{"id":173495,"date":"2021-02-05T13:59:59","date_gmt":"2021-02-05T12:59:59","guid":{"rendered":"https:\/\/www.cined.com\/sony-fx6-cineei-mode-guide-by-alister-chapman\/"},"modified":"2021-02-10T00:56:42","modified_gmt":"2021-02-09T23:56:42","slug":"sony-fx6-cineei-mode-guide-by-alister-chapman","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-fx6-cineei-mode-guide-by-alister-chapman\/","title":{"rendered":"Gu\u00eda sobre el modo CineEI en la Sony FX6, por Alister Chapman"},"content":{"rendered":"\n

Alister Chapman, Experto Independiente<\/strong><\/strong> Certificado<\/strong> de Sony, escribi\u00f3 una gu\u00eda sobre el modo CineEI en la Sony FX6, en su blog XDCAM-USER<\/a>. All\u00ed, habla en profundidad de la configuraci\u00f3n de la c\u00e1mara y explica el uso adecuado de LUTs, Zebras y EI (Exposure Index: \u00edndice de exposici\u00f3n) para obtener una exposici\u00f3n correcta con la FX6.<\/strong><\/p><173495-inline-buylinks\/>\n\n\n\n

Respecto a las c\u00e1maras profesionales de Sony, creo que se puede decir con seguridad que Alister Chapman, un experto independiente certificado por Sony, tiene muchos conocimientos t\u00e9cnicos. Quiz\u00e1s recuerdes que poco despu\u00e9s del lanzamiento de la Sony FX9 a fines de 2019, Alister Chapman llev\u00f3 a cabo un taller donde habl\u00f3 sobre la c\u00e1mara durante los d\u00edas de Vocas Sony FX9 en los Pa\u00edses Bajos. En mi opini\u00f3n, el video resultante de 3.5 horas<\/a> es una fuente muy valiosa para todos los usuarios de la FX9. Adem\u00e1s, Alister cre\u00f3 una gu\u00eda de referencia r\u00e1pida gratuita en PDF para la FX9<\/a>.<\/p>\n\n\n\n

\"\"
La Sony FX6. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Primero la gu\u00eda sobre la FX9, ahora es el turno de la FX6<\/h2>\n\n\n\n

Desde su anuncio en noviembre de 2020, la Sony FX6 llam\u00f3 mucho la atenci\u00f3n ya que ofrece especificaciones muy interesantes en un cuerpo compacto y a un precio razonable. Puedes leer la rese\u00f1a y primera impresi\u00f3n de Nino sobre la FX6 aqu\u00ed<\/a>. Recientemente, Alister Chapman escribi\u00f3 un art\u00edculo llamado gu\u00eda para el modo CineEI en la Sony FX6<\/a><\/a> en su blog en l\u00ednea XDCAM-USER<\/a>. En el art\u00edculo explica varias de las configuraciones t\u00e9cnicas y caracter\u00edsticas del modo CineEI y creo que es un recurso muy valioso para los operadores de la FX6.<\/p>\n\n\n\n

Gu\u00eda del modo CineEI en la Sony FX6<\/h2>\n\n\n\n

Al igual que los modelos FS7 y FX9 de Sony, la \u00faltima Sony FX6 ofrece dos modos de disparo principales: modo personalizado y CineEI. El modo personalizado b\u00e1sicamente hace que la c\u00e1mara grabe el archivo “como se muestra” en la pantalla, y frente a cualquier cambio en el ISO la imagen se ajusta inmediatamente.<\/p>\n\n\n\n

Por otro lado, el modo CineEI est\u00e1 dise\u00f1ado para obtener el m\u00e1ximo rango din\u00e1mico en S-Log3 o RAW. En el modo CineEI, la c\u00e1mara siempre graba con uno de los dos ISO base (800 o 12,800), no se puede seleccionar ning\u00fan valor intermedio. La monitorizaci\u00f3n de la grabaci\u00f3n se realiza mediante el uso de una LUT (Look Up Table).<\/p>\n\n\n\n

\"\"
Exposici\u00f3n correcta en el modo CineEI. Fuente: Alister Chapman<\/figcaption><\/figure>\n\n\n\n

En su art\u00edculo<\/a>, Alister habla sobre las tres LUTs integradas en la FX6 y sobre la posibilidad de cargar LUTs personalizadas por el usuario. Tambi\u00e9n habla en profundidad sobre c\u00f3mo exponer al grabar y c\u00f3mo monitorear con los LUTs. Es importante destacar que en UHD 4K la Sony FX6 solo graba 8 bits cuando utiliza el c\u00f3dec Long-GOP XAVC-L, por lo que es mejor utilizar XAVC-I que siempre es de 10 bits 4:2:2 y\/o RAW.<\/p>\n\n\n\n

Por otro lado, Alister ofrece consejos \u00fatiles sobre c\u00f3mo ajustar los niveles del EI (\u00edndice de exposici\u00f3n) con ambos ISO b\u00e1sicos para obtener los mejores resultados. Adem\u00e1s, revisa la configuraci\u00f3n de las cebras para diferentes LUTs y explica c\u00f3mo te ayudar\u00e1n a alcanzar una exposici\u00f3n correcta.<\/p>\n\n\n\n

Finalmente, Alister menciona a qu\u00e9 cosas debes prestarles atenci\u00f3n al reproducir los clips grabados. La FX6 admite la aplicaci\u00f3n del LUT que desees al clip en la reproducci\u00f3n, pero la c\u00e1mara cambia el \u00edndice de exposici\u00f3n asignado al interruptor de ganancia L\/M\/H\/ISO de atr\u00e1s hacia adelante. Esto hace que los clips grabados se vean m\u00e1s brillantes o m\u00e1s oscuros de lo que realmente son. Con suerte, Sony abordar\u00e1 este comportamiento en una futura actualizaci\u00f3n de firmware.<\/p>\n\n\n\n

\u00bfUtilizas la Sony FX6 para tu trabajo? \u00bfQu\u00e9 te parece la c\u00e1mara? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n\n\n\n

Fuente: XDCAM-USER<\/a><\/p>\n<173495-main-buylinks\/>","protected":false,"clean_render":"

Alister Chapman, Experto Independiente<\/strong><\/strong> Certificado<\/strong> de Sony, escribi\u00f3 una gu\u00eda sobre el modo CineEI en la Sony FX6, en su blog XDCAM-USER<\/a>. All\u00ed, habla en profundidad de la configuraci\u00f3n de la c\u00e1mara y explica el uso adecuado de LUTs, Zebras y EI (Exposure Index: \u00edndice de exposici\u00f3n) para obtener una exposici\u00f3n correcta con la FX6.<\/strong><\/p><173495-inline-buylinks\/>\n\n\n\n

Respecto a las c\u00e1maras profesionales de Sony, creo que se puede decir con seguridad que Alister Chapman, un experto independiente certificado por Sony, tiene muchos conocimientos t\u00e9cnicos. Quiz\u00e1s recuerdes que poco despu\u00e9s del lanzamiento de la Sony FX9 a fines de 2019, Alister Chapman llev\u00f3 a cabo un taller donde habl\u00f3 sobre la c\u00e1mara durante los d\u00edas de Vocas Sony FX9 en los Pa\u00edses Bajos. En mi opini\u00f3n, el video resultante de 3.5 horas<\/a> es una fuente muy valiosa para todos los usuarios de la FX9. Adem\u00e1s, Alister cre\u00f3 una gu\u00eda de referencia r\u00e1pida gratuita en PDF para la FX9<\/a>.<\/p>\n\n\n\n

\"\"
La Sony FX6. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Primero la gu\u00eda sobre la FX9, ahora es el turno de la FX6<\/h2>\n\n\n\n

Desde su anuncio en noviembre de 2020, la Sony FX6 llam\u00f3 mucho la atenci\u00f3n ya que ofrece especificaciones muy interesantes en un cuerpo compacto y a un precio razonable. Puedes leer la rese\u00f1a y primera impresi\u00f3n de Nino sobre la FX6 aqu\u00ed<\/a>. Recientemente, Alister Chapman escribi\u00f3 un art\u00edculo llamado gu\u00eda para el modo CineEI en la Sony FX6<\/a><\/a> en su blog en l\u00ednea XDCAM-USER<\/a>. En el art\u00edculo explica varias de las configuraciones t\u00e9cnicas y caracter\u00edsticas del modo CineEI y creo que es un recurso muy valioso para los operadores de la FX6.<\/p>\n\n\n\n

Gu\u00eda del modo CineEI en la Sony FX6<\/h2>\n\n\n\n

Al igual que los modelos FS7 y FX9 de Sony, la \u00faltima Sony FX6 ofrece dos modos de disparo principales: modo personalizado y CineEI. El modo personalizado b\u00e1sicamente hace que la c\u00e1mara grabe el archivo “como se muestra” en la pantalla, y frente a cualquier cambio en el ISO la imagen se ajusta inmediatamente.<\/p>\n\n\n\n

Por otro lado, el modo CineEI est\u00e1 dise\u00f1ado para obtener el m\u00e1ximo rango din\u00e1mico en S-Log3 o RAW. En el modo CineEI, la c\u00e1mara siempre graba con uno de los dos ISO base (800 o 12,800), no se puede seleccionar ning\u00fan valor intermedio. La monitorizaci\u00f3n de la grabaci\u00f3n se realiza mediante el uso de una LUT (Look Up Table).<\/p>\n\n\n\n

\"\"
Exposici\u00f3n correcta en el modo CineEI. Fuente: Alister Chapman<\/figcaption><\/figure>\n\n\n\n

En su art\u00edculo<\/a>, Alister habla sobre las tres LUTs integradas en la FX6 y sobre la posibilidad de cargar LUTs personalizadas por el usuario. Tambi\u00e9n habla en profundidad sobre c\u00f3mo exponer al grabar y c\u00f3mo monitorear con los LUTs. Es importante destacar que en UHD 4K la Sony FX6 solo graba 8 bits cuando utiliza el c\u00f3dec Long-GOP XAVC-L, por lo que es mejor utilizar XAVC-I que siempre es de 10 bits 4:2:2 y\/o RAW.<\/p>\n\n\n\n

Por otro lado, Alister ofrece consejos \u00fatiles sobre c\u00f3mo ajustar los niveles del EI (\u00edndice de exposici\u00f3n) con ambos ISO b\u00e1sicos para obtener los mejores resultados. Adem\u00e1s, revisa la configuraci\u00f3n de las cebras para diferentes LUTs y explica c\u00f3mo te ayudar\u00e1n a alcanzar una exposici\u00f3n correcta.<\/p>\n\n\n\n

Finalmente, Alister menciona a qu\u00e9 cosas debes prestarles atenci\u00f3n al reproducir los clips grabados. La FX6 admite la aplicaci\u00f3n del LUT que desees al clip en la reproducci\u00f3n, pero la c\u00e1mara cambia el \u00edndice de exposici\u00f3n asignado al interruptor de ganancia L\/M\/H\/ISO de atr\u00e1s hacia adelante. Esto hace que los clips grabados se vean m\u00e1s brillantes o m\u00e1s oscuros de lo que realmente son. Con suerte, Sony abordar\u00e1 este comportamiento en una futura actualizaci\u00f3n de firmware.<\/p>\n\n\n\n

\u00bfUtilizas la Sony FX6 para tu trabajo? \u00bfQu\u00e9 te parece la c\u00e1mara? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n\n\n\n

Fuente: XDCAM-USER<\/a><\/p>\n<173495-main-buylinks\/>"},"excerpt":{"rendered":"

Alister Chapman, Experto Independiente Certificado de Sony, escribi\u00f3 una gu\u00eda sobre el modo CineEI en la Sony FX6, en su blog XDCAM-USER. All\u00ed, habla en profundidad de la configuraci\u00f3n de la c\u00e1mara y explica el uso adecuado de LUTs, Zebras y EI (Exposure Index: \u00edndice de exposici\u00f3n) para obtener una exposici\u00f3n correcta con la FX6. Respecto a las c\u00e1maras profesionales de Sony, creo que se puede decir con seguridad que Alister Chapman, un experto independiente certificado por Sony, tiene muchos conocimientos t\u00e9cnicos. Quiz\u00e1s recuerdes que poco despu\u00e9s del lanzamiento de la Sony FX9 a fines de 2019, Alister Chapman llev\u00f3 a cabo un taller donde habl\u00f3 sobre la c\u00e1mara durante […]<\/p>\n","protected":false},"author":12862,"featured_media":173431,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[24280,52125,24900,52126,25089,25092,56302,56303,34225,56304,35690,56305,36454,56306,40502],"tag_label":[56227],"brand":[51341],"class_list":["post-173495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-como-se-hace","tag-sony-es","tag-sony-fx6-es","tag-lut-es","tag-fx6-es","tag-guide-es","tag-guia","tag-cineei-es","tag-deep-dive-es","tag-configuracion","tag-slog-3-2-es","tag-exposicion","tag-exposure-es","tag-alister-chapman-es","tag-camara-sony-fx6","tag-how-to-es","tag_label-education-es","brand-sony-es"],"yoast_head":"\nGu\u00eda sobre el modo CineEI en la Sony FX6, por Alister Chapman | CineD<\/title>\n<meta name=\"description\" content=\"Guide to the CineEI mode on the Sony FX6 is a new deep-dive article from Alister Chapman where he talks about proper exposure, LUTs, and more.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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