{"id":259257,"date":"2022-10-11T14:54:41","date_gmt":"2022-10-11T12:54:41","guid":{"rendered":"https:\/\/www.cined.com\/?p=259257"},"modified":"2022-10-11T17:38:33","modified_gmt":"2022-10-11T15:38:33","slug":"sony-fx30-s-log3-and-cine-ei-modes-explained","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-fx30-s-log3-and-cine-ei-modes-explained\/","title":{"rendered":"Sony FX30 &#8211; Explicaci\u00f3n de los modos S-Log3 y Cine EI"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>Si eres el orgulloso propietario de la recientemente lanzada Sony FX30 (<a href=\"https:\/\/www.cined.com\/es\/sony-fx30-cinema-line-camera-released-4k-camera-with-a-super-35mm-sensor\/\" target=\"_blank\" rel=\"noreferrer noopener\">art\u00edculo aqu\u00ed<\/a>) o de cualquier otra c\u00e1mara digital de la l\u00ednea Sony Cine, es posible que te hayas preguntado de qu\u00e9 se tratan estos modos S-Log, qu\u00e9 significa Cine EI y por qu\u00e9 deber\u00edas conocer m\u00e1s sobre ellos. Sony ha lanzado un video tutorial f\u00e1cil de entender que cubre estos temas usando la FX30 como ejemplo. Si tienes un poco de tiempo libre, creo que vale la pena ver el video de 13 minutos de duraci\u00f3n.<\/strong><\/p><259257-inline-buylinks\/>\n\n\n\n<p>Si reci\u00e9n est\u00e1s comenzando en el mundo del cine, un flujo de trabajo f\u00e1cil en el cual lo que ves es lo que obtienes (WYSIWYG) podr\u00eda ser la mejor opci\u00f3n para capturar video; De esta manera, lo que se muestra en la pantalla de la c\u00e1mara o en el visor es lo que se graba, as\u00ed de simple.<\/p>\n\n\n\n<p>Sin embargo, en este modo (normalmente el llamado est\u00e1ndar Rec.709), la latitud de la imagen final est\u00e1 bastante limitada, y aunque el sensor de la c\u00e1mara pueda capturar un rango mucho m\u00e1s amplio, est\u00e1 artificialmente limitado a Rec.709. Obtienes lo que ves, pero no te permite aprovechar todo el potencial de la c\u00e1mara.<\/p>\n\n\n\n<p>Entonces, \u00bfhay otras opciones? En \u00faltima instancia, lo importante es capturar la mayor cantidad de informaci\u00f3n posible, \u00bfno es as\u00ed?<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"How to use S-Log3 and Cine EI | Cinema Line FX30 | Sony | \u03b1\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/R_b2uCCjhfQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Sony FX30 - Explicaci\\u00f3n de los modos S-Log3 y Cine EI\",\"description\":\"Sony FX30 - Explicaci\\u00f3n de los modos S-Log3 y Cine EI\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=R_b2uCCjhfQ\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/R_b2uCCjhfQ\\\/mqdefault.jpg\",\"uploadDate\":\"2022-10-11T14:54:41+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>De hecho, hay mejores opciones. La Sony FX30 puede registrar los datos del sensor entrantes de forma logar\u00edtmica, lo que se denomina modo S-Log3. La imagen resultante se ve un poco extra\u00f1a y plana, pero tiene un rango din\u00e1mico mucho m\u00e1s amplio que el que puede manejar Rec.709.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX30 y S-Log3<\/h2>\n\n\n\n<p>Para que quede claro desde el principio: filmar en S-Log3 requiere al menos un poco de trabajo de postproducci\u00f3n en t\u00e9rminos de color. Tal como se mencion\u00f3 anteriormente, el video grabado con una curva gamma S-Log3 se ve un poco descolorido y aburrido. Para llevarlo a Rec.709, que es el est\u00e1ndar para la televisi\u00f3n, debes aplicar al menos un LUT o, mejor a\u00fan, hacer una correcci\u00f3n y gradaci\u00f3n de color manual. Esto implica un poco de trabajo extra, pero el resultado ser\u00e1 mucho mejor que si grabas en Rec.709.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"214\" src=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-640x214.jpg\" alt=\"\" class=\"wp-image-259184\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-640x214.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-300x100.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-768x256.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-1536x513.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-689x230.jpg 689w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rec.709 frente a S-Log3. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Esto se debe a que puedes controlar diferentes partes de la imagen (resaltados, sombras, medios tonos, etc.) de forma individual, por lo que puedes evitar que los reflejos se recorten, por ejemplo, sin aplastar las sombras. B\u00e1sicamente, puedes componer tu imagen Rec.709 final de forma manual.<\/p>\n\n\n\n<p>Al grabar en modo S-Log3, c\u00e1maras como la Sony FX30 (esto tambi\u00e9n se aplica a otras c\u00e1maras) pueden superponer la imagen plana y de bajo contraste con el llamado monitor LUT. De esta manera, puedes monitorear una imagen Rec.709 mientras grabas video S-Log3 con un amplio rango din\u00e1mico para un procesamiento posterior.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Modo Cine EI<\/h2>\n\n\n\n<p>Mientras que el modo S-Log3 de la Sony FX30 (y otras c\u00e1maras Sony Cine Line) permite cambiar la configuraci\u00f3n ISO, el modo Cine EI (\u00cdndice de exposici\u00f3n) no te permitir\u00e1 cambiarla. En su lugar, la c\u00e1mara establece en un valor fijo, preferiblemente el ISO base nativo, en el que funciona mejor en t\u00e9rminos de latitud y ruido. En este sentido, la Sony FX30 ofrece dos ISO nativos: ISO 800 para entornos brillantes e ISO 2500 para escenarios con poca luz.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"317\" src=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-640x317.jpg\" alt=\"\" class=\"wp-image-259188\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-640x317.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-300x149.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-768x381.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-1536x762.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-464x230.jpg 464w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Flujo de trabajo de Cine EI. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El modo Cine EI es m\u00e1s adecuado para entornos de estudio, donde la iluminaci\u00f3n se puede ajustar con precisi\u00f3n para cualquier escena determinada. Cuando se trabaja en el modo Cine EI, el objetivo es subexponer o sobreexponer intencionalmente una imagen en particular y compensar bajando o aumentando la configuraci\u00f3n EI seg\u00fan corresponda. El resultado se puede comprobar a trav\u00e9s del LUT del monitor.<\/p>\n\n\n\n<p>En la posproducci\u00f3n, los metadatos Cine EI se aplican autom\u00e1ticamente al video grabado, junto con los metadatos LUT del monitor, para que se vea exactamente como en el set. La imagen resultante tiene un rango din\u00e1mico m\u00e1s amplio con el que jugar y el ruido m\u00e1s bajo posible dependiendo de la c\u00e1mara que utilices y su sensor.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-640x360.jpg\" alt=\"Sony FX30 S-Log3\" class=\"wp-image-259176\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-768x431.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX30. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Como podr\u00e1s ver, el uso de estas funciones avanzadas de la Sony FX30 y otras c\u00e1maras de la l\u00ednea Sony Cine puede ayudarte a capturar los mejores resultados posibles y te brindar\u00e1 m\u00e1s herramientas para que puedas manejar de manera eficiente el posprocesamiento requerido.<\/p>\n\n\n\n<p>Si estos flujos de trabajo son una novedad para ti, te animo a que los pruebes y te familiarices con ellos. Sin lugar a dudas te beneficiar\u00e1s en cualquier proyecto futuro una vez que aproveches por completo el potencial de los archivos de video que ofrecen una mayor libertad que los viejos archivos Rec.709.<\/p>\n\n\n\n<p>Enlace: <a href=\"https:\/\/electronics.sony.com\/imaging\/interchangeable-lens-cameras\/all-interchangeable-lens-cameras\/p\/ilmefx30\" target=\"_blank\" rel=\"noreferrer noopener\">sitio web<\/a> de Sony FX30<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 piensas? \u00bfLos modos S-Log3 y Cine EI son nuevos para ti? \u00bfLe dar\u00edas una oportunidad a estos modos? \u00a1Comparte tus experiencias en los comentarios!<\/strong><\/p>\n<259257-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>Si eres el orgulloso propietario de la recientemente lanzada Sony FX30 (<a href=\"https:\/\/www.cined.com\/es\/sony-fx30-cinema-line-camera-released-4k-camera-with-a-super-35mm-sensor\/\" target=\"_blank\" rel=\"noreferrer noopener\">art\u00edculo aqu\u00ed<\/a>) o de cualquier otra c\u00e1mara digital de la l\u00ednea Sony Cine, es posible que te hayas preguntado de qu\u00e9 se tratan estos modos S-Log, qu\u00e9 significa Cine EI y por qu\u00e9 deber\u00edas conocer m\u00e1s sobre ellos. Sony ha lanzado un video tutorial f\u00e1cil de entender que cubre estos temas usando la FX30 como ejemplo. Si tienes un poco de tiempo libre, creo que vale la pena ver el video de 13 minutos de duraci\u00f3n.<\/strong><\/p><259257-inline-buylinks\/>\n\n\n\n<p>Si reci\u00e9n est\u00e1s comenzando en el mundo del cine, un flujo de trabajo f\u00e1cil en el cual lo que ves es lo que obtienes (WYSIWYG) podr\u00eda ser la mejor opci\u00f3n para capturar video; De esta manera, lo que se muestra en la pantalla de la c\u00e1mara o en el visor es lo que se graba, as\u00ed de simple.<\/p>\n\n\n\n<p>Sin embargo, en este modo (normalmente el llamado est\u00e1ndar Rec.709), la latitud de la imagen final est\u00e1 bastante limitada, y aunque el sensor de la c\u00e1mara pueda capturar un rango mucho m\u00e1s amplio, est\u00e1 artificialmente limitado a Rec.709. Obtienes lo que ves, pero no te permite aprovechar todo el potencial de la c\u00e1mara.<\/p>\n\n\n\n<p>Entonces, \u00bfhay otras opciones? En \u00faltima instancia, lo importante es capturar la mayor cantidad de informaci\u00f3n posible, \u00bfno es as\u00ed?<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"How to use S-Log3 and Cine EI | Cinema Line FX30 | Sony | \u03b1\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/R_b2uCCjhfQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Sony FX30 - Explicaci\\u00f3n de los modos S-Log3 y Cine EI\",\"description\":\"Sony FX30 - Explicaci\\u00f3n de los modos S-Log3 y Cine EI\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=R_b2uCCjhfQ\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/R_b2uCCjhfQ\\\/mqdefault.jpg\",\"uploadDate\":\"2022-10-11T14:54:41+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>De hecho, hay mejores opciones. La Sony FX30 puede registrar los datos del sensor entrantes de forma logar\u00edtmica, lo que se denomina modo S-Log3. La imagen resultante se ve un poco extra\u00f1a y plana, pero tiene un rango din\u00e1mico mucho m\u00e1s amplio que el que puede manejar Rec.709.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sony FX30 y S-Log3<\/h2>\n\n\n\n<p>Para que quede claro desde el principio: filmar en S-Log3 requiere al menos un poco de trabajo de postproducci\u00f3n en t\u00e9rminos de color. Tal como se mencion\u00f3 anteriormente, el video grabado con una curva gamma S-Log3 se ve un poco descolorido y aburrido. Para llevarlo a Rec.709, que es el est\u00e1ndar para la televisi\u00f3n, debes aplicar al menos un LUT o, mejor a\u00fan, hacer una correcci\u00f3n y gradaci\u00f3n de color manual. Esto implica un poco de trabajo extra, pero el resultado ser\u00e1 mucho mejor que si grabas en Rec.709.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"214\" src=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-640x214.jpg\" alt=\"\" class=\"wp-image-259184\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-640x214.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-300x100.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-768x256.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-1536x513.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3-689x230.jpg 689w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_S-Log3.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Rec.709 frente a S-Log3. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Esto se debe a que puedes controlar diferentes partes de la imagen (resaltados, sombras, medios tonos, etc.) de forma individual, por lo que puedes evitar que los reflejos se recorten, por ejemplo, sin aplastar las sombras. B\u00e1sicamente, puedes componer tu imagen Rec.709 final de forma manual.<\/p>\n\n\n\n<p>Al grabar en modo S-Log3, c\u00e1maras como la Sony FX30 (esto tambi\u00e9n se aplica a otras c\u00e1maras) pueden superponer la imagen plana y de bajo contraste con el llamado monitor LUT. De esta manera, puedes monitorear una imagen Rec.709 mientras grabas video S-Log3 con un amplio rango din\u00e1mico para un procesamiento posterior.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Modo Cine EI<\/h2>\n\n\n\n<p>Mientras que el modo S-Log3 de la Sony FX30 (y otras c\u00e1maras Sony Cine Line) permite cambiar la configuraci\u00f3n ISO, el modo Cine EI (\u00cdndice de exposici\u00f3n) no te permitir\u00e1 cambiarla. En su lugar, la c\u00e1mara establece en un valor fijo, preferiblemente el ISO base nativo, en el que funciona mejor en t\u00e9rminos de latitud y ruido. En este sentido, la Sony FX30 ofrece dos ISO nativos: ISO 800 para entornos brillantes e ISO 2500 para escenarios con poca luz.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"317\" src=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-640x317.jpg\" alt=\"\" class=\"wp-image-259188\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-640x317.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-300x149.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-768x381.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-1536x762.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post-464x230.jpg 464w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_post.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Flujo de trabajo de Cine EI. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>El modo Cine EI es m\u00e1s adecuado para entornos de estudio, donde la iluminaci\u00f3n se puede ajustar con precisi\u00f3n para cualquier escena determinada. Cuando se trabaja en el modo Cine EI, el objetivo es subexponer o sobreexponer intencionalmente una imagen en particular y compensar bajando o aumentando la configuraci\u00f3n EI seg\u00fan corresponda. El resultado se puede comprobar a trav\u00e9s del LUT del monitor.<\/p>\n\n\n\n<p>En la posproducci\u00f3n, los metadatos Cine EI se aplican autom\u00e1ticamente al video grabado, junto con los metadatos LUT del monitor, para que se vea exactamente como en el set. La imagen resultante tiene un rango din\u00e1mico m\u00e1s amplio con el que jugar y el ruido m\u00e1s bajo posible dependiendo de la c\u00e1mara que utilices y su sensor.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-640x360.jpg\" alt=\"Sony FX30 S-Log3\" class=\"wp-image-259176\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-768x431.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2022\/10\/SonyFX30-CineEI_back.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Sony FX30. Cr\u00e9dito de imagen: Sony<\/figcaption><\/figure>\n\n\n\n<p>Como podr\u00e1s ver, el uso de estas funciones avanzadas de la Sony FX30 y otras c\u00e1maras de la l\u00ednea Sony Cine puede ayudarte a capturar los mejores resultados posibles y te brindar\u00e1 m\u00e1s herramientas para que puedas manejar de manera eficiente el posprocesamiento requerido.<\/p>\n\n\n\n<p>Si estos flujos de trabajo son una novedad para ti, te animo a que los pruebes y te familiarices con ellos. Sin lugar a dudas te beneficiar\u00e1s en cualquier proyecto futuro una vez que aproveches por completo el potencial de los archivos de video que ofrecen una mayor libertad que los viejos archivos Rec.709.<\/p>\n\n\n\n<p>Enlace: <a href=\"https:\/\/electronics.sony.com\/imaging\/interchangeable-lens-cameras\/all-interchangeable-lens-cameras\/p\/ilmefx30\" target=\"_blank\" rel=\"noreferrer noopener\">sitio web<\/a> de Sony FX30<\/p>\n\n\n\n<p><strong>\u00bfQu\u00e9 piensas? \u00bfLos modos S-Log3 y Cine EI son nuevos para ti? \u00bfLe dar\u00edas una oportunidad a estos modos? \u00a1Comparte tus experiencias en los comentarios!<\/strong><\/p>\n<259257-main-buylinks\/>"},"excerpt":{"rendered":"<p>Si eres el orgulloso propietario de la recientemente lanzada Sony FX30 (art\u00edculo aqu\u00ed) o de cualquier otra c\u00e1mara digital de la l\u00ednea Sony Cine, es posible que te hayas preguntado de qu\u00e9 se tratan estos modos S-Log, qu\u00e9 significa Cine EI y por qu\u00e9 deber\u00edas conocer m\u00e1s sobre ellos. Sony ha lanzado un video tutorial f\u00e1cil de entender que cubre estos temas usando la FX30 como ejemplo. Si tienes un poco de tiempo libre, creo que vale la pena ver el video de 13 minutos de duraci\u00f3n. Si reci\u00e9n est\u00e1s comenzando en el mundo del cine, un flujo de trabajo f\u00e1cil en el cual lo que ves es lo que [&hellip;]<\/p>\n","protected":false},"author":10704,"featured_media":259183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[24897,66890,25912,67868,68167,27849,68168,28816,68169,39707,68170,40838,24515,24692],"tag_label":[53275],"brand":[51341],"class_list":["post-259257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-camaras","tag-cine-ei-es","tag-gradacion-de-color-2","tag-post-production-es","tag-sony-fx30-es","tag-s-log3-es","tag-rec-709-es","tag-wide-gamut-es","tag-tutorial-es","tag-posproduccion-2","tag-latitude-es","tag-correccion-de-color-2","tag-noise-es","tag-color-grading-es","tag-color-correction-2-es","tag_label-camera-news-es","brand-sony-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sony FX30 - Explicaci\u00f3n de los modos S-Log3 y Cine EI | CineD<\/title>\n<meta name=\"description\" content=\"Sony has released an easy-to-understand tutorial video that covers S-LOG3 and Cine EI modes using the FX30 as an example.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/sony-fx30-s-log3-and-cine-ei-modes-explained\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sony FX30 - Explicaci\u00f3n de los modos S-Log3 y Cine EI | CineD\" \/>\n<meta property=\"og:description\" content=\"Sony has released an easy-to-understand tutorial video that covers S-LOG3 and Cine EI modes using the FX30 as an example.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/sony-fx30-s-log3-and-cine-ei-modes-explained\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-11T12:54:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-11T15:38:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2022\/10\/SonyFX30-CineEI_featured.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1079\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olaf von Voss\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olaf von Voss\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx30-s-log3-and-cine-ei-modes-explained\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/sony-fx30-s-log3-and-cine-ei-modes-explained\/\"},\"author\":{\"name\":\"Olaf von Voss\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/855dc762676357cafd12352ebdca8221\"},\"headline\":\"Sony FX30 &#8211; 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FX30 Digital Cinema Camera<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1664382934000_1729317.jpg\" alt=\"FX30 Digital Cinema Camera\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1729317-REG\/sony_ilme_fx30_fx30_digital_cinema_camera.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 1,748.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-ilmefx30b.cec-fx30-body?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,799.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"259257-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>FX30 Digital Cinema Camera<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1729317-REG\/sony_ilme_fx30_fx30_digital_cinema_camera.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 1,748.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-ilmefx30b.cec-fx30-body?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,799.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":257519,"title":"Lanzan la Sony FX30 - C\u00e1mara 4K con sensor Super 35mm","url":"https:\/\/staging.cined.dev\/es\/sony-fx30-cinema-line-camera-released-4k-camera-with-a-super-35mm-sensor\/","author":10704,"author_details":{"display_name":"Olaf von Voss","first_name":"Olaf","last_name":"von Voss"},"publish_date":"September, 28 2022","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid.png","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid-1024x550.png","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid-370x230.png","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid-740x460.png","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid-770x440.png","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid-385x220.png","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid-1200x750.png","width":1200,"height":750,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2022\/09\/FX30_front_top-Mid.png","width":1200,"height":887,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42288,"name":"News","link":"https:\/\/staging.cined.dev\/news\/","slug":"news"},{"id":42291,"name":"Cameras","link":"https:\/\/staging.cined.dev\/news\/cameras\/","slug":"cameras"}],"custom_labels":[{"id":52733,"name":"Camera News","link":"https:\/\/staging.cined.dev\/labels\/camera-news\/","slug":"camera-news"},{"id":53275,"name":"Camera News","link":"https:\/\/staging.cined.dev\/es\/labels\/camera-news-es\/","slug":"camera-news-es"}],"total_comments":0,"video_url":""},{"id":348518,"title":"CineD Focus Check Ep22 \u2013 La evoluci\u00f3n de las Bases de Datos CineD","url":"https:\/\/staging.cined.dev\/es\/cined-focus-check-ep22-the-evolution-of-the-cined-databases\/","author":8,"author_details":{"display_name":"Nino Leitner","first_name":"Nino","last_name":"Leitner"},"publish_date":"July, 25 2024","feature_image_url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18.jpg","images":[{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18.jpg","width":1280,"height":720,"type":"featured"},{"url":"https:\/\/staging.cined.dev\/content\/uploads\/2024\/07\/maxresdefault-18.jpg","width":1280,"height":720,"type":"featured"}],"categories":[{"id":79742,"name":"Podcast","link":"https:\/\/staging.cined.dev\/es\/podcast-es\/","slug":"podcast-es"}],"custom_labels":null,"total_comments":0,"video_url":"https:\/\/youtu.be\/NuDSfUwAybY"},{"id":348516,"title":"Prueba de Laboratorio de la RED KOMODO-X - 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