{"id":282746,"date":"2023-03-29T22:52:16","date_gmt":"2023-03-29T20:52:16","guid":{"rendered":"https:\/\/www.cined.com\/?p=282746"},"modified":"2023-04-03T19:34:04","modified_gmt":"2023-04-03T17:34:04","slug":"sony-zv-e1-review-sony-a7s-iii-lowlight-capabilities-enhanced-autofocus-and-powerful-ai","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-zv-e1-review-sony-a7s-iii-lowlight-capabilities-enhanced-autofocus-and-powerful-ai\/","title":{"rendered":"Rese\u00f1a de la Sony ZV-E1 &#8211; capacidades de poca luz de la Sony a7S III, enfoque autom\u00e1tico mejorado y potente IA"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>La c\u00e1mara full-frame para vlogging Sony ZV-E1 ya est\u00e1 aqu\u00ed y, adem\u00e1s de las capacidades de poca luz de la Sony a7S III, tambi\u00e9n trae un rendimiento de enfoque autom\u00e1tico mejorado y algunas funciones interesantes de IA. \u00a1Vamos a echarle un vistazo!<\/strong><\/p><282746-inline-buylinks\/>\n\n\n\n<p>Tuvimos la Sony ZV-E1 en nuestra sede de CineD durante un tiempo relativamente corto, pero de todos modos estoy seguro de que pude obtener una visi\u00f3n completa de lo que ofrece esta c\u00e1mara y los elementos clave que la convierten en una herramienta de filmaci\u00f3n \u00fanica, especialmente para aquellos que les gusta estar y hablar frente a una c\u00e1mara.<\/p>\n\n\n\n<p>Antes de continuar, aqu\u00ed hay un spoiler: puedo decir con confianza que la Sony ZV-E1 hered\u00f3 muchas de las capacidades de filmaci\u00f3n de la a7S III, pero dio un paso m\u00e1s all\u00e1 al mejorar su rendimiento de enfoque autom\u00e1tico y, lo que es m\u00e1s importante, agreg\u00f3 una IA dedicada. El procesador, que es como el que se encuentra en la a7R V, hace maravillas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-640x360.jpeg\" alt=\"Sony ZV-E1 mix and match between alpha and ZV cameras\" class=\"wp-image-281479\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-1600x900.jpeg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match.jpeg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">La ZV-E1 utiliza lo mejor de otras c\u00e1maras Sony. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sony ZV-E1: la herencia<\/h2>\n\n\n\n<p>Pero primero lo primero. Lo que hizo Sony con la nueva c\u00e1mara es un poco de mezcla y combinaci\u00f3n. El sensor de im\u00e1genes de 12 megap\u00edxeles proviene de la a7S III, y el procesador de im\u00e1genes Bionz XR es el mismo que se encuentra en la a7R V, la a7 IV, la a1 y la a7S III. El esp\u00edritu de vlogging proviene de la serie de c\u00e1maras ZV de Sony, y el factor de forma es muy similar al de la A7C, lo que la convierte en una c\u00e1mara full-frame extremadamente compacta y liviana.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-640x360.jpg\" alt=\"S-Cinetone selectable Picture Profile on Sony ZV-E1\" class=\"wp-image-281495\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Perfil de imagen 11 con ajuste S-Cinetone Gamma. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Caracter\u00edsticas destacadas<\/h2>\n\n\n\n<p>Profundizando un poco m\u00e1s en las especificaciones y caracter\u00edsticas, esto es lo que podr\u00e1s encontrar en esta nueva c\u00e1mara:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Full-frame hasta 4K\/60p sin factor de recorte<\/li>\n\n\n\n<li>Las capacidades recortadas de 4K\/120p y Full HD\/240p se agregar\u00e1n a la c\u00e1mara en junio por medio de una actualizaci\u00f3n de firmware gratuita<\/li>\n\n\n\n<li>10 bits, 4:2:2 en grabaci\u00f3n All intra<\/li>\n\n\n\n<li>S-Cinetone junto a la grabaci\u00f3n de perfil de imagen S-Log<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/CineVlog-640x360.jpg\" alt=\"CineVlog option on the ZV-E1 camera\" class=\"wp-image-281666\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Opci\u00f3n de CineVlog en la ZV-E1. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>De hecho, hay una nueva configuraci\u00f3n de Cinematic Vlog que configura autom\u00e1ticamente la c\u00e1mara para grabar en 4K 16\u00d79, pero con barras negras para imitar la relaci\u00f3n de aspecto cinem\u00e1tica 2.35.1, 24p o 25p seg\u00fan la configuraci\u00f3n. El look predeterminado es S-Cinetone, pero se puede cambiar en el men\u00fa a uno de los 4 ajustes preestablecidos de &#8220;look&#8221; y 4 &#8220;estados de \u00e1nimo&#8221; adicionales para crear una &#8220;expresi\u00f3n cinematogr\u00e1fica instant\u00e1nea&#8221;.<\/p>\n\n\n\n<p>Una cosa que quiero destacar de este modo Vlog cinematogr\u00e1fico y otras funcionalidades de la c\u00e1mara en general, es lo f\u00e1cil que es acceder simplemente seleccion\u00e1ndolo y haciendo clic en \u00e9l en la pantalla LCD. Sony lo hizo muy bien al sacar del men\u00fa algunas de las caracter\u00edsticas clave de la c\u00e1mara y agregarlas a la pantalla para ofrecer un acceso muy r\u00e1pido y c\u00f3modo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Dynamic-active-mode-640x360.jpg\" alt=\"New: Dynamic active stabilizing mode\" class=\"wp-image-281671\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Nuevo: modo din\u00e1mico de estabilizaci\u00f3n activa. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>En lo que respecta a los modos de estabilizaci\u00f3n, junto a sus configuraciones ya existentes, la compa\u00f1\u00eda agreg\u00f3 un nuevo modo activo din\u00e1mico que te permite recortar a\u00fan m\u00e1s la imagen y, por lo tanto, hacer un trabajo de estabilizaci\u00f3n a\u00fan mejor.<\/p>\n\n\n\n<p>Por cierto, para alimentar el sistema, Sony utiliza la bater\u00eda NP-FZ100, que es la misma que se puede encontrar en sus c\u00e1maras mirrorless m\u00e1s avanzadas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sony ZV-E1 &#8211; puntos fuertes<\/h2>\n\n\n\n<p>Bien, perm\u00edtanme concentrarme en los puntos fuertes de esta c\u00e1mara. Comenzar\u00e9 con sus capacidades en condiciones de poca luz, ya que el sensor es el mismo que se encuentra en la a7S III.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--640x360.jpg\" alt=\"ISO 256,000 Complete darkness\" class=\"wp-image-281695\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness-.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">ISO 256.000 en completa oscuridad. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/ISO-12800-640x360.jpg\" alt=\"ISO 12,800. Very clean image\" class=\"wp-image-281699\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">ISO 12.800. Imagen muy limpia. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Oficialmente no es una c\u00e1mara dual ISO, pero se puede ver claramente que, al igual que con la a7S III, con el ISO 640 e ISO 12.800 se obtienen las im\u00e1genes m\u00e1s limpias. Incluso el rendimiento del rolling shutter de ambas c\u00e1maras es similar. Para conocer los resultados de rango din\u00e1mico, dir\u00edgete a la <a href=\"https:\/\/www.cined.com\/camera-database\/?camera=ZV-E1\" target=\"_blank\" rel=\"noreferrer noopener\">prueba de laboratorio de la ZV-E1<\/a> que recientemente fue agregada en nuestra secci\u00f3n de Bases de Datos en constante crecimiento.  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-640x360.jpg\" alt=\"Rolling Shutter comparison\" class=\"wp-image-281719\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Comparaci\u00f3n de rolling shutter. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Sony agreg\u00f3 algunos sujetos nuevos reconocidos (p\u00e1jaro, autom\u00f3vil\/tren, avi\u00f3n, insectos) y esto hace que el enfoque autom\u00e1tico sea a\u00fan m\u00e1s \u00fatil. Simplemente funciona muy bien, ya sea cuando se usa el nuevo &#8220;interruptor bokeh&#8221; para resaltar un producto o incluso cuando se oculta la cara por completo. La c\u00e1mara permanecer\u00e1 en donde se configur\u00f3 sin perder la orientaci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Lens-compensation-2-640x360.jpg\" alt=\"Focus Breathing compensation\" class=\"wp-image-281685\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Compensaci\u00f3n de respiraci\u00f3n de enfoque. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Lens-compensation-1-640x360.jpg\" alt=\"Focus Breathing compensation\" class=\"wp-image-281681\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Compensaci\u00f3n de respiraci\u00f3n de enfoque. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Otra cosa que funciona bien es el nuevo enfoque de compensaci\u00f3n de respiraci\u00f3n. Cambiar los puntos de enfoque entre objetos es un proceso muy r\u00e1pido y fluido.<\/p>\n\n\n\n<p>La gran noticia aqu\u00ed es la nueva funcionalidad de IA de la c\u00e1mara, y en este sentido me gustar\u00eda mencionar dos cosas:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lo primero es el \u201cestabilizador de encuadre\u201d. En este modo, la c\u00e1mara intentar\u00e1 mantener el objeto de la filmaci\u00f3n en el centro, independientemente de d\u00f3nde est\u00e9 realmente posicionado.<\/li>\n\n\n\n<li>Lo segundo es el \u201cauto encuadre\u201d. Cuando esta funci\u00f3n est\u00e1 activada, la c\u00e1mara puede recortar autom\u00e1ticamente el cuadro, lo que hace que el video sea m\u00e1s din\u00e1mico.<\/li>\n<\/ul>\n\n\n\n<p>De hecho, podr\u00e1s &#8220;activar&#8221; esta funci\u00f3n dentro de la c\u00e1mara y &#8220;desactivarla&#8221; en caso de que est\u00e9s grabando simult\u00e1neamente en un grabador externo. Al hacerlo, tambi\u00e9n obtendr\u00e1s un &#8220;clip maestro&#8221;.<\/p>\n\n\n\n<p>No hace falta decir que la cantidad de recorte o la velocidad de cambio de encuadre se pueden ajustar en el men\u00fa de la c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--640x360.jpg\" alt=\"Changing the framing by touching the LCD screen\" class=\"wp-image-281705\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Cambiar el encuadre tocando la pantalla LCD. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Lo mismo ocurre con la grabaci\u00f3n de una entrevista. El operador puede tocar la pantalla y cambiar el encuadre entre sujetos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 se puede mejorar?<\/h2>\n\n\n\n<p>Ninguna c\u00e1mara es perfecta y perm\u00edtanme compartir mis preocupaciones con ustedes:<\/p>\n\n\n\n<p>Tal vez el problema m\u00e1s grande es el sobrecalentamiento. Me sorprendi\u00f3 ver lo r\u00e1pido que la c\u00e1mara lleg\u00f3 al punto en que deb\u00ed apagarla en el modo est\u00e1ndar, por lo que definitivamente recomiendo usar la configuraci\u00f3n &#8220;alta&#8221; para ganar tiempo de grabaci\u00f3n adicional.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-640x360.jpg\" alt=\"Overheating sign before the camera shuts\" class=\"wp-image-281709\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Signo de sobrecalentamiento antes de que la c\u00e1mara se apague. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Lo siguiente es la calidad de audio. Tengo que tener cuidado aqu\u00ed, ya que no estoy seguro de si la c\u00e1mara que tengo presenta algun defecto, pero en cualquier caso, al configurarla para grabar audio proveniente del frente, la cantidad de silbido hizo que el audio no se pudiera usar. Cambiar &#8220;Audio Out Timing&#8221; a &#8220;Lip Sync&#8221; mejor\u00f3 la situaci\u00f3n, pero cuanto m\u00e1s subes con los niveles de grabaci\u00f3n, m\u00e1s evidente es el fen\u00f3meno.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-640x360.jpg\" alt=\"Soft skin effect is ON by default\" class=\"wp-image-281713\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">El efecto de piel suave est\u00e1 &#8220;ENCENDIDO&#8221; de forma predeterminada. Cr\u00e9dito CineD<\/figcaption><\/figure>\n\n\n\n<p>Por \u00faltimo, pero no por ello menos importante, al usar el modo &#8220;M&#8221; para la grabaci\u00f3n de video, ten en cuenta que la configuraci\u00f3n &#8220;Piel suave&#8221; est\u00e1 &#8220;activada&#8221; de manera predeterminada. Aunque esta funci\u00f3n es popular en algunas regiones del mundo, es posible que no sea la mejor opci\u00f3n para todos, as\u00ed que espero que Sony pueda cambiar esto con una actualizaci\u00f3n de firmware.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n<\/h2>\n\n\n\n<p>Sony hizo un gran trabajo con esta c\u00e1mara al equilibrar el rendimiento, su facilidad de uso y las funciones para la audiencia de vlogger. Al igual que con la a7S III, las capacidades de poca luz son una locura y los &#8220;trucos&#8221; de IA funcionan muy bien sin brindar la sensaci\u00f3n de perder una calidad de imagen significativa. Personalmente, me falta un EVF para tener una mayor flexibilidad de filmaci\u00f3n, pero supongo que soy un operador antiguo\u2026<\/p>\n\n\n\n<p>Una pregunta que hay que hacerse es: \u00bfen qu\u00e9 segmento se ubica esta nueva c\u00e1mara que es 1.300 euros\/d\u00f3lares m\u00e1s cara? Y mi respuesta es, tal vez no en un lugar tan bueno. Si, la a7S III podr\u00eda ser una c\u00e1mara m\u00e1s avanzada en algunos aspectos al apuntar a los cineastas, pero mirando el paquete completo no estoy tan seguro de que la diferencia de precio de 1.300 euros\/d\u00f3lares entre las dos c\u00e1maras est\u00e9 justificada, y esto podr\u00eda poner a la a7S III en una posici\u00f3n de venta dif\u00edcil.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Precios y disponibilidad<\/h2>\n\n\n\n<p>La c\u00e1mara comenzar\u00e1 a enviarse durante abril y se vender\u00e1 por \u20ac2.005\/<a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759472-REG\/sony_zv_e1_mirrorless_camera_black.html\/BI\/7953\/KBID\/8488\" target=\"_blank\" rel=\"noreferrer noopener\">$2.198<\/a> solo el cuerpo, o \u20ac2.435\/<a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759474-REG\/sony_zv_e1_mirrorless_camera_with.html\/BI\/7953\/KBID\/8488\" target=\"_blank\" rel=\"noreferrer noopener\">$2.498<\/a> junto con el lente de 28-60mm F\/4-5.6.<\/p>\n\n\n\n<p><strong>\u00bfCu\u00e1l es tu opini\u00f3n sobre la nueva Sony ZV-E1? \u00bfConsiderar\u00edas obtenerla como complemento de cualquiera de tus otras c\u00e1maras Sony? Por favor, comparte tu opini\u00f3n con nosotros en la secci\u00f3n de comentarios a continuaci\u00f3n.<\/strong><\/p>\n<282746-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>La c\u00e1mara full-frame para vlogging Sony ZV-E1 ya est\u00e1 aqu\u00ed y, adem\u00e1s de las capacidades de poca luz de la Sony a7S III, tambi\u00e9n trae un rendimiento de enfoque autom\u00e1tico mejorado y algunas funciones interesantes de IA. \u00a1Vamos a echarle un vistazo!<\/strong><\/p><282746-inline-buylinks\/>\n\n\n\n<p>Tuvimos la Sony ZV-E1 en nuestra sede de CineD durante un tiempo relativamente corto, pero de todos modos estoy seguro de que pude obtener una visi\u00f3n completa de lo que ofrece esta c\u00e1mara y los elementos clave que la convierten en una herramienta de filmaci\u00f3n \u00fanica, especialmente para aquellos que les gusta estar y hablar frente a una c\u00e1mara.<\/p>\n\n\n\n<p>Antes de continuar, aqu\u00ed hay un spoiler: puedo decir con confianza que la Sony ZV-E1 hered\u00f3 muchas de las capacidades de filmaci\u00f3n de la a7S III, pero dio un paso m\u00e1s all\u00e1 al mejorar su rendimiento de enfoque autom\u00e1tico y, lo que es m\u00e1s importante, agreg\u00f3 una IA dedicada. El procesador, que es como el que se encuentra en la a7R V, hace maravillas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-640x360.jpeg\" alt=\"Sony ZV-E1 mix and match between alpha and ZV cameras\" class=\"wp-image-281479\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-640x360.jpeg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match-1600x900.jpeg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ZV-E1-mix-and-match.jpeg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">La ZV-E1 utiliza lo mejor de otras c\u00e1maras Sony. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Sony ZV-E1: la herencia<\/h2>\n\n\n\n<p>Pero primero lo primero. Lo que hizo Sony con la nueva c\u00e1mara es un poco de mezcla y combinaci\u00f3n. El sensor de im\u00e1genes de 12 megap\u00edxeles proviene de la a7S III, y el procesador de im\u00e1genes Bionz XR es el mismo que se encuentra en la a7R V, la a7 IV, la a1 y la a7S III. El esp\u00edritu de vlogging proviene de la serie de c\u00e1maras ZV de Sony, y el factor de forma es muy similar al de la A7C, lo que la convierte en una c\u00e1mara full-frame extremadamente compacta y liviana.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-640x360.jpg\" alt=\"S-Cinetone selectable Picture Profile on Sony ZV-E1\" class=\"wp-image-281495\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/S-Cinetone-Picture-Profile.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Perfil de imagen 11 con ajuste S-Cinetone Gamma. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Caracter\u00edsticas destacadas<\/h2>\n\n\n\n<p>Profundizando un poco m\u00e1s en las especificaciones y caracter\u00edsticas, esto es lo que podr\u00e1s encontrar en esta nueva c\u00e1mara:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Full-frame hasta 4K\/60p sin factor de recorte<\/li>\n\n\n\n<li>Las capacidades recortadas de 4K\/120p y Full HD\/240p se agregar\u00e1n a la c\u00e1mara en junio por medio de una actualizaci\u00f3n de firmware gratuita<\/li>\n\n\n\n<li>10 bits, 4:2:2 en grabaci\u00f3n All intra<\/li>\n\n\n\n<li>S-Cinetone junto a la grabaci\u00f3n de perfil de imagen S-Log<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/CineVlog-640x360.jpg\" alt=\"CineVlog option on the ZV-E1 camera\" class=\"wp-image-281666\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/CineVlog.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Opci\u00f3n de CineVlog en la ZV-E1. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>De hecho, hay una nueva configuraci\u00f3n de Cinematic Vlog que configura autom\u00e1ticamente la c\u00e1mara para grabar en 4K 16\u00d79, pero con barras negras para imitar la relaci\u00f3n de aspecto cinem\u00e1tica 2.35.1, 24p o 25p seg\u00fan la configuraci\u00f3n. El look predeterminado es S-Cinetone, pero se puede cambiar en el men\u00fa a uno de los 4 ajustes preestablecidos de &#8220;look&#8221; y 4 &#8220;estados de \u00e1nimo&#8221; adicionales para crear una &#8220;expresi\u00f3n cinematogr\u00e1fica instant\u00e1nea&#8221;.<\/p>\n\n\n\n<p>Una cosa que quiero destacar de este modo Vlog cinematogr\u00e1fico y otras funcionalidades de la c\u00e1mara en general, es lo f\u00e1cil que es acceder simplemente seleccion\u00e1ndolo y haciendo clic en \u00e9l en la pantalla LCD. Sony lo hizo muy bien al sacar del men\u00fa algunas de las caracter\u00edsticas clave de la c\u00e1mara y agregarlas a la pantalla para ofrecer un acceso muy r\u00e1pido y c\u00f3modo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Dynamic-active-mode-640x360.jpg\" alt=\"New: Dynamic active stabilizing mode\" class=\"wp-image-281671\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Dynamic-active-mode.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Nuevo: modo din\u00e1mico de estabilizaci\u00f3n activa. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>En lo que respecta a los modos de estabilizaci\u00f3n, junto a sus configuraciones ya existentes, la compa\u00f1\u00eda agreg\u00f3 un nuevo modo activo din\u00e1mico que te permite recortar a\u00fan m\u00e1s la imagen y, por lo tanto, hacer un trabajo de estabilizaci\u00f3n a\u00fan mejor.<\/p>\n\n\n\n<p>Por cierto, para alimentar el sistema, Sony utiliza la bater\u00eda NP-FZ100, que es la misma que se puede encontrar en sus c\u00e1maras mirrorless m\u00e1s avanzadas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sony ZV-E1 &#8211; puntos fuertes<\/h2>\n\n\n\n<p>Bien, perm\u00edtanme concentrarme en los puntos fuertes de esta c\u00e1mara. Comenzar\u00e9 con sus capacidades en condiciones de poca luz, ya que el sensor es el mismo que se encuentra en la a7S III.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--640x360.jpg\" alt=\"ISO 256,000 Complete darkness\" class=\"wp-image-281695\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness--1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-256000-Complete-darkness-.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">ISO 256.000 en completa oscuridad. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/ISO-12800-640x360.jpg\" alt=\"ISO 12,800. Very clean image\" class=\"wp-image-281699\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/ISO-12800.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">ISO 12.800. Imagen muy limpia. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Oficialmente no es una c\u00e1mara dual ISO, pero se puede ver claramente que, al igual que con la a7S III, con el ISO 640 e ISO 12.800 se obtienen las im\u00e1genes m\u00e1s limpias. Incluso el rendimiento del rolling shutter de ambas c\u00e1maras es similar. Para conocer los resultados de rango din\u00e1mico, dir\u00edgete a la <a href=\"https:\/\/www.cined.com\/camera-database\/?camera=ZV-E1\" target=\"_blank\" rel=\"noreferrer noopener\">prueba de laboratorio de la ZV-E1<\/a> que recientemente fue agregada en nuestra secci\u00f3n de Bases de Datos en constante crecimiento.  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-640x360.jpg\" alt=\"Rolling Shutter comparison\" class=\"wp-image-281719\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Rolling-Shutter-comparisson.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Comparaci\u00f3n de rolling shutter. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Sony agreg\u00f3 algunos sujetos nuevos reconocidos (p\u00e1jaro, autom\u00f3vil\/tren, avi\u00f3n, insectos) y esto hace que el enfoque autom\u00e1tico sea a\u00fan m\u00e1s \u00fatil. Simplemente funciona muy bien, ya sea cuando se usa el nuevo &#8220;interruptor bokeh&#8221; para resaltar un producto o incluso cuando se oculta la cara por completo. La c\u00e1mara permanecer\u00e1 en donde se configur\u00f3 sin perder la orientaci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Lens-compensation-2-640x360.jpg\" alt=\"Focus Breathing compensation\" class=\"wp-image-281685\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-2.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Compensaci\u00f3n de respiraci\u00f3n de enfoque. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Lens-compensation-1-640x360.jpg\" alt=\"Focus Breathing compensation\" class=\"wp-image-281681\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Lens-compensation-1.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Compensaci\u00f3n de respiraci\u00f3n de enfoque. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Otra cosa que funciona bien es el nuevo enfoque de compensaci\u00f3n de respiraci\u00f3n. Cambiar los puntos de enfoque entre objetos es un proceso muy r\u00e1pido y fluido.<\/p>\n\n\n\n<p>La gran noticia aqu\u00ed es la nueva funcionalidad de IA de la c\u00e1mara, y en este sentido me gustar\u00eda mencionar dos cosas:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lo primero es el \u201cestabilizador de encuadre\u201d. En este modo, la c\u00e1mara intentar\u00e1 mantener el objeto de la filmaci\u00f3n en el centro, independientemente de d\u00f3nde est\u00e9 realmente posicionado.<\/li>\n\n\n\n<li>Lo segundo es el \u201cauto encuadre\u201d. Cuando esta funci\u00f3n est\u00e1 activada, la c\u00e1mara puede recortar autom\u00e1ticamente el cuadro, lo que hace que el video sea m\u00e1s din\u00e1mico.<\/li>\n<\/ul>\n\n\n\n<p>De hecho, podr\u00e1s &#8220;activar&#8221; esta funci\u00f3n dentro de la c\u00e1mara y &#8220;desactivarla&#8221; en caso de que est\u00e9s grabando simult\u00e1neamente en un grabador externo. Al hacerlo, tambi\u00e9n obtendr\u00e1s un &#8220;clip maestro&#8221;.<\/p>\n\n\n\n<p>No hace falta decir que la cantidad de recorte o la velocidad de cambio de encuadre se pueden ajustar en el men\u00fa de la c\u00e1mara.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--640x360.jpg\" alt=\"Changing the framing by touching the LCD screen\" class=\"wp-image-281705\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Changing-the-framing-by-touching-the-LCD-screen--1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Cambiar el encuadre tocando la pantalla LCD. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Lo mismo ocurre con la grabaci\u00f3n de una entrevista. El operador puede tocar la pantalla y cambiar el encuadre entre sujetos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 se puede mejorar?<\/h2>\n\n\n\n<p>Ninguna c\u00e1mara es perfecta y perm\u00edtanme compartir mis preocupaciones con ustedes:<\/p>\n\n\n\n<p>Tal vez el problema m\u00e1s grande es el sobrecalentamiento. Me sorprendi\u00f3 ver lo r\u00e1pido que la c\u00e1mara lleg\u00f3 al punto en que deb\u00ed apagarla en el modo est\u00e1ndar, por lo que definitivamente recomiendo usar la configuraci\u00f3n &#8220;alta&#8221; para ganar tiempo de grabaci\u00f3n adicional.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-640x360.jpg\" alt=\"Overheating sign before the camera shuts\" class=\"wp-image-281709\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Overheating-sign-before-the-camera-shutting-off.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Signo de sobrecalentamiento antes de que la c\u00e1mara se apague. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n<p>Lo siguiente es la calidad de audio. Tengo que tener cuidado aqu\u00ed, ya que no estoy seguro de si la c\u00e1mara que tengo presenta algun defecto, pero en cualquier caso, al configurarla para grabar audio proveniente del frente, la cantidad de silbido hizo que el audio no se pudiera usar. Cambiar &#8220;Audio Out Timing&#8221; a &#8220;Lip Sync&#8221; mejor\u00f3 la situaci\u00f3n, pero cuanto m\u00e1s subes con los niveles de grabaci\u00f3n, m\u00e1s evidente es el fen\u00f3meno.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-640x360.jpg\" alt=\"Soft skin effect is ON by default\" class=\"wp-image-281713\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2023\/03\/Soft-skin-effect-is-ON-by-default.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">El efecto de piel suave est\u00e1 &#8220;ENCENDIDO&#8221; de forma predeterminada. Cr\u00e9dito CineD<\/figcaption><\/figure>\n\n\n\n<p>Por \u00faltimo, pero no por ello menos importante, al usar el modo &#8220;M&#8221; para la grabaci\u00f3n de video, ten en cuenta que la configuraci\u00f3n &#8220;Piel suave&#8221; est\u00e1 &#8220;activada&#8221; de manera predeterminada. Aunque esta funci\u00f3n es popular en algunas regiones del mundo, es posible que no sea la mejor opci\u00f3n para todos, as\u00ed que espero que Sony pueda cambiar esto con una actualizaci\u00f3n de firmware.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusi\u00f3n<\/h2>\n\n\n\n<p>Sony hizo un gran trabajo con esta c\u00e1mara al equilibrar el rendimiento, su facilidad de uso y las funciones para la audiencia de vlogger. Al igual que con la a7S III, las capacidades de poca luz son una locura y los &#8220;trucos&#8221; de IA funcionan muy bien sin brindar la sensaci\u00f3n de perder una calidad de imagen significativa. Personalmente, me falta un EVF para tener una mayor flexibilidad de filmaci\u00f3n, pero supongo que soy un operador antiguo\u2026<\/p>\n\n\n\n<p>Una pregunta que hay que hacerse es: \u00bfen qu\u00e9 segmento se ubica esta nueva c\u00e1mara que es 1.300 euros\/d\u00f3lares m\u00e1s cara? Y mi respuesta es, tal vez no en un lugar tan bueno. Si, la a7S III podr\u00eda ser una c\u00e1mara m\u00e1s avanzada en algunos aspectos al apuntar a los cineastas, pero mirando el paquete completo no estoy tan seguro de que la diferencia de precio de 1.300 euros\/d\u00f3lares entre las dos c\u00e1maras est\u00e9 justificada, y esto podr\u00eda poner a la a7S III en una posici\u00f3n de venta dif\u00edcil.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Precios y disponibilidad<\/h2>\n\n\n\n<p>La c\u00e1mara comenzar\u00e1 a enviarse durante abril y se vender\u00e1 por \u20ac2.005\/<a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759472-REG\/sony_zv_e1_mirrorless_camera_black.html\/BI\/7953\/KBID\/8488\" target=\"_blank\" rel=\"noreferrer noopener\">$2.198<\/a> solo el cuerpo, o \u20ac2.435\/<a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759474-REG\/sony_zv_e1_mirrorless_camera_with.html\/BI\/7953\/KBID\/8488\" target=\"_blank\" rel=\"noreferrer noopener\">$2.498<\/a> junto con el lente de 28-60mm F\/4-5.6.<\/p>\n\n\n\n<p><strong>\u00bfCu\u00e1l es tu opini\u00f3n sobre la nueva Sony ZV-E1? \u00bfConsiderar\u00edas obtenerla como complemento de cualquiera de tus otras c\u00e1maras Sony? Por favor, comparte tu opini\u00f3n con nosotros en la secci\u00f3n de comentarios a continuaci\u00f3n.<\/strong><\/p>\n<282746-main-buylinks\/>"},"excerpt":{"rendered":"<p>La c\u00e1mara full-frame para vlogging Sony ZV-E1 ya est\u00e1 aqu\u00ed y, adem\u00e1s de las capacidades de poca luz de la Sony a7S III, tambi\u00e9n trae un rendimiento de enfoque autom\u00e1tico mejorado y algunas funciones interesantes de IA. \u00a1Vamos a echarle un vistazo! Tuvimos la Sony ZV-E1 en nuestra sede de CineD durante un tiempo relativamente corto, pero de todos modos estoy seguro de que pude obtener una visi\u00f3n completa de lo que ofrece esta c\u00e1mara y los elementos clave que la convierten en una herramienta de filmaci\u00f3n \u00fanica, especialmente para aquellos que les gusta estar y hablar frente a una c\u00e1mara. Antes de continuar, aqu\u00ed hay un spoiler: puedo decir [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":281734,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42314,"name":"Rese\u00f1as","link":"https:\/\/staging.cined.dev\/es\/resenas\/","slug":"resenas"},{"id":42317,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/resenas\/resenas-camaras-es\/","slug":"resenas-camaras-es"}],"tags":[71881,71882,71883,71884,71869,71885,24280,71875,71886,27408,71876,71887,71877,71888,29056,71878,40830,71879,40833,71880],"tag_label":[53353],"brand":[51341],"class_list":["post-282746","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-resenas","category-resenas-camaras-es","tag-zv-e1-full-frame-es","tag-best-vlogging-camera-2023-es","tag-zv-e1-review-es","tag-sony-vlogging-ai-es","tag-sony-zv-e1-es","tag-sony-zv-e1-footage-2-es","tag-sony-es","tag-sony-zv-e1-review-2-es","tag-resena-de-la-sony-zv-e1","tag-resena","tag-sony-zv-e1-review-es","tag-enfoque-automatico-mejorado","tag-sony-vlogging-camera-es","tag-mejor-camara-para-vlogging-2023","tag-vlogging-es","tag-sony-zv-e1-footage-es","tag-vlogging-camera-es","tag-zv-e1-hands-on-es","tag-camara-para-vlogging","tag-vlogging-camera-2023-es","post_format-post-format-video","tag_label-camera-review-es","brand-sony-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rese\u00f1a de la Sony ZV-E1 - capacidades de poca luz de la Sony a7S III, enfoque autom\u00e1tico mejorado y potente IA | CineD<\/title>\n<meta name=\"description\" content=\"Sony ZV-E1 Review and First Look. 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>ZV-E1 Mirrorless Camera (Black)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1680099333000_1759472.jpg\" alt=\"ZV-E1 Mirrorless Camera (Black)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759472-REG\/sony_zv_e1_mirrorless_camera_black.html?sts=pi\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,098.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-zve1bdi-eu-zv-e1-4k-camera?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 2,230.58<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>ZV-E1 Mirrorless Camera with 28-60mm Lens (Black)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1680099625000_1759474.jpg\" alt=\"ZV-E1 Mirrorless Camera with 28-60mm Lens (Black)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759474-REG\/sony_zv_e1_mirrorless_camera_with.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,398.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-zve1lbdi-eu-zv-e1-with-28-60mm-lens?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 2,100.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>ZV-E1 Mirrorless Camera (White)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1680099333000_1759473.jpg\" alt=\"ZV-E1 Mirrorless Camera (White)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759473-REG\/sony_zv_e1_mirrorless_camera_white.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,098.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>ZV-E1 Mirrorless Camera with 28-60mm Lens (White)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1680099625000_1759475.jpg\" alt=\"ZV-E1 Mirrorless Camera with 28-60mm Lens (White)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759475-REG\/sony_zv_e1_mirrorless_camera_with.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,398.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"282746-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>ZV-E1 Mirrorless Camera (Black)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1759472-REG\/sony_zv_e1_mirrorless_camera_black.html?sts=pi\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,098.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-zve1bdi-eu-zv-e1-4k-camera?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 2,230.58<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":282707,"title":"Anuncian la Sony ZV-E1 - C\u00e1mara compacta full-frame mirrorless con tecnolog\u00eda de IA para vloggers","url":"https:\/\/staging.cined.dev\/es\/sony-zv-e1-announced-compact-mirrorless-ai-powered-full-frame-camera-for-vloggers\/","author":15720,"author_details":{"display_name":"Jeff Loch","first_name":"Jeff","last_name":"Loch"},"publish_date":"March, 29 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