{"id":350454,"date":"2024-08-14T14:02:23","date_gmt":"2024-08-14T12:02:23","guid":{"rendered":"https:\/\/www.cined.com\/?p=350454"},"modified":"2024-08-14T17:13:13","modified_gmt":"2024-08-14T15:13:13","slug":"lumix-g9-ii-goes-to-india-how-to-make-a-wildlife-documentary","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/lumix-g9-ii-goes-to-india-how-to-make-a-wildlife-documentary\/","title":{"rendered":"LUMIX G9 II Viaja a la India – C\u00f3mo hacer un documental sobre la vida salvaje"},"content":{"rendered":"\n

Filmar lejos de casa siempre es un desaf\u00edo, y m\u00e1s a\u00fan si se trata de un documental sobre la vida salvaje, donde los niveles de concentraci\u00f3n y la anticipaci\u00f3n de los movimientos de los animales pueden pasar factura. En esta charla amistosa, hablo con nuestro colega Gunther sobre su viaje a la India y su experiencia trabajando con la LUMIX G9 II en un entorno tan exigente.<\/strong><\/p><350454-inline-buylinks\/>\n\n\n\n

Gunther es principalmente un fot\u00f3grafo LUMIX y, para su viaje, quer\u00eda llevar una c\u00e1mara que pudiera ayudarlo a capturar la belleza de la sabana india. Su objetivo principal era filmar lobos y descubrir con ayuda de la gente local c\u00f3mo es vivir junto a ellos. Puedes leer y ver el informe de Gunther sobre este proyecto aqu\u00ed<\/a>.<\/p>\n\n\n\n

\"LUMIX
La LUMIX G9 II de Gunther en el campo. Cr\u00e9dito: Gunther Machu<\/figcaption><\/figure>\n\n\n\n

\u00bfPor qu\u00e9 usar la LUMIX G9 II?<\/h2>\n\n\n\n

Antes de que partiera a la India, me reun\u00ed con Gunther y hablamos sobre las diferentes opciones de c\u00e1maras que hay (esto fue antes de que se presentara la LUMIX GH7<\/a>). En cuanto a las necesidades de Gunther, una c\u00e1mara compacta junto con una calidad 4K\/120fps de alta calidad era una prioridad. Adem\u00e1s, debido al espacio limitado, necesitaba una c\u00e1mara que pudiera usarse sin tr\u00edpode, y LUMIX cumpl\u00eda con los requisitos gracias a su excepcional sistema de estabilizaci\u00f3n en el cuerpo. Por \u00faltimo, pero no por ello menos importante, Gunther no ten\u00eda intenci\u00f3n de filmar un documental sobre la vida salvaje en formato RAW o ProRes (ocupa demasiado espacio en el medio de grabaci\u00f3n), por lo que opt\u00f3 por utilizar el Long-GOP de Panasonic a 150Mbps. Esto result\u00f3 ser suficiente para sus necesidades de filmaci\u00f3n.<\/p>\n\n\n\n

Como usuario de la c\u00e1mara full-frame LUMIX S1<\/a>, Gunther decidi\u00f3 que la LUMIX G9 II<\/a> era la mejor compa\u00f1era para su viaje. Despu\u00e9s de todo, su sensor Micro Cuatro Tercios act\u00faa como una potente “extensi\u00f3n de recorte”, lo que facilita a\u00fan m\u00e1s la filmaci\u00f3n de animales peque\u00f1os con teleobjetivos compactos.<\/p>\n\n\n\n

Otros temas tratados en esta conversaci\u00f3n<\/h2>\n\n\n\n

Tambi\u00e9n hablamos de varias escenas, el rendimiento del enfoque autom\u00e1tico de la c\u00e1mara y, no menos importante, el sobrecalentamiento.<\/p>\n\n\n\n

No nos olvidamos de hablar sobre el V-Log para filmar un proyecto de estas caracter\u00edsticas, incluyendo las tomas nocturnas y el proceso de edici\u00f3n, correcci\u00f3n de color y b\u00fasqueda de m\u00fasica, adem\u00e1s de inspiraci\u00f3n para contar historias.<\/p>\n\n\n\n

\"Looking
Buscando el momento perfecto. Cr\u00e9dito: Gunther Machu<\/figcaption><\/figure>\n\n\n\n

Si tuviera que resumirlo dir\u00eda que \u201cel futuro est\u00e1 aqu\u00ed\u201d, es decir, este proyecto es un gran ejemplo de lo que un creador apasionado puede hacer completamente por s\u00ed mismo con un equipo de precio modesto.<\/p>\n\n\n\n

Espero que te guste esta charla y te animes a salir y hacer a\u00fan m\u00e1s con tu equipo, independientemente de lo que uses.<\/p>\n\n\n\n

Esta no es una publicaci\u00f3n patrocinada, pero quisiera dar un agradecimiento especial para Panasonic Europe<\/a> por responder r\u00e1pidamente y enviarnos la LUMIX G9 II<\/a> para filmar este proyecto.<\/p>\n\n\n\n

\u00bfTienes experiencia filmando documentales de vida salvaje? Si es as\u00ed, \u00bfreconoces algunos de los obst\u00e1culos que mencion\u00f3 Gunther en esta charla? Adem\u00e1s, cu\u00e9ntanos si tienes experiencia filmando con la LUMIX G9 II<\/a> y qu\u00e9 opinas sobre ella. <\/strong><\/p>\n<350454-main-buylinks\/>","protected":false,"clean_render":"

Filmar lejos de casa siempre es un desaf\u00edo, y m\u00e1s a\u00fan si se trata de un documental sobre la vida salvaje, donde los niveles de concentraci\u00f3n y la anticipaci\u00f3n de los movimientos de los animales pueden pasar factura. En esta charla amistosa, hablo con nuestro colega Gunther sobre su viaje a la India y su experiencia trabajando con la LUMIX G9 II en un entorno tan exigente.<\/strong><\/p><350454-inline-buylinks\/>\n\n\n\n

Gunther es principalmente un fot\u00f3grafo LUMIX y, para su viaje, quer\u00eda llevar una c\u00e1mara que pudiera ayudarlo a capturar la belleza de la sabana india. Su objetivo principal era filmar lobos y descubrir con ayuda de la gente local c\u00f3mo es vivir junto a ellos. Puedes leer y ver el informe de Gunther sobre este proyecto aqu\u00ed<\/a>.<\/p>\n\n\n\n

\"LUMIX
La LUMIX G9 II de Gunther en el campo. Cr\u00e9dito: Gunther Machu<\/figcaption><\/figure>\n\n\n\n

\u00bfPor qu\u00e9 usar la LUMIX G9 II?<\/h2>\n\n\n\n

Antes de que partiera a la India, me reun\u00ed con Gunther y hablamos sobre las diferentes opciones de c\u00e1maras que hay (esto fue antes de que se presentara la LUMIX GH7<\/a>). En cuanto a las necesidades de Gunther, una c\u00e1mara compacta junto con una calidad 4K\/120fps de alta calidad era una prioridad. Adem\u00e1s, debido al espacio limitado, necesitaba una c\u00e1mara que pudiera usarse sin tr\u00edpode, y LUMIX cumpl\u00eda con los requisitos gracias a su excepcional sistema de estabilizaci\u00f3n en el cuerpo. Por \u00faltimo, pero no por ello menos importante, Gunther no ten\u00eda intenci\u00f3n de filmar un documental sobre la vida salvaje en formato RAW o ProRes (ocupa demasiado espacio en el medio de grabaci\u00f3n), por lo que opt\u00f3 por utilizar el Long-GOP de Panasonic a 150Mbps. Esto result\u00f3 ser suficiente para sus necesidades de filmaci\u00f3n.<\/p>\n\n\n\n

Como usuario de la c\u00e1mara full-frame LUMIX S1<\/a>, Gunther decidi\u00f3 que la LUMIX G9 II<\/a> era la mejor compa\u00f1era para su viaje. Despu\u00e9s de todo, su sensor Micro Cuatro Tercios act\u00faa como una potente “extensi\u00f3n de recorte”, lo que facilita a\u00fan m\u00e1s la filmaci\u00f3n de animales peque\u00f1os con teleobjetivos compactos.<\/p>\n\n\n\n

Otros temas tratados en esta conversaci\u00f3n<\/h2>\n\n\n\n

Tambi\u00e9n hablamos de varias escenas, el rendimiento del enfoque autom\u00e1tico de la c\u00e1mara y, no menos importante, el sobrecalentamiento.<\/p>\n\n\n\n

No nos olvidamos de hablar sobre el V-Log para filmar un proyecto de estas caracter\u00edsticas, incluyendo las tomas nocturnas y el proceso de edici\u00f3n, correcci\u00f3n de color y b\u00fasqueda de m\u00fasica, adem\u00e1s de inspiraci\u00f3n para contar historias.<\/p>\n\n\n\n

\"Looking
Buscando el momento perfecto. Cr\u00e9dito: Gunther Machu<\/figcaption><\/figure>\n\n\n\n

Si tuviera que resumirlo dir\u00eda que \u201cel futuro est\u00e1 aqu\u00ed\u201d, es decir, este proyecto es un gran ejemplo de lo que un creador apasionado puede hacer completamente por s\u00ed mismo con un equipo de precio modesto.<\/p>\n\n\n\n

Espero que te guste esta charla y te animes a salir y hacer a\u00fan m\u00e1s con tu equipo, independientemente de lo que uses.<\/p>\n\n\n\n

Esta no es una publicaci\u00f3n patrocinada, pero quisiera dar un agradecimiento especial para Panasonic Europe<\/a> por responder r\u00e1pidamente y enviarnos la LUMIX G9 II<\/a> para filmar este proyecto.<\/p>\n\n\n\n

\u00bfTienes experiencia filmando documentales de vida salvaje? Si es as\u00ed, \u00bfreconoces algunos de los obst\u00e1culos que mencion\u00f3 Gunther en esta charla? Adem\u00e1s, cu\u00e9ntanos si tienes experiencia filmando con la LUMIX G9 II<\/a> y qu\u00e9 opinas sobre ella. <\/strong><\/p>\n<350454-main-buylinks\/>"},"excerpt":{"rendered":"

Filmar lejos de casa siempre es un desaf\u00edo, y m\u00e1s a\u00fan si se trata de un documental sobre la vida salvaje, donde los niveles de concentraci\u00f3n y la anticipaci\u00f3n de los movimientos de los animales pueden pasar factura. En esta charla amistosa, hablo con nuestro colega Gunther sobre su viaje a la India y su experiencia trabajando con la LUMIX G9 II en un entorno tan exigente. Gunther es principalmente un fot\u00f3grafo LUMIX y, para su viaje, quer\u00eda llevar una c\u00e1mara que pudiera ayudarlo a capturar la belleza de la sabana india. Su objetivo principal era filmar lobos y descubrir con ayuda de la gente local c\u00f3mo es vivir junto […]<\/p>\n","protected":false},"author":7,"featured_media":350415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/staging.cined.dev\/es\/como-se-hace\/","slug":"como-se-hace"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[26163,75431,26959,83061,27784,83062,28116,83063,83064,51798,26159,66850],"tag_label":[56227],"brand":[79190,51422],"class_list":["post-350454","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-como-se-hace","category-camaras","tag-micro-cuatro-tercios","tag-panasonic-g9-ii-es","tag-panasonic-lumix-es","tag-lumix-g9-es","tag-documental","tag-how-to-fim-wildlife-es","tag-india-es","tag-wildlife-documentary-es","tag-como-hacer-un-documental","tag-mft-jp-es","tag-micro-four-thirds-es","tag-gunther-machu-es","post_format-post-format-video","tag_label-education-es","brand-lumix-es","brand-panasonic-es"],"yoast_head":"\nLUMIX G9 II Viaja a la India - C\u00f3mo hacer un documental sobre la vida salvaje | CineD<\/title>\n<meta name=\"description\" content=\"LUMIX G9 II Goes to India - A talk about making a wildlife documentary. 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. 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dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/panasonic-lumix-g9ii-dc-g9m2e-body?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,492.46<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":350456,"title":"Bhigwan \u2013 Un documental sobre la vida salvaje de la India filmado con una LUMIX G9 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