{"id":267747,"date":"2022-12-28T17:20:49","date_gmt":"2022-12-28T16:20:49","guid":{"rendered":"https:\/\/www.cined.com\/?p=267747"},"modified":"2022-12-28T20:38:12","modified_gmt":"2022-12-28T19:38:12","slug":"cinematography-challenge-with-senda-bonnet-light-and-shoot-a-scene-in-30-minutes","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/cinematography-challenge-with-senda-bonnet-light-and-shoot-a-scene-in-30-minutes\/","title":{"rendered":"Desaf\u00edo de cinematograf\u00eda con Senda Bonnet – Ilumina y filma una escena en 30 minutos"},"content":{"rendered":"\n

En este episodio de The Cinematography Challenge (patrocinado por SIGMA y Rosco), Rosco y el embajador de SIGMA, Graham Ehlers Sheldon, invitaron a la directora de fotograf\u00eda Senda Bonnet<\/a> a asumir el desaf\u00edo de iluminar y filmar una escena cinematogr\u00e1fica en menos de 30 minutos con el tema de Dario Argento utilizando un lente prime SIGMA CINE y luces Rosco.<\/strong><\/p>\n\n\n\n

Graham Ehlers Sheldon<\/a>, productor y director de fotograf\u00eda ganador de un Emmy\u00ae y colaborador de CineD desde hace mucho tiempo con sede en el sur de California, presenta un nuevo desaf\u00edo cinematogr\u00e1fico. En cada episodio, se desaf\u00eda a un director de fotograf\u00eda diferente a configurar y filmar una escena en menos de 30 minutos. El objetivo de la serie es, tal como sostiene Graham, “permitirse ser nerd con la cinematograf\u00eda, con un fuerte \u00e9nfasis en el color, la iluminaci\u00f3n y la \u00f3ptica”.<\/p>\n\n\n\n

\"\"
Desaf\u00edo Cinematogr\u00e1fico patrocinado por SIGMA y Rosco \u2013 Senda Bonnet<\/figcaption><\/figure>\n\n\n\n

Publicaremos dos episodios m\u00e1s en las pr\u00f3ximas semanas, con Eduardo Ramirez<\/a> y Elle Schneider<\/a>. Para este episodio, fue seleccionada la directora de fotograf\u00eda Senda Bonnet quien fue desafiada a iluminar y filmar una escena en menos de 30 minutos. Senda trabaja principalmente en proyectos narrativos y estaba en la preproducci\u00f3n de una pel\u00edcula de comedia cuando se film\u00f3 este episodio.<\/p>\n\n\n\n

Las reglas de The Cinematography Challenge son las siguientes:<\/strong><\/p>\n\n\n\n

    \n
  1. Selecciona un tema\/g\u00e9nero aleatorio<\/li>\n\n\n\n
  2. Elige un color dominante<\/li>\n\n\n\n
  3. Ilumina y filma la escena en 30 minutos o menos (usando lentes de cine SIGMA y luces Rosco DMG<\/a>)<\/li>\n<\/ol>\n\n\n\n

    Ilumina o filma en 30 minutos o menos: un desaf\u00edo cinematogr\u00e1fico de \u201cDario Argento\u201d<\/h2>\n\n\n\n

    El tema que eligi\u00f3 Senda para este episodio fue \u201cDario Argento\u201d. Este c\u00e9lebre director italiano logr\u00f3 su est\u00e9tica cinematogr\u00e1fica y escenogr\u00e1fica utilizando una paleta de colores muy amplia. Luego, tuvo que elegir un lente de la l\u00ednea SIGMA CINE para la Canon C500 Mark II<\/a>.<\/strong><\/p>\n\n\n\n

    Ten\u00eda a su disposici\u00f3n todos los lentes prime full-frame de alta velocidad de la l\u00ednea SIGMA CINE, que iban desde 14mm a 135mm. Tambi\u00e9n pudo elegir entre una variedad de lentes prime SIGMA CINE Classic que son conocidos por sus caracter\u00edsticas vintage de bajo contraste. Para capturar el estilo reconocible del director, Senda decidi\u00f3 rodar la escena con el lente prime SIGMA Classic 50mm T2.5.<\/p>\n\n\n\n

    \"\"
    Senda Bonnet en el set de The Cinematographer Challenge. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    El actor Shewan Edward<\/a>\u00a0estuvo presente para actuar en la escena, y Graham junto con el equipo asistente de SIGMA y Rosco, estuvieron all\u00ed para ayudar a configurar las luces y la c\u00e1mara a fin de implementar las ideas creativas de Senda.<\/p>\n\n\n\n

    Capturando los colores de la escena<\/h2>\n\n\n\n

    Para iluminar el fondo de la escena, Senda eligi\u00f3 tres luces Rosco DASH. Cada luz estaba equipada con una montura magn\u00e9tica, una difusi\u00f3n plana y un egg crate (aunque luego se decidi\u00f3 quitarlos). El DMG Dash cuenta con accesorios de modelado de haz magn\u00e9tico que permiten que varios modeladores de luz se apilen uno encima del otro.<\/p>\n\n\n\n

    \"\"
    Graham Ehlers Sheldon en el set de The Cinematography Challenge. Fuente de la imagen: CineD.<\/figcaption><\/figure>\n\n\n\n

    Para la fuente de luz principal de la escena, Senda us\u00f3 un Rosco DMG DASH Quad Kit con un DoPchoice SNAPGRID y lo apunt\u00f3 directamente a la cabeza del artista. Para la luz superior, hizo colocar el Rosco DMG MINI en el techo y sobre el artista para crear una ligera silueta.<\/p>\n\n\n\n

    \"\"
    \u201cCapturando\u201d el color de una pel\u00edcula de Dario Argento en la aplicaci\u00f3n Rosco myMIX. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    Para mantenerse en el tema, Senda agreg\u00f3 el color azul de la escena de una pel\u00edcula de Dario Argento utilizando la funci\u00f3n “Capturar” de la aplicaci\u00f3n myMIX\u2122 de Rosco. Primero, encontr\u00f3 una captura de pantalla de una de las pel\u00edculas de Argento y luego us\u00f3 la aplicaci\u00f3n para elegir un tono de la captura de pantalla y envi\u00f3 ese color a todas las luces DMG Dash que se encontraban en la habitaci\u00f3n.<\/p>\n\n\n\n

    \"\"
    Esta luz azul fue inspirada y creada a partir de una pel\u00edcula de Dario Argento. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    Finalmente, detr\u00e1s de la puerta coloc\u00f3 una Rosco DMG SL1 MIX con otro tono de color de Dario Argento. Esta vez eligi\u00f3 el rojo para indicar peligro, que se revel\u00f3 m\u00e1s tarde en la escena cuando Shewan abri\u00f3 la puerta.<\/p>\n\n\n\n

    \"\"
    Del azul al rojo en el set de The Cinematography Challenge. Fuente de la imagen. CineD<\/figcaption><\/figure>\n\n\n\n

    Un momento interesante fue cuando Graham mont\u00f3 la matte box en la c\u00e1mara para demostrar c\u00f3mo se comporta el lente prime SIGMA Classic con luz directa cuando se mueve la bandera superior; Esto le permiti\u00f3 a Senda tener control sobre los destellos producidos debido al recubrimiento m\u00ednimo de la l\u00ednea Sigma Cine Classic Prime.<\/p>\n\n\n\n

    \"\"
    El diagrama de iluminaci\u00f3n final del rodaje de \u201cDario Argento\u201d de Senda.<\/figcaption><\/figure>\n\n\n\n

    \u00bfQu\u00e9 opinas sobre el cambio de color en la escena despu\u00e9s de abrir la puerta? \u00bfHas utilizado alg\u00fan lente prime SIGMA CINE o una luz Rosco DMG Lights en tu trabajo cinematogr\u00e1fico? Cu\u00e9ntanos si te gust\u00f3 el episodio de The Cinematography Challenge y si te gustar\u00eda que hici\u00e9ramos m\u00e1s de estos en el futuro.<\/strong><\/p>\n<267747-main-buylinks\/>","protected":false,"clean_render":"

    En este episodio de The Cinematography Challenge (patrocinado por SIGMA y Rosco), Rosco y el embajador de SIGMA, Graham Ehlers Sheldon, invitaron a la directora de fotograf\u00eda Senda Bonnet<\/a> a asumir el desaf\u00edo de iluminar y filmar una escena cinematogr\u00e1fica en menos de 30 minutos con el tema de Dario Argento utilizando un lente prime SIGMA CINE y luces Rosco.<\/strong><\/p>\n\n\n\n

    Graham Ehlers Sheldon<\/a>, productor y director de fotograf\u00eda ganador de un Emmy\u00ae y colaborador de CineD desde hace mucho tiempo con sede en el sur de California, presenta un nuevo desaf\u00edo cinematogr\u00e1fico. En cada episodio, se desaf\u00eda a un director de fotograf\u00eda diferente a configurar y filmar una escena en menos de 30 minutos. El objetivo de la serie es, tal como sostiene Graham, “permitirse ser nerd con la cinematograf\u00eda, con un fuerte \u00e9nfasis en el color, la iluminaci\u00f3n y la \u00f3ptica”.<\/p>\n\n\n\n

    \"\"
    Desaf\u00edo Cinematogr\u00e1fico patrocinado por SIGMA y Rosco \u2013 Senda Bonnet<\/figcaption><\/figure>\n\n\n\n

    Publicaremos dos episodios m\u00e1s en las pr\u00f3ximas semanas, con Eduardo Ramirez<\/a> y Elle Schneider<\/a>. Para este episodio, fue seleccionada la directora de fotograf\u00eda Senda Bonnet quien fue desafiada a iluminar y filmar una escena en menos de 30 minutos. Senda trabaja principalmente en proyectos narrativos y estaba en la preproducci\u00f3n de una pel\u00edcula de comedia cuando se film\u00f3 este episodio.<\/p>\n\n\n\n

    Las reglas de The Cinematography Challenge son las siguientes:<\/strong><\/p>\n\n\n\n

      \n
    1. Selecciona un tema\/g\u00e9nero aleatorio<\/li>\n\n\n\n
    2. Elige un color dominante<\/li>\n\n\n\n
    3. Ilumina y filma la escena en 30 minutos o menos (usando lentes de cine SIGMA y luces Rosco DMG<\/a>)<\/li>\n<\/ol>\n\n\n\n

      Ilumina o filma en 30 minutos o menos: un desaf\u00edo cinematogr\u00e1fico de \u201cDario Argento\u201d<\/h2>\n\n\n\n

      El tema que eligi\u00f3 Senda para este episodio fue \u201cDario Argento\u201d. Este c\u00e9lebre director italiano logr\u00f3 su est\u00e9tica cinematogr\u00e1fica y escenogr\u00e1fica utilizando una paleta de colores muy amplia. Luego, tuvo que elegir un lente de la l\u00ednea SIGMA CINE para la Canon C500 Mark II<\/a>.<\/strong><\/p>\n\n\n\n

      Ten\u00eda a su disposici\u00f3n todos los lentes prime full-frame de alta velocidad de la l\u00ednea SIGMA CINE, que iban desde 14mm a 135mm. Tambi\u00e9n pudo elegir entre una variedad de lentes prime SIGMA CINE Classic que son conocidos por sus caracter\u00edsticas vintage de bajo contraste. Para capturar el estilo reconocible del director, Senda decidi\u00f3 rodar la escena con el lente prime SIGMA Classic 50mm T2.5.<\/p>\n\n\n\n

      \"\"
      Senda Bonnet en el set de The Cinematographer Challenge. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

      El actor Shewan Edward<\/a>\u00a0estuvo presente para actuar en la escena, y Graham junto con el equipo asistente de SIGMA y Rosco, estuvieron all\u00ed para ayudar a configurar las luces y la c\u00e1mara a fin de implementar las ideas creativas de Senda.<\/p>\n\n\n\n

      Capturando los colores de la escena<\/h2>\n\n\n\n

      Para iluminar el fondo de la escena, Senda eligi\u00f3 tres luces Rosco DASH. Cada luz estaba equipada con una montura magn\u00e9tica, una difusi\u00f3n plana y un egg crate (aunque luego se decidi\u00f3 quitarlos). El DMG Dash cuenta con accesorios de modelado de haz magn\u00e9tico que permiten que varios modeladores de luz se apilen uno encima del otro.<\/p>\n\n\n\n

      \"\"
      Graham Ehlers Sheldon en el set de The Cinematography Challenge. Fuente de la imagen: CineD.<\/figcaption><\/figure>\n\n\n\n

      Para la fuente de luz principal de la escena, Senda us\u00f3 un Rosco DMG DASH Quad Kit con un DoPchoice SNAPGRID y lo apunt\u00f3 directamente a la cabeza del artista. Para la luz superior, hizo colocar el Rosco DMG MINI en el techo y sobre el artista para crear una ligera silueta.<\/p>\n\n\n\n

      \"\"
      \u201cCapturando\u201d el color de una pel\u00edcula de Dario Argento en la aplicaci\u00f3n Rosco myMIX. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

      Para mantenerse en el tema, Senda agreg\u00f3 el color azul de la escena de una pel\u00edcula de Dario Argento utilizando la funci\u00f3n “Capturar” de la aplicaci\u00f3n myMIX\u2122 de Rosco. Primero, encontr\u00f3 una captura de pantalla de una de las pel\u00edculas de Argento y luego us\u00f3 la aplicaci\u00f3n para elegir un tono de la captura de pantalla y envi\u00f3 ese color a todas las luces DMG Dash que se encontraban en la habitaci\u00f3n.<\/p>\n\n\n\n

      \"\"
      Esta luz azul fue inspirada y creada a partir de una pel\u00edcula de Dario Argento. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

      Finalmente, detr\u00e1s de la puerta coloc\u00f3 una Rosco DMG SL1 MIX con otro tono de color de Dario Argento. Esta vez eligi\u00f3 el rojo para indicar peligro, que se revel\u00f3 m\u00e1s tarde en la escena cuando Shewan abri\u00f3 la puerta.<\/p>\n\n\n\n

      \"\"
      Del azul al rojo en el set de The Cinematography Challenge. Fuente de la imagen. CineD<\/figcaption><\/figure>\n\n\n\n

      Un momento interesante fue cuando Graham mont\u00f3 la matte box en la c\u00e1mara para demostrar c\u00f3mo se comporta el lente prime SIGMA Classic con luz directa cuando se mueve la bandera superior; Esto le permiti\u00f3 a Senda tener control sobre los destellos producidos debido al recubrimiento m\u00ednimo de la l\u00ednea Sigma Cine Classic Prime.<\/p>\n\n\n\n

      \"\"
      El diagrama de iluminaci\u00f3n final del rodaje de \u201cDario Argento\u201d de Senda.<\/figcaption><\/figure>\n\n\n\n

      \u00bfQu\u00e9 opinas sobre el cambio de color en la escena despu\u00e9s de abrir la puerta? \u00bfHas utilizado alg\u00fan lente prime SIGMA CINE o una luz Rosco DMG Lights en tu trabajo cinematogr\u00e1fico? Cu\u00e9ntanos si te gust\u00f3 el episodio de The Cinematography Challenge y si te gustar\u00eda que hici\u00e9ramos m\u00e1s de estos en el futuro.<\/strong><\/p>\n<267747-main-buylinks\/>"},"excerpt":{"rendered":"

      En este episodio de The Cinematography Challenge (patrocinado por SIGMA y Rosco), Rosco y el embajador de SIGMA, Graham Ehlers Sheldon, invitaron a la directora de fotograf\u00eda Senda Bonnet a asumir el desaf\u00edo de iluminar y filmar una escena cinematogr\u00e1fica en menos de 30 minutos con el tema de Dario Argento utilizando un lente prime SIGMA CINE y luces Rosco. Graham Ehlers Sheldon, productor y director de fotograf\u00eda ganador de un Emmy\u00ae y colaborador de CineD desde hace mucho tiempo con sede en el sur de California, presenta un nuevo desaf\u00edo cinematogr\u00e1fico. En cada episodio, se desaf\u00eda a un director de fotograf\u00eda diferente a configurar y filmar una escena en […]<\/p>\n","protected":false},"author":12862,"featured_media":267726,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[24333,62239,24382,65973,69646,35633,69647,36445,69648,37613,69649,39346,69650,69651],"tag_label":[56267],"brand":[56673,51501],"class_list":["post-267747","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","tag-lighting-es","tag-graham-sheldon-es","tag-sigma-es","tag-iluminacion-2","tag-cinematography-challenge-es","tag-rosco-es","tag-senda-bonnet-es","tag-director-of-photography-es","tag-lighting-education-es","tag-cinematographer-es","tag-filmmaker-challenge-es","tag-directora-de-fotografia","tag-desafio-de-cinematografia","tag-filmacion-2","post_format-post-format-video","tag_label-sponsored-educational-es","brand-rosco-es","brand-sigma-es"],"yoast_head":"\nDesaf\u00edo de cinematograf\u00eda con Senda Bonnet - 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