{"id":264467,"date":"2022-11-24T10:48:39","date_gmt":"2022-11-24T09:48:39","guid":{"rendered":"https:\/\/www.cined.com\/?p=264467"},"modified":"2022-11-24T17:22:30","modified_gmt":"2022-11-24T16:22:30","slug":"fujinon-25-1000mm-pl-mount-box-lens-discussed","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/","title":{"rendered":"Conociendo al FUJINON 25-1000mm – Lente de caja con montura PL"},"content":{"rendered":"\n

Durante la InterBEE 2022, Johnnie pas\u00f3 por el stand de FUJINON para aprender m\u00e1s sobre su pr\u00f3ximo lente HZK 25-1000mm f\/2.8-5, que est\u00e1 aqu\u00ed para llenar un vac\u00edo en el segmento del mercado de transmisi\u00f3n.<\/strong><\/p>\n\n\n\n

El mes pasado, FUJINON anunci\u00f3<\/a> el desarrollo del HZK25-1000mm, un lente zoom estilo caja que fue dise\u00f1ado para aplicaciones de transmisi\u00f3n de alto nivel. Lo peculiar de este lente es que presenta una montura PL nativa en lugar de una B4, que suele ser m\u00e1s com\u00fan en los lentes de transmisi\u00f3n.<\/p>\n\n\n\n

En la Inter BEE 2022 que se realiz\u00f3 en Tokio, Stosh Durbacz de FUJIFILM nos cont\u00f3 sobre las razones detr\u00e1s de esta elecci\u00f3n de dise\u00f1o y las necesidades espec\u00edficas de las producciones en vivo en la actualidad. \u00a1Vamos a echarle un vistazo!<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

FUJINON 25-1000mm: est\u00e9tica cinematogr\u00e1fica para broadcast<\/strong><\/h2>\n\n\n\n

Seg\u00fan Stosh, en los \u00faltimos a\u00f1os las emisoras se han alejado de los equipos de transmisi\u00f3n tradicionales para buscar un “look m\u00e1s cinematogr\u00e1fico”. De hecho, no es raro ver que se utilizan c\u00e1maras de gran formato, como la Sony VENICE<\/a> 2 o la RED V-RAPTOR, para cubrir eventos en vivo.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Sin embargo, emparejar tales c\u00e1maras con lentes B4 de largo alcance requiere el uso de adaptadores<\/a>, cuya naturaleza normalmente conduce a algunas compensaciones; Es por eso que FUJINON ide\u00f3 un lente zoom de 40x estilo caja con montura PL nativa.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Junto con su sorprendente rango de longitud focal, el lente de 25-1000mm presenta una apertura r\u00e1pida de f\/2.8-5. Esto es bastante impresionante considerando que se encuentra en el extremo largo, hace que el lente sea adecuado para usar incluso en entornos oscuros y, lo que es m\u00e1s importante, da como resultado im\u00e1genes con una profundidad de campo muy buscada.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Aunque el c\u00edrculo de imagen de 28.5mm solo es suficiente para cubrir el formato S35, el lente integra un expansor de 1.5x que cuando est\u00e1 activado otorga compatibilidad con c\u00e1maras de gran formato, como la Sony VENICE 2.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

El HZK25-1000mm fue dise\u00f1ado para satisfacer las necesidades de los operadores de c\u00e1mara que trabajan en solitario, pero tambi\u00e9n se puede controlar de forma remota mediante los sistemas de control de lentes inal\u00e1mbricos ARRI y Preston FIZ. Adem\u00e1s, Stosh reconoci\u00f3 que actualmente se est\u00e1 evaluando la producci\u00f3n de otros accesorios, como un sistema de filtraci\u00f3n trasera.<\/p>\n\n\n\n

Precio y disponibilidad<\/strong><\/h2>\n\n\n\n

La compa\u00f1\u00eda a\u00fan no ha revelado el precio final del FUJINON HZK25-1000mm. Sin embargo, seg\u00fan Stosh, deber\u00eda rondar los $245.000. Por el momento, solo se han producido dos unidades de preproducci\u00f3n, el producto final comenzar\u00e1 a enviarse hacia marzo de 2023.<\/p>\n\n\n\n

Para obtener m\u00e1s informaci\u00f3n, visita el sitio web de FUJINON<\/a>.<\/p>\n\n\n\n

\u00bfAlguna vez has trabajado con un lente de tipo caja? \u00bfQu\u00e9 opinas sobre el FUJINON HZK25-1000mm? \u00a1Cu\u00e9ntanos tu opini\u00f3n en la secci\u00f3n de comentarios a continuaci\u00f3n!<\/strong><\/p>\n<264467-main-buylinks\/>","protected":false,"clean_render":"

Durante la InterBEE 2022, Johnnie pas\u00f3 por el stand de FUJINON para aprender m\u00e1s sobre su pr\u00f3ximo lente HZK 25-1000mm f\/2.8-5, que est\u00e1 aqu\u00ed para llenar un vac\u00edo en el segmento del mercado de transmisi\u00f3n.<\/strong><\/p>\n\n\n\n

El mes pasado, FUJINON anunci\u00f3<\/a> el desarrollo del HZK25-1000mm, un lente zoom estilo caja que fue dise\u00f1ado para aplicaciones de transmisi\u00f3n de alto nivel. Lo peculiar de este lente es que presenta una montura PL nativa en lugar de una B4, que suele ser m\u00e1s com\u00fan en los lentes de transmisi\u00f3n.<\/p>\n\n\n\n

En la Inter BEE 2022 que se realiz\u00f3 en Tokio, Stosh Durbacz de FUJIFILM nos cont\u00f3 sobre las razones detr\u00e1s de esta elecci\u00f3n de dise\u00f1o y las necesidades espec\u00edficas de las producciones en vivo en la actualidad. \u00a1Vamos a echarle un vistazo!<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

FUJINON 25-1000mm: est\u00e9tica cinematogr\u00e1fica para broadcast<\/strong><\/h2>\n\n\n\n

Seg\u00fan Stosh, en los \u00faltimos a\u00f1os las emisoras se han alejado de los equipos de transmisi\u00f3n tradicionales para buscar un “look m\u00e1s cinematogr\u00e1fico”. De hecho, no es raro ver que se utilizan c\u00e1maras de gran formato, como la Sony VENICE<\/a> 2 o la RED V-RAPTOR, para cubrir eventos en vivo.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Sin embargo, emparejar tales c\u00e1maras con lentes B4 de largo alcance requiere el uso de adaptadores<\/a>, cuya naturaleza normalmente conduce a algunas compensaciones; Es por eso que FUJINON ide\u00f3 un lente zoom de 40x estilo caja con montura PL nativa.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Junto con su sorprendente rango de longitud focal, el lente de 25-1000mm presenta una apertura r\u00e1pida de f\/2.8-5. Esto es bastante impresionante considerando que se encuentra en el extremo largo, hace que el lente sea adecuado para usar incluso en entornos oscuros y, lo que es m\u00e1s importante, da como resultado im\u00e1genes con una profundidad de campo muy buscada.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Aunque el c\u00edrculo de imagen de 28.5mm solo es suficiente para cubrir el formato S35, el lente integra un expansor de 1.5x que cuando est\u00e1 activado otorga compatibilidad con c\u00e1maras de gran formato, como la Sony VENICE 2.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de imagen: CineD<\/figcaption><\/figure>\n\n\n\n

El HZK25-1000mm fue dise\u00f1ado para satisfacer las necesidades de los operadores de c\u00e1mara que trabajan en solitario, pero tambi\u00e9n se puede controlar de forma remota mediante los sistemas de control de lentes inal\u00e1mbricos ARRI y Preston FIZ. Adem\u00e1s, Stosh reconoci\u00f3 que actualmente se est\u00e1 evaluando la producci\u00f3n de otros accesorios, como un sistema de filtraci\u00f3n trasera.<\/p>\n\n\n\n

Precio y disponibilidad<\/strong><\/h2>\n\n\n\n

La compa\u00f1\u00eda a\u00fan no ha revelado el precio final del FUJINON HZK25-1000mm. Sin embargo, seg\u00fan Stosh, deber\u00eda rondar los $245.000. Por el momento, solo se han producido dos unidades de preproducci\u00f3n, el producto final comenzar\u00e1 a enviarse hacia marzo de 2023.<\/p>\n\n\n\n

Para obtener m\u00e1s informaci\u00f3n, visita el sitio web de FUJINON<\/a>.<\/p>\n\n\n\n

\u00bfAlguna vez has trabajado con un lente de tipo caja? \u00bfQu\u00e9 opinas sobre el FUJINON HZK25-1000mm? \u00a1Cu\u00e9ntanos tu opini\u00f3n en la secci\u00f3n de comentarios a continuaci\u00f3n!<\/strong><\/p>\n<264467-main-buylinks\/>"},"excerpt":{"rendered":"

Durante la InterBEE 2022, Johnnie pas\u00f3 por el stand de FUJINON para aprender m\u00e1s sobre su pr\u00f3ximo lente HZK 25-1000mm f\/2.8-5, que est\u00e1 aqu\u00ed para llenar un vac\u00edo en el segmento del mercado de transmisi\u00f3n. El mes pasado, FUJINON anunci\u00f3 el desarrollo del HZK25-1000mm, un lente zoom estilo caja que fue dise\u00f1ado para aplicaciones de transmisi\u00f3n de alto nivel. Lo peculiar de este lente es que presenta una montura PL nativa en lugar de una B4, que suele ser m\u00e1s com\u00fan en los lentes de transmisi\u00f3n. En la Inter BEE 2022 que se realiz\u00f3 en Tokio, Stosh Durbacz de FUJIFILM nos cont\u00f3 sobre las razones detr\u00e1s de esta elecci\u00f3n de […]<\/p>\n","protected":false},"author":19375,"featured_media":263738,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"tags":[69039,27289,69040,69041,27888,69042,69044,24380,24512,24534,68339,26058,68340,26630,68984,26862],"tag_label":[52841],"brand":[52095],"class_list":["post-264467","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-box-lens-es","tag-montura-pl","tag-25-1000-lens-es","tag-25-1000mm-es","tag-interbee-es","tag-broadcast-lens-es","tag-lente-de-tipo-caja","tag-fujinon-es","tag-zoom-lens-es","tag-fujifilm-es","tag-pl-mount-box-lens-es","tag-lente","tag-fujifilm-fujinon-hzk25-1000-es","tag-pl-mount-es","tag-inter-bee-2022-es","tag-lente-zoom","post_format-post-format-video","tag_label-lens-news-es","brand-fujinon-es"],"yoast_head":"\nConociendo al FUJINON 25-1000mm - Lente de caja con montura PL | CineD<\/title>\n<meta name=\"description\" content=\"During Inter BEE 2022, our own Johnnie stopped by the FUJINON booth to learn more about their upcoming HZK 25-1000mm f\/2.8-5, a beast of a lens that is here to fill a gap in the broadcast market segment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conociendo al FUJINON 25-1000mm - Lente de caja con montura PL | CineD\" \/>\n<meta property=\"og:description\" content=\"During Inter BEE 2022, our own Johnnie stopped by the FUJINON booth to learn more about their upcoming HZK 25-1000mm f\/2.8-5, a beast of a lens that is here to fill a gap in the broadcast market segment.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-24T09:48:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-24T16:22:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2022\/11\/FUJINON-25-1000mm-PL-Mount-Box-Lens-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Francesco Andreola\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Francesco Andreola\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/\"},\"author\":{\"name\":\"Francesco Andreola\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/1f13d82223bc53f735a9a68a70ffa635\"},\"headline\":\"Conociendo al FUJINON 25-1000mm – Lente de caja con montura PL\",\"datePublished\":\"2022-11-24T09:48:39+00:00\",\"dateModified\":\"2022-11-24T16:22:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/\"},\"wordCount\":546,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2022\/11\/FUJINON-25-1000mm-PL-Mount-Box-Lens-3.jpg\",\"keywords\":[\"box lens\",\"montura PL\",\"25-1000 lens\",\"25-1000mm\",\"interbee\",\"broadcast lens\",\"lente de tipo caja\",\"fujinon\",\"zoom lens\",\"Fujifilm\",\"PL Mount Box Lens\",\"lente\",\"FUJIFILM FUJINON HZK25-1000\",\"pl mount\",\"Inter BEE 2022\",\"lente zoom\"],\"articleSection\":[\"Noticias\",\"Lentes\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/fujinon-25-1000mm-pl-mount-box-lens-discussed\/\",\"name\":\"Conociendo al FUJINON 25-1000mm - 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