{"id":349447,"date":"2024-08-02T13:33:22","date_gmt":"2024-08-02T11:33:22","guid":{"rendered":"https:\/\/www.cined.com\/?p=349447"},"modified":"2024-08-02T18:27:38","modified_gmt":"2024-08-02T16:27:38","slug":"sigma-auto-focus-cine-lens-prototype-to-be-shown-at-ibc","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sigma-auto-focus-cine-lens-prototype-to-be-shown-at-ibc\/","title":{"rendered":"SIGMA Presentar\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\u00e1tico"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>SIGMA acaba de lanzar su <a href=\"https:\/\/www.cined.com\/es\/sigma-28-45mm-f-1-8-dg-dn-art-worlds-fastest-full-frame-zoom-lens-announced\/\">DG DN Art de 28-45mm f\/1.8<\/a>, el lente zoom full-frame m\u00e1s r\u00e1pido del mundo con una apertura constante de f\/1.8. Si bien su dise\u00f1o se adapta al flujo de trabajo de v\u00eddeo, SIGMA nunca se detiene a descansar y presentar\u00e1 un nuevo prototipo de cine basado en el dise\u00f1o del 28-45mm f\/1.8. A\u00fan no se ha revelado mucha informaci\u00f3n, pero el s\u00f3lo hecho de que haya un nuevo prototipo despierta inter\u00e9s. Adem\u00e1s, ser\u00e1 el primer lente de cine con enfoque autom\u00e1tico de SIGMA, por lo que hay bastante innovaci\u00f3n en \u00e9l. <\/strong><\/p><349447-inline-buylinks\/>\n\n\n\n<p>Antes de que te entusiasmes demasiado: la imagen que se muestra arriba es nuestra &#8220;interpretaci\u00f3n art\u00edstica&#8221; de c\u00f3mo podr\u00eda lucir el nuevo zoom Cine-AF de SIGMA; en realidad, todav\u00eda no han publicado ninguna imagen.<\/p>\n\n\n\n<p>La compa\u00f1\u00eda cuenta con un impresionante historial de lentes que rompen r\u00e9cords. El fabricante japon\u00e9s decidi\u00f3 tomar un camino \u00fanico hace m\u00e1s de una d\u00e9cada atr\u00e1s, cuando opt\u00f3 por el camino &#8220;Global Vision&#8221;. Este cambio alej\u00f3 a SIGMA del segmento de lentes alternativos m\u00e1s econ\u00f3micos y la llev\u00f3 hacia la l\u00ednea de lentes de \u00e9lite de gama alta y sin concesiones denominada serie SIGMA Art. La l\u00ednea Art se compone principalmente de lentes prime de apertura r\u00e1pida, pero tambi\u00e9n se incluyen algunos lentes zoom, siendo el 28-45mm f\/1.8 DG DN uno de ellos.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SIGMA 28-45mm f\/1.8 DG DN Art &amp; 24-70mm f\/2.8 DG DN II Art \u2013 First Look\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/338cDjMq89A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"description\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/338cDjMq89A?si=eWNssrpitjWU8bmK\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/338cDjMq89A\\\/mqdefault.jpg\",\"uploadDate\":\"2024-08-02T13:33:22+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">La era de los zooms ultrarr\u00e1pidos<\/h2>\n\n\n\n<p>El primer zoom que lleg\u00f3 a la serie Art, y un hito importante en el campo de los lentes zoom ultrarr\u00e1pidos, es el <a href=\"https:\/\/www.cined.com\/sigmas-f1-8-zoom-lens-announced\/\" target=\"_blank\" rel=\"noreferrer noopener\">SIGMA 18-35mm f\/1.8<\/a> DC HSM Art. Anunciado en 2013 (y todav\u00eda <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/967344-REG\/sigma_18_35mm_f1_8_dc_hsm.html\/BI\/7953\/KBID\/8488\/SID\/omri\" target=\"_blank\" rel=\"noreferrer noopener\">disponible y en stock<\/a>) para DSLR con sensor APS-C, se volvi\u00f3 muy popular entre vide\u00f3grafos y fot\u00f3grafos por igual. Permitiendo una profundidad de campo que no estaba disponible para los usuarios de APS-C hasta ese momento, el lente se convirti\u00f3 en un \u00e9xito instant\u00e1neo (y constante). Algunos de nuestros lectores pueden ser demasiado j\u00f3venes para recordarlo, pero en esa \u00e9poca oscura de finales del milenio, los valores ISO altos no eran tan buenos como hoy. Las elevadas capacidades de captaci\u00f3n de luz que ofrec\u00eda la apertura f\/1.8 representaban una mejora significativa en la calidad de la imagen.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sigma Cine High Speed Zoom Line - Sample Footage\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/KEx4p5eIWKg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"description\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/KEx4p5eIWKg?si=LwgziUOC1modrQu3\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/KEx4p5eIWKg\\\/mqdefault.jpg\",\"uploadDate\":\"2024-08-02T13:33:22+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>El nuevo segmento de lentes zoom ultrarr\u00e1pidos gan\u00f3 popularidad con el tiempo. SIGMA cre\u00f3 varios \u201cspin-offs\u201d, como el 50-100mm f\/1.8, un teleobjetivo complementario para el 18-35mm, un <a href=\"https:\/\/www.cined.com\/sigma-24-35mm-f2-ultra-fast-full-frame-zoom-lens\/\" target=\"_blank\" rel=\"noreferrer noopener\">24-35mm f\/2 full-frame<\/a> que era el m\u00e1s r\u00e1pido en el momento de su anuncio, y versiones Cine para todos ellos. Canon sigui\u00f3 m\u00e1s tarde con el impresionante, costoso y masivo <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1433713-REG\/canon_rf_28_70mm_f_2l_usm.html\/BI\/7953\/KBID\/8488\/SID\/omri\" target=\"_blank\" rel=\"noreferrer noopener\">RF 28-70mm f\/2 L USM<\/a>. Panasonic agreg\u00f3 el d\u00fao de zoom <a href=\"https:\/\/www.cined.com\/es\/panasonic-leica-dg-vario-summilux-25-50mm-launch\/\">10-25mm<\/a> y <a href=\"https:\/\/www.cined.com\/es\/panasonic-leica-dg-vario-summilux-25-50mm-launch\/\">25-50mm f\/1.7<\/a>, Tamron cre\u00f3 el exclusivo <a href=\"https:\/\/www.cined.com\/es\/tamron-35-150-f-2-2-8-di-iii-vxd-and-28-75-f-2-8-di-iii-vxd-g2-announced\/\">35-150mm f\/2-2.8<\/a>. El 28-45mm f\/1.8 DG DN de SIGMA es una versi\u00f3n full-frame del 18-35mm f\/1.8 (de alg\u00fan modo). Ofrece una profundidad de campo significativamente menor y se beneficiar\u00e1 de las ventajas de captaci\u00f3n de luz de los sensores m\u00e1s grandes, aunque se enfrenta a una competencia mucho m\u00e1s dura.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-900x506.jpg\" alt=\"\" class=\"wp-image-342060\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-900x506.jpg 900w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-460x259.jpg 460w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">SIGMA 28-45mm f\/1.8 DG DN Art. Fuente: SIGMA<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">H\u00edbrido vs. Cine<\/h2>\n\n\n\n<p>El segmento de equipos h\u00edbridos es bastante fluido. Parece que cualquier equipo dise\u00f1ado para fotograf\u00edas pero utilizado para v\u00eddeo es digno del t\u00edtulo. Sin embargo, en los \u00faltimos a\u00f1os hemos visto cada vez m\u00e1s fabricantes que enfatizan el flujo de trabajo de v\u00eddeo en equipos orientados a las fotograf\u00edas. En el segmento de la \u00f3ptica, fuimos testigos de varias adaptaciones. Anillos de apertura en los que se pueden quitar los clics, enfoque lineal, respiraci\u00f3n de enfoque reducida y m\u00e1s. Si bien el <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1829962-REG\/sigma_612e_28_45mm_f1_8_dg_dn.html\/BI\/7953\/KBID\/8488\/SID\/omri\" target=\"_blank\" rel=\"noreferrer noopener\">SIGMA 28-45mm f\/1.8 DG DN<\/a> incorpora todas esas caracter\u00edsticas, a\u00fan le faltan algunas adaptaciones significativas que son cruciales para la realizaci\u00f3n cinematogr\u00e1fica.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-900x506.jpeg\" alt=\"\" class=\"wp-image-343285\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-900x506.jpeg 900w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-460x259.jpeg 460w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-1600x900.jpeg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">El SIGMA 28-45mm f\/1.8 DG DN en la mano. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 debemos esperar?<\/h2>\n\n\n\n<p>Si bien a\u00fan no podemos confirmar las caracter\u00edsticas reales del futuro lente de cine SIGMA, hay algunas que podemos esperar. Los anillos de control con engranajes probablemente encontrar\u00e1n su lugar, as\u00ed como un enfoque lineal y largo. Me interesa ver c\u00f3mo SIGMA incorporar\u00e1 la funcionalidad de enfoque autom\u00e1tico y qu\u00e9 concesiones har\u00e1n. Supongo que veremos un dise\u00f1o parfocal y ninguna respiraci\u00f3n de enfoque perceptible, pero tendremos que esperar para confirmar nuestras sospechas.<\/p>\n\n\n\n<p><strong>\u00bfEst\u00e1s buscando un zoom de cine r\u00e1pido? \u00bfEs \u00fatil el rango de 28-45mm para ti? \u00bfNecesitas contar con funciones de cine como anillos con engranajes o prefieres la versi\u00f3n h\u00edbrida actual? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<349447-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>SIGMA acaba de lanzar su <a href=\"https:\/\/www.cined.com\/es\/sigma-28-45mm-f-1-8-dg-dn-art-worlds-fastest-full-frame-zoom-lens-announced\/\">DG DN Art de 28-45mm f\/1.8<\/a>, el lente zoom full-frame m\u00e1s r\u00e1pido del mundo con una apertura constante de f\/1.8. Si bien su dise\u00f1o se adapta al flujo de trabajo de v\u00eddeo, SIGMA nunca se detiene a descansar y presentar\u00e1 un nuevo prototipo de cine basado en el dise\u00f1o del 28-45mm f\/1.8. A\u00fan no se ha revelado mucha informaci\u00f3n, pero el s\u00f3lo hecho de que haya un nuevo prototipo despierta inter\u00e9s. Adem\u00e1s, ser\u00e1 el primer lente de cine con enfoque autom\u00e1tico de SIGMA, por lo que hay bastante innovaci\u00f3n en \u00e9l. <\/strong><\/p><349447-inline-buylinks\/>\n\n\n\n<p>Antes de que te entusiasmes demasiado: la imagen que se muestra arriba es nuestra &#8220;interpretaci\u00f3n art\u00edstica&#8221; de c\u00f3mo podr\u00eda lucir el nuevo zoom Cine-AF de SIGMA; en realidad, todav\u00eda no han publicado ninguna imagen.<\/p>\n\n\n\n<p>La compa\u00f1\u00eda cuenta con un impresionante historial de lentes que rompen r\u00e9cords. El fabricante japon\u00e9s decidi\u00f3 tomar un camino \u00fanico hace m\u00e1s de una d\u00e9cada atr\u00e1s, cuando opt\u00f3 por el camino &#8220;Global Vision&#8221;. Este cambio alej\u00f3 a SIGMA del segmento de lentes alternativos m\u00e1s econ\u00f3micos y la llev\u00f3 hacia la l\u00ednea de lentes de \u00e9lite de gama alta y sin concesiones denominada serie SIGMA Art. La l\u00ednea Art se compone principalmente de lentes prime de apertura r\u00e1pida, pero tambi\u00e9n se incluyen algunos lentes zoom, siendo el 28-45mm f\/1.8 DG DN uno de ellos.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SIGMA 28-45mm f\/1.8 DG DN Art &amp; 24-70mm f\/2.8 DG DN II Art \u2013 First Look\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/338cDjMq89A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"description\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/338cDjMq89A?si=eWNssrpitjWU8bmK\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/338cDjMq89A\\\/mqdefault.jpg\",\"uploadDate\":\"2024-08-02T13:33:22+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">La era de los zooms ultrarr\u00e1pidos<\/h2>\n\n\n\n<p>El primer zoom que lleg\u00f3 a la serie Art, y un hito importante en el campo de los lentes zoom ultrarr\u00e1pidos, es el <a href=\"https:\/\/www.cined.com\/sigmas-f1-8-zoom-lens-announced\/\" target=\"_blank\" rel=\"noreferrer noopener\">SIGMA 18-35mm f\/1.8<\/a> DC HSM Art. Anunciado en 2013 (y todav\u00eda <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/967344-REG\/sigma_18_35mm_f1_8_dc_hsm.html\/BI\/7953\/KBID\/8488\/SID\/omri\" target=\"_blank\" rel=\"noreferrer noopener\">disponible y en stock<\/a>) para DSLR con sensor APS-C, se volvi\u00f3 muy popular entre vide\u00f3grafos y fot\u00f3grafos por igual. Permitiendo una profundidad de campo que no estaba disponible para los usuarios de APS-C hasta ese momento, el lente se convirti\u00f3 en un \u00e9xito instant\u00e1neo (y constante). Algunos de nuestros lectores pueden ser demasiado j\u00f3venes para recordarlo, pero en esa \u00e9poca oscura de finales del milenio, los valores ISO altos no eran tan buenos como hoy. Las elevadas capacidades de captaci\u00f3n de luz que ofrec\u00eda la apertura f\/1.8 representaban una mejora significativa en la calidad de la imagen.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sigma Cine High Speed Zoom Line - Sample Footage\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/KEx4p5eIWKg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"description\":\"SIGMA Presentar\\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\\u00e1tico\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/KEx4p5eIWKg?si=LwgziUOC1modrQu3\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/KEx4p5eIWKg\\\/mqdefault.jpg\",\"uploadDate\":\"2024-08-02T13:33:22+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>El nuevo segmento de lentes zoom ultrarr\u00e1pidos gan\u00f3 popularidad con el tiempo. SIGMA cre\u00f3 varios \u201cspin-offs\u201d, como el 50-100mm f\/1.8, un teleobjetivo complementario para el 18-35mm, un <a href=\"https:\/\/www.cined.com\/sigma-24-35mm-f2-ultra-fast-full-frame-zoom-lens\/\" target=\"_blank\" rel=\"noreferrer noopener\">24-35mm f\/2 full-frame<\/a> que era el m\u00e1s r\u00e1pido en el momento de su anuncio, y versiones Cine para todos ellos. Canon sigui\u00f3 m\u00e1s tarde con el impresionante, costoso y masivo <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1433713-REG\/canon_rf_28_70mm_f_2l_usm.html\/BI\/7953\/KBID\/8488\/SID\/omri\" target=\"_blank\" rel=\"noreferrer noopener\">RF 28-70mm f\/2 L USM<\/a>. Panasonic agreg\u00f3 el d\u00fao de zoom <a href=\"https:\/\/www.cined.com\/es\/panasonic-leica-dg-vario-summilux-25-50mm-launch\/\">10-25mm<\/a> y <a href=\"https:\/\/www.cined.com\/es\/panasonic-leica-dg-vario-summilux-25-50mm-launch\/\">25-50mm f\/1.7<\/a>, Tamron cre\u00f3 el exclusivo <a href=\"https:\/\/www.cined.com\/es\/tamron-35-150-f-2-2-8-di-iii-vxd-and-28-75-f-2-8-di-iii-vxd-g2-announced\/\">35-150mm f\/2-2.8<\/a>. El 28-45mm f\/1.8 DG DN de SIGMA es una versi\u00f3n full-frame del 18-35mm f\/1.8 (de alg\u00fan modo). Ofrece una profundidad de campo significativamente menor y se beneficiar\u00e1 de las ventajas de captaci\u00f3n de luz de los sensores m\u00e1s grandes, aunque se enfrenta a una competencia mucho m\u00e1s dura.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-900x506.jpg\" alt=\"\" class=\"wp-image-342060\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-900x506.jpg 900w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-460x259.jpg 460w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured-1600x900.jpg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-f18-featured.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">SIGMA 28-45mm f\/1.8 DG DN Art. Fuente: SIGMA<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">H\u00edbrido vs. Cine<\/h2>\n\n\n\n<p>El segmento de equipos h\u00edbridos es bastante fluido. Parece que cualquier equipo dise\u00f1ado para fotograf\u00edas pero utilizado para v\u00eddeo es digno del t\u00edtulo. Sin embargo, en los \u00faltimos a\u00f1os hemos visto cada vez m\u00e1s fabricantes que enfatizan el flujo de trabajo de v\u00eddeo en equipos orientados a las fotograf\u00edas. En el segmento de la \u00f3ptica, fuimos testigos de varias adaptaciones. Anillos de apertura en los que se pueden quitar los clics, enfoque lineal, respiraci\u00f3n de enfoque reducida y m\u00e1s. Si bien el <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1829962-REG\/sigma_612e_28_45mm_f1_8_dg_dn.html\/BI\/7953\/KBID\/8488\/SID\/omri\" target=\"_blank\" rel=\"noreferrer noopener\">SIGMA 28-45mm f\/1.8 DG DN<\/a> incorpora todas esas caracter\u00edsticas, a\u00fan le faltan algunas adaptaciones significativas que son cruciales para la realizaci\u00f3n cinematogr\u00e1fica.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-900x506.jpeg\" alt=\"\" class=\"wp-image-343285\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-900x506.jpeg 900w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-300x169.jpeg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-768x432.jpeg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-1536x864.jpeg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-340x190.jpeg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-460x259.jpeg 460w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-409x230.jpeg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side-1600x900.jpeg 1600w, https:\/\/staging.cined.dev\/content\/uploads\/2024\/06\/SIGMA-28-45mm-1.8-DG-DN-Cine-Gear-2024-left-side.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">El SIGMA 28-45mm f\/1.8 DG DN en la mano. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 debemos esperar?<\/h2>\n\n\n\n<p>Si bien a\u00fan no podemos confirmar las caracter\u00edsticas reales del futuro lente de cine SIGMA, hay algunas que podemos esperar. Los anillos de control con engranajes probablemente encontrar\u00e1n su lugar, as\u00ed como un enfoque lineal y largo. Me interesa ver c\u00f3mo SIGMA incorporar\u00e1 la funcionalidad de enfoque autom\u00e1tico y qu\u00e9 concesiones har\u00e1n. Supongo que veremos un dise\u00f1o parfocal y ninguna respiraci\u00f3n de enfoque perceptible, pero tendremos que esperar para confirmar nuestras sospechas.<\/p>\n\n\n\n<p><strong>\u00bfEst\u00e1s buscando un zoom de cine r\u00e1pido? \u00bfEs \u00fatil el rango de 28-45mm para ti? \u00bfNecesitas contar con funciones de cine como anillos con engranajes o prefieres la versi\u00f3n h\u00edbrida actual? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<349447-main-buylinks\/>"},"excerpt":{"rendered":"<p>SIGMA to Show an Auto Focus Cine Lens Prototype at IBC. Based on the SIGMA 28-45 f\/1.8mm design the new lens should be very interesting. <\/p>\n","protected":false},"author":40219,"featured_media":349430,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"}],"tags":[62524,24382,65814,24389,30170,82907,24453,30228,24499,33241,24511,42267,24553,24887,25890,24271,26718,24275,26944,55850,24377,27146],"tag_label":[52841],"brand":[51501],"class_list":["post-349447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-lente-zoom-full-frame","tag-sigma-es","tag-enfoque-automatico-2","tag-hybrid-es","tag-f1-8-es","tag-fastest-es","tag-e-mount-es","tag-stills-es","tag-cine-es","tag-fast-es","tag-zoom-es","tag-montura-l-mount","tag-cine-zoom-es","tag-filmmaking-es","tag-video-es","tag-lens-es","tag-lente-de-cine","tag-optics-es","tag-l-mount-es","tag-hibrido","tag-art-2-es","tag-fast-cine-lens-es","tag_label-lens-news-es","brand-sigma-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SIGMA Presentar\u00e1 en la IBC un Prototipo de Lente de Cine con Enfoque Autom\u00e1tico | CineD<\/title>\n<meta name=\"description\" content=\"SIGMA to Show an Auto Focus Cine Lens Prototype at IBC. 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>28-45mm f\/1.8 DG DN Art Lens (Sony E)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1717415136000_1829962.jpg\" alt=\"28-45mm f\/1.8 DG DN Art Lens (Sony E)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags 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