{"id":182712,"date":"2021-04-21T11:16:59","date_gmt":"2021-04-21T09:16:59","guid":{"rendered":"https:\/\/www.cined.com\/mank-interview-shot-talk\/"},"modified":"2021-04-21T21:57:08","modified_gmt":"2021-04-21T19:57:08","slug":"mank-interview-shot-talk","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/mank-interview-shot-talk\/","title":{"rendered":"Entrevista sobre \u201cMank\u201d junto con David Fincher y el director de fotograf\u00eda Erik Messerschmidt"},"content":{"rendered":"\n<p><strong>Nominada a 10 premios <a href=\"https:\/\/www.cined.com\/es\/oscars-2021-contenders-which-cameras-lenses-were-used\/\">Oscar<\/a>, <em>&#8220;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10618286\/?ref_=tttr_tr_tt\" target=\"_blank\">Mank<\/a>&#8220;<\/em>, la tercera colaboraci\u00f3n de David Fincher en Netflix, es una pel\u00edcula que les recomendamos a todos que vean. Aquellos que ya la han visto, pueden ver el \u00faltimo episodio del segmento <a rel=\"noreferrer noopener\" href=\"https:\/\/blog.shotdeck.com\/2021\/04\/17\/shot-talk-mank-w-david-fincher-erik-messerschmidt\/\" target=\"_blank\">Shot Talk<\/a> sobre Mank a continuaci\u00f3n, donde Fincher y Messerschmidt hablaron sobre su trabajo en la pel\u00edcula.<\/strong><\/p>\n\n\n\n<p>Filmada en blanco y negro con las c\u00e1maras Helium Monochrome 8K de <a href=\"https:\/\/www.cined.com\/es\/red-arsenal-website-choose-your-perfect-camera\/\">RED<\/a>, Mank retrata a Hollywood a trav\u00e9s de los ojos de Herman J. Mankiewicz, un guionista alcoh\u00f3lico y cr\u00edtico social despiadado, que se apresura a terminar el gui\u00f3n de <em>Citizen Kane<\/em> de 1941 (una pel\u00edcula que, por cierto, fue nominada a un Oscar menos que <em>Mank<\/em>!)<\/p>\n\n\n\n<p>El drama fue escrito por el difunto padre de Fincher, Jack, y est\u00e1 protagonizado por Gary Oldman como Mankiewicz, Amanda Seyfried como Marion Davies y Lily Collins como Rita Alexander. Es una pel\u00edcula fant\u00e1stica, con una fascinante historia detr\u00e1s de escena, como podr\u00e1n ver en el \u00faltimo episodio de Shot Talk.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"MANK | David Fincher &amp; Erik Messerschmidt breakdown the film&#039;s look | ShotDeck Presents: Shot Talk\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/UgBy-llxcvM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Entrevista sobre \\u201cMank\\u201d junto con David Fincher y el director de fotograf\\u00eda Erik Messerschmidt\",\"description\":\"Entrevista sobre \\u201cMank\\u201d junto con David Fincher y el director de fotograf\\u00eda Erik Messerschmidt\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=UgBy-llxcvM&amp;ab_channel=ShotDeck\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/UgBy-llxcvM\\\/mqdefault.jpg\",\"uploadDate\":\"2021-04-21T11:16:59+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">David Fincher y Eric Messerschmidt hablan sobre Mank<\/h2>\n\n\n\n<p>Este episodio nos llam\u00f3 la atenci\u00f3n, ya que involucr\u00f3 una interesante conversaci\u00f3n t\u00e9cnica a fondo con <a href=\"\/?p=46908\">Fincher<\/a> y Messerschmidt que hablaron sobre la filosof\u00eda de la cinematograf\u00eda en blanco y negro vs. color, realizaron desgloses detallados de los efectos visuales en varias escenas importantes de la pel\u00edcula y explicaron por qu\u00e9 Fincher evita usar el Steadicam a toda costa.<\/p>\n\n\n\n<p>Fincher comenz\u00f3 la entrevista revelando:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u201cOriginalmente, la idea era hacer algo en 4:3, esto fue en 1992\/93 cuando le\u00ed el primer borrador y hablamos de hacer la pel\u00edcula. Cuando Netflix dijo que podr\u00edan estar interesados en la propuesta, la conversaci\u00f3n comenz\u00f3 a girar en torno a c\u00f3mo ejecutar\u00edamos esa idea&#8221;.<\/p><p>\u201c\u2026Cuando sali\u00f3 la c\u00e1mara monochrome de Leica en 2008, le pregunt\u00e9 a Jarred (de RED): \u00bfpuedes hacer esto con tus sensores, quitar el RGB y asignar tus valores de luminancia? Y dijo que s\u00ed, que era f\u00e1cil, pero que iba a tener un ASA muy alto de 3200, lo cual es genial. Entonces, la cuesti\u00f3n se centr\u00f3 en la relaci\u00f3n de aspecto, y tuve que hacer un sacrificio. Nunca he podido encuadrar en 1:33&#8243;.<\/p><\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"289\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-640x289.jpg\" alt=\"Mank\" class=\"wp-image-182504\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-640x289.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-300x136.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-768x347.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-1536x694.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-2048x926.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-509x230.jpg 509w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Cr\u00e9dito de imagen: Netflix<\/figcaption><\/figure>\n\n\n\n<p>Mankiewicz agreg\u00f3:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u201cInicialmente hab\u00eda un entusiasmo ingenuo acerca de c\u00f3mo pod\u00edamos hacer todo esto en blanco y negro. Pero respecto al alto contraste, si miras la pel\u00edcula Kane, las escenas expositivas no est\u00e1n tan bien iluminadas\u2026 A fin de cuentas, tienes que contar una historia, y cuando tienes escenas expositivas, escenas de conversaci\u00f3n entre personajes que requieren mucha cobertura, no puedes simplemente iluminar todo de esa manera\u2026 hicimos un equilibrio entre ver en qu\u00e9 escenas era apropiado ser estil\u00edstico y rendir homenaje, y en cu\u00e1les realmente concentrarse en contar la historia que se est\u00e1 montando frente a ti.\u201d<\/p><\/blockquote>\n\n\n\n<p>La foto del encabezado son capturas de <a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10618286\/\" target=\"_blank\"><em>Mank<\/em> (2020)<\/a>.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 piensas de Mank y de la entrevista de Shot Talk con David Fincher y Erik Messerschmidt? Cu\u00e9ntanos en la secci\u00f3n de comentarios.<\/strong><\/p>\n<182712-main-buylinks\/>","protected":false,"clean_render":"<p><strong>Nominada a 10 premios <a href=\"https:\/\/www.cined.com\/es\/oscars-2021-contenders-which-cameras-lenses-were-used\/\">Oscar<\/a>, <em>&#8220;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10618286\/?ref_=tttr_tr_tt\" target=\"_blank\">Mank<\/a>&#8220;<\/em>, la tercera colaboraci\u00f3n de David Fincher en Netflix, es una pel\u00edcula que les recomendamos a todos que vean. Aquellos que ya la han visto, pueden ver el \u00faltimo episodio del segmento <a rel=\"noreferrer noopener\" href=\"https:\/\/blog.shotdeck.com\/2021\/04\/17\/shot-talk-mank-w-david-fincher-erik-messerschmidt\/\" target=\"_blank\">Shot Talk<\/a> sobre Mank a continuaci\u00f3n, donde Fincher y Messerschmidt hablaron sobre su trabajo en la pel\u00edcula.<\/strong><\/p>\n\n\n\n<p>Filmada en blanco y negro con las c\u00e1maras Helium Monochrome 8K de <a href=\"https:\/\/www.cined.com\/es\/red-arsenal-website-choose-your-perfect-camera\/\">RED<\/a>, Mank retrata a Hollywood a trav\u00e9s de los ojos de Herman J. Mankiewicz, un guionista alcoh\u00f3lico y cr\u00edtico social despiadado, que se apresura a terminar el gui\u00f3n de <em>Citizen Kane<\/em> de 1941 (una pel\u00edcula que, por cierto, fue nominada a un Oscar menos que <em>Mank<\/em>!)<\/p>\n\n\n\n<p>El drama fue escrito por el difunto padre de Fincher, Jack, y est\u00e1 protagonizado por Gary Oldman como Mankiewicz, Amanda Seyfried como Marion Davies y Lily Collins como Rita Alexander. Es una pel\u00edcula fant\u00e1stica, con una fascinante historia detr\u00e1s de escena, como podr\u00e1n ver en el \u00faltimo episodio de Shot Talk.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"MANK | David Fincher &amp; Erik Messerschmidt breakdown the film&#039;s look | ShotDeck Presents: Shot Talk\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/UgBy-llxcvM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Entrevista sobre \\u201cMank\\u201d junto con David Fincher y el director de fotograf\\u00eda Erik Messerschmidt\",\"description\":\"Entrevista sobre \\u201cMank\\u201d junto con David Fincher y el director de fotograf\\u00eda Erik Messerschmidt\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=UgBy-llxcvM&amp;ab_channel=ShotDeck\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/UgBy-llxcvM\\\/mqdefault.jpg\",\"uploadDate\":\"2021-04-21T11:16:59+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">David Fincher y Eric Messerschmidt hablan sobre Mank<\/h2>\n\n\n\n<p>Este episodio nos llam\u00f3 la atenci\u00f3n, ya que involucr\u00f3 una interesante conversaci\u00f3n t\u00e9cnica a fondo con <a href=\"\/?p=46908\">Fincher<\/a> y Messerschmidt que hablaron sobre la filosof\u00eda de la cinematograf\u00eda en blanco y negro vs. color, realizaron desgloses detallados de los efectos visuales en varias escenas importantes de la pel\u00edcula y explicaron por qu\u00e9 Fincher evita usar el Steadicam a toda costa.<\/p>\n\n\n\n<p>Fincher comenz\u00f3 la entrevista revelando:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u201cOriginalmente, la idea era hacer algo en 4:3, esto fue en 1992\/93 cuando le\u00ed el primer borrador y hablamos de hacer la pel\u00edcula. Cuando Netflix dijo que podr\u00edan estar interesados en la propuesta, la conversaci\u00f3n comenz\u00f3 a girar en torno a c\u00f3mo ejecutar\u00edamos esa idea&#8221;.<\/p><p>\u201c\u2026Cuando sali\u00f3 la c\u00e1mara monochrome de Leica en 2008, le pregunt\u00e9 a Jarred (de RED): \u00bfpuedes hacer esto con tus sensores, quitar el RGB y asignar tus valores de luminancia? Y dijo que s\u00ed, que era f\u00e1cil, pero que iba a tener un ASA muy alto de 3200, lo cual es genial. Entonces, la cuesti\u00f3n se centr\u00f3 en la relaci\u00f3n de aspecto, y tuve que hacer un sacrificio. Nunca he podido encuadrar en 1:33&#8243;.<\/p><\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"289\" src=\"https:\/\/www.cined.com\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-640x289.jpg\" alt=\"Mank\" class=\"wp-image-182504\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-640x289.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-300x136.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-768x347.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-1536x694.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-2048x926.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2021\/04\/Mank_NetflixPictures-1-509x230.jpg 509w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Cr\u00e9dito de imagen: Netflix<\/figcaption><\/figure>\n\n\n\n<p>Mankiewicz agreg\u00f3:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u201cInicialmente hab\u00eda un entusiasmo ingenuo acerca de c\u00f3mo pod\u00edamos hacer todo esto en blanco y negro. Pero respecto al alto contraste, si miras la pel\u00edcula Kane, las escenas expositivas no est\u00e1n tan bien iluminadas\u2026 A fin de cuentas, tienes que contar una historia, y cuando tienes escenas expositivas, escenas de conversaci\u00f3n entre personajes que requieren mucha cobertura, no puedes simplemente iluminar todo de esa manera\u2026 hicimos un equilibrio entre ver en qu\u00e9 escenas era apropiado ser estil\u00edstico y rendir homenaje, y en cu\u00e1les realmente concentrarse en contar la historia que se est\u00e1 montando frente a ti.\u201d<\/p><\/blockquote>\n\n\n\n<p>La foto del encabezado son capturas de <a rel=\"noreferrer noopener\" href=\"https:\/\/www.imdb.com\/title\/tt10618286\/\" target=\"_blank\"><em>Mank<\/em> (2020)<\/a>.<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 piensas de Mank y de la entrevista de Shot Talk con David Fincher y Erik Messerschmidt? Cu\u00e9ntanos en la secci\u00f3n de comentarios.<\/strong><\/p>\n<182712-main-buylinks\/>"},"excerpt":{"rendered":"<p>Nominada a 10 premios Oscar, &#8220;Mank&#8220;, la tercera colaboraci\u00f3n de David Fincher en Netflix, es una pel\u00edcula que les recomendamos a todos que vean. Aquellos que ya la han visto, pueden ver el \u00faltimo episodio del segmento Shot Talk sobre Mank a continuaci\u00f3n, donde Fincher y Messerschmidt hablaron sobre su trabajo en la pel\u00edcula. Filmada en blanco y negro con las c\u00e1maras Helium Monochrome 8K de RED, Mank retrata a Hollywood a trav\u00e9s de los ojos de Herman J. Mankiewicz, un guionista alcoh\u00f3lico y cr\u00edtico social despiadado, que se apresura a terminar el gui\u00f3n de Citizen Kane de 1941 (una pel\u00edcula que, por cierto, fue nominada a un Oscar menos [&hellip;]<\/p>\n","protected":false},"author":18897,"featured_media":182397,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[54845,54846,58065,58066,25216,58067,27247,30062,37864],"tag_label":[52849],"brand":[],"class_list":["post-182712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","tag-2021-oscars-es","tag-oscars-es","tag-mank-es","tag-shot-talk-es","tag-red-camera-es","tag-david-fincher-es","tag-entrevista","tag-premios-oscar","tag-oscar-es","tag_label-interview-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Entrevista sobre \u201cMank\u201d junto con David 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