"name":"Lens 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