{"id":268459,"date":"2023-01-05T20:30:00","date_gmt":"2023-01-05T19:30:00","guid":{"rendered":"https:\/\/www.cined.com\/?p=268459"},"modified":"2023-01-06T16:30:27","modified_gmt":"2023-01-06T15:30:27","slug":"cinematography-challenge-with-eduardo-ramirez-light-and-shoot-a-scene-in-30-minutes","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/cinematography-challenge-with-eduardo-ramirez-light-and-shoot-a-scene-in-30-minutes\/","title":{"rendered":"Desaf\u00edo Cinematogr\u00e1fico con Eduardo Ram\u00edrez \u2013 Ilumina y filma una escena en 30 minutos"},"content":{"rendered":"\n

El Desaf\u00edo Cinematogr\u00e1fico patrocinado por Rosco y SIGMA, est\u00e1 de regreso con otra temporada! Presentado por Rosco y el embajador de SIGMA, Graham Ehlers Sheldon, el siguiente episodio cuenta con la presencia del director de fotograf\u00eda de Los \u00c1ngeles, Eduardo Ram\u00edrez, que asumi\u00f3 el desaf\u00edo de iluminar y filmar una escena comercial en menos de 30 minutos.<\/strong><\/p><268459-inline-buylinks\/>\n\n\n\n

Graham Ehlers Sheldon<\/strong><\/a>, productor y director de fotograf\u00eda ganador de un Emmy\u00ae y colaborador de CineD desde hace mucho tiempo, trabaj\u00f3 con\u00a0SIGMA <\/strong><\/a>y\u00a0Rosco<\/strong><\/a> para crear la nueva temporada de El Desaf\u00edo Cinematogr\u00e1fico (puedes ver el episodio de la semana pasada con Senda Bonnet<\/a>, en caso de que te lo hayas perdido). En cada episodio, se desaf\u00eda a un director de fotograf\u00eda diferente a configurar y filmar una escena en menos de 30 minutos. El objetivo de la serie es, seg\u00fan Graham, “centrarse en la cinematograf\u00eda, con un fuerte \u00e9nfasis en el color, la iluminaci\u00f3n y la \u00f3ptica\u201d.<\/p>\n\n\n\n

\"\"
Graham y Eduardo en el Desaf\u00edo Cinematogr\u00e1fico. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

En el episodio, Graham invita a participar al director de fotograf\u00eda Eduardo Ram\u00edrez<\/a>. Originario de Colombia, Eduardo actualmente vive en Los \u00c1ngeles y trabaja principalmente en largometrajes y comerciales. Uno de sus proyectos recientes fue Remember Me: The Mahalia Jackson Story<\/a> en Hulu. <\/p>\n\n\n\n

Las reglas del Desaf\u00edo Cinematogr\u00e1fico son las siguientes:<\/strong><\/p>\n\n\n\n

    \n
  1. Selecciona un tema\/g\u00e9nero aleatorio<\/li>\n\n\n\n
  2. Elige un color dominante<\/li>\n\n\n\n
  3. Ilumina y filma la escena en 30 minutos o menos (utilizando lentes de cine SIGMA y luces Rosco DMG<\/a>)<\/li>\n<\/ol>\n\n\n\n
    \"\"
    Los temas y g\u00e9neros para el Desaf\u00edo Cinematogr\u00e1fico.<\/figcaption><\/figure>\n\n\n\n

    Ilumina y selecciona los lentes para filmar un comercial de belleza en 30 minutos o menos<\/h2>\n\n\n\n

    La hoja de papel que sac\u00f3 Eduardo dec\u00eda “Comercial de belleza”, por lo que ese fue su g\u00e9nero para el desaf\u00edo. Luego, tuvo que elegir un lente SIGMA CINE para combinar con la\u00a0Canon C500 Mark II<\/a> que ya estaba configurada y lo esperaba en el set. Ten\u00eda a su disposici\u00f3n todos los lentes prime full-frame de alta velocidad de la l\u00ednea SIGMA CINE, que iban desde 14mm a 135mm. Tambi\u00e9n pudo elegir entre una variedad de lentes prime SIGMA CINE Classic que son conocidos por sus caracter\u00edsticas vintage de bajo contraste. Eduardo opt\u00f3 por el SIGMA CINE Classic 50mm T2.5.<\/p>\n\n\n\n

    \"\"
    Lentes prime de la l\u00ednea SIGMA CINE Classic. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    Eduardo hizo que el actor Shewan Edward<\/a> siguiera su direcci\u00f3n junto con un peque\u00f1o equipo de camar\u00f3grafos y electricistas, pero \u00e9l tuvo que tomar todas las decisiones creativas. R\u00e1pidamente dibuj\u00f3 un diagrama de iluminaci\u00f3n en una hoja de papel y lo us\u00f3 para explicar c\u00f3mo quer\u00eda configurar la escena con las luces Rosco DMG y la c\u00e1mara en un slider.<\/p>\n\n\n\n

    \"\"
    Capturando el color de la bebida en la aplicaci\u00f3n Rosco myMIX. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    Capturando el color de la escena<\/h2>\n\n\n\n

    En esta temporada del Desaf\u00edo Cinematogr\u00e1fico, el director de fotograf\u00eda debe elegir un color para trabajar en la escena. Eduardo escogi\u00f3 el color marr\u00f3n de la bebida que ten\u00eda en la mano el actor. Para crear este color, utiliz\u00f3 la funci\u00f3n “Capturar” de la aplicaci\u00f3n myMIX\u2122 de Rosco; Para ello, en primer lugar tom\u00f3 una foto de la bebida. Luego, usando la aplicaci\u00f3n, su equipo eligi\u00f3 un tono marr\u00f3n y envi\u00f3 ese color a la DMG DASH que estaba iluminando el vidrio en la toma. Todas las dem\u00e1s luces DMG que iluminaban el trago se configuraron en 5600K, por lo que la c\u00e1lida luz marr\u00f3n de la DMG DASH acentu\u00f3 el color de la bebida.<\/p>\n\n\n\n

    \"\"
    Detr\u00e1s de escena en el set. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    Los resultados<\/h2>\n\n\n\n

    Eduardo logr\u00f3 preparar la escena en menos de 30 minutos mientras explicaba algunas de sus decisiones creativas. Despu\u00e9s de que termin\u00f3 con su trabajo, Graham le pregunt\u00f3 si logr\u00f3 lo que se hab\u00eda propuesto. Eduardo respondi\u00f3 que estaba contento con los resultados y agreg\u00f3 que “fue realmente interesante esforzarse trabajando con el tiempo limitado”. Se\u00f1al\u00f3 que, como director de fotograf\u00eda, estaba acostumbrado a trabajar en este tipo de entorno. \u201cTienes muchas ideas, pero siempre tienes un director que te dice el tiempo que tienes para trabajar en una escena\u201d. Al final, Eduardo disfrut\u00f3 formando parte del desaf\u00edo y agreg\u00f3: “creo que, en estas condiciones, con la cantidad de equipo que ten\u00edamos y la gente que ten\u00edamos, fue genial hacerlo”.<\/p>\n\n\n\n

    \"\"
    El diagrama de iluminaci\u00f3n final del rodaje del “comercial de belleza” de Eduardo.<\/figcaption><\/figure>\n\n\n\n

    \u00bfQu\u00e9 opinas de los resultados? \u00bfHubieras hecho algo diferente? \u00bfHas utilizado alg\u00fan SIGMA<\/a> CINE prime o Rosco<\/a> DMG Lights para realizar tu trabajo cinematogr\u00e1fico? Cu\u00e9ntanos si aceptar\u00edas participar en el Desaf\u00edo Cinematogr\u00e1fico en la secci\u00f3n de comentarios debajo del art\u00edculo.<\/strong><\/p>\n\n\n\n

    Haz clic aqu\u00ed para ver otros episodios<\/a> de El Desaf\u00edo Cinematogr\u00e1fico.<\/strong><\/p>\n<268459-main-buylinks\/>","protected":false,"clean_render":"

    El Desaf\u00edo Cinematogr\u00e1fico patrocinado por Rosco y SIGMA, est\u00e1 de regreso con otra temporada! Presentado por Rosco y el embajador de SIGMA, Graham Ehlers Sheldon, el siguiente episodio cuenta con la presencia del director de fotograf\u00eda de Los \u00c1ngeles, Eduardo Ram\u00edrez, que asumi\u00f3 el desaf\u00edo de iluminar y filmar una escena comercial en menos de 30 minutos.<\/strong><\/p><268459-inline-buylinks\/>\n\n\n\n

    Graham Ehlers Sheldon<\/strong><\/a>, productor y director de fotograf\u00eda ganador de un Emmy\u00ae y colaborador de CineD desde hace mucho tiempo, trabaj\u00f3 con\u00a0SIGMA <\/strong><\/a>y\u00a0Rosco<\/strong><\/a> para crear la nueva temporada de El Desaf\u00edo Cinematogr\u00e1fico (puedes ver el episodio de la semana pasada con Senda Bonnet<\/a>, en caso de que te lo hayas perdido). En cada episodio, se desaf\u00eda a un director de fotograf\u00eda diferente a configurar y filmar una escena en menos de 30 minutos. El objetivo de la serie es, seg\u00fan Graham, “centrarse en la cinematograf\u00eda, con un fuerte \u00e9nfasis en el color, la iluminaci\u00f3n y la \u00f3ptica\u201d.<\/p>\n\n\n\n

    \"\"
    Graham y Eduardo en el Desaf\u00edo Cinematogr\u00e1fico. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

    En el episodio, Graham invita a participar al director de fotograf\u00eda Eduardo Ram\u00edrez<\/a>. Originario de Colombia, Eduardo actualmente vive en Los \u00c1ngeles y trabaja principalmente en largometrajes y comerciales. Uno de sus proyectos recientes fue Remember Me: The Mahalia Jackson Story<\/a> en Hulu. <\/p>\n\n\n\n

    Las reglas del Desaf\u00edo Cinematogr\u00e1fico son las siguientes:<\/strong><\/p>\n\n\n\n

      \n
    1. Selecciona un tema\/g\u00e9nero aleatorio<\/li>\n\n\n\n
    2. Elige un color dominante<\/li>\n\n\n\n
    3. Ilumina y filma la escena en 30 minutos o menos (utilizando lentes de cine SIGMA y luces Rosco DMG<\/a>)<\/li>\n<\/ol>\n\n\n\n
      \"\"
      Los temas y g\u00e9neros para el Desaf\u00edo Cinematogr\u00e1fico.<\/figcaption><\/figure>\n\n\n\n

      Ilumina y selecciona los lentes para filmar un comercial de belleza en 30 minutos o menos<\/h2>\n\n\n\n

      La hoja de papel que sac\u00f3 Eduardo dec\u00eda “Comercial de belleza”, por lo que ese fue su g\u00e9nero para el desaf\u00edo. Luego, tuvo que elegir un lente SIGMA CINE para combinar con la\u00a0Canon C500 Mark II<\/a> que ya estaba configurada y lo esperaba en el set. Ten\u00eda a su disposici\u00f3n todos los lentes prime full-frame de alta velocidad de la l\u00ednea SIGMA CINE, que iban desde 14mm a 135mm. Tambi\u00e9n pudo elegir entre una variedad de lentes prime SIGMA CINE Classic que son conocidos por sus caracter\u00edsticas vintage de bajo contraste. Eduardo opt\u00f3 por el SIGMA CINE Classic 50mm T2.5.<\/p>\n\n\n\n

      \"\"
      Lentes prime de la l\u00ednea SIGMA CINE Classic. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

      Eduardo hizo que el actor Shewan Edward<\/a> siguiera su direcci\u00f3n junto con un peque\u00f1o equipo de camar\u00f3grafos y electricistas, pero \u00e9l tuvo que tomar todas las decisiones creativas. R\u00e1pidamente dibuj\u00f3 un diagrama de iluminaci\u00f3n en una hoja de papel y lo us\u00f3 para explicar c\u00f3mo quer\u00eda configurar la escena con las luces Rosco DMG y la c\u00e1mara en un slider.<\/p>\n\n\n\n

      \"\"
      Capturando el color de la bebida en la aplicaci\u00f3n Rosco myMIX. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

      Capturando el color de la escena<\/h2>\n\n\n\n

      En esta temporada del Desaf\u00edo Cinematogr\u00e1fico, el director de fotograf\u00eda debe elegir un color para trabajar en la escena. Eduardo escogi\u00f3 el color marr\u00f3n de la bebida que ten\u00eda en la mano el actor. Para crear este color, utiliz\u00f3 la funci\u00f3n “Capturar” de la aplicaci\u00f3n myMIX\u2122 de Rosco; Para ello, en primer lugar tom\u00f3 una foto de la bebida. Luego, usando la aplicaci\u00f3n, su equipo eligi\u00f3 un tono marr\u00f3n y envi\u00f3 ese color a la DMG DASH que estaba iluminando el vidrio en la toma. Todas las dem\u00e1s luces DMG que iluminaban el trago se configuraron en 5600K, por lo que la c\u00e1lida luz marr\u00f3n de la DMG DASH acentu\u00f3 el color de la bebida.<\/p>\n\n\n\n

      \"\"
      Detr\u00e1s de escena en el set. Fuente de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

      Los resultados<\/h2>\n\n\n\n

      Eduardo logr\u00f3 preparar la escena en menos de 30 minutos mientras explicaba algunas de sus decisiones creativas. Despu\u00e9s de que termin\u00f3 con su trabajo, Graham le pregunt\u00f3 si logr\u00f3 lo que se hab\u00eda propuesto. Eduardo respondi\u00f3 que estaba contento con los resultados y agreg\u00f3 que “fue realmente interesante esforzarse trabajando con el tiempo limitado”. Se\u00f1al\u00f3 que, como director de fotograf\u00eda, estaba acostumbrado a trabajar en este tipo de entorno. \u201cTienes muchas ideas, pero siempre tienes un director que te dice el tiempo que tienes para trabajar en una escena\u201d. Al final, Eduardo disfrut\u00f3 formando parte del desaf\u00edo y agreg\u00f3: “creo que, en estas condiciones, con la cantidad de equipo que ten\u00edamos y la gente que ten\u00edamos, fue genial hacerlo”.<\/p>\n\n\n\n

      \"\"
      El diagrama de iluminaci\u00f3n final del rodaje del “comercial de belleza” de Eduardo.<\/figcaption><\/figure>\n\n\n\n

      \u00bfQu\u00e9 opinas de los resultados? \u00bfHubieras hecho algo diferente? \u00bfHas utilizado alg\u00fan SIGMA<\/a> CINE prime o Rosco<\/a> DMG Lights para realizar tu trabajo cinematogr\u00e1fico? Cu\u00e9ntanos si aceptar\u00edas participar en el Desaf\u00edo Cinematogr\u00e1fico en la secci\u00f3n de comentarios debajo del art\u00edculo.<\/strong><\/p>\n\n\n\n

      Haz clic aqu\u00ed para ver otros episodios<\/a> de El Desaf\u00edo Cinematogr\u00e1fico.<\/strong><\/p>\n<268459-main-buylinks\/>"},"excerpt":{"rendered":"

      El Desaf\u00edo Cinematogr\u00e1fico patrocinado por Rosco y SIGMA, est\u00e1 de regreso con otra temporada! Presentado por Rosco y el embajador de SIGMA, Graham Ehlers Sheldon, el siguiente episodio cuenta con la presencia del director de fotograf\u00eda de Los \u00c1ngeles, Eduardo Ram\u00edrez, que asumi\u00f3 el desaf\u00edo de iluminar y filmar una escena comercial en menos de 30 minutos. Graham Ehlers Sheldon, productor y director de fotograf\u00eda ganador de un Emmy\u00ae y colaborador de CineD desde hace mucho tiempo, trabaj\u00f3 con\u00a0SIGMA y\u00a0Rosco para crear la nueva temporada de El Desaf\u00edo Cinematogr\u00e1fico (puedes ver el episodio de la semana pasada con Senda Bonnet, en caso de que te lo hayas perdido). En cada […]<\/p>\n","protected":false},"author":12862,"featured_media":268373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[69646,24964,69855,25339,69856,25343,69857,69858,35633,24382,24527,24583,24584,65973,24613],"tag_label":[56267],"brand":[51501,56673],"class_list":["post-268459","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","tag-cinematography-challenge-es","tag-dp-es","tag-30-min-challenge-es","tag-light-es","tag-cinematografia-2","tag-luz","tag-desafio-cinematografico","tag-desafio-en-30-minutos","tag-rosco-es","tag-sigma-es","tag-cinematography-es","tag-cine-lens-es","tag-cinema-lens-es","tag-iluminacion-2","tag-education-es","post_format-post-format-video","tag_label-sponsored-educational-es","brand-sigma-es","brand-rosco-es"],"yoast_head":"\nDesaf\u00edo Cinematogr\u00e1fico con Eduardo Ram\u00edrez \u2013 Ilumina y filma una escena en 30 minutos | CineD<\/title>\n<meta name=\"description\" content=\"SIGMA & Rosco cinematography challenge features various DPs trying to light scene under 30 minutes. 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class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1537347-REG\/sigma_t1_5_t2_ff_high_speed_art.html\/BI\/7953\/KBID\/8488\/SID\/jakub\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 40,036.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DASH Pocket RGB LED Light Panel<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1614272020000_1627044.jpg\" alt=\"DASH Pocket RGB LED Light Panel\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1627044-REG\/dmg_lumiere_29822500k001_dash_pocket_led_kit.html\/BI\/7953\/KBID\/8488\/SID\/jakub\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 299.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dmg-lumiere-29822500k001-dash-led-kit?aff_id=101&tid1=jakub\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 274.21<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Cine FF Classic Art Prime 10-Lens Set (Feet)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1575557505000_1526741.jpg\" alt=\"Cine FF Classic Art Prime 10-Lens Set (Feet)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1526741-REG\/sigma_w1b974_cine_classic_prime_ff.html\/BI\/7953\/KBID\/8488\/SID\/jakub\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 38,719.20<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"268459-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>SL1 MIX LED Panel<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1463102-REG\/dmg_lumiere_sl1_hl_mx_sl1_mix_lamphead_200.html\/BI\/7953\/KBID\/8488\/SID\/jakub\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,475.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":251973,"title":"Iluminar una escena con una sola vela \u2013 con Julio Macat, ASC","url":"https:\/\/staging.cined.dev\/es\/lighting-a-scene-with-a-single-candle-with-julio-macat-asc\/","author":19375,"author_details":{"display_name":"Francesco Andreola","first_name":"Francesco","last_name":"Andreola"},"publish_date":"August, 19 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