{"id":184959,"date":"2021-05-06T17:45:47","date_gmt":"2021-05-06T15:45:47","guid":{"rendered":"https:\/\/www.cined.com\/inside-a-covid-ward-a-filmmakers-experience\/"},"modified":"2021-05-07T01:59:17","modified_gmt":"2021-05-06T23:59:17","slug":"inside-a-covid-ward-a-filmmakers-experience","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/inside-a-covid-ward-a-filmmakers-experience\/","title":{"rendered":"Dentro de una unidad de terapia de Covid: La experiencia de un cineasta"},"content":{"rendered":"\n

(Por favor presione el bot\u00f3n “CC” en YouTube para subt\u00edtulos en Espa\u00f1ol)<\/span><\/strong><\/p>\n\n\n\n

Hablamos con Andrea Pizzini, fot\u00f3grafo y realizador de documentales, sobre su experiencia tras pasar seis meses dentro de una unidad de terapia de Covid para registrar la realidad de la pandemia en Italia.<\/strong><\/p>\n\n\n\n

El a\u00f1o pasado, Italia se convirti\u00f3 en uno de los primeros pa\u00edses europeos afectados por Covid, sufriendo tr\u00e1gicamente el mayor n\u00famero<\/a> de muertes registradas en su suelo desde la Segunda Guerra Mundial. Sin embargo, en medio de todo el miedo y el p\u00e1nico, las teor\u00edas conspirativas iban en aumento<\/a>: los m\u00e9dicos y enfermeras italianos fueron acusados de provocar la pandemia.<\/p>\n\n\n\n

Fue este tipo de noticias falsas las que empujaron al fot\u00f3grafo y documentalista Andrea Pizzini a crear una pel\u00edcula que mostrara lo que realmente estaba ocurriendo.<\/p>\n\n\n\n

En nuestra entrevista, Pizzini le cont\u00f3 a Johnnie que el viaje hacia la creaci\u00f3n de su documental comenz\u00f3 cuando una amiga, que trabaja en una unidad de cuidados intensivos, fue atacada por los creadores de teor\u00edas falsas en las redes sociales.<\/p>\n\n\n\n

\"\"
Imagen del proyecto de historia fotogr\u00e1fica de Pizzini, “Wavebreakers”<\/figcaption><\/figure><\/div>\n\n\n\n

Pizzini quer\u00eda hacer algo para ayudar a su amiga y, en un principio, se dedic\u00f3 a una tarea tan simple como tomarle fotos en el trabajo para demostrar que la pandemia era real y que esta persona realmente estaba ayudando a luchar contra el Covid.<\/p>\n\n\n\n

Sin embargo, al final de su primer mes en una sala de cuidados intensivos, las cosas hab\u00edan cambiado. Pizzini entabl\u00f3 relaciones s\u00f3lidas al entrevistar a todos los m\u00e9dicos, enfermeras y el personal de la unidad, y el proyecto de fotograf\u00eda se convirti\u00f3 en una serie de entrevistas e historias breves en video que acumularon miles de visitas<\/a>.<\/p>\n\n\n\n

Finalmente, Pizzini pas\u00f3 seis meses en la unidad, capturando la historia del personal y los pacientes para crear una pel\u00edcula m\u00e1s larga que se estrenar\u00e1 este oto\u00f1o boreal. Film\u00f3 todo el documental con la c\u00e1mara en mano, con una Sony a7R IV<\/a> y un lente de enfoque manual, el Voigtlander Nokton 40mm f\/1.2. <\/p>\n\n\n\n

\"\"
Otra toma del proyecto fotogr\u00e1fico de Pizzini, “Wavebreakers”<\/figcaption><\/figure><\/div>\n\n\n\n

Crear un retrato \u00edntimo del personal y los pacientes en un entorno como una sala de cuidados intensivos fue particularmente desafiante. Era un lugar de trabajo muy ajetreado, con falta de espacio, muchos sonidos y todos estaban vestidos con equipos de protecci\u00f3n personal.<\/p>\n\n\n\n

\u201cCon el lente 1.2 pude mantener el fondo lo suficientemente borroso como para brindar privacidad y, a su vez, acercarme lo suficiente a las personas dondequiera que fueran\u201d, le cont\u00f3 Pizzini a Johnnie sobre su experiencia.<\/p>

\u201cLos trabajadores no estaban est\u00e1ticos, se mov\u00edan constantemente y esta configuraci\u00f3n era perfecta para lo que realmente quer\u00eda: estar cerca de todos. No quer\u00eda que los pacientes se convirtieran en n\u00fameros. Quer\u00eda darles una cara a esos n\u00fameros, una historia. Ese era mi objetivo”.<\/p><\/blockquote>\n\n\n\n

\"\"
Andrea filmando con un equipo de protecci\u00f3n personal completo. Cr\u00e9dito: Mauro Podini.<\/figcaption><\/figure><\/div>\n\n\n\n

En cuanto a si esto ayudar\u00e1 a reducir las noticias falsas contra las que quer\u00eda luchar, Pizzini tiene la esperanza de que \u00e9l y todos los que documentan la realidad detr\u00e1s de la pandemia puedan ayudar a cambiar las cosas.<\/p>\n\n\n\n

\u201cMe sent\u00ed realmente frustrado por la situaci\u00f3n cuando [el personal del hospital] se enter\u00f3 de las noticias falsas y hubo personas que les dijeron que eran exagerados, que se trataba solamente de una “gripe fuerte”, agreg\u00f3. \u201cEl personal y los empleados de la UTI viven dos realidaeds paralelas. Una en cuidados intensivos, y otra afuera, en el mundo real\u2026 para nosotros, fot\u00f3grafos y cineastas, es nuestro trabajo construir un puente entre estas dos realidades”.<\/p><\/blockquote>\n\n\n\n

\u00bfQu\u00e9 opinas del trabajo de Pizzini? \u00a1Aseg\u00farate de ver la entrevista completa y contarnos que opinas en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n<184959-main-buylinks\/>","protected":false,"clean_render":"

(Por favor presione el bot\u00f3n “CC” en YouTube para subt\u00edtulos en Espa\u00f1ol)<\/span><\/strong><\/p>\n\n\n\n

Hablamos con Andrea Pizzini, fot\u00f3grafo y realizador de documentales, sobre su experiencia tras pasar seis meses dentro de una unidad de terapia de Covid para registrar la realidad de la pandemia en Italia.<\/strong><\/p>\n\n\n\n

El a\u00f1o pasado, Italia se convirti\u00f3 en uno de los primeros pa\u00edses europeos afectados por Covid, sufriendo tr\u00e1gicamente el mayor n\u00famero<\/a> de muertes registradas en su suelo desde la Segunda Guerra Mundial. Sin embargo, en medio de todo el miedo y el p\u00e1nico, las teor\u00edas conspirativas iban en aumento<\/a>: los m\u00e9dicos y enfermeras italianos fueron acusados de provocar la pandemia.<\/p>\n\n\n\n

Fue este tipo de noticias falsas las que empujaron al fot\u00f3grafo y documentalista Andrea Pizzini a crear una pel\u00edcula que mostrara lo que realmente estaba ocurriendo.<\/p>\n\n\n\n

En nuestra entrevista, Pizzini le cont\u00f3 a Johnnie que el viaje hacia la creaci\u00f3n de su documental comenz\u00f3 cuando una amiga, que trabaja en una unidad de cuidados intensivos, fue atacada por los creadores de teor\u00edas falsas en las redes sociales.<\/p>\n\n\n\n

\"\"
Imagen del proyecto de historia fotogr\u00e1fica de Pizzini, “Wavebreakers”<\/figcaption><\/figure><\/div>\n\n\n\n

Pizzini quer\u00eda hacer algo para ayudar a su amiga y, en un principio, se dedic\u00f3 a una tarea tan simple como tomarle fotos en el trabajo para demostrar que la pandemia era real y que esta persona realmente estaba ayudando a luchar contra el Covid.<\/p>\n\n\n\n

Sin embargo, al final de su primer mes en una sala de cuidados intensivos, las cosas hab\u00edan cambiado. Pizzini entabl\u00f3 relaciones s\u00f3lidas al entrevistar a todos los m\u00e9dicos, enfermeras y el personal de la unidad, y el proyecto de fotograf\u00eda se convirti\u00f3 en una serie de entrevistas e historias breves en video que acumularon miles de visitas<\/a>.<\/p>\n\n\n\n

Finalmente, Pizzini pas\u00f3 seis meses en la unidad, capturando la historia del personal y los pacientes para crear una pel\u00edcula m\u00e1s larga que se estrenar\u00e1 este oto\u00f1o boreal. Film\u00f3 todo el documental con la c\u00e1mara en mano, con una Sony a7R IV<\/a> y un lente de enfoque manual, el Voigtlander Nokton 40mm f\/1.2. <\/p>\n\n\n\n

\"\"
Otra toma del proyecto fotogr\u00e1fico de Pizzini, “Wavebreakers”<\/figcaption><\/figure><\/div>\n\n\n\n

Crear un retrato \u00edntimo del personal y los pacientes en un entorno como una sala de cuidados intensivos fue particularmente desafiante. Era un lugar de trabajo muy ajetreado, con falta de espacio, muchos sonidos y todos estaban vestidos con equipos de protecci\u00f3n personal.<\/p>\n\n\n\n

\u201cCon el lente 1.2 pude mantener el fondo lo suficientemente borroso como para brindar privacidad y, a su vez, acercarme lo suficiente a las personas dondequiera que fueran\u201d, le cont\u00f3 Pizzini a Johnnie sobre su experiencia.<\/p>

\u201cLos trabajadores no estaban est\u00e1ticos, se mov\u00edan constantemente y esta configuraci\u00f3n era perfecta para lo que realmente quer\u00eda: estar cerca de todos. No quer\u00eda que los pacientes se convirtieran en n\u00fameros. Quer\u00eda darles una cara a esos n\u00fameros, una historia. Ese era mi objetivo”.<\/p><\/blockquote>\n\n\n\n

\"\"
Andrea filmando con un equipo de protecci\u00f3n personal completo. Cr\u00e9dito: Mauro Podini.<\/figcaption><\/figure><\/div>\n\n\n\n

En cuanto a si esto ayudar\u00e1 a reducir las noticias falsas contra las que quer\u00eda luchar, Pizzini tiene la esperanza de que \u00e9l y todos los que documentan la realidad detr\u00e1s de la pandemia puedan ayudar a cambiar las cosas.<\/p>\n\n\n\n

\u201cMe sent\u00ed realmente frustrado por la situaci\u00f3n cuando [el personal del hospital] se enter\u00f3 de las noticias falsas y hubo personas que les dijeron que eran exagerados, que se trataba solamente de una “gripe fuerte”, agreg\u00f3. \u201cEl personal y los empleados de la UTI viven dos realidaeds paralelas. Una en cuidados intensivos, y otra afuera, en el mundo real\u2026 para nosotros, fot\u00f3grafos y cineastas, es nuestro trabajo construir un puente entre estas dos realidades”.<\/p><\/blockquote>\n\n\n\n

\u00bfQu\u00e9 opinas del trabajo de Pizzini? \u00a1Aseg\u00farate de ver la entrevista completa y contarnos que opinas en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n<184959-main-buylinks\/>"},"excerpt":{"rendered":"

(Por favor presione el bot\u00f3n “CC” en YouTube para subt\u00edtulos en Espa\u00f1ol) Hablamos con Andrea Pizzini, fot\u00f3grafo y realizador de documentales, sobre su experiencia tras pasar seis meses dentro de una unidad de terapia de Covid para registrar la realidad de la pandemia en Italia. El a\u00f1o pasado, Italia se convirti\u00f3 en uno de los primeros pa\u00edses europeos afectados por Covid, sufriendo tr\u00e1gicamente el mayor n\u00famero de muertes registradas en su suelo desde la Segunda Guerra Mundial. Sin embargo, en medio de todo el miedo y el p\u00e1nico, las teor\u00edas conspirativas iban en aumento: los m\u00e9dicos y enfermeras italianos fueron acusados de provocar la pandemia. Fue este tipo de noticias […]<\/p>\n","protected":false},"author":18897,"featured_media":184847,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[40803,41791,24371,58439,27244,58440,27247,58441,58442,27784,58443,38424,40798],"tag_label":[52849],"brand":[],"class_list":["post-184959","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-industria","tag-produccion-durante-covid-19","tag-documentary-shooting-es","tag-documentary-es","tag-inside-an-intensive-care-ward-es","tag-interview-es","tag-covid-ward-es","tag-entrevista","tag-andrea-pizzini-es","tag-dentro-de-una-unidad-de-terapia","tag-documental","tag-sala-covid","tag-covid-19-es","tag-production-during-covid-19-es","post_format-post-format-video","tag_label-interview-es"],"yoast_head":"\nDentro 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