{"id":183614,"date":"2021-04-28T13:13:26","date_gmt":"2021-04-28T11:13:26","guid":{"rendered":"https:\/\/www.cined.com\/how-to-be-a-successful-post-producer-interview-with-lesley-weir\/"},"modified":"2021-04-29T01:31:08","modified_gmt":"2021-04-28T23:31:08","slug":"how-to-be-a-successful-post-producer-interview-with-lesley-weir","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/how-to-be-a-successful-post-producer-interview-with-lesley-weir\/","title":{"rendered":"C\u00f3mo ser un posproductor exitoso: entrevista con Lesley Weir"},"content":{"rendered":"\n

Esta entrevista es parte de una nueva serie de CineD que celebra a las mujeres en la industria del cine y la televisi\u00f3n. Puedes leer nuestro \u00faltimo art\u00edculo donde nos reunimos con la directora de fotograf\u00eda Mia Cioffi Henry aqu\u00ed<\/a>.<\/strong> Hoy, hablaremos con Lesley Weir de Serious Facilities<\/a> sobre c\u00f3mo convertirse en un posproductor exitoso.<\/strong><\/p>\n\n\n\n

Antes de convertirse en posproductora en Serious Facilities de Glasgow, Lesley Weir trabaj\u00f3 en la producci\u00f3n de la cadena de televisi\u00f3n escocesa STV.<\/p>\n\n\n\n

\"\"
Weir en el trabajo.<\/figcaption><\/figure><\/div>\n\n\n\n

Esto fue a principios de los 90. \u201cLa televisi\u00f3n escocesa era muy nueva, ten\u00eda mucha programaci\u00f3n local\u201d, recuerda Weir. \u201cPod\u00edas estar en la sala de redacci\u00f3n un d\u00eda y en un campo deportivo o en las colinas al d\u00eda siguiente. Hab\u00eda mucha libertad. No estaba estructurado de la forma en que podr\u00edan estarlo otras emisoras como la BBC”.<\/p>\n\n\n\n

Eventualmente, Weir dej\u00f3 STV y comenz\u00f3 a trabajar en la postproducci\u00f3n, ayudando a que Serious creciera de una peque\u00f1a casa de post con seis empleados a una instalaci\u00f3n de servicio completo con 21 suites off-line, cuatro suites on-line, cuatro suites de doblaje de audio, un departamento de gr\u00e1ficos, un departamento de datos, Baselight Digital Telecine, salas de corte de pel\u00edculas, una enorme sala de m\u00e1quinas y mucho m\u00e1s (\u00a1en un momento, incluso llegaron a convertir un ba\u00f1o en una suite para tener m\u00e1s espacio!).<\/p>\n\n\n\n

A continuaci\u00f3n, nos cuenta su opini\u00f3n sobre la industria de la televisi\u00f3n escocesa y sus secretos para tener \u00e9xito como posproductora.<\/p>\n\n\n\n

\"\"
Una de las suites de Serious.<\/figcaption><\/figure><\/div>\n\n\n\n

\u00bfPor qu\u00e9 pasaste de la producci\u00f3n a la postproducci\u00f3n?<\/strong><\/h2>\n\n\n\n

Lesley Weir (L.W.): <\/strong>Me encant\u00f3. Me encant\u00f3 que cuando ingresas en la postproducci\u00f3n, todos respiran aliviados. Debes hacer lo mejor con lo que tienes. No hay m\u00e1s debates o discusiones, es simplemente lo que tenemos y tenemos que ver c\u00f3mo podemos hacer que funcione.<\/p>\n\n\n\n

Tambi\u00e9n estaba interesada en ayudar a cambiar las perspectivas de las personas sobre la postproducci\u00f3n. La gente ve este proceso como un arte oscuro, como un gran gasto de dinero. Como posproductora, eso es lo que estoy intentando cambiar. Necesito ayudar a traducir el proceso para nuestros clientes, lograr que tengan plena confianza en nosotros y conf\u00eden en la forma en que nuestro equipo hace las cosas.<\/p>\n\n\n\n

\u00bfC\u00f3mo es trabajar hoy en d\u00eda en la industria de la televisi\u00f3n escocesa?<\/strong><\/h2>\n\n\n\n

L.W.: <\/strong>Creo que es un momento genial para Escocia. Hay un gran impulso para intentar buscar la creatividad afuera de Londres y desarrollar el talento local y, con suerte, eso continuar\u00e1. Adem\u00e1s, nunca ha habido tantas opciones para el contenido, entre las plataformas de transmisi\u00f3n tradicional, VOD y en l\u00ednea.<\/p>\n\n\n\n

\"How
El edificio de Serious Facilities.<\/figcaption><\/figure><\/div>\n\n\n\n

\u00bfHay algo que quieras cambiar?<\/strong><\/h2>\n\n\n\n

L.W.:\u00a0 <\/strong>Una cosa que es bastante universal en la industria de la televisi\u00f3n, no solo en Escocia o en la postproducci\u00f3n sino en general, es que los proyectos tienden a tener a gerentes de projecto mujeres, mientras que los jefes de tecnolog\u00eda son hombres. Espero que eso cambie, sobre todo teniendo en cuenta que se trata de una industria tan innovadora como la televisi\u00f3n. Necesitamos ser m\u00e1s vers\u00e1tiles.<\/p>\n\n\n\n

\u00bfC\u00f3mo crees que podemos cambiar eso?<\/strong><\/h2>\n\n\n\n

L.W.: <\/strong>En la postproducci\u00f3n creo que deber\u00edamos involucrarnos m\u00e1s con las universidades y los diferentes cursos. Pero tambi\u00e9n se trata de ir mucho m\u00e1s all\u00e1 que eso. Se trata de observar la cultura de la organizaci\u00f3n para asegurarte de que no sea algo desagradable para las personas que no son “como todos los dem\u00e1s”. Ser amable con el resto de las personas es muy \u00fatil, al igual que tener ventanas en todas las suites de trabajo, un horario flexible y proveer un almuerzo.<\/p>\n\n\n\n

\"How
Otra suite de postproducci\u00f3n en Serious.<\/figcaption><\/figure><\/div>\n\n\n\n

\u00bfQu\u00e9 habilidades hacen que un posproductor tenga \u00e9xito, cu\u00e1les de ellas pueden ayudar a que crezca una empresa?<\/strong><\/h2>\n\n\n\n

L.W.: <\/strong>Primero, se trata de mirar y disfrutar de los distintos formatos multimedia, ya sean pel\u00edculas, programas de televisi\u00f3n o comerciales. Debes disfrutar de tu trabajo. Tambi\u00e9n es necesario ser bueno en la comunicaci\u00f3n y ser confiable para los clientes. Debes ponerte en su lugar: no quieren verse afectados por una gran factura al final del trabajo, necesitan tener actualizaciones constantes y claras para garantizar que las cosas siempre se mantengan por buen camino.<\/p>\n\n\n\n

Por \u00faltimo, debes ser flexible y es muy importante que puedas re\u00edrte. Muchas veces los clientes est\u00e1n muy estresados cuando ingresan a la postproducci\u00f3n. A veces, han trabajado en un proyecto durante a\u00f1os y este es el \u00faltimo paso antes de terminarlo. Es importante hacer que sea un momento agradable, tanto para tu propia salud mental como la de ellos.<\/p>\n\n\n\n

Puedes encontrar m\u00e1s informaci\u00f3n sobre Serious Facilities en su sitio web.<\/a><\/p>\n\n\n\n

Imagen de encabezado de Spartan Xozz<\/a> en Unsplash.<\/p>\n\n\n\n

\u00bfTe inspira el trabajo y la carrera de Lesley Weir? \u00bfEsperas ver los mismos cambios en el futuro? Comparte tu opini\u00f3n en los comentarios a continuaci\u00f3n y mantente atento para conocer m\u00e1s perfiles exclusivos de las mujeres en la industria.<\/strong><\/p>\n<183614-main-buylinks\/>","protected":false,"clean_render":"

Esta entrevista es parte de una nueva serie de CineD que celebra a las mujeres en la industria del cine y la televisi\u00f3n. Puedes leer nuestro \u00faltimo art\u00edculo donde nos reunimos con la directora de fotograf\u00eda Mia Cioffi Henry aqu\u00ed<\/a>.<\/strong> Hoy, hablaremos con Lesley Weir de Serious Facilities<\/a> sobre c\u00f3mo convertirse en un posproductor exitoso.<\/strong><\/p>\n\n\n\n

Antes de convertirse en posproductora en Serious Facilities de Glasgow, Lesley Weir trabaj\u00f3 en la producci\u00f3n de la cadena de televisi\u00f3n escocesa STV.<\/p>\n\n\n\n

\"\"
Weir en el trabajo.<\/figcaption><\/figure><\/div>\n\n\n\n

Esto fue a principios de los 90. \u201cLa televisi\u00f3n escocesa era muy nueva, ten\u00eda mucha programaci\u00f3n local\u201d, recuerda Weir. \u201cPod\u00edas estar en la sala de redacci\u00f3n un d\u00eda y en un campo deportivo o en las colinas al d\u00eda siguiente. Hab\u00eda mucha libertad. No estaba estructurado de la forma en que podr\u00edan estarlo otras emisoras como la BBC”.<\/p>\n\n\n\n

Eventualmente, Weir dej\u00f3 STV y comenz\u00f3 a trabajar en la postproducci\u00f3n, ayudando a que Serious creciera de una peque\u00f1a casa de post con seis empleados a una instalaci\u00f3n de servicio completo con 21 suites off-line, cuatro suites on-line, cuatro suites de doblaje de audio, un departamento de gr\u00e1ficos, un departamento de datos, Baselight Digital Telecine, salas de corte de pel\u00edculas, una enorme sala de m\u00e1quinas y mucho m\u00e1s (\u00a1en un momento, incluso llegaron a convertir un ba\u00f1o en una suite para tener m\u00e1s espacio!).<\/p>\n\n\n\n

A continuaci\u00f3n, nos cuenta su opini\u00f3n sobre la industria de la televisi\u00f3n escocesa y sus secretos para tener \u00e9xito como posproductora.<\/p>\n\n\n\n

\"\"
Una de las suites de Serious.<\/figcaption><\/figure><\/div>\n\n\n\n

\u00bfPor qu\u00e9 pasaste de la producci\u00f3n a la postproducci\u00f3n?<\/strong><\/h2>\n\n\n\n

Lesley Weir (L.W.): <\/strong>Me encant\u00f3. Me encant\u00f3 que cuando ingresas en la postproducci\u00f3n, todos respiran aliviados. Debes hacer lo mejor con lo que tienes. No hay m\u00e1s debates o discusiones, es simplemente lo que tenemos y tenemos que ver c\u00f3mo podemos hacer que funcione.<\/p>\n\n\n\n

Tambi\u00e9n estaba interesada en ayudar a cambiar las perspectivas de las personas sobre la postproducci\u00f3n. La gente ve este proceso como un arte oscuro, como un gran gasto de dinero. Como posproductora, eso es lo que estoy intentando cambiar. Necesito ayudar a traducir el proceso para nuestros clientes, lograr que tengan plena confianza en nosotros y conf\u00eden en la forma en que nuestro equipo hace las cosas.<\/p>\n\n\n\n

\u00bfC\u00f3mo es trabajar hoy en d\u00eda en la industria de la televisi\u00f3n escocesa?<\/strong><\/h2>\n\n\n\n

L.W.: <\/strong>Creo que es un momento genial para Escocia. Hay un gran impulso para intentar buscar la creatividad afuera de Londres y desarrollar el talento local y, con suerte, eso continuar\u00e1. Adem\u00e1s, nunca ha habido tantas opciones para el contenido, entre las plataformas de transmisi\u00f3n tradicional, VOD y en l\u00ednea.<\/p>\n\n\n\n

\"How
El edificio de Serious Facilities.<\/figcaption><\/figure><\/div>\n\n\n\n

\u00bfHay algo que quieras cambiar?<\/strong><\/h2>\n\n\n\n

L.W.:\u00a0 <\/strong>Una cosa que es bastante universal en la industria de la televisi\u00f3n, no solo en Escocia o en la postproducci\u00f3n sino en general, es que los proyectos tienden a tener a gerentes de projecto mujeres, mientras que los jefes de tecnolog\u00eda son hombres. Espero que eso cambie, sobre todo teniendo en cuenta que se trata de una industria tan innovadora como la televisi\u00f3n. Necesitamos ser m\u00e1s vers\u00e1tiles.<\/p>\n\n\n\n

\u00bfC\u00f3mo crees que podemos cambiar eso?<\/strong><\/h2>\n\n\n\n

L.W.: <\/strong>En la postproducci\u00f3n creo que deber\u00edamos involucrarnos m\u00e1s con las universidades y los diferentes cursos. Pero tambi\u00e9n se trata de ir mucho m\u00e1s all\u00e1 que eso. Se trata de observar la cultura de la organizaci\u00f3n para asegurarte de que no sea algo desagradable para las personas que no son “como todos los dem\u00e1s”. Ser amable con el resto de las personas es muy \u00fatil, al igual que tener ventanas en todas las suites de trabajo, un horario flexible y proveer un almuerzo.<\/p>\n\n\n\n

\"How
Otra suite de postproducci\u00f3n en Serious.<\/figcaption><\/figure><\/div>\n\n\n\n

\u00bfQu\u00e9 habilidades hacen que un posproductor tenga \u00e9xito, cu\u00e1les de ellas pueden ayudar a que crezca una empresa?<\/strong><\/h2>\n\n\n\n

L.W.: <\/strong>Primero, se trata de mirar y disfrutar de los distintos formatos multimedia, ya sean pel\u00edculas, programas de televisi\u00f3n o comerciales. Debes disfrutar de tu trabajo. Tambi\u00e9n es necesario ser bueno en la comunicaci\u00f3n y ser confiable para los clientes. Debes ponerte en su lugar: no quieren verse afectados por una gran factura al final del trabajo, necesitan tener actualizaciones constantes y claras para garantizar que las cosas siempre se mantengan por buen camino.<\/p>\n\n\n\n

Por \u00faltimo, debes ser flexible y es muy importante que puedas re\u00edrte. Muchas veces los clientes est\u00e1n muy estresados cuando ingresan a la postproducci\u00f3n. A veces, han trabajado en un proyecto durante a\u00f1os y este es el \u00faltimo paso antes de terminarlo. Es importante hacer que sea un momento agradable, tanto para tu propia salud mental como la de ellos.<\/p>\n\n\n\n

Puedes encontrar m\u00e1s informaci\u00f3n sobre Serious Facilities en su sitio web.<\/a><\/p>\n\n\n\n

Imagen de encabezado de Spartan Xozz<\/a> en Unsplash.<\/p>\n\n\n\n

\u00bfTe inspira el trabajo y la carrera de Lesley Weir? \u00bfEsperas ver los mismos cambios en el futuro? Comparte tu opini\u00f3n en los comentarios a continuaci\u00f3n y mantente atento para conocer m\u00e1s perfiles exclusivos de las mujeres en la industria.<\/strong><\/p>\n<183614-main-buylinks\/>"},"excerpt":{"rendered":"

Esta entrevista es parte de una nueva serie de CineD que celebra a las mujeres en la industria del cine y la televisi\u00f3n. Puedes leer nuestro \u00faltimo art\u00edculo donde nos reunimos con la directora de fotograf\u00eda Mia Cioffi Henry aqu\u00ed. Hoy, hablaremos con Lesley Weir de Serious Facilities sobre c\u00f3mo convertirse en un posproductor exitoso. Antes de convertirse en posproductora en Serious Facilities de Glasgow, Lesley Weir trabaj\u00f3 en la producci\u00f3n de la cadena de televisi\u00f3n escocesa STV. Esto fue a principios de los 90. \u201cLa televisi\u00f3n escocesa era muy nueva, ten\u00eda mucha programaci\u00f3n local\u201d, recuerda Weir. \u201cPod\u00edas estar en la sala de redacci\u00f3n un d\u00eda y en un campo […]<\/p>\n","protected":false},"author":18897,"featured_media":183551,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[53934,58214,58215,24822,25912,27244,27247,28468],"tag_label":[57265],"brand":[],"class_list":["post-183614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","tag-posproduccion","tag-facility-es","tag-flujo-de-trabajo-en-la-pospoduccion","tag-post-production-2-es","tag-post-production-es","tag-interview-es","tag-entrevista","tag-post-production-workflow-es","tag_label-women-in-film-es"],"yoast_head":"\nC\u00f3mo ser un posproductor exitoso: entrevista con Lesley Weir | CineD<\/title>\n<meta name=\"description\" content=\"We catch up with Lesley Weir to learn her thoughts on 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content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2021-04-28T11:13:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-28T23:31:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2021\/04\/spartan-xozz-u4bvBOOpZB4-unsplash-1080p.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Larissa Mori\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Larissa Mori\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 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