{"id":301378,"date":"2023-08-17T14:08:13","date_gmt":"2023-08-17T12:08:13","guid":{"rendered":"https:\/\/www.cined.com\/?p=301378"},"modified":"2023-08-17T19:33:05","modified_gmt":"2023-08-17T17:33:05","slug":"adobe-premiere-pro-23-6-announces-improved-color-management-for-arriraw","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/adobe-premiere-pro-23-6-announces-improved-color-management-for-arriraw\/","title":{"rendered":"Adobe Premiere Pro 23.6 anuncia una gesti\u00f3n de color mejorada para ARRIRAW"},"content":{"rendered":"\n

Adobe ha anunciado<\/a> su nueva versi\u00f3n Premiere Pro 23.6. Este lanzamiento de agosto se centra en la optimizaci\u00f3n del flujo de trabajo con ARRIRAW e introduce una gesti\u00f3n de color mejorada para este exigente formato de imagen. La empresa recomienda la actualizaci\u00f3n para todos los usuarios, as\u00ed que vamos a echarle un vistazo a los detalles de lo que podr\u00e1s hacer con ARRIRAW en Adobe Premiere Pro.<\/strong><\/p>\n\n\n\n

Seamos realistas: Premiere Pro rara vez es el software de elecci\u00f3n cuando se trata de la gesti\u00f3n y gradaci\u00f3n del color. La mayor\u00eda de las veces, los usuarios eligen otras opciones disponibles en el mercado u obtienen plugins especializados como el Colourlab Freelab gratuito que describimos aqu\u00ed<\/a>. <\/p>\n\n\n\n

Sin embargo, Adobe conoce el ejercicio y trabaja constantemente para mejorar en esta \u00e1rea. Desde que incluyeron<\/a> el soporte de ARRIRAW en su software de edici\u00f3n el oto\u00f1o boreal pasado, anunciaron algunas otras iteraciones; Entre ellas se encontraban la aceleraci\u00f3n de la GPU y el aumento del rendimiento del flujo de trabajo, lo que permiti\u00f3 reproducir ARRIRAW en tiempo real sin transcodificaci\u00f3n ni proxies (y con la capacidad de exportarlo hasta 15 veces m\u00e1s r\u00e1pido). Ahora, la compa\u00f1\u00eda promete a\u00f1adir caracter\u00edsticas nuevas que har\u00e1n que cada secuencia de ARRI se vea genial.<\/p>\n\n\n\n

Gesti\u00f3n de color para ARRIRAW en Adobe Premiere Pro 23.6<\/strong><\/h2>\n\n\n\n

Las nuevas funciones de gesti\u00f3n del color para tu flujo de trabajo con ARRIRAW, agregadas en la actualizaci\u00f3n 23.6, son opcionales. Para acceder a ellas, ingresa a “Interpret Footage” – “Color”. En “Color Settings”, podr\u00e1s usar el espacio de color de archivos Log C detectado autom\u00e1ticamente, cambiarlo o aplicar un LUT de entrada. Independientemente del espacio de color que selecciones para tu secuencia, Premiere Pro convertir\u00e1 tus im\u00e1genes para que coincidan.<\/p>\n\n\n\n

\"color
Fuente de la imagen: Adobe<\/figcaption><\/figure>\n\n\n\n

Adem\u00e1s, puedes ir al panel Controles de efectos, seleccionar “Source” y ajustar los controles RAW para la exposici\u00f3n, balance de blancos y tinte directamente en la configuraci\u00f3n.<\/p>\n\n\n\n

\u00bfQu\u00e9 es ARRIRAW y en qu\u00e9 se diferencia de otros formatos?<\/strong><\/h2>\n\n\n\n

ARRIRAW es el formato de ARRI para datos de sensores sin comprimir, sin cifrar y sin procesar. Seg\u00fan la compa\u00f1\u00eda, es como una versi\u00f3n digital del negativo de la c\u00e1mara. Se trata del \u00fanico formato que conserva completamente la respuesta de color natural de la c\u00e1mara y la latitud de exposici\u00f3n, lo que ofrece un punto de partida incre\u00edble para la gradaci\u00f3n de color.<\/p>\n\n\n\n

\"\"
Fuente de la imagen: ARRI<\/figcaption><\/figure>\n\n\n\n

Si deseas comprender mejor este c\u00f3dec y los detalles de ARRIRAW y c\u00f3mo funciona, consulta nuestra gu\u00eda detallada aqu\u00ed<\/a>. Incluso si no filmas con c\u00e1maras ARRI, te brindar\u00e1 una comprensi\u00f3n profunda de los sensores de la c\u00e1mara y los sitios de fotos, la profundidad de bits, la compresi\u00f3n de datos y el color.<\/p>\n\n\n\n

Otras mejoras en la gesti\u00f3n del color en Premiere Pro<\/strong><\/h2>\n\n\n\n

En caso de que te lo hayas perdido, el a\u00f1o pasado Adobe introdujo otras mejoras para el color en su software de edici\u00f3n. A modo de ejemplo, en Premiere Pro 23.3 a\u00f1adi\u00f3 un Mapeo Autom\u00e1tico de Tonos<\/a>, que permite mezclar y combinar im\u00e1genes de diferentes c\u00e1maras en la misma l\u00ednea de tiempo SDR, adem\u00e1s de editar y gradar el color de esos clips sin pasos adicionales. La herramienta admite video HDR, iPhone HLG, as\u00ed como c\u00f3decs de log, incluyendo Sony S-Log, Canon C-Log y Panasonic V-Log.<\/p>\n\n\n\n

Desde la versi\u00f3n 23.3, el Mapeo Autom\u00e1tico de Tonos est\u00e1 activado de forma predeterminada. Por lo tanto, debes desactivar esta funci\u00f3n en la configuraci\u00f3n de secuencia si deseas trabajar con un LUT.<\/p>\n\n\n\n

Premiere Pro est\u00e1 disponible para actualizar<\/strong><\/h2>\n\n\n\n

Adobe Premiere Pro 23.6 ya est\u00e1 disponible para su descarga desde la aplicaci\u00f3n de escritorio Creative Cloud.<\/p>\n\n\n\n

\u00bfSueles trabajar con ARRIRAW en Adobe Premiere Pro? \u00bfNotaste una diferencia en tu flujo de trabajo desde la interpolaci\u00f3n crom\u00e1tica de la GPU? \u00bfQu\u00e9 te parece la gesti\u00f3n de color mejorada en la \u00faltima actualizaci\u00f3n de software? Cu\u00e9ntanos tu opini\u00f3n en los comentarios.<\/strong><\/p>\n\n\n\n

Fuente de la imagen destacada: Adobe.<\/p>\n<301378-main-buylinks\/>","protected":false,"clean_render":"

Adobe ha anunciado<\/a> su nueva versi\u00f3n Premiere Pro 23.6. Este lanzamiento de agosto se centra en la optimizaci\u00f3n del flujo de trabajo con ARRIRAW e introduce una gesti\u00f3n de color mejorada para este exigente formato de imagen. La empresa recomienda la actualizaci\u00f3n para todos los usuarios, as\u00ed que vamos a echarle un vistazo a los detalles de lo que podr\u00e1s hacer con ARRIRAW en Adobe Premiere Pro.<\/strong><\/p>\n\n\n\n

Seamos realistas: Premiere Pro rara vez es el software de elecci\u00f3n cuando se trata de la gesti\u00f3n y gradaci\u00f3n del color. La mayor\u00eda de las veces, los usuarios eligen otras opciones disponibles en el mercado u obtienen plugins especializados como el Colourlab Freelab gratuito que describimos aqu\u00ed<\/a>. <\/p>\n\n\n\n

Sin embargo, Adobe conoce el ejercicio y trabaja constantemente para mejorar en esta \u00e1rea. Desde que incluyeron<\/a> el soporte de ARRIRAW en su software de edici\u00f3n el oto\u00f1o boreal pasado, anunciaron algunas otras iteraciones; Entre ellas se encontraban la aceleraci\u00f3n de la GPU y el aumento del rendimiento del flujo de trabajo, lo que permiti\u00f3 reproducir ARRIRAW en tiempo real sin transcodificaci\u00f3n ni proxies (y con la capacidad de exportarlo hasta 15 veces m\u00e1s r\u00e1pido). Ahora, la compa\u00f1\u00eda promete a\u00f1adir caracter\u00edsticas nuevas que har\u00e1n que cada secuencia de ARRI se vea genial.<\/p>\n\n\n\n

Gesti\u00f3n de color para ARRIRAW en Adobe Premiere Pro 23.6<\/strong><\/h2>\n\n\n\n

Las nuevas funciones de gesti\u00f3n del color para tu flujo de trabajo con ARRIRAW, agregadas en la actualizaci\u00f3n 23.6, son opcionales. Para acceder a ellas, ingresa a “Interpret Footage” – “Color”. En “Color Settings”, podr\u00e1s usar el espacio de color de archivos Log C detectado autom\u00e1ticamente, cambiarlo o aplicar un LUT de entrada. Independientemente del espacio de color que selecciones para tu secuencia, Premiere Pro convertir\u00e1 tus im\u00e1genes para que coincidan.<\/p>\n\n\n\n

\"color
Fuente de la imagen: Adobe<\/figcaption><\/figure>\n\n\n\n

Adem\u00e1s, puedes ir al panel Controles de efectos, seleccionar “Source” y ajustar los controles RAW para la exposici\u00f3n, balance de blancos y tinte directamente en la configuraci\u00f3n.<\/p>\n\n\n\n

\u00bfQu\u00e9 es ARRIRAW y en qu\u00e9 se diferencia de otros formatos?<\/strong><\/h2>\n\n\n\n

ARRIRAW es el formato de ARRI para datos de sensores sin comprimir, sin cifrar y sin procesar. Seg\u00fan la compa\u00f1\u00eda, es como una versi\u00f3n digital del negativo de la c\u00e1mara. Se trata del \u00fanico formato que conserva completamente la respuesta de color natural de la c\u00e1mara y la latitud de exposici\u00f3n, lo que ofrece un punto de partida incre\u00edble para la gradaci\u00f3n de color.<\/p>\n\n\n\n

\"\"
Fuente de la imagen: ARRI<\/figcaption><\/figure>\n\n\n\n

Si deseas comprender mejor este c\u00f3dec y los detalles de ARRIRAW y c\u00f3mo funciona, consulta nuestra gu\u00eda detallada aqu\u00ed<\/a>. Incluso si no filmas con c\u00e1maras ARRI, te brindar\u00e1 una comprensi\u00f3n profunda de los sensores de la c\u00e1mara y los sitios de fotos, la profundidad de bits, la compresi\u00f3n de datos y el color.<\/p>\n\n\n\n

Otras mejoras en la gesti\u00f3n del color en Premiere Pro<\/strong><\/h2>\n\n\n\n

En caso de que te lo hayas perdido, el a\u00f1o pasado Adobe introdujo otras mejoras para el color en su software de edici\u00f3n. A modo de ejemplo, en Premiere Pro 23.3 a\u00f1adi\u00f3 un Mapeo Autom\u00e1tico de Tonos<\/a>, que permite mezclar y combinar im\u00e1genes de diferentes c\u00e1maras en la misma l\u00ednea de tiempo SDR, adem\u00e1s de editar y gradar el color de esos clips sin pasos adicionales. La herramienta admite video HDR, iPhone HLG, as\u00ed como c\u00f3decs de log, incluyendo Sony S-Log, Canon C-Log y Panasonic V-Log.<\/p>\n\n\n\n

Desde la versi\u00f3n 23.3, el Mapeo Autom\u00e1tico de Tonos est\u00e1 activado de forma predeterminada. Por lo tanto, debes desactivar esta funci\u00f3n en la configuraci\u00f3n de secuencia si deseas trabajar con un LUT.<\/p>\n\n\n\n

Premiere Pro est\u00e1 disponible para actualizar<\/strong><\/h2>\n\n\n\n

Adobe Premiere Pro 23.6 ya est\u00e1 disponible para su descarga desde la aplicaci\u00f3n de escritorio Creative Cloud.<\/p>\n\n\n\n

\u00bfSueles trabajar con ARRIRAW en Adobe Premiere Pro? \u00bfNotaste una diferencia en tu flujo de trabajo desde la interpolaci\u00f3n crom\u00e1tica de la GPU? \u00bfQu\u00e9 te parece la gesti\u00f3n de color mejorada en la \u00faltima actualizaci\u00f3n de software? Cu\u00e9ntanos tu opini\u00f3n en los comentarios.<\/strong><\/p>\n\n\n\n

Fuente de la imagen destacada: Adobe.<\/p>\n<301378-main-buylinks\/>"},"excerpt":{"rendered":"

Adobe ha anunciado su nueva versi\u00f3n Premiere Pro 23.6. Este lanzamiento de agosto se centra en la optimizaci\u00f3n del flujo de trabajo con ARRIRAW e introduce una gesti\u00f3n de color mejorada para este exigente formato de imagen. La empresa recomienda la actualizaci\u00f3n para todos los usuarios, as\u00ed que vamos a echarle un vistazo a los detalles de lo que podr\u00e1s hacer con ARRIRAW en Adobe Premiere Pro. Seamos realistas: Premiere Pro rara vez es el software de elecci\u00f3n cuando se trata de la gesti\u00f3n y gradaci\u00f3n del color. La mayor\u00eda de las veces, los usuarios eligen otras opciones disponibles en el mercado u obtienen plugins especializados como el Colourlab Freelab […]<\/p>\n","protected":false},"author":33644,"featured_media":301063,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[26327,28473,24515,24526,24601,58366,24826,70879,25191,74914],"tag_label":[53633],"brand":[52459,52889],"class_list":["post-301378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-adobe-premiere-pro-es","tag-flujo-de-trabajo","tag-color-grading-es","tag-arri-es","tag-adobe-es","tag-arriraw-es","tag-adobe-premiere-es","tag-color-management-es","tag-gradacion-de-color","tag-gestion-de-color-mejorada","tag_label-software-update-es","brand-adobe-es","brand-arri-es"],"yoast_head":"\nAdobe Premiere Pro 23.6 anuncia una gesti\u00f3n de color mejorada para ARRIRAW | CineD<\/title>\n<meta name=\"description\" content=\"Adobe announced the new Premiere Pro 23.6 version, introducing improved color management for ARRIRAW in Adobe Premiere Pro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/adobe-premiere-pro-23-6-announces-improved-color-management-for-arriraw\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adobe Premiere Pro 23.6 anuncia una gesti\u00f3n de color mejorada para ARRIRAW | CineD\" \/>\n<meta property=\"og:description\" content=\"Adobe announced the new Premiere Pro 23.6 version, introducing improved color management for ARRIRAW in Adobe Premiere Pro.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/adobe-premiere-pro-23-6-announces-improved-color-management-for-arriraw\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-17T12:08:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-17T17:33:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2023\/08\/color_management_for_ARRIRAW_in_Adobe_Premiere_Pro-feature_image.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mascha Deikova\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" 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