{"id":340861,"date":"2024-05-22T16:43:02","date_gmt":"2024-05-22T14:43:02","guid":{"rendered":"https:\/\/www.cined.com\/?p=340861"},"modified":"2024-05-22T18:38:15","modified_gmt":"2024-05-22T16:38:15","slug":"fujifilm-film-simulations-detailed-webpage-when-to-use-which-and-more","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/fujifilm-film-simulations-detailed-webpage-when-to-use-which-and-more\/","title":{"rendered":"Simulaciones de Pel\u00edculas FUJIFILM – P\u00e1gina web detallada, cu\u00e1ndo usar cada cosa y mucho m\u00e1s"},"content":{"rendered":"\n

Si eres nuevo en el mundo de FUJIFILM Film Simulators y crees que podr\u00edas convertirte en fan\u00e1tico, FUJIFILM ha agregado una p\u00e1gina web detallada<\/a> que podr\u00eda interesarte. El sitio web profundiza en los diferentes tipos de Simulaciones de Pel\u00edculas, explicando su visi\u00f3n y un poco de c\u00f3mo se ensamblan (pista: comienzan con un est\u00e1ndar base PROVIA), cu\u00e1ndo se puede elegir una u otra y mucho m\u00e1s. \u00a1Vamos a echarle un vistazo!<\/strong><\/p>\n\n\n\n

Algo bastante exclusivo de las c\u00e1maras FUJIFILM son las simulaciones de pel\u00edcula que copian su equivalente anal\u00f3gico, por ejemplo, Velvia, Provia y Classic Chrome, entre otras. La gama de ajustes preestablecidos imita el look de las pel\u00edculas cl\u00e1sicas de FUJIFILM, y los fot\u00f3grafos y cineastas pueden seleccionar uno de estos perfiles de color y tonalidades directamente en la c\u00e1mara si saben cu\u00e1l es el look que desean obtener. De hecho, estas simulaciones son tan populares que la nueva c\u00e1mara FUJIFILM X-T50<\/a> cuenta con un dial de simulaci\u00f3n de pel\u00edcula dedicado.<\/p>\n\n\n\n

\"\"
Los dos tipos de Simulaciones Cinematogr\u00e1ficas y su correspondiente stock cinematogr\u00e1fico. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Integral e individualista – cu\u00e1ndo usar qu\u00e9<\/h2>\n\n\n\n

Las simulaciones de pel\u00edculas FUJIFILM se pueden dividir en dos categor\u00edas: integrales e individualistas. \u00bfQu\u00e9 significa esto y cu\u00e1ndo usar\u00edas una sobre la otra? Como se explica en el sitio, el tipo Integral le da prioridad a realzar el tema de la foto, mientras que la simulaci\u00f3n Individualista identifica un estado de \u00e1nimo. En otras palabras, esto depender\u00e1 de si el sujeto es claro, fiel a la vida real y es el punto focal de la imagen, o si eres m\u00e1s como yo y prefieres la sensaci\u00f3n que te da una escena en lugar de centrarte en lo que ves frente a ti.<\/p>\n\n\n\n

\"\"
El efecto granulado agregar\u00e1 “grano” a una foto para lograr una gradaci\u00f3n tonal. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Opciones adicionales – efecto grain, color chrome y color chrome FX blue<\/h2>\n\n\n\n

Tambi\u00e9n se explica el uso del Efecto Grain, el Efecto Color Chrome y el Color Chrome FX Blue. Comenzando con el efecto granulado, lo que sol\u00edamos llamar “grano” cuando tomamos fotograf\u00edas anal\u00f3gicas ahora se considera necesario para que el ojo humano vea la textura en una fotograf\u00eda, ya que reconocemos una especie de profundidad dimensional a trav\u00e9s de la gradaci\u00f3n tonal. Simplemente debes procesar una de sus fotograf\u00edas con una sobredosis del filtro AI DeNoise de Adobe Lightroom y ver\u00e1s lo que quiero decir. El efecto es pl\u00e1stico si no le bajas el tono ni le a\u00f1ades algo de \u201cgrano\u201d, tambi\u00e9n conocido como \u201cruido\u201d. El efecto Grano puede encargarse de eso.<\/p>\n\n\n\n

\"\"
Activa o desactiva los efectos en la c\u00e1mara. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

El efecto Color Chrome ayuda a agregar detalles a tu foto si usas una simulaci\u00f3n como Velvia, o cualquiera de esas que agregan vitalidad y (tal vez demasiado) color saturado. Se encarga de esos colores demasiado saturados profundizando los colores y creando una gama m\u00e1s amplia de tonos. The Effect se desarroll\u00f3 teniendo en mente la popular pel\u00edcula FUJICHROME Fortia, que gan\u00f3 una gran base de fan\u00e1ticos y, desafortunadamente, solo estuvo disponible en cantidades limitadas y \u00fanicamente en Jap\u00f3n entre 2005 y 2007.<\/p>\n\n\n\n

\"\"
Color Chrome FX Blue recupera el azul. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Seguramente puedes adivinar en qu\u00e9 se concentra Color Chrome FX Blue: los azules, por ejemplo, los azules del cielo y las masas de agua, como el oc\u00e9ano. Como el aire provoca cierto efecto blanqueador cuando hacemos fotograf\u00edas como estas, podemos utilizar FX Blue para recuperar el azul que hemos perdido. Esto funciona de manera similar a c\u00f3mo funciona un filtro polarizador en la c\u00e1mara.<\/p>\n\n\n\n

Para obtener m\u00e1s detalles sobre simulaciones y efectos, puedes visitar el sitio web aqu\u00ed<\/a>. Tambi\u00e9n encontrar\u00e1s una secci\u00f3n de Compatibilidad<\/a> muy completa para que puedas ver f\u00e1cilmente qu\u00e9 hardware y software se adapta a cada c\u00e1mara, un Centro de Aprendizaje y m\u00e1s.<\/p>\n\n\n\n

\u00bfUtilizas una c\u00e1mara FUJIFILM y, de ser as\u00ed, usas simulaciones o efectos en la c\u00e1mara? \u00bfO los a\u00f1ades en el post-procesamiento? \u00a1Cu\u00e9ntanos tu experiencia con ellos en los comentarios!<\/strong><\/p>\n<340861-main-buylinks\/>","protected":false,"clean_render":"

Si eres nuevo en el mundo de FUJIFILM Film Simulators y crees que podr\u00edas convertirte en fan\u00e1tico, FUJIFILM ha agregado una p\u00e1gina web detallada<\/a> que podr\u00eda interesarte. El sitio web profundiza en los diferentes tipos de Simulaciones de Pel\u00edculas, explicando su visi\u00f3n y un poco de c\u00f3mo se ensamblan (pista: comienzan con un est\u00e1ndar base PROVIA), cu\u00e1ndo se puede elegir una u otra y mucho m\u00e1s. \u00a1Vamos a echarle un vistazo!<\/strong><\/p>\n\n\n\n

Algo bastante exclusivo de las c\u00e1maras FUJIFILM son las simulaciones de pel\u00edcula que copian su equivalente anal\u00f3gico, por ejemplo, Velvia, Provia y Classic Chrome, entre otras. La gama de ajustes preestablecidos imita el look de las pel\u00edculas cl\u00e1sicas de FUJIFILM, y los fot\u00f3grafos y cineastas pueden seleccionar uno de estos perfiles de color y tonalidades directamente en la c\u00e1mara si saben cu\u00e1l es el look que desean obtener. De hecho, estas simulaciones son tan populares que la nueva c\u00e1mara FUJIFILM X-T50<\/a> cuenta con un dial de simulaci\u00f3n de pel\u00edcula dedicado.<\/p>\n\n\n\n

\"\"
Los dos tipos de Simulaciones Cinematogr\u00e1ficas y su correspondiente stock cinematogr\u00e1fico. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Integral e individualista – cu\u00e1ndo usar qu\u00e9<\/h2>\n\n\n\n

Las simulaciones de pel\u00edculas FUJIFILM se pueden dividir en dos categor\u00edas: integrales e individualistas. \u00bfQu\u00e9 significa esto y cu\u00e1ndo usar\u00edas una sobre la otra? Como se explica en el sitio, el tipo Integral le da prioridad a realzar el tema de la foto, mientras que la simulaci\u00f3n Individualista identifica un estado de \u00e1nimo. En otras palabras, esto depender\u00e1 de si el sujeto es claro, fiel a la vida real y es el punto focal de la imagen, o si eres m\u00e1s como yo y prefieres la sensaci\u00f3n que te da una escena en lugar de centrarte en lo que ves frente a ti.<\/p>\n\n\n\n

\"\"
El efecto granulado agregar\u00e1 “grano” a una foto para lograr una gradaci\u00f3n tonal. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Opciones adicionales – efecto grain, color chrome y color chrome FX blue<\/h2>\n\n\n\n

Tambi\u00e9n se explica el uso del Efecto Grain, el Efecto Color Chrome y el Color Chrome FX Blue. Comenzando con el efecto granulado, lo que sol\u00edamos llamar “grano” cuando tomamos fotograf\u00edas anal\u00f3gicas ahora se considera necesario para que el ojo humano vea la textura en una fotograf\u00eda, ya que reconocemos una especie de profundidad dimensional a trav\u00e9s de la gradaci\u00f3n tonal. Simplemente debes procesar una de sus fotograf\u00edas con una sobredosis del filtro AI DeNoise de Adobe Lightroom y ver\u00e1s lo que quiero decir. El efecto es pl\u00e1stico si no le bajas el tono ni le a\u00f1ades algo de \u201cgrano\u201d, tambi\u00e9n conocido como \u201cruido\u201d. El efecto Grano puede encargarse de eso.<\/p>\n\n\n\n

\"\"
Activa o desactiva los efectos en la c\u00e1mara. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

El efecto Color Chrome ayuda a agregar detalles a tu foto si usas una simulaci\u00f3n como Velvia, o cualquiera de esas que agregan vitalidad y (tal vez demasiado) color saturado. Se encarga de esos colores demasiado saturados profundizando los colores y creando una gama m\u00e1s amplia de tonos. The Effect se desarroll\u00f3 teniendo en mente la popular pel\u00edcula FUJICHROME Fortia, que gan\u00f3 una gran base de fan\u00e1ticos y, desafortunadamente, solo estuvo disponible en cantidades limitadas y \u00fanicamente en Jap\u00f3n entre 2005 y 2007.<\/p>\n\n\n\n

\"\"
Color Chrome FX Blue recupera el azul. Fuente: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Seguramente puedes adivinar en qu\u00e9 se concentra Color Chrome FX Blue: los azules, por ejemplo, los azules del cielo y las masas de agua, como el oc\u00e9ano. Como el aire provoca cierto efecto blanqueador cuando hacemos fotograf\u00edas como estas, podemos utilizar FX Blue para recuperar el azul que hemos perdido. Esto funciona de manera similar a c\u00f3mo funciona un filtro polarizador en la c\u00e1mara.<\/p>\n\n\n\n

Para obtener m\u00e1s detalles sobre simulaciones y efectos, puedes visitar el sitio web aqu\u00ed<\/a>. Tambi\u00e9n encontrar\u00e1s una secci\u00f3n de Compatibilidad<\/a> muy completa para que puedas ver f\u00e1cilmente qu\u00e9 hardware y software se adapta a cada c\u00e1mara, un Centro de Aprendizaje y m\u00e1s.<\/p>\n\n\n\n

\u00bfUtilizas una c\u00e1mara FUJIFILM y, de ser as\u00ed, usas simulaciones o efectos en la c\u00e1mara? \u00bfO los a\u00f1ades en el post-procesamiento? \u00a1Cu\u00e9ntanos tu experiencia con ellos en los comentarios!<\/strong><\/p>\n<340861-main-buylinks\/>"},"excerpt":{"rendered":"

Si eres nuevo en el mundo de FUJIFILM Film Simulators y crees que podr\u00edas convertirte en fan\u00e1tico, FUJIFILM ha agregado una p\u00e1gina web detallada que podr\u00eda interesarte. El sitio web profundiza en los diferentes tipos de Simulaciones de Pel\u00edculas, explicando su visi\u00f3n y un poco de c\u00f3mo se ensamblan (pista: comienzan con un est\u00e1ndar base PROVIA), cu\u00e1ndo se puede elegir una u otra y mucho m\u00e1s. \u00a1Vamos a echarle un vistazo! Algo bastante exclusivo de las c\u00e1maras FUJIFILM son las simulaciones de pel\u00edcula que copian su equivalente anal\u00f3gico, por ejemplo, Velvia, Provia y Classic Chrome, entre otras. La gama de ajustes preestablecidos imita el look de las pel\u00edculas cl\u00e1sicas de […]<\/p>\n","protected":false},"author":19286,"featured_media":340380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[81303,81302,24534,81301,59455,81304,81300],"tag_label":[53421],"brand":[51472],"class_list":["post-340861","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-analog-es","tag-analog-filmmaking-es","tag-fujifilm-es","tag-fujifilm-simulations-es","tag-simulacion","tag-simulaciones-de-peliculas","tag-simulations-es","tag_label-software-news-es","brand-fujifilm-es"],"yoast_head":"\nSimulaciones de Pel\u00edculas FUJIFILM - P\u00e1gina web detallada, cu\u00e1ndo usar cada cosa y mucho m\u00e1s | CineD<\/title>\n<meta name=\"description\" content=\"FUJIFILM Film Simulations - how do they affect a photograph? 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