{"id":194585,"date":"2021-07-15T15:01:39","date_gmt":"2021-07-15T13:01:39","guid":{"rendered":"https:\/\/www.cined.com\/cannes-2021-which-cameras-did-nominees-use\/"},"modified":"2021-07-16T17:25:45","modified_gmt":"2021-07-16T15:25:45","slug":"cannes-2021-which-cameras-did-nominees-use","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/","title":{"rendered":"Cannes 2021 – \u00bfQu\u00e9 c\u00e1maras utilizaron los nominados?"},"content":{"rendered":"\n

El festival de cine de Cannes, que es uno de los festivales de cine m\u00e1s famosos del mundo, abri\u00f3 sus puertas la semana pasada. Ech\u00e9mosles un vistazo a las c\u00e1maras que se utilizaron para realizar las pel\u00edculas que se estrenaron.<\/strong><\/p>\n\n\n\n

\u00a1Cannes! El festival de cine de Francia es conocido por sus estrenos cinematogr\u00e1ficos que son muy aclamados, y este a\u00f1o no es una excepci\u00f3n. El festival no pudo realizarse el a\u00f1o pasado debido a la pandemia, pero este a\u00f1o se realizar\u00e1, y con Spike Lee como anfitri\u00f3n.<\/p>\n\n\n\n

Pero dado que est\u00e1s leyendo esto en CineD, supongo que la tecnolog\u00eda cinematogr\u00e1fica es algo importante para ti, \u00bfno? En el fondo, somos nerds que anhelan ver el lanzamiento de las \u00faltimas y de las mejores gemas de c\u00e1maras y lentes. Entonces, \u00bfQu\u00e9 es lo que m\u00e1s curiosidad nos genera? bueno, \u00bfQu\u00e9 c\u00e1maras utilizaron los realizadores que estrenar\u00e1n sus pel\u00edculas en Cannes? \u00bfQuiz\u00e1s algo inusual, como un smartphone o una c\u00e1mara de video? \u00bfO se quedaron con la vieja ALEXA Mini como ocurri\u00f3 en los \u00faltimos a\u00f1os?<\/p>\n\n\n\n

La ALEXA Mini nuevamente toma la delantera en la alineaci\u00f3n de Cannes<\/h2>\n\n\n\n

Bueno, s\u00ed a ambas preguntas. No es de extra\u00f1ar que la ALEXA Mini siga teniendo la delantera y se utilice en 20 de las 52 pel\u00edculas que se presentar\u00e1n. La c\u00e1mara fue anunciada hace m\u00e1s de 6 a\u00f1os atr\u00e1s (el sensor ALEV III se lanz\u00f3 hace m\u00e1s de 11 a\u00f1os), pero todav\u00eda se mantiene bastante bien en comparaci\u00f3n con las c\u00e1maras m\u00e1s nuevas. ARRI sigue manteniendo el primer puesto, porque adem\u00e1s de la Sony VENICE<\/a> que fue utilizada en 6 producciones, 4 de las 5 mejores c\u00e1maras en las pel\u00edculas de Cannes 2021 est\u00e1n hechas por el fabricante alem\u00e1n (ALEXA Mini, ARRICAM, ARRI 416, ARRI Mini LF<\/a>).<\/p>\n\n\n\n

Sin embargo, algunas c\u00e1maras nuevas se unieron a la lista de este a\u00f1o: Sony VENICE, Sony FX9, ARRI ALEXA Mini LF, Panasonic S1H y el iPhone X y 11 Pro.<\/p>\n\n\n\n

\u201cZero Fucks Given\u201d fue la pel\u00edcula que utiliz\u00f3 la Panasonic S1H<\/a>, una c\u00e1mara bastante popular y relativamente asequible que rivaliza con la Sony a7S III<\/a>. El director de fotograf\u00eda Olivier Boonjing la eligi\u00f3 por la relaci\u00f3n de tama\u00f1o y calidad. Adem\u00e1s, usaron el iPhone 11 Pro para filmar algunas escenas.<\/p>\n\n\n\n

Por otro lado, el uso de pel\u00edcula anal\u00f3gica tambi\u00e9n volvi\u00f3 a ser popular. Con aproximadamente una cuarta parte de las pel\u00edculas de estreno rodadas en rollo de pel\u00edcula, no es de extra\u00f1ar que encontremos varias c\u00e1maras de 35mm, 16mm y Super 8mm en la lista. Un poco m\u00e1s inusual es el uso de cintas de video, Video8 para ser exactos. Adem\u00e1s de una ALEXA Mini y ALEXA XT, el director de fotograf\u00eda Germain McMicking us\u00f3 una Sony Video8 para algunas tomas estil\u00edsticas de su largometraje \u201cNitram\u201d.<\/p>\n\n\n\n

\"Juan
Juan Sarmiento G. en el rodaje de su documental \u201cMariner of the Mountains\u201d. Cr\u00e9dito: Instagram.com\/juansarmientogdp<\/figcaption><\/figure>\n\n\n\n

6 c\u00e1maras diferentes en un mismo documental, incluyendo una c\u00e1mara de fotos anal\u00f3gica<\/h2>\n\n\n\n

Probablemente la combinaci\u00f3n m\u00e1s divertida de c\u00e1maras utilizadas en la selecci\u00f3n de este a\u00f1o es para \u201cMariner of the Mountains\u201d y su director de fotograf\u00eda Juan Sarmiento G. Para filmarla, utilizaron una Canon C300, una Sony a7S, una Canon 814 XL-S Super 8mm, la c\u00e1mara anal\u00f3gica Canon AE1 Program de35mm, el iPhone X y la FUJIFILM X100F. S\u00ed, escuchaste bien, c\u00e1maras de fotos. El documental fue grabado en diferentes formatos, incluyendo im\u00e1genes fijas anal\u00f3gicas y digitales obtenidas con las \u00faltimas tres c\u00e1maras de fotos de la lista anterior.<\/p>\n\n\n\n

Sarmiento G. le dijo a IndieWire:<\/p>\n\n\n\n

\u201cEsta pel\u00edcula es una memoria cinematogr\u00e1fica de ciencia ficci\u00f3n. Nuestro equipo en Argelia estaba formado por tres personas (Karim, yo y un productor local). Filmamos la pel\u00edcula en muchos formatos diferentes, tanto anal\u00f3gicos como digitales, buscando lo que nuestro instinto nos dec\u00eda que era lo correcto en cada momento espec\u00edfico. Recuerdo que puse a la C300 sobre un tr\u00edpode, mientras grababa en S8mm ektachrome en paralelo, al tiempo que tomaba fotograf\u00edas anal\u00f3gicas y digitales mientras Karim grababa con la Sony como su \u201cc\u00e1mara pen\u201d, que tambi\u00e9n sol\u00eda utilizar yo, especialmente cuando oscurec\u00eda.\u201d<\/p><\/blockquote>\n\n\n\n

Puedes echarle un vistazo a la lista completa de c\u00e1maras y lentes utilizados en la publicaci\u00f3n de IndieWires<\/a>.<\/p>\n\n\n\n

Via IndieWire<\/a>, foto destacada de ShareGrid<\/a> en Unsplash<\/a>.<\/p>\n\n\n\n

\u00bfQu\u00e9 opinas de las c\u00e1maras que se utilizaron? \u00bfQu\u00e9 c\u00e1mara utilizar\u00edas si el presupuesto no fuera un problema? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<194585-main-buylinks\/>","protected":false,"clean_render":"

El festival de cine de Cannes, que es uno de los festivales de cine m\u00e1s famosos del mundo, abri\u00f3 sus puertas la semana pasada. Ech\u00e9mosles un vistazo a las c\u00e1maras que se utilizaron para realizar las pel\u00edculas que se estrenaron.<\/strong><\/p>\n\n\n\n

\u00a1Cannes! El festival de cine de Francia es conocido por sus estrenos cinematogr\u00e1ficos que son muy aclamados, y este a\u00f1o no es una excepci\u00f3n. El festival no pudo realizarse el a\u00f1o pasado debido a la pandemia, pero este a\u00f1o se realizar\u00e1, y con Spike Lee como anfitri\u00f3n.<\/p>\n\n\n\n

Pero dado que est\u00e1s leyendo esto en CineD, supongo que la tecnolog\u00eda cinematogr\u00e1fica es algo importante para ti, \u00bfno? En el fondo, somos nerds que anhelan ver el lanzamiento de las \u00faltimas y de las mejores gemas de c\u00e1maras y lentes. Entonces, \u00bfQu\u00e9 es lo que m\u00e1s curiosidad nos genera? bueno, \u00bfQu\u00e9 c\u00e1maras utilizaron los realizadores que estrenar\u00e1n sus pel\u00edculas en Cannes? \u00bfQuiz\u00e1s algo inusual, como un smartphone o una c\u00e1mara de video? \u00bfO se quedaron con la vieja ALEXA Mini como ocurri\u00f3 en los \u00faltimos a\u00f1os?<\/p>\n\n\n\n

La ALEXA Mini nuevamente toma la delantera en la alineaci\u00f3n de Cannes<\/h2>\n\n\n\n

Bueno, s\u00ed a ambas preguntas. No es de extra\u00f1ar que la ALEXA Mini siga teniendo la delantera y se utilice en 20 de las 52 pel\u00edculas que se presentar\u00e1n. La c\u00e1mara fue anunciada hace m\u00e1s de 6 a\u00f1os atr\u00e1s (el sensor ALEV III se lanz\u00f3 hace m\u00e1s de 11 a\u00f1os), pero todav\u00eda se mantiene bastante bien en comparaci\u00f3n con las c\u00e1maras m\u00e1s nuevas. ARRI sigue manteniendo el primer puesto, porque adem\u00e1s de la Sony VENICE<\/a> que fue utilizada en 6 producciones, 4 de las 5 mejores c\u00e1maras en las pel\u00edculas de Cannes 2021 est\u00e1n hechas por el fabricante alem\u00e1n (ALEXA Mini, ARRICAM, ARRI 416, ARRI Mini LF<\/a>).<\/p>\n\n\n\n

Sin embargo, algunas c\u00e1maras nuevas se unieron a la lista de este a\u00f1o: Sony VENICE, Sony FX9, ARRI ALEXA Mini LF, Panasonic S1H y el iPhone X y 11 Pro.<\/p>\n\n\n\n

\u201cZero Fucks Given\u201d fue la pel\u00edcula que utiliz\u00f3 la Panasonic S1H<\/a>, una c\u00e1mara bastante popular y relativamente asequible que rivaliza con la Sony a7S III<\/a>. El director de fotograf\u00eda Olivier Boonjing la eligi\u00f3 por la relaci\u00f3n de tama\u00f1o y calidad. Adem\u00e1s, usaron el iPhone 11 Pro para filmar algunas escenas.<\/p>\n\n\n\n

Por otro lado, el uso de pel\u00edcula anal\u00f3gica tambi\u00e9n volvi\u00f3 a ser popular. Con aproximadamente una cuarta parte de las pel\u00edculas de estreno rodadas en rollo de pel\u00edcula, no es de extra\u00f1ar que encontremos varias c\u00e1maras de 35mm, 16mm y Super 8mm en la lista. Un poco m\u00e1s inusual es el uso de cintas de video, Video8 para ser exactos. Adem\u00e1s de una ALEXA Mini y ALEXA XT, el director de fotograf\u00eda Germain McMicking us\u00f3 una Sony Video8 para algunas tomas estil\u00edsticas de su largometraje \u201cNitram\u201d.<\/p>\n\n\n\n

\"Juan
Juan Sarmiento G. en el rodaje de su documental \u201cMariner of the Mountains\u201d. Cr\u00e9dito: Instagram.com\/juansarmientogdp<\/figcaption><\/figure>\n\n\n\n

6 c\u00e1maras diferentes en un mismo documental, incluyendo una c\u00e1mara de fotos anal\u00f3gica<\/h2>\n\n\n\n

Probablemente la combinaci\u00f3n m\u00e1s divertida de c\u00e1maras utilizadas en la selecci\u00f3n de este a\u00f1o es para \u201cMariner of the Mountains\u201d y su director de fotograf\u00eda Juan Sarmiento G. Para filmarla, utilizaron una Canon C300, una Sony a7S, una Canon 814 XL-S Super 8mm, la c\u00e1mara anal\u00f3gica Canon AE1 Program de35mm, el iPhone X y la FUJIFILM X100F. S\u00ed, escuchaste bien, c\u00e1maras de fotos. El documental fue grabado en diferentes formatos, incluyendo im\u00e1genes fijas anal\u00f3gicas y digitales obtenidas con las \u00faltimas tres c\u00e1maras de fotos de la lista anterior.<\/p>\n\n\n\n

Sarmiento G. le dijo a IndieWire:<\/p>\n\n\n\n

\u201cEsta pel\u00edcula es una memoria cinematogr\u00e1fica de ciencia ficci\u00f3n. Nuestro equipo en Argelia estaba formado por tres personas (Karim, yo y un productor local). Filmamos la pel\u00edcula en muchos formatos diferentes, tanto anal\u00f3gicos como digitales, buscando lo que nuestro instinto nos dec\u00eda que era lo correcto en cada momento espec\u00edfico. Recuerdo que puse a la C300 sobre un tr\u00edpode, mientras grababa en S8mm ektachrome en paralelo, al tiempo que tomaba fotograf\u00edas anal\u00f3gicas y digitales mientras Karim grababa con la Sony como su \u201cc\u00e1mara pen\u201d, que tambi\u00e9n sol\u00eda utilizar yo, especialmente cuando oscurec\u00eda.\u201d<\/p><\/blockquote>\n\n\n\n

Puedes echarle un vistazo a la lista completa de c\u00e1maras y lentes utilizados en la publicaci\u00f3n de IndieWires<\/a>.<\/p>\n\n\n\n

Via IndieWire<\/a>, foto destacada de ShareGrid<\/a> en Unsplash<\/a>.<\/p>\n\n\n\n

\u00bfQu\u00e9 opinas de las c\u00e1maras que se utilizaron? \u00bfQu\u00e9 c\u00e1mara utilizar\u00edas si el presupuesto no fuera un problema? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<194585-main-buylinks\/>"},"excerpt":{"rendered":"

El festival de cine de Cannes, que es uno de los festivales de cine m\u00e1s famosos del mundo, abri\u00f3 sus puertas la semana pasada. Ech\u00e9mosles un vistazo a las c\u00e1maras que se utilizaron para realizar las pel\u00edculas que se estrenaron. \u00a1Cannes! El festival de cine de Francia es conocido por sus estrenos cinematogr\u00e1ficos que son muy aclamados, y este a\u00f1o no es una excepci\u00f3n. El festival no pudo realizarse el a\u00f1o pasado debido a la pandemia, pero este a\u00f1o se realizar\u00e1, y con Spike Lee como anfitri\u00f3n. Pero dado que est\u00e1s leyendo esto en CineD, supongo que la tecnolog\u00eda cinematogr\u00e1fica es algo importante para ti, \u00bfno? En el fondo, somos […]<\/p>\n","protected":false},"author":19371,"featured_media":194473,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"}],"tags":[32248,60114,60115,24526,60116,24595,60117,25216,60118,27073,29494,29510],"tag_label":[],"brand":[],"class_list":["post-194585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","tag-panasonic-s1h-es","tag-analog-camera-es","tag-analog-still-camera-es","tag-arri-es","tag-cannes-es","tag-camera-es","tag-camara-analoga","tag-red-camera-es","tag-camara-analoga-fija","tag-sony-a7s-iii-es","tag-film-festival-es","tag-alexa-mini-es"],"yoast_head":"\nCannes 2021 - \u00bfQu\u00e9 c\u00e1maras utilizaron los nominados? | CineD<\/title>\n<meta name=\"description\" content=\"Cannes 2021 film festival. 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Let's take a look at what cameras were used on the premiered films and who is in the lead (Spoiler, ARRI)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2021-07-15T13:01:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-16T15:25:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2021\/07\/cannesfeatured2021cameras.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Georg Gilstein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Georg Gilstein\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/\"},\"author\":{\"name\":\"Georg Gilstein\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/0a5ac0aa7d258182e0febf4123e4b02f\"},\"headline\":\"Cannes 2021 – \u00bfQu\u00e9 c\u00e1maras utilizaron los nominados?\",\"datePublished\":\"2021-07-15T13:01:39+00:00\",\"dateModified\":\"2021-07-16T15:25:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/\"},\"wordCount\":820,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/07\/cannesfeatured2021cameras.jpg\",\"keywords\":[\"Panasonic S1H\",\"analog camera\",\"analog still camera\",\"arri\",\"cannes\",\"camera\",\"c\u00e1mara an\u00e1loga\",\"RED\",\"c\u00e1mara an\u00e1loga fija\",\"SONY A7S III\",\"film festival\",\"Alexa Mini\"],\"articleSection\":[\"Industria\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/\",\"name\":\"Cannes 2021 - \u00bfQu\u00e9 c\u00e1maras utilizaron los nominados? | CineD\",\"isPartOf\":{\"@id\":\"https:\/\/www.cined.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/cannes-2021-which-cameras-did-nominees-use\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2021\/07\/cannesfeatured2021cameras.jpg\",\"datePublished\":\"2021-07-15T13:01:39+00:00\",\"dateModified\":\"2021-07-16T15:25:45+00:00\",\"description\":\"Cannes 2021 film festival. 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