{"id":175466,"date":"2021-02-23T13:24:52","date_gmt":"2021-02-23T12:24:52","guid":{"rendered":"https:\/\/www.cined.com\/cinematch-v1-04-for-premiere-pro-and-davinci-resolve-released\/"},"modified":"2021-02-23T21:32:12","modified_gmt":"2021-02-23T20:32:12","slug":"cinematch-v1-04-for-premiere-pro-and-davinci-resolve-released","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/cinematch-v1-04-for-premiere-pro-and-davinci-resolve-released\/","title":{"rendered":"Lanzan la versi\u00f3n 1.04 de CineMatch para Premiere Pro y DaVinci Resolve"},"content":{"rendered":"\n

CineMatch, una empresa de FilmConvert, acaba de lanzar la versi\u00f3n 1.04 de su plugin que ahora es compatible con Adobe Premiere Pro y DaVinci Resolve. El prop\u00f3sito principal de este plugin es ayudarte a que coincidan las diferentes c\u00e1maras con solo un clic. La \u00faltima actualizaci\u00f3n incluye soporte para las Canon EOS R5 y R6.<\/strong><\/p>\n\n\n\n

Si nunca has o\u00eddo hablar de CineMatch, se trata de un plugin compatible con Mac y Windows para Adobe Premiere Pro y ahora tambi\u00e9n para DaVinci Resolve, que te permite igualar el color del material filmado con diferentes c\u00e1maras de forma r\u00e1pida y sencilla. Escuchamos hablar por primera vez sobre CineMatch durante la NAB de 2019<\/a>, y el a\u00f1o pasado tuvimos la oportunidad de entrevistar a ambos directores ejecutivos para obtener m\u00e1s informaci\u00f3n sobre el plugin<\/a>.<\/p>\n\n\n\n

CineMatch, al igual que todos los productos FilmConvert, se basa en paquetes de c\u00e1maras hechos a medida que te permiten recrear stocks de pel\u00edcula y combinar diferentes c\u00e1maras con precisi\u00f3n. El equipo de FilmConvert trabaj\u00f3 duro durante muchos a\u00f1os para lanzar nuevos paquetes para c\u00e1maras espec\u00edficas como la Canon EOS C70<\/a>, la Panasonic LUMIX S5<\/a>, la Sony a7S III<\/a> o m\u00e1s recientemente, la Canon EOS R5, por nombrar solo algunas de ellas.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineMatch<\/figcaption><\/figure>\n\n\n\n

CineMatch v1.04: Ahora disponible para Premiere Pro y DaVinci Resolve<\/h2>\n\n\n\n

Inicialmente, CineMatch se lanz\u00f3 como un plugin para Adobe Premiere Pro. La \u00faltima versi\u00f3n de CineMatch v1.04 incluye soporte para DaVinci Resolve, lo cual es una adici\u00f3n muy bienvenida. No tengo ninguna duda de que acelerar\u00e1 el proceso de trabajo de muchos cineastas.<\/p>\n\n\n\n

A modo de ejemplo personal, recientemente film\u00e9 un comercial con la Canon EOS C70 como c\u00e1mara A y la Canon EOS R como c\u00e1mara B. Incluso aunque ambas c\u00e1maras grabaron en Canon Log (Canon Log 3 en la C70 y Canon Log en la EOS R), la mayor\u00eda de las escenas ten\u00edan un rango din\u00e1mico muy alto. En resumen, tuve “dificultades” para hacer coincidir ambas c\u00e1maras en la postproducci\u00f3n: me tom\u00f3 6 nodos en DaVinci Resolve para hacer coincidir ambas c\u00e1maras perfectamente.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineMatch<\/figcaption><\/figure>\n\n\n\n

Decid\u00ed probar CineMatch y qued\u00e9 muy impresionado. Con solo dos clics, el proceso estaba realizado en un 95%. No suelen impresionarme los plugins, pero CineMatch parece cumplir todas sus promesas. Planeamos hacer una rese\u00f1a completa del plugin muy pronto, as\u00ed que mantente atento a CineD para obtener m\u00e1s informaci\u00f3n sobre el mismo.<\/p>\n\n\n\n

Volviendo a nuestro tema principal, el CineMatch v1.04 tambi\u00e9n agrega soporte de c\u00e1mara para las Canon EOS R5 y R6, lo cual es una gran adici\u00f3n.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineMatch<\/figcaption><\/figure>\n\n\n\n

Pr\u00f3ximamente, FilmConvert planea lanzar CineMatch para Final Cut Pro y agregar soporte para el iPhone 12, la RED Komodo, la Canon C300 Mk III y la Canon C500 Mk II.<\/p>\n\n\n\n

Precio y disponibilidad<\/h2>\n\n\n\n

La actualizaci\u00f3n de CineMatch v1.04 es gratuita para todos los propietarios de CineMatch. El plugin CineMatch para Adobe Premiere Pro se vende actualmente por $199, un precio similar al plugin para DaVinci Resolve. Si deseas obtener ambos plugins, puedes comprar un paquete por $299.<\/p>\n\n\n\n

Si deseas descargarlo y probarlo t\u00fa mismo, visita el sitio web de CineMatch aqu\u00ed<\/a>.<\/p>\n\n\n\n

\u00bfQu\u00e9 opinas de esta actualizaci\u00f3n de CineMatch v1.04? \u00bfYa probaste CineMatch? \u00a1No dudes en contarnos en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n<175466-main-buylinks\/>","protected":false,"clean_render":"

CineMatch, una empresa de FilmConvert, acaba de lanzar la versi\u00f3n 1.04 de su plugin que ahora es compatible con Adobe Premiere Pro y DaVinci Resolve. El prop\u00f3sito principal de este plugin es ayudarte a que coincidan las diferentes c\u00e1maras con solo un clic. La \u00faltima actualizaci\u00f3n incluye soporte para las Canon EOS R5 y R6.<\/strong><\/p>\n\n\n\n

Si nunca has o\u00eddo hablar de CineMatch, se trata de un plugin compatible con Mac y Windows para Adobe Premiere Pro y ahora tambi\u00e9n para DaVinci Resolve, que te permite igualar el color del material filmado con diferentes c\u00e1maras de forma r\u00e1pida y sencilla. Escuchamos hablar por primera vez sobre CineMatch durante la NAB de 2019<\/a>, y el a\u00f1o pasado tuvimos la oportunidad de entrevistar a ambos directores ejecutivos para obtener m\u00e1s informaci\u00f3n sobre el plugin<\/a>.<\/p>\n\n\n\n

CineMatch, al igual que todos los productos FilmConvert, se basa en paquetes de c\u00e1maras hechos a medida que te permiten recrear stocks de pel\u00edcula y combinar diferentes c\u00e1maras con precisi\u00f3n. El equipo de FilmConvert trabaj\u00f3 duro durante muchos a\u00f1os para lanzar nuevos paquetes para c\u00e1maras espec\u00edficas como la Canon EOS C70<\/a>, la Panasonic LUMIX S5<\/a>, la Sony a7S III<\/a> o m\u00e1s recientemente, la Canon EOS R5, por nombrar solo algunas de ellas.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineMatch<\/figcaption><\/figure>\n\n\n\n

CineMatch v1.04: Ahora disponible para Premiere Pro y DaVinci Resolve<\/h2>\n\n\n\n

Inicialmente, CineMatch se lanz\u00f3 como un plugin para Adobe Premiere Pro. La \u00faltima versi\u00f3n de CineMatch v1.04 incluye soporte para DaVinci Resolve, lo cual es una adici\u00f3n muy bienvenida. No tengo ninguna duda de que acelerar\u00e1 el proceso de trabajo de muchos cineastas.<\/p>\n\n\n\n

A modo de ejemplo personal, recientemente film\u00e9 un comercial con la Canon EOS C70 como c\u00e1mara A y la Canon EOS R como c\u00e1mara B. Incluso aunque ambas c\u00e1maras grabaron en Canon Log (Canon Log 3 en la C70 y Canon Log en la EOS R), la mayor\u00eda de las escenas ten\u00edan un rango din\u00e1mico muy alto. En resumen, tuve “dificultades” para hacer coincidir ambas c\u00e1maras en la postproducci\u00f3n: me tom\u00f3 6 nodos en DaVinci Resolve para hacer coincidir ambas c\u00e1maras perfectamente.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineMatch<\/figcaption><\/figure>\n\n\n\n

Decid\u00ed probar CineMatch y qued\u00e9 muy impresionado. Con solo dos clics, el proceso estaba realizado en un 95%. No suelen impresionarme los plugins, pero CineMatch parece cumplir todas sus promesas. Planeamos hacer una rese\u00f1a completa del plugin muy pronto, as\u00ed que mantente atento a CineD para obtener m\u00e1s informaci\u00f3n sobre el mismo.<\/p>\n\n\n\n

Volviendo a nuestro tema principal, el CineMatch v1.04 tambi\u00e9n agrega soporte de c\u00e1mara para las Canon EOS R5 y R6, lo cual es una gran adici\u00f3n.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineMatch<\/figcaption><\/figure>\n\n\n\n

Pr\u00f3ximamente, FilmConvert planea lanzar CineMatch para Final Cut Pro y agregar soporte para el iPhone 12, la RED Komodo, la Canon C300 Mk III y la Canon C500 Mk II.<\/p>\n\n\n\n

Precio y disponibilidad<\/h2>\n\n\n\n

La actualizaci\u00f3n de CineMatch v1.04 es gratuita para todos los propietarios de CineMatch. El plugin CineMatch para Adobe Premiere Pro se vende actualmente por $199, un precio similar al plugin para DaVinci Resolve. Si deseas obtener ambos plugins, puedes comprar un paquete por $299.<\/p>\n\n\n\n

Si deseas descargarlo y probarlo t\u00fa mismo, visita el sitio web de CineMatch aqu\u00ed<\/a>.<\/p>\n\n\n\n

\u00bfQu\u00e9 opinas de esta actualizaci\u00f3n de CineMatch v1.04? \u00bfYa probaste CineMatch? \u00a1No dudes en contarnos en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n<175466-main-buylinks\/>"},"excerpt":{"rendered":"

CineMatch, una empresa de FilmConvert, acaba de lanzar la versi\u00f3n 1.04 de su plugin que ahora es compatible con Adobe Premiere Pro y DaVinci Resolve. El prop\u00f3sito principal de este plugin es ayudarte a que coincidan las diferentes c\u00e1maras con solo un clic. La \u00faltima actualizaci\u00f3n incluye soporte para las Canon EOS R5 y R6. Si nunca has o\u00eddo hablar de CineMatch, se trata de un plugin compatible con Mac y Windows para Adobe Premiere Pro y ahora tambi\u00e9n para DaVinci Resolve, que te permite igualar el color del material filmado con diferentes c\u00e1maras de forma r\u00e1pida y sencilla. Escuchamos hablar por primera vez sobre CineMatch durante la NAB de […]<\/p>\n","protected":false},"author":15720,"featured_media":175317,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[40626,56595,24433,26327,28054,31200],"tag_label":[53421],"brand":[53686],"class_list":["post-175466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-nueva-version","tag-cinematch-v1-04-es","tag-davinci-resolve-es","tag-adobe-premiere-pro-es","tag-filmconvert-es","tag-cinematch-es","tag_label-software-news-es","brand-cinematch-es"],"yoast_head":"\nLanzan la 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content=\"https:\/\/staging.cined.dev\/es\/cinematch-v1-04-for-premiere-pro-and-davinci-resolve-released\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/JeffLochOfficiel\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-23T12:24:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-23T20:32:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/CineMatch1_04_Featured.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jeff Loch\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeff Loch\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/cinematch-v1-04-for-premiere-pro-and-davinci-resolve-released\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/cinematch-v1-04-for-premiere-pro-and-davinci-resolve-released\/\"},\"author\":{\"name\":\"Jeff Loch\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/556394dcf5edfa4239078306ccc7b55b\"},\"headline\":\"Lanzan la versi\u00f3n 1.04 de CineMatch para Premiere Pro y DaVinci 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