{"id":175763,"date":"2021-02-26T15:22:50","date_gmt":"2021-02-26T14:22:50","guid":{"rendered":"https:\/\/www.cined.com\/anamorphic-lenses-in-cinema-media-division-scope-chapter-one\/"},"modified":"2021-03-04T17:26:10","modified_gmt":"2021-03-04T16:26:10","slug":"anamorphic-lenses-in-cinema-media-division-scope-chapter-one","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/anamorphic-lenses-in-cinema-media-division-scope-chapter-one\/","title":{"rendered":"Lentes anam\u00f3rficos en el cine \u2013 Media Division SCOPE: Cap\u00edtulo uno"},"content":{"rendered":"\n<p><strong>En el \u00faltimo episodio de Media Division llamado SCOPE se analizaron los lentes anam\u00f3rficos en el cine. Despu\u00e9s de alrededor de 400 horas de trabajo durante los \u00faltimos 6 meses, Nikolas Moldenhauer, el presentador de Media Division, nos lleva en un viaje de 76 minutos a trav\u00e9s de la historia del rodaje anam\u00f3rfico, el look t\u00e9cnico de estos lentes, su aspecto distintivo y la poes\u00eda de la filmaci\u00f3n anam\u00f3rfica. Como beneficio adicional, podemos disfrutar de la Parodia de Blade Runner de Nikolas.<\/strong><\/p>\n\n\n\n<p>El 16 de febrero de 2021, cuando vi que sali\u00f3 un nuevo Epic Episode en el canal de YouTube de Media Division, me entusiasm\u00e9 mucho. Hab\u00edan pasado seis largos meses desde el \u00faltimo video llamado Lentes <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/canon-fd-and-k35-legendary-cine-lenses-on-a-budget\/\" target=\"_blank\">Canon FD y K35 Legendary Cine con un presupuesto limitado<\/a>, por lo que fue una larga espera. Publicar un video cada seis meses no es algo muy com\u00fan en YouTube, pero si ves uno de los videos de Media Division, comprender\u00e1s por qu\u00e9 ocurre esto: son videos largos, est\u00e1n llenos de informaci\u00f3n y est\u00e1n muy bien producidos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"789\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2.jpg\" alt=\"\" class=\"wp-image-175704\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-300x123.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-640x263.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-768x316.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-1536x631.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-560x230.jpg 560w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Parodia de Blade Runner. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>A Nikolas Moldenhauer, el presentador de Media Division, le gusta darle vida a su contenido parodiando una pel\u00edcula famosa. En los videos anteriores ya lo hemos visto insert\u00e1ndose en escenas famosas de The Shining (1980) y Aliens (1986). Esta vez, Nikolas eligi\u00f3 la legendaria pel\u00edcula <a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt0083658\/\" target=\"_blank\">Blade Runner (1982)<\/a> dirigida por Ridley Scott, ya que fue filmada con lentes anam\u00f3rficos y eso encaja con el tema de este episodio: los lentes anam\u00f3rficos en el cine.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SCOPE Cap\u00edtulo uno &#8211; Lentes anam\u00f3rficos en el cine<\/h2>\n\n\n\n<p>Con una duraci\u00f3n de 76 minutos, este es solo el primer video de los dos que saldr\u00e1n sobre los lentes anam\u00f3rficos. Nikolas lanzar\u00e1 el Cap\u00edtulo Dos de SCOPE en las pr\u00f3ximas semanas, el cual contar\u00e1 con m\u00e1s consejos pr\u00e1cticos para las personas que desean grabar con anam\u00f3rficos. Construir\u00e1 y probar\u00e1 varias configuraciones utilizando adaptadores y lentes de proyector y comparar\u00e1 su calidad de imagen con lentes de cine anam\u00f3rficos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses.jpg\" alt=\"\" class=\"wp-image-175698\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Variedad de lentes anam\u00f3rficos. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>A pesar de su extensi\u00f3n, el Cap\u00edtulo Uno de SCOPE est\u00e1 bien organizado y hay marcas de tiempo en la descripci\u00f3n, por lo que es posible omitir algunas partes o ir precisamente al cap\u00edtulo que m\u00e1s te interesa.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SCOPE Chapter One \u2013 Anamorphic Lenses in Cinema with Theory &amp; Poetry \u2013  Epic Episode #15\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/bIhaItLnSR0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Lentes anam\\u00f3rficos en el cine \\u2013 Media Division SCOPE: Cap\\u00edtulo uno\",\"description\":\"Lentes anam\\u00f3rficos en el cine \\u2013 Media Division SCOPE: Cap\\u00edtulo uno\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=bIhaItLnSR0\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/bIhaItLnSR0\\\/mqdefault.jpg\",\"uploadDate\":\"2021-02-26T15:22:50+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Realmente me gusta c\u00f3mo Nikolas brinda muchos ejemplos con escenas de pel\u00edculas ic\u00f3nicas. En este caso, decidi\u00f3 estructurar el primer cap\u00edtulo en dos partes principales.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parte 1 &#8211; \u00bfDe qu\u00e9 se trata el anam\u00f3rfico?<\/h2>\n\n\n\n<p>En la primera parte titulada &#8220;\u00bfDe qu\u00e9 se trata el anam\u00f3rfico?&#8221;, Nikolas repasa la <strong>historia del rodaje anam\u00f3rfico<\/strong>, menciona todos los diferentes formatos de pantalla ancha (Fox Grandeur, Cinerama, CinemaScope, VistaVision, Todd-AO, CinemaScope 55, Ultra &amp; Super Panavision 70, Technirama, Techniscope, Super 35) y lo ilustra muy bien con una animaci\u00f3n. Adem\u00e1s, habla sobre la intercambiabilidad de estos formatos y sobre el final de la era dorada y el renacimiento de los anam\u00f3rficos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1472\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware.jpg\" alt=\"\" class=\"wp-image-175689\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-300x230.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-640x491.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-768x589.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-1536x1178.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-255x195.jpg 255w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Equipo anam\u00f3rfico. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>En el siguiente segmento de la primera parte analiza las caracter\u00edsticas anam\u00f3rficas, lo que hace que una imagen anam\u00f3rfica sea diferente. Consta de los siguientes temas:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Una perspectiva \u00fanica<\/li><li>Efecto Bokeh ovalado<\/li><li>Un campo de visi\u00f3n m\u00e1s amplio<\/li><li>Destellos<\/li><li>Distorsiones<\/li><li>Respiraci\u00f3n de lente asim\u00e9trica<\/li><li>Suavidad<\/li><li>Anamorfake<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design.jpg\" alt=\"\" class=\"wp-image-175695\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Estructura \u00f3ptica anam\u00f3rfica. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>En el \u00faltimo segmento de la primera parte se sumerge en el dise\u00f1o del lente. Nikolas explica temas como el enfoque doble, la sincronizaci\u00f3n mec\u00e1nica, Panavision Gottschalk, Todd-AO, dioptr\u00edas vari y la ubicaci\u00f3n de los elementos. Estoy realmente asombrado por el nivel de conocimiento t\u00e9cnico y la cantidad de investigaci\u00f3n que realiz\u00f3 sobre el tema.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parte 2 &#8211; La poes\u00eda<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"798\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight.jpg\" alt=\"\" class=\"wp-image-175692\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-300x125.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-640x266.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-768x319.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-1536x638.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-553x230.jpg 553w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Rodaje en el estudio con el caballero &#8211; The Marmalade. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>En la segunda parte, el tema principal es la poes\u00eda del rodaje anam\u00f3rfico. Nikolas explica los diferentes estilos de rodaje anam\u00f3rfico y adem\u00e1s, contempla la cuesti\u00f3n de si se deben mezclar o no las im\u00e1genes anam\u00f3rficas y esf\u00e9ricas. Uno de los segmentos trata sobre la composici\u00f3n para pantalla ancha. Finalmente, Nikolas habla sobre si el anam\u00f3rfico realmente es m\u00e1s cinematogr\u00e1fico y sobre la (im) practicidad de filmar en este formato.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Informaci\u00f3n sobre el detr\u00e1s de escena<\/h2>\n\n\n\n<p>Cuando me comuniqu\u00e9 con Nikolas y le pregunt\u00e9 acerca de este video, me dijo que le tom\u00f3 6 meses planificar, investigar, filmar y producir, lo que da un total de alrededor de 400 horas de trabajo. Es una cantidad incre\u00edble de trabajo para crear un video de YouTube.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"796\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1.jpg\" alt=\"\" class=\"wp-image-175701\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-300x124.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-640x265.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-768x318.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-1536x637.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-555x230.jpg 555w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Parodia de Blade Runner. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>Adem\u00e1s cont\u00f3 que, a diferencia de sus episodios anteriores, escribir e investigar fue lo que le ocup\u00f3 la mayor parte del tiempo. Primero tuvo que estudiar el tema de la grabaci\u00f3n anam\u00f3rfica, y la falta de buenas fuentes no facilit\u00f3 su trabajo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1799\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3.jpg\" alt=\"\" class=\"wp-image-175707\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-300x281.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-640x600.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-768x720.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-1536x1439.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-245x230.jpg 245w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Parodia de Blade Runner. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>Curiosamente, Nikolas se puso en contacto con algunos fabricantes de lentes como ZEISS, Vantage (Hawk), Cooke, Glaswerk, Vazen y Panavision para cooperar en este episodio. Tal como me dijo, solo ZEISS respondi\u00f3, pero al final no particip\u00f3. Vazen quer\u00eda participar, pero no pudo entregar los lentes a tiempo para la prueba.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS.jpg\" alt=\"\" class=\"wp-image-175683\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Detr\u00e1s de escena de la grabaci\u00f3n de estudio en The Marmalade. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>Gran parte del rodaje se realiz\u00f3 en el estudio de la productora cinematogr\u00e1fica <a rel=\"noreferrer noopener\" href=\"https:\/\/www.themarmalade.com\/\" target=\"_blank\">The Marmalade<\/a> donde tambi\u00e9n se utilizaron dos robots de control de movimiento. Nikolas me cont\u00f3 que la armadura y las espadas del caballero son reales (no son solo accesorios). De lo contrario, el visor del casco se habr\u00eda mantenido abierto durante el enfrentamiento con una espada. La parodia de Blade Runner se film\u00f3 por separado y con una sola luz. Se utiliz\u00f3 una segunda luz solo para hacer brillar las retinas en un momento determinado.<\/p>\n\n\n\n<p>El primer episodio completo se puede ver haciendo clic <a rel=\"noreferrer noopener\" href=\"https:\/\/youtu.be\/bIhaItLnSR0\" target=\"_blank\">aqu\u00ed<\/a>.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas de este episodio de Media Division? \u00bfSigues el canal de YouTube de Nikolas? \u00bfSueles grabar anam\u00f3rfico? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<175763-main-buylinks\/>","protected":false,"clean_render":"<p><strong>En el \u00faltimo episodio de Media Division llamado SCOPE se analizaron los lentes anam\u00f3rficos en el cine. Despu\u00e9s de alrededor de 400 horas de trabajo durante los \u00faltimos 6 meses, Nikolas Moldenhauer, el presentador de Media Division, nos lleva en un viaje de 76 minutos a trav\u00e9s de la historia del rodaje anam\u00f3rfico, el look t\u00e9cnico de estos lentes, su aspecto distintivo y la poes\u00eda de la filmaci\u00f3n anam\u00f3rfica. Como beneficio adicional, podemos disfrutar de la Parodia de Blade Runner de Nikolas.<\/strong><\/p>\n\n\n\n<p>El 16 de febrero de 2021, cuando vi que sali\u00f3 un nuevo Epic Episode en el canal de YouTube de Media Division, me entusiasm\u00e9 mucho. Hab\u00edan pasado seis largos meses desde el \u00faltimo video llamado Lentes <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cined.com\/es\/canon-fd-and-k35-legendary-cine-lenses-on-a-budget\/\" target=\"_blank\">Canon FD y K35 Legendary Cine con un presupuesto limitado<\/a>, por lo que fue una larga espera. Publicar un video cada seis meses no es algo muy com\u00fan en YouTube, pero si ves uno de los videos de Media Division, comprender\u00e1s por qu\u00e9 ocurre esto: son videos largos, est\u00e1n llenos de informaci\u00f3n y est\u00e1n muy bien producidos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"789\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2.jpg\" alt=\"\" class=\"wp-image-175704\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-300x123.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-640x263.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-768x316.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-1536x631.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof2-560x230.jpg 560w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Parodia de Blade Runner. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>A Nikolas Moldenhauer, el presentador de Media Division, le gusta darle vida a su contenido parodiando una pel\u00edcula famosa. En los videos anteriores ya lo hemos visto insert\u00e1ndose en escenas famosas de The Shining (1980) y Aliens (1986). Esta vez, Nikolas eligi\u00f3 la legendaria pel\u00edcula <a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt0083658\/\" target=\"_blank\">Blade Runner (1982)<\/a> dirigida por Ridley Scott, ya que fue filmada con lentes anam\u00f3rficos y eso encaja con el tema de este episodio: los lentes anam\u00f3rficos en el cine.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SCOPE Cap\u00edtulo uno &#8211; Lentes anam\u00f3rficos en el cine<\/h2>\n\n\n\n<p>Con una duraci\u00f3n de 76 minutos, este es solo el primer video de los dos que saldr\u00e1n sobre los lentes anam\u00f3rficos. Nikolas lanzar\u00e1 el Cap\u00edtulo Dos de SCOPE en las pr\u00f3ximas semanas, el cual contar\u00e1 con m\u00e1s consejos pr\u00e1cticos para las personas que desean grabar con anam\u00f3rficos. Construir\u00e1 y probar\u00e1 varias configuraciones utilizando adaptadores y lentes de proyector y comparar\u00e1 su calidad de imagen con lentes de cine anam\u00f3rficos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses.jpg\" alt=\"\" class=\"wp-image-175698\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lenses-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Variedad de lentes anam\u00f3rficos. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>A pesar de su extensi\u00f3n, el Cap\u00edtulo Uno de SCOPE est\u00e1 bien organizado y hay marcas de tiempo en la descripci\u00f3n, por lo que es posible omitir algunas partes o ir precisamente al cap\u00edtulo que m\u00e1s te interesa.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SCOPE Chapter One \u2013 Anamorphic Lenses in Cinema with Theory &amp; Poetry \u2013  Epic Episode #15\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/bIhaItLnSR0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Lentes anam\\u00f3rficos en el cine \\u2013 Media Division SCOPE: Cap\\u00edtulo uno\",\"description\":\"Lentes anam\\u00f3rficos en el cine \\u2013 Media Division SCOPE: Cap\\u00edtulo uno\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=bIhaItLnSR0\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/bIhaItLnSR0\\\/mqdefault.jpg\",\"uploadDate\":\"2021-02-26T15:22:50+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Realmente me gusta c\u00f3mo Nikolas brinda muchos ejemplos con escenas de pel\u00edculas ic\u00f3nicas. En este caso, decidi\u00f3 estructurar el primer cap\u00edtulo en dos partes principales.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parte 1 &#8211; \u00bfDe qu\u00e9 se trata el anam\u00f3rfico?<\/h2>\n\n\n\n<p>En la primera parte titulada &#8220;\u00bfDe qu\u00e9 se trata el anam\u00f3rfico?&#8221;, Nikolas repasa la <strong>historia del rodaje anam\u00f3rfico<\/strong>, menciona todos los diferentes formatos de pantalla ancha (Fox Grandeur, Cinerama, CinemaScope, VistaVision, Todd-AO, CinemaScope 55, Ultra &amp; Super Panavision 70, Technirama, Techniscope, Super 35) y lo ilustra muy bien con una animaci\u00f3n. Adem\u00e1s, habla sobre la intercambiabilidad de estos formatos y sobre el final de la era dorada y el renacimiento de los anam\u00f3rficos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1472\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware.jpg\" alt=\"\" class=\"wp-image-175689\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-300x230.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-640x491.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-768x589.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-1536x1178.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-hardware-255x195.jpg 255w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Equipo anam\u00f3rfico. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>En el siguiente segmento de la primera parte analiza las caracter\u00edsticas anam\u00f3rficas, lo que hace que una imagen anam\u00f3rfica sea diferente. Consta de los siguientes temas:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Una perspectiva \u00fanica<\/li><li>Efecto Bokeh ovalado<\/li><li>Un campo de visi\u00f3n m\u00e1s amplio<\/li><li>Destellos<\/li><li>Distorsiones<\/li><li>Respiraci\u00f3n de lente asim\u00e9trica<\/li><li>Suavidad<\/li><li>Anamorfake<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design.jpg\" alt=\"\" class=\"wp-image-175695\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-lens-design-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Estructura \u00f3ptica anam\u00f3rfica. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>En el \u00faltimo segmento de la primera parte se sumerge en el dise\u00f1o del lente. Nikolas explica temas como el enfoque doble, la sincronizaci\u00f3n mec\u00e1nica, Panavision Gottschalk, Todd-AO, dioptr\u00edas vari y la ubicaci\u00f3n de los elementos. Estoy realmente asombrado por el nivel de conocimiento t\u00e9cnico y la cantidad de investigaci\u00f3n que realiz\u00f3 sobre el tema.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parte 2 &#8211; La poes\u00eda<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"798\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight.jpg\" alt=\"\" class=\"wp-image-175692\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-300x125.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-640x266.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-768x319.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-1536x638.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-knight-553x230.jpg 553w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Rodaje en el estudio con el caballero &#8211; The Marmalade. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>En la segunda parte, el tema principal es la poes\u00eda del rodaje anam\u00f3rfico. Nikolas explica los diferentes estilos de rodaje anam\u00f3rfico y adem\u00e1s, contempla la cuesti\u00f3n de si se deben mezclar o no las im\u00e1genes anam\u00f3rficas y esf\u00e9ricas. Uno de los segmentos trata sobre la composici\u00f3n para pantalla ancha. Finalmente, Nikolas habla sobre si el anam\u00f3rfico realmente es m\u00e1s cinematogr\u00e1fico y sobre la (im) practicidad de filmar en este formato.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Informaci\u00f3n sobre el detr\u00e1s de escena<\/h2>\n\n\n\n<p>Cuando me comuniqu\u00e9 con Nikolas y le pregunt\u00e9 acerca de este video, me dijo que le tom\u00f3 6 meses planificar, investigar, filmar y producir, lo que da un total de alrededor de 400 horas de trabajo. Es una cantidad incre\u00edble de trabajo para crear un video de YouTube.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"796\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1.jpg\" alt=\"\" class=\"wp-image-175701\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-300x124.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-640x265.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-768x318.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-1536x637.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof1-555x230.jpg 555w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Parodia de Blade Runner. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>Adem\u00e1s cont\u00f3 que, a diferencia de sus episodios anteriores, escribir e investigar fue lo que le ocup\u00f3 la mayor parte del tiempo. Primero tuvo que estudiar el tema de la grabaci\u00f3n anam\u00f3rfica, y la falta de buenas fuentes no facilit\u00f3 su trabajo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1799\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3.jpg\" alt=\"\" class=\"wp-image-175707\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-300x281.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-640x600.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-768x720.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-1536x1439.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-spoof3-245x230.jpg 245w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Parodia de Blade Runner. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>Curiosamente, Nikolas se puso en contacto con algunos fabricantes de lentes como ZEISS, Vantage (Hawk), Cooke, Glaswerk, Vazen y Panavision para cooperar en este episodio. Tal como me dijo, solo ZEISS respondi\u00f3, pero al final no particip\u00f3. Vazen quer\u00eda participar, pero no pudo entregar los lentes a tiempo para la prueba.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS.jpg\" alt=\"\" class=\"wp-image-175683\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS.jpg 1920w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/02\/Scope-anamorphic-media-division-1-BTS-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>Detr\u00e1s de escena de la grabaci\u00f3n de estudio en The Marmalade. Fuente: Media Division<\/figcaption><\/figure>\n\n\n\n<p>Gran parte del rodaje se realiz\u00f3 en el estudio de la productora cinematogr\u00e1fica <a rel=\"noreferrer noopener\" href=\"https:\/\/www.themarmalade.com\/\" target=\"_blank\">The Marmalade<\/a> donde tambi\u00e9n se utilizaron dos robots de control de movimiento. Nikolas me cont\u00f3 que la armadura y las espadas del caballero son reales (no son solo accesorios). De lo contrario, el visor del casco se habr\u00eda mantenido abierto durante el enfrentamiento con una espada. La parodia de Blade Runner se film\u00f3 por separado y con una sola luz. Se utiliz\u00f3 una segunda luz solo para hacer brillar las retinas en un momento determinado.<\/p>\n\n\n\n<p>El primer episodio completo se puede ver haciendo clic <a rel=\"noreferrer noopener\" href=\"https:\/\/youtu.be\/bIhaItLnSR0\" target=\"_blank\">aqu\u00ed<\/a>.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 opinas de este episodio de Media Division? \u00bfSigues el canal de YouTube de Nikolas? \u00bfSueles grabar anam\u00f3rfico? Cu\u00e9ntanos en los comentarios debajo del art\u00edculo.<\/strong><\/p>\n<175763-main-buylinks\/>"},"excerpt":{"rendered":"<p>En el \u00faltimo episodio de Media Division llamado SCOPE se analizaron los lentes anam\u00f3rficos en el cine. Despu\u00e9s de alrededor de 400 horas de trabajo durante los \u00faltimos 6 meses, Nikolas Moldenhauer, el presentador de Media Division, nos lleva en un viaje de 76 minutos a trav\u00e9s de la historia del rodaje anam\u00f3rfico, el look t\u00e9cnico de estos lentes, su aspecto distintivo y la poes\u00eda de la filmaci\u00f3n anam\u00f3rfica. Como beneficio adicional, podemos disfrutar de la Parodia de Blade Runner de Nikolas. El 16 de febrero de 2021, cuando vi que sali\u00f3 un nuevo Epic Episode en el canal de YouTube de Media Division, me entusiasm\u00e9 mucho. Hab\u00edan pasado seis [&hellip;]<\/p>\n","protected":false},"author":12862,"featured_media":175688,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[35764,36451,24613,39842,24837,39843,24838,25423,26882,56508,56680,31521,56681,34026,35761],"tag_label":[56227],"brand":[],"class_list":["post-175763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","tag-detras-de-escena","tag-educacion","tag-education-es","tag-media-division-es","tag-anamorphic-es","tag-nikolas-moldenhauer-es","tag-anamorphic-lens-es","tag-youtube-es","tag-anamorfico","tag-bts-es","tag-edutainment-es","tag-lente-anamorfico","tag-lente-ana","tag-youtube-creator-es","tag-behind-the-scenes-es","tag_label-education-es"],"yoast_head":"<!-- This site is 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