{"id":175469,"date":"2021-02-23T16:00:58","date_gmt":"2021-02-23T15:00:58","guid":{"rendered":"https:\/\/www.cined.com\/sony-fx3-review-and-mini-documentary-sample-footage\/"},"modified":"2021-02-23T21:46:02","modified_gmt":"2021-02-23T20:46:02","slug":"sony-fx3-review-and-mini-documentary-sample-footage","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-fx3-review-and-mini-documentary-sample-footage\/","title":{"rendered":"Rese\u00f1a de la Sony FX3 y mini documental con material de muestra"},"content":{"rendered":"\n<p><strong>Acaban de presentar un nuevo miembro de la l\u00ednea \u201cSony Cinema\u201d: la Sony FX3. Pero no solo eso, en realidad estamos frente al lanzamiento de la gemela no id\u00e9ntica de la Sony a7S III. Con un peso tan grande sobre sus hombros (&#8220;L\u00ednea Sony Cinema&#8221; y &#8220;Pariente cercana&#8221; a la a7S III mirrorless), decid\u00ed ver c\u00f3mo funciona esta c\u00e1mara en el campo.<\/strong><\/p><175469-inline-buylinks\/>\n\n\n\n<p>La semana pasada hizo fr\u00edo y llovi\u00f3 mucho en Viena. Casi hasta el punto de que pens\u00e9 que deb\u00eda dejar todas las tareas a un lado y volver a la cama. Ten\u00eda muchas ilusiones, un paquete etiquetado con el logo de Sony acababa de ser entregado a la oficina y dentro de \u00e9l hab\u00eda un reci\u00e9n nacido. Es peque\u00f1o, robusto, bonito, y tiene una combinaci\u00f3n de colores negro y gris (Wow, por un segundo pens\u00e9 que me estaba describiendo a m\u00ed mismo). Bueno no. Me refiero a la nueva Sony FX3, un dispositivo de filmaci\u00f3n que fue etiquetado por su creador con el distintivo \u201cL\u00ednea Cinema\u201d y que tendr\u00e1 que estar a la altura de su nombre.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--640x360.jpg\" alt=\"Sony FX3 vs Sony a7S III\" class=\"wp-image-175111\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings-.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 y Sony a7S III: gemelas no id\u00e9nticas. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX3 &#8211; Sony a7S III<\/h2>\n\n\n\n<p>De acuerdo, cierra los ojos y huele los aromas. \u00bfPuedes distinguir entre los dos ingredientes? Bueno, no estamos en el negocio de filmar programas de cocina (todav\u00eda), pero si lo hici\u00e9ramos, la posibilidad de determinar entre los dos ser\u00eda extremadamente peque\u00f1a.<\/p>\n\n\n\n<p>Sensor, recuento de p\u00edxeles del sensor, procesador, resoluci\u00f3n, c\u00f3decs, rendimiento de enfoque autom\u00e1tico, operaci\u00f3n de AF de pantalla t\u00e1ctil, sistema de estabilizaci\u00f3n \u00f3ptica de 5 ejes, rendimiento con poca luz, estructura de men\u00fa, ranuras dobles CFexpress tipo A y SDHC, calidad de imagen de video, perfiles de imagen, alta velocidad de cuadros, salida de se\u00f1al RAW de 10 bits 4:2:2\/16 bits a un grabador externo, LCD de \u00e1ngulo variable y capacidad de fotograf\u00eda: estas caracter\u00edsticas son casi 100% id\u00e9nticas a las de la a7S III. Entonces, \u00bfqu\u00e9 hay de nuevo y por qu\u00e9 deber\u00eda uno considerar comprar esta c\u00e1mara? Sigue leyendo mi rese\u00f1a de la Sony FX3.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX3 &#8211; Novedades<\/h2>\n\n\n\n<p>Las \u201cc\u00e1maras tipo caja\u201d est\u00e1n ganando popularidad entre los fabricantes de c\u00e1maras y, obviamente, Sony no es una excepci\u00f3n. Pero con tantas caracter\u00edsticas id\u00e9nticas a la Sony a7S III, \u00bfqu\u00e9 es lo realmente nuevo en ella? Aqu\u00ed vamos (sin ning\u00fan orden en particular):<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-640x360.jpg\" alt=\"Sony FX3 Active cooling system\" class=\"wp-image-175063\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; Sistema de enfriamiento activo. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Sistema de enfriamiento activo (o <strong>b\u00e1sicamente<\/strong><\/strong>, <strong>&#8220;ventilador interno&#8221;):<\/strong> Sony est\u00e1 abordando seriamente el posible problema de sobrecalentamiento en las c\u00e1maras peque\u00f1as y, a diferencia de la a7S III, la c\u00e1mara est\u00e1 mejor estructurada para sostener el calor y permitir un tiempo de grabaci\u00f3n 4K\/60p mucho m\u00e1s largo. La actividad del ventilador se puede controlar desde el men\u00fa de la c\u00e1mara.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-640x360.jpg\" alt=\"Sony FX3 Fan control\" class=\"wp-image-175079\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; ventilador configurado en M\u00ednimo. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p>Desafortunadamente, al filmar la entrevista con la encantadora Katerina a 4K\/25p (modo \u201cventilador apagado en Rec\u201d), se encendi\u00f3 el \u201cs\u00edmbolo de sobrecalentamiento\u201d. La raz\u00f3n por la que lo apagu\u00e9 fue para filmar en silencio mientras estaba en una habitaci\u00f3n muy silenciosa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-overheating-640x360.jpg\" alt=\"Sony FX3 Overheating issue?\" class=\"wp-image-175290\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>S\u00edmbolo de sobrecalentamiento al filmar con el modo \u201cVentilador apagado en Rec\u201d. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p>Si volviera a filmar en el mismo lugar, elegir\u00eda mantener la configuraci\u00f3n del ventilador en &#8220;m\u00ednimo&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-EVF-640x360.jpg\" alt=\"Sony external EVF\" class=\"wp-image-175284\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>\u00bfEVF FX3 externo? Todav\u00eda no. Esperemos que se agregue en un futuro cercano.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SIN EVF:<\/strong> Personalmente este es un punto delicado\u2026 es una c\u00e1mara genial, pero carece de esta caracter\u00edstica fundamental. Al igual que otras empresas de c\u00e1maras de nuestra industria, Sony est\u00e1 siguiendo una idea que es poco conveniente. La ausencia de EVF es realmente lamentable y, para empeorarlo, no hay un accesorio EVF de Sony para compensar esta falta (Sony tiene un EVF peque\u00f1o, el FDA-EVM1K, pero estoy seguro de que no es compatible con la FX3).<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-640x360.jpg\" alt=\"Sony FX3 with handle \" class=\"wp-image-175071\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; Mango de audio XLR. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-640x360.jpg\" alt=\"Sony FX3 Lots of attachment points\" class=\"wp-image-175067\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; Puntos de conexi\u00f3n adicionales. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Mango superior y conectividad XLR de audio completa incorporada: <\/strong>Al recibir la Sony FX3, el paquete conten\u00eda un bonito mango superior que cuenta con muchos puntos de seguridad adicionales. Adem\u00e1s, este mango sirve como una soluci\u00f3n de entrada de audio profesional completa para la c\u00e1mara, incluyendo 2 conexiones de entrada XLR de tama\u00f1o est\u00e1ndar.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--640x360.jpg\" alt=\"HDMI and audio connectivity \" class=\"wp-image-175087\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio-.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; HDMI tipo A y entrada de audio integrada.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Entradas de micr\u00f3fono y de auriculares en el cuerpo:<\/strong> A pesar de tener un mango de audio XLR externo, Sony eligi\u00f3 equipar la c\u00e1mara con dos salidas. No es un detalle menor ya que la FX6, su hermana mayor, no cuenta con una entrada de micr\u00f3fono en el cuerpo de la c\u00e1mara. Lo s\u00e9, para muchos de ustedes puede que no sea un problema, pero personalmente cuando realizo una filmaci\u00f3n del tipo \u201cRun and gun\u201d estilo documental, la capacidad de tener una configuraci\u00f3n lo m\u00e1s compacta posible es muy importante.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-640x360.jpg\" alt=\"Sony FX3 Lots of Tally lights\" class=\"wp-image-175103\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3: S\u00ed, estoy grabando. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p><strong>\u00bfEstoy grabando o no?:<\/strong> Profesionales o no, todos hemos estado en la situaci\u00f3n de pensar que estamos grabando pero en realidad no lo estamos haciendo\u2026Sony trat\u00f3 de minimizar este problema agregando muchos &#8220;recordatorios de grabaci\u00f3n de color rojo iluminados&#8221;, tambi\u00e9n conocidos como luces de tally. Obviamente cuando trabajas en equipo, el ingeniero de sonido o el foquista tambi\u00e9n apreciar\u00e1n este detalle adicional. \u00a1Es muy \u00fatil!<\/p>\n\n\n\n<p><strong>S-Cinetone:<\/strong> En nuestra industria, Sony ha sido conocida durante a\u00f1os por producir &#8220;im\u00e1genes con looks fr\u00edos&#8221; que tienden a tener un tono azulado (tono broadcast). Al presentar el perfil de imagen S-Cinetone (PP11) lograron superar esto. El S-Cinetone se desarroll\u00f3 originalmente para la c\u00e1mara de alta gama de Sony, la VENICE. Bas\u00e1ndose en un tono cinematogr\u00e1fico, la idea era crear un &#8220;look cinematogr\u00e1fico con un color similar al de una pel\u00edcula y una reproducci\u00f3n agradable de los tonos de piel&#8221;. Puedes encontrar informaci\u00f3n adicional sobre S-Cinetone <a rel=\"noreferrer noopener\" href=\"https:\/\/pro.sony\/s3\/2020\/03\/24095333\/S-Cinetone-whitepaper_v2.pdf\" target=\"_blank\">aqu\u00ed<\/a>. Siguiendo con el tema de S-Cinetone, la popular <strong>Sony a7S III recibir\u00e1 este perfil de imagen el 25 de febrero<\/strong>, reduciendo a\u00fan m\u00e1s la brecha con la FX3.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-640x360.jpg\" alt=\"Robust built \" class=\"wp-image-175121\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3: sensaci\u00f3n de robustez. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p><strong>Sensaci\u00f3n de robustez en el manejo:<\/strong> La nueva c\u00e1mara simplemente se siente genial en mis (peque\u00f1as) manos. En general, el dise\u00f1o de los botones f\u00edsicos es l\u00f3gico, pero lo que no pude encontrar es una forma de re-asignar el &#8220;bot\u00f3n de grabaci\u00f3n&#8221; al &#8220;bot\u00f3n disparador&#8221; (por favor, av\u00edsame si encuentras una manera de hacerlo). Intuitivamente, quer\u00eda presionar ese bot\u00f3n para comenzar a grabar (el bot\u00f3n n\u00famero 6 tambi\u00e9n sirve como bot\u00f3n de inicio\/detenci\u00f3n de la grabaci\u00f3n, lo cual es bueno). Tambi\u00e9n desear\u00eda que contara con una rueda de deslizamiento en la parte posterior para facilitar el funcionamiento pero, en general, no tengo quejas en este aspecto. Respecto a los puntos de fijaci\u00f3n, Sony realmente fue m\u00e1s all\u00e1 de la norma al colocar cinco orificios de rosca de 1\/4-20 dentro del cuerpo de la c\u00e1mara (y tres m\u00e1s en el mango). Dependiendo de tus necesidades y tu estilo de grabaci\u00f3n, es posible que no requieras utilizar un armaz\u00f3n. Ah, y hablando de eso, me hubiera gustado que Sony se enfocara tambi\u00e9n en el punto de fijaci\u00f3n de la placa del tr\u00edpode en la parte inferior de la c\u00e1mara. Desafortunadamente, solo hay un solo punto de atornillado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sistema de autoenfoque y estabilizaci\u00f3n<\/h2>\n\n\n\n<p>Como realizador de documentales, llegu\u00e9 a amar y maximizar el uso de estas dos funciones. S\u00ed, ahora estoy utilizando MUCHO el AF, y en este sentido, \u00a1la Sony FX3 est\u00e1 haciendo un gran trabajo! El AF fue muy confiable mientras filmaba con Katerina y el sistema de estabilizaci\u00f3n de 5 ejes es realmente es incre\u00edble, especialmente cuando se utiliza el \u201cmodo Activo\u201d, incluso a pesar de tener un ligero recorte de imagen.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-640x360.jpg\" alt=\"Sony FX3 Cinema Line\" class=\"wp-image-175075\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 \u2013 L\u00ednea Sony Cinema. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX3 \u2013 L\u00ednea \u201cSony Cinema\u201d<\/h2>\n\n\n\n<p>Entonces, \u00bfqu\u00e9 hace que esta nueva c\u00e1mara sea una &#8220;c\u00e1mara de cine&#8221; y por qu\u00e9 obtuvo el honor de ser parte de la l\u00ednea Cinema de Sony? Al igual que con la FX6, parece que el equipo de marketing de Sony est\u00e1 realizando un gran esfuerzo. En pocas palabras, no hay NADA que indique que est\u00e1 c\u00e1mara es de &#8220;cine&#8221;. No tiene grabaci\u00f3n RAW interna, no tiene un modo de de-compresi\u00f3n o sensor 4:3 para tener una verdadera filmaci\u00f3n\/monitoreo anam\u00f3rfico, no cuenta con ND interno (no es que esto sea un requisito para que sea considerada una verdadera c\u00e1mara de cine, pero si la FX3 pertenece a la l\u00ednea Cinema de Sony, entonces la a7S III tambi\u00e9n).<\/p>\n\n\n\n<p>Pens\u00e1ndolo bien, desde que Sony reorganiz\u00f3 su estructura interna fusionando sus departamentos de consumidor y profesional, parece que todo evoluciona en torno al marketing, marketing y m\u00e1s marketing. Supongo que esto es una se\u00f1al de los tiempos modernos que corren y la dura competencia en el mercado.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-640x360.jpg\" alt=\"Around the world without leaving the office \" class=\"wp-image-175306\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Viajando por el mundo sin salir de la oficina. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n<\/h2>\n\n\n\n<p>La Sony FX3 es una c\u00e1mara bastante genial. A\u00fan est\u00e1 por verse para quienes est\u00e1 dirigida, pero estoy seguro de que encontrar\u00e1 su lugar en el mercado. Despu\u00e9s de todo, \u00bfqui\u00e9n no quiere grabar \u201ccine\u201d?, especialmente en YouTube \u00faltimamente\u2026 Dejando las bromas de lado, al igual que la a7S III que es su hermana gemela no id\u00e9ntica, ha dado una actuaci\u00f3n muy s\u00f3lida que en mi opini\u00f3n est\u00e1 siendo degradada por la ausencia de EVF. \u00bfVale la pena invertir los $400 adicionales en la a7S III? Dejar\u00e9 que ustedes decidan por ustedes mismos, ya que todos trabajan de forma diferente.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Agradecimientos<\/h2>\n\n\n\n<p>Me gustar\u00eda agradecerle a Katerina Joumana por permitirme filmarla. De hecho, estoy muy orgulloso de que pudimos lograr completar este proyecto en tan solo 5-6 horas aproximadamente. Puedes obtener m\u00e1s informaci\u00f3n sobre las actividades de Katerina haciendo clic <a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/KaterinaJoumanaOfficial\/\" target=\"_blank\">aqu\u00ed<\/a> y <a rel=\"noreferrer noopener\" href=\"https:\/\/www.joumanashow.com\/\" target=\"_blank\">aqu\u00ed<\/a>. Tambi\u00e9n me gustar\u00eda agradecerle a Luciano, nuestro editor interno. Su talento para crear historias cortas bonitas a partir de cualquier cosa que le doy es simplemente asombroso.<\/p>\n\n\n\n<p>El video anterior se grab\u00f3 en un perfil de imagen Sony FX3, 4K\/25p, XAVC S-I 4K, PP11 S-Cinetone con algunos ajustes de color realizados con <a rel=\"noreferrer noopener\" href=\"https:\/\/lutify.me\/?ref=174\" target=\"_blank\">Lutify.me<\/a>.  La selecci\u00f3n de los lentes utilizados se puede encontrar a continuaci\u00f3n en la secci\u00f3n de enlaces de compra. La m\u00fasica fue utilizada con permiso de&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/c5d.at\/qjr\" target=\"_blank\">epidemicsound<\/a>. <\/p>\n\n\n\n<p><strong>Chicos, \u00bfqu\u00e9 piensan de la nueva Sony FX3, creen que esta c\u00e1mara merece ser parte de la l\u00ednea Sony Cinema? Y en su opini\u00f3n, \u00bfhay alguna ventaja significativa al elegir esta nueva c\u00e1mara por sobre la a7S III? Comparte tu opini\u00f3n con nosotros en la secci\u00f3n de comentarios a continuaci\u00f3n.<\/strong><\/p>\n<175469-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Acaban de presentar un nuevo miembro de la l\u00ednea \u201cSony Cinema\u201d: la Sony FX3. Pero no solo eso, en realidad estamos frente al lanzamiento de la gemela no id\u00e9ntica de la Sony a7S III. Con un peso tan grande sobre sus hombros (&#8220;L\u00ednea Sony Cinema&#8221; y &#8220;Pariente cercana&#8221; a la a7S III mirrorless), decid\u00ed ver c\u00f3mo funciona esta c\u00e1mara en el campo.<\/strong><\/p><175469-inline-buylinks\/>\n\n\n\n<p>La semana pasada hizo fr\u00edo y llovi\u00f3 mucho en Viena. Casi hasta el punto de que pens\u00e9 que deb\u00eda dejar todas las tareas a un lado y volver a la cama. Ten\u00eda muchas ilusiones, un paquete etiquetado con el logo de Sony acababa de ser entregado a la oficina y dentro de \u00e9l hab\u00eda un reci\u00e9n nacido. Es peque\u00f1o, robusto, bonito, y tiene una combinaci\u00f3n de colores negro y gris (Wow, por un segundo pens\u00e9 que me estaba describiendo a m\u00ed mismo). Bueno no. Me refiero a la nueva Sony FX3, un dispositivo de filmaci\u00f3n que fue etiquetado por su creador con el distintivo \u201cL\u00ednea Cinema\u201d y que tendr\u00e1 que estar a la altura de su nombre.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--640x360.jpg\" alt=\"Sony FX3 vs Sony a7S III\" class=\"wp-image-175111\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings--1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-and-Sony-a7S-III-Non-Identical-Siblings-.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 y Sony a7S III: gemelas no id\u00e9nticas. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX3 &#8211; Sony a7S III<\/h2>\n\n\n\n<p>De acuerdo, cierra los ojos y huele los aromas. \u00bfPuedes distinguir entre los dos ingredientes? Bueno, no estamos en el negocio de filmar programas de cocina (todav\u00eda), pero si lo hici\u00e9ramos, la posibilidad de determinar entre los dos ser\u00eda extremadamente peque\u00f1a.<\/p>\n\n\n\n<p>Sensor, recuento de p\u00edxeles del sensor, procesador, resoluci\u00f3n, c\u00f3decs, rendimiento de enfoque autom\u00e1tico, operaci\u00f3n de AF de pantalla t\u00e1ctil, sistema de estabilizaci\u00f3n \u00f3ptica de 5 ejes, rendimiento con poca luz, estructura de men\u00fa, ranuras dobles CFexpress tipo A y SDHC, calidad de imagen de video, perfiles de imagen, alta velocidad de cuadros, salida de se\u00f1al RAW de 10 bits 4:2:2\/16 bits a un grabador externo, LCD de \u00e1ngulo variable y capacidad de fotograf\u00eda: estas caracter\u00edsticas son casi 100% id\u00e9nticas a las de la a7S III. Entonces, \u00bfqu\u00e9 hay de nuevo y por qu\u00e9 deber\u00eda uno considerar comprar esta c\u00e1mara? Sigue leyendo mi rese\u00f1a de la Sony FX3.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX3 &#8211; Novedades<\/h2>\n\n\n\n<p>Las \u201cc\u00e1maras tipo caja\u201d est\u00e1n ganando popularidad entre los fabricantes de c\u00e1maras y, obviamente, Sony no es una excepci\u00f3n. Pero con tantas caracter\u00edsticas id\u00e9nticas a la Sony a7S III, \u00bfqu\u00e9 es lo realmente nuevo en ella? Aqu\u00ed vamos (sin ning\u00fan orden en particular):<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-640x360.jpg\" alt=\"Sony FX3 Active cooling system\" class=\"wp-image-175063\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Active-Cooling-System.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; Sistema de enfriamiento activo. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Sistema de enfriamiento activo (o <strong>b\u00e1sicamente<\/strong><\/strong>, <strong>&#8220;ventilador interno&#8221;):<\/strong> Sony est\u00e1 abordando seriamente el posible problema de sobrecalentamiento en las c\u00e1maras peque\u00f1as y, a diferencia de la a7S III, la c\u00e1mara est\u00e1 mejor estructurada para sostener el calor y permitir un tiempo de grabaci\u00f3n 4K\/60p mucho m\u00e1s largo. La actividad del ventilador se puede controlar desde el men\u00fa de la c\u00e1mara.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-640x360.jpg\" alt=\"Sony FX3 Fan control\" class=\"wp-image-175079\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Fan-control-Minimum.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; ventilador configurado en M\u00ednimo. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p>Desafortunadamente, al filmar la entrevista con la encantadora Katerina a 4K\/25p (modo \u201cventilador apagado en Rec\u201d), se encendi\u00f3 el \u201cs\u00edmbolo de sobrecalentamiento\u201d. La raz\u00f3n por la que lo apagu\u00e9 fue para filmar en silencio mientras estaba en una habitaci\u00f3n muy silenciosa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-overheating-640x360.jpg\" alt=\"Sony FX3 Overheating issue?\" class=\"wp-image-175290\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-overheating-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>S\u00edmbolo de sobrecalentamiento al filmar con el modo \u201cVentilador apagado en Rec\u201d. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p>Si volviera a filmar en el mismo lugar, elegir\u00eda mantener la configuraci\u00f3n del ventilador en &#8220;m\u00ednimo&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-EVF-640x360.jpg\" alt=\"Sony external EVF\" class=\"wp-image-175284\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-EVF-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>\u00bfEVF FX3 externo? Todav\u00eda no. Esperemos que se agregue en un futuro cercano.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>SIN EVF:<\/strong> Personalmente este es un punto delicado\u2026 es una c\u00e1mara genial, pero carece de esta caracter\u00edstica fundamental. Al igual que otras empresas de c\u00e1maras de nuestra industria, Sony est\u00e1 siguiendo una idea que es poco conveniente. La ausencia de EVF es realmente lamentable y, para empeorarlo, no hay un accesorio EVF de Sony para compensar esta falta (Sony tiene un EVF peque\u00f1o, el FDA-EVM1K, pero estoy seguro de que no es compatible con la FX3).<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-640x360.jpg\" alt=\"Sony FX3 with handle \" class=\"wp-image-175071\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Audio-XLR-Handle-2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; Mango de audio XLR. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-640x360.jpg\" alt=\"Sony FX3 Lots of attachment points\" class=\"wp-image-175067\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Additional-Attachment-Points.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; Puntos de conexi\u00f3n adicionales. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Mango superior y conectividad XLR de audio completa incorporada: <\/strong>Al recibir la Sony FX3, el paquete conten\u00eda un bonito mango superior que cuenta con muchos puntos de seguridad adicionales. Adem\u00e1s, este mango sirve como una soluci\u00f3n de entrada de audio profesional completa para la c\u00e1mara, incluyendo 2 conexiones de entrada XLR de tama\u00f1o est\u00e1ndar.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--640x360.jpg\" alt=\"HDMI and audio connectivity \" class=\"wp-image-175087\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio--1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Large-HDMI-and-onboard-In-Out-Audio-.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 &#8211; HDMI tipo A y entrada de audio integrada.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Entradas de micr\u00f3fono y de auriculares en el cuerpo:<\/strong> A pesar de tener un mango de audio XLR externo, Sony eligi\u00f3 equipar la c\u00e1mara con dos salidas. No es un detalle menor ya que la FX6, su hermana mayor, no cuenta con una entrada de micr\u00f3fono en el cuerpo de la c\u00e1mara. Lo s\u00e9, para muchos de ustedes puede que no sea un problema, pero personalmente cuando realizo una filmaci\u00f3n del tipo \u201cRun and gun\u201d estilo documental, la capacidad de tener una configuraci\u00f3n lo m\u00e1s compacta posible es muy importante.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-640x360.jpg\" alt=\"Sony FX3 Lots of Tally lights\" class=\"wp-image-175103\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Yes-Im-recording.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3: S\u00ed, estoy grabando. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p><strong>\u00bfEstoy grabando o no?:<\/strong> Profesionales o no, todos hemos estado en la situaci\u00f3n de pensar que estamos grabando pero en realidad no lo estamos haciendo\u2026Sony trat\u00f3 de minimizar este problema agregando muchos &#8220;recordatorios de grabaci\u00f3n de color rojo iluminados&#8221;, tambi\u00e9n conocidos como luces de tally. Obviamente cuando trabajas en equipo, el ingeniero de sonido o el foquista tambi\u00e9n apreciar\u00e1n este detalle adicional. \u00a1Es muy \u00fatil!<\/p>\n\n\n\n<p><strong>S-Cinetone:<\/strong> En nuestra industria, Sony ha sido conocida durante a\u00f1os por producir &#8220;im\u00e1genes con looks fr\u00edos&#8221; que tienden a tener un tono azulado (tono broadcast). Al presentar el perfil de imagen S-Cinetone (PP11) lograron superar esto. El S-Cinetone se desarroll\u00f3 originalmente para la c\u00e1mara de alta gama de Sony, la VENICE. Bas\u00e1ndose en un tono cinematogr\u00e1fico, la idea era crear un &#8220;look cinematogr\u00e1fico con un color similar al de una pel\u00edcula y una reproducci\u00f3n agradable de los tonos de piel&#8221;. Puedes encontrar informaci\u00f3n adicional sobre S-Cinetone <a rel=\"noreferrer noopener\" href=\"https:\/\/pro.sony\/s3\/2020\/03\/24095333\/S-Cinetone-whitepaper_v2.pdf\" target=\"_blank\">aqu\u00ed<\/a>. Siguiendo con el tema de S-Cinetone, la popular <strong>Sony a7S III recibir\u00e1 este perfil de imagen el 25 de febrero<\/strong>, reduciendo a\u00fan m\u00e1s la brecha con la FX3.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-640x360.jpg\" alt=\"Robust built \" class=\"wp-image-175121\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3: sensaci\u00f3n de robustez. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p><strong>Sensaci\u00f3n de robustez en el manejo:<\/strong> La nueva c\u00e1mara simplemente se siente genial en mis (peque\u00f1as) manos. En general, el dise\u00f1o de los botones f\u00edsicos es l\u00f3gico, pero lo que no pude encontrar es una forma de re-asignar el &#8220;bot\u00f3n de grabaci\u00f3n&#8221; al &#8220;bot\u00f3n disparador&#8221; (por favor, av\u00edsame si encuentras una manera de hacerlo). Intuitivamente, quer\u00eda presionar ese bot\u00f3n para comenzar a grabar (el bot\u00f3n n\u00famero 6 tambi\u00e9n sirve como bot\u00f3n de inicio\/detenci\u00f3n de la grabaci\u00f3n, lo cual es bueno). Tambi\u00e9n desear\u00eda que contara con una rueda de deslizamiento en la parte posterior para facilitar el funcionamiento pero, en general, no tengo quejas en este aspecto. Respecto a los puntos de fijaci\u00f3n, Sony realmente fue m\u00e1s all\u00e1 de la norma al colocar cinco orificios de rosca de 1\/4-20 dentro del cuerpo de la c\u00e1mara (y tres m\u00e1s en el mango). Dependiendo de tus necesidades y tu estilo de grabaci\u00f3n, es posible que no requieras utilizar un armaz\u00f3n. Ah, y hablando de eso, me hubiera gustado que Sony se enfocara tambi\u00e9n en el punto de fijaci\u00f3n de la placa del tr\u00edpode en la parte inferior de la c\u00e1mara. Desafortunadamente, solo hay un solo punto de atornillado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sistema de autoenfoque y estabilizaci\u00f3n<\/h2>\n\n\n\n<p>Como realizador de documentales, llegu\u00e9 a amar y maximizar el uso de estas dos funciones. S\u00ed, ahora estoy utilizando MUCHO el AF, y en este sentido, \u00a1la Sony FX3 est\u00e1 haciendo un gran trabajo! El AF fue muy confiable mientras filmaba con Katerina y el sistema de estabilizaci\u00f3n de 5 ejes es realmente es incre\u00edble, especialmente cuando se utiliza el \u201cmodo Activo\u201d, incluso a pesar de tener un ligero recorte de imagen.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-640x360.jpg\" alt=\"Sony FX3 Cinema Line\" class=\"wp-image-175075\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Cinema-Line.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX3 \u2013 L\u00ednea Sony Cinema. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX3 \u2013 L\u00ednea \u201cSony Cinema\u201d<\/h2>\n\n\n\n<p>Entonces, \u00bfqu\u00e9 hace que esta nueva c\u00e1mara sea una &#8220;c\u00e1mara de cine&#8221; y por qu\u00e9 obtuvo el honor de ser parte de la l\u00ednea Cinema de Sony? Al igual que con la FX6, parece que el equipo de marketing de Sony est\u00e1 realizando un gran esfuerzo. En pocas palabras, no hay NADA que indique que est\u00e1 c\u00e1mara es de &#8220;cine&#8221;. No tiene grabaci\u00f3n RAW interna, no tiene un modo de de-compresi\u00f3n o sensor 4:3 para tener una verdadera filmaci\u00f3n\/monitoreo anam\u00f3rfico, no cuenta con ND interno (no es que esto sea un requisito para que sea considerada una verdadera c\u00e1mara de cine, pero si la FX3 pertenece a la l\u00ednea Cinema de Sony, entonces la a7S III tambi\u00e9n).<\/p>\n\n\n\n<p>Pens\u00e1ndolo bien, desde que Sony reorganiz\u00f3 su estructura interna fusionando sus departamentos de consumidor y profesional, parece que todo evoluciona en torno al marketing, marketing y m\u00e1s marketing. Supongo que esto es una se\u00f1al de los tiempos modernos que corren y la dura competencia en el mercado.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-640x360.jpg\" alt=\"Around the world without leaving the office \" class=\"wp-image-175306\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Sony-FX3-Johnnie-2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Viajando por el mundo sin salir de la oficina. Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n<\/h2>\n\n\n\n<p>La Sony FX3 es una c\u00e1mara bastante genial. A\u00fan est\u00e1 por verse para quienes est\u00e1 dirigida, pero estoy seguro de que encontrar\u00e1 su lugar en el mercado. Despu\u00e9s de todo, \u00bfqui\u00e9n no quiere grabar \u201ccine\u201d?, especialmente en YouTube \u00faltimamente\u2026 Dejando las bromas de lado, al igual que la a7S III que es su hermana gemela no id\u00e9ntica, ha dado una actuaci\u00f3n muy s\u00f3lida que en mi opini\u00f3n est\u00e1 siendo degradada por la ausencia de EVF. \u00bfVale la pena invertir los $400 adicionales en la a7S III? Dejar\u00e9 que ustedes decidan por ustedes mismos, ya que todos trabajan de forma diferente.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Agradecimientos<\/h2>\n\n\n\n<p>Me gustar\u00eda agradecerle a Katerina Joumana por permitirme filmarla. De hecho, estoy muy orgulloso de que pudimos lograr completar este proyecto en tan solo 5-6 horas aproximadamente. Puedes obtener m\u00e1s informaci\u00f3n sobre las actividades de Katerina haciendo clic <a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/KaterinaJoumanaOfficial\/\" target=\"_blank\">aqu\u00ed<\/a> y <a rel=\"noreferrer noopener\" href=\"https:\/\/www.joumanashow.com\/\" target=\"_blank\">aqu\u00ed<\/a>. Tambi\u00e9n me gustar\u00eda agradecerle a Luciano, nuestro editor interno. Su talento para crear historias cortas bonitas a partir de cualquier cosa que le doy es simplemente asombroso.<\/p>\n\n\n\n<p>El video anterior se grab\u00f3 en un perfil de imagen Sony FX3, 4K\/25p, XAVC S-I 4K, PP11 S-Cinetone con algunos ajustes de color realizados con <a rel=\"noreferrer noopener\" href=\"https:\/\/lutify.me\/?ref=174\" target=\"_blank\">Lutify.me<\/a>.  La selecci\u00f3n de los lentes utilizados se puede encontrar a continuaci\u00f3n en la secci\u00f3n de enlaces de compra. La m\u00fasica fue utilizada con permiso de&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/c5d.at\/qjr\" target=\"_blank\">epidemicsound<\/a>. <\/p>\n\n\n\n<p><strong>Chicos, \u00bfqu\u00e9 piensan de la nueva Sony FX3, creen que esta c\u00e1mara merece ser parte de la l\u00ednea Sony Cinema? Y en su opini\u00f3n, \u00bfhay alguna ventaja significativa al elegir esta nueva c\u00e1mara por sobre la a7S III? Comparte tu opini\u00f3n con nosotros en la secci\u00f3n de comentarios a continuaci\u00f3n.<\/strong><\/p>\n<175469-main-buylinks\/>"},"excerpt":{"rendered":"<p>Acaban de presentar un nuevo miembro de la l\u00ednea \u201cSony Cinema\u201d: la Sony FX3. Pero no solo eso, en realidad estamos frente al lanzamiento de la gemela no id\u00e9ntica de la Sony a7S III. Con un peso tan grande sobre sus hombros (&#8220;L\u00ednea Sony Cinema&#8221; y &#8220;Pariente cercana&#8221; a la a7S III mirrorless), decid\u00ed ver c\u00f3mo funciona esta c\u00e1mara en el campo. La semana pasada hizo fr\u00edo y llovi\u00f3 mucho en Viena. Casi hasta el punto de que pens\u00e9 que deb\u00eda dejar todas las tareas a un lado y volver a la cama. Ten\u00eda muchas ilusiones, un paquete etiquetado con el logo de Sony acababa de ser entregado a la [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":175412,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42314,"name":"Rese\u00f1as","link":"https:\/\/staging.cined.dev\/es\/resenas\/","slug":"resenas"},{"id":42317,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/resenas\/resenas-camaras-es\/","slug":"resenas-camaras-es"}],"tags":[53453,56606,56596,56607,24280,56597,56608,24375,56598,56609,27073,56599,56600,56601,56602,56603,56604,53358,56605],"tag_label":[53353],"brand":[51341],"class_list":["post-175469","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-resenas","category-resenas-camaras-es","tag-resena-practica","tag-resena-de-la-sony-fx3","tag-sony-fx3-es","tag-resena-practica-de-la-sony-fx3","tag-sony-es","tag-fx3-review-es","tag-primera-impresion-de-la-sony-fx3","tag-mini-documentary-es","tag-sony-fx3-review-es","tag-mini-documental-sobre-la-fx3","tag-sony-a7s-iii-es","tag-hands-on-2-es","tag-sony-fx3-hands-on-es","tag-sony-fx3-first-look-es","tag-s-cinetone-es","tag-fx3-mini-documentary-es","tag-katerina-joumana-es","tag-mini-documental","tag-resena-de-la-fx3","post_format-post-format-video","tag_label-camera-review-es","brand-sony-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rese\u00f1a de la Sony FX3 y mini documental con material de muestra | CineD<\/title>\n<meta name=\"description\" content=\"Sony FX3 Review and Mini Documentary. 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Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Sony FX3 Full-Frame Cinema Camera<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cvp.com\/images\/products\/04-06-20251749051382thumb.jpg\" alt=\"Sony FX3 Full-Frame Cinema Camera\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-ilme-fx3-full-frame-cinema-camera?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 3,750.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FE 24mm f\/1.4 GM Lens<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1537472207000_1435887.jpg\" alt=\"FE 24mm f\/1.4 GM Lens\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1435887-REG\/sony_fe_24mm_f_1_4_gm.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 1,398.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-sel24f14gm-syx-fe-24mm-f1.4-gm-lens?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,249.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FE 70-200mm f\/2.8 GM OSS Lens<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1454514360000_1222776.jpg\" alt=\"FE 70-200mm f\/2.8 GM OSS Lens\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222776-REG\/sony_sel70200gm_fe_70_200mm_f_2_8_gm.html?sts=pi&pim=Y\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,048.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony_sel70200gmsyx?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,959.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header><\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1277108-REG\/cineroid_fl400s_flexible_high_cri_bi_color_led.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">See more<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"175469-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>Sony FX3 Full-Frame Cinema Camera<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-ilme-fx3-full-frame-cinema-camera?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 3,750.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":1,"related_articles":[{"id":350086,"title":"Anuncian el Lente Tamron 28-300mm f\/4-7.1 Di III VC VXD para Montura Sony E","url":"https:\/\/staging.cined.dev\/es\/tamron-28-300mm-f-4-7-1-di-iii-vc-vxd-lens-for-sony-e-mount-announced\/","author":9439,"author_details":{"display_name":"Jose Prada","first_name":"Jose","last_name":"Prada"},"publish_date":"August, 12 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/08\/Tamron-28-300mm-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"custom_labels":[{"id":52841,"name":"Lens 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2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/Sony-ZV-E10-II-4-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":[{"id":53275,"name":"Camera 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Behiri","first_name":"Johnnie","last_name":"Behiri","avatar":"https:\/\/staging.cined.dev\/content\/uploads\/userphoto\/10426776_796521990405487_1642881185345635726_n.jpeg"},"show_author":true,"cached":true,"likes":1,"_links":{"self":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/175469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/comments?post=175469"}],"version-history":[{"count":3,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/175469\/revisions"}],"predecessor-version":[{"id":175486,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/posts\/175469\/revisions\/175486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/media\/175412"}],"wp:attachment":[{"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/media?parent=175469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/categories?post=175469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/tags?post=175469"},{"taxonomy":"tag_label","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/tag_label?post=175469"},{"taxonomy":"brand","embeddable":true,"href":"https:\/\/staging.cined.dev\/es\/wp-json\/wp\/v2\/brand?post=175469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}