{"id":87982,"date":"2018-04-06T10:04:36","date_gmt":"2018-04-06T08:04:36","guid":{"rendered":"https:\/\/www.cined.com\/?p=87982\/"},"modified":"2018-06-26T19:06:06","modified_gmt":"2018-06-26T17:06:06","slug":"apple-final-cut-pro-updated-with-new-prores-raw-video-format-and-advanced-closed-captioning","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/apple-final-cut-pro-updated-with-new-prores-raw-video-format-and-advanced-closed-captioning\/","title":{"rendered":"Apple Final Cut Pro actualizado con el nuevo formato de video ProRes RAW y subtitulado avanzado"},"content":{"rendered":"

La versi\u00f3n m\u00e1s reciente de FCPX (Final Cut Pro 10.4.1) incluye un nuevo formato de video llamado ProRes RAW que ofrece la combinaci\u00f3n \u00f3ptima entre el formato comprimido ProRes y el RAW lossless (sin compresi\u00f3n). Adem\u00e1s, la actualizaci\u00f3n finalmente incluye una soluci\u00f3n de subt\u00edtulos.<\/span><\/strong><\/p>\n

\"\"

Los usuarios de FCPX pueden trabajar de forma nativa con archivos ProRes RAW y ProRes RAW HQ creados por las grabadoras Atomos.<\/p><\/div>\n

ProRes RAW – Alto rendimiento sin sacrificar la calidad<\/span><\/span><\/h2>\n

La principal actualizaci\u00f3n es la presentaci\u00f3n del nuevo formato ProRes RAW. Este formato es una combinaci\u00f3n entre el ProRes de Apple y el RAW, lo cual es una gran ventaja ya que puede utilizarse y mantener material de alta calidad con datos RAW directo del sensor de la c\u00e1mara, sin perjudicar el rendimiento en el proceso de edici\u00f3n.<\/span><\/p>\n

Seg\u00fan dicen en Apple:\u00a0<\/span><\/span><\/p>\n

\n

Los editores pueden importar, editar y clasificar material original con datos RAW del sensor de la c\u00e1mara, lo que proporciona la m\u00e1xima flexibilidad al ajustar las luces altas y las sombras, ideal para flujos de trabajo HDR. Y, con un rendimiento optimizado para macOS, los editores pueden reproducir archivos ProRes RAW 4K de m\u00e1xima calidad en los sistemas MacBook Pro e iMac en tiempo real sin renderizar.<\/i><\/span><\/p>\n<\/blockquote>\n

Apple afirma que los archivos ProRes RAW son incluso m\u00e1s peque\u00f1os que los archivos ProRes 4444, que tienen el potencial de facilitar el flujo de trabajo y el almacenado, e incluso editar RAW en una computadora port\u00e1til, y a\u00fan as\u00ed mantener el rendimiento.<\/span><\/p>\n

Los usuarios de FCPX pueden trabajar de forma nativa con los archivos ProRes RAW y ProRes RAW HQ creados por las grabadoras Atomos. Por ahora, ProRes RAW estar\u00e1 disponible como una actualizaci\u00f3n gratuita para los propietarios de los dispositivos Atomos Sumo<\/a> 19 y Shogun Inferno, que lo abre como un formato de adquisici\u00f3n para muchas c\u00e1maras que generan RAW. El formato tambi\u00e9n estar\u00e1 disponible como parte de un pr\u00f3ximo paquete de actualizaci\u00f3n para los usuarios del drone DJI Inspire 2<\/a> y el sistema de c\u00e1mara Super 35mm Zenmuse X7 dise\u00f1ado para cinematograf\u00eda a\u00e9rea (en un pr\u00f3ximo art\u00edculo aparte).<\/p>\n

Para m\u00e1s informaci\u00f3n, lee el art\u00edculo de cinema5D sobre Atomos como el primer habilitador para la grabaci\u00f3n de ProRes RAW<\/a>.<\/p>\n

Herramientas de subtitulado<\/span><\/h2>\n

Finalmente, FCPX ahora le permite a los usuarios importar y editar subt\u00edtulos para sus videos sin la necesidad de un software aparte. Los subt\u00edtulos aparecen en el visor durante la reproducci\u00f3n y se pueden adjuntar a clips de video o de audio en la l\u00ednea de tiempo magn\u00e9tica, por lo que se mueven autom\u00e1ticamente con los clips a los que est\u00e1n conectados. Un inspector de subt\u00edtulos totalmente nuevo hace que ajustar los textos de subt\u00edtulos, color, alineaci\u00f3n, ubicaci\u00f3n y m\u00e1s, sea algo simple.<\/span><\/p>\n

\"\"<\/p>\n

Precio y disponibilidad<\/span><\/h2>\n

El Final Cut Pro 10.4.1 estar\u00e1 disponible el 9 de abril como una actualizaci\u00f3n gratuita para usuarios existentes, y por $ 299.99 (d\u00f3lares estadounidenses) Para nuevos usuarios en la Mac App Store.<\/span><\/p>\n

Para resumir, Apple realmente ha estado haciendo los deberes al llevar a Final Cut Pro X a un nivel muy alto en los \u00faltimos a\u00f1os. Como ProRes RAW solo estar\u00e1 disponible en el ENL de Apple por el momento, este ser\u00e1 un gran punto de venta para FCPX que simplemente no exist\u00eda antes. ProRes RAW parece prometedor, ya que permite editar RAW con el rendimiento de los viejos y queridos ProRes.<\/span><\/p>\n

\u00bfCu\u00e1l es tu opini\u00f3n con respecto al FCPX 4.1? \u00bfLe dar\u00edas una nueva chance en caso de que seas un usuario de Premiere lidiando con muchas inestabilidades \u00faltimamente? Cu\u00e9ntanos qu\u00e9 piensas. <\/span><\/b><\/span><\/p>\n<87982-main-buylinks\/>","protected":false,"clean_render":"

La versi\u00f3n m\u00e1s reciente de FCPX (Final Cut Pro 10.4.1) incluye un nuevo formato de video llamado ProRes RAW que ofrece la combinaci\u00f3n \u00f3ptima entre el formato comprimido ProRes y el RAW lossless (sin compresi\u00f3n). Adem\u00e1s, la actualizaci\u00f3n finalmente incluye una soluci\u00f3n de subt\u00edtulos.<\/span><\/strong><\/p>\n

\"\"

Los usuarios de FCPX pueden trabajar de forma nativa con archivos ProRes RAW y ProRes RAW HQ creados por las grabadoras Atomos.<\/p><\/div>\n

ProRes RAW – Alto rendimiento sin sacrificar la calidad<\/span><\/span><\/h2>\n

La principal actualizaci\u00f3n es la presentaci\u00f3n del nuevo formato ProRes RAW. Este formato es una combinaci\u00f3n entre el ProRes de Apple y el RAW, lo cual es una gran ventaja ya que puede utilizarse y mantener material de alta calidad con datos RAW directo del sensor de la c\u00e1mara, sin perjudicar el rendimiento en el proceso de edici\u00f3n.<\/span><\/p>\n

Seg\u00fan dicen en Apple:\u00a0<\/span><\/span><\/p>\n

\n

Los editores pueden importar, editar y clasificar material original con datos RAW del sensor de la c\u00e1mara, lo que proporciona la m\u00e1xima flexibilidad al ajustar las luces altas y las sombras, ideal para flujos de trabajo HDR. Y, con un rendimiento optimizado para macOS, los editores pueden reproducir archivos ProRes RAW 4K de m\u00e1xima calidad en los sistemas MacBook Pro e iMac en tiempo real sin renderizar.<\/i><\/span><\/p>\n<\/blockquote>\n

Apple afirma que los archivos ProRes RAW son incluso m\u00e1s peque\u00f1os que los archivos ProRes 4444, que tienen el potencial de facilitar el flujo de trabajo y el almacenado, e incluso editar RAW en una computadora port\u00e1til, y a\u00fan as\u00ed mantener el rendimiento.<\/span><\/p>\n

Los usuarios de FCPX pueden trabajar de forma nativa con los archivos ProRes RAW y ProRes RAW HQ creados por las grabadoras Atomos. Por ahora, ProRes RAW estar\u00e1 disponible como una actualizaci\u00f3n gratuita para los propietarios de los dispositivos Atomos Sumo<\/a> 19 y Shogun Inferno, que lo abre como un formato de adquisici\u00f3n para muchas c\u00e1maras que generan RAW. El formato tambi\u00e9n estar\u00e1 disponible como parte de un pr\u00f3ximo paquete de actualizaci\u00f3n para los usuarios del drone DJI Inspire 2<\/a> y el sistema de c\u00e1mara Super 35mm Zenmuse X7 dise\u00f1ado para cinematograf\u00eda a\u00e9rea (en un pr\u00f3ximo art\u00edculo aparte).<\/p>\n

Para m\u00e1s informaci\u00f3n, lee el art\u00edculo de cinema5D sobre Atomos como el primer habilitador para la grabaci\u00f3n de ProRes RAW<\/a>.<\/p>\n

Herramientas de subtitulado<\/span><\/h2>\n

Finalmente, FCPX ahora le permite a los usuarios importar y editar subt\u00edtulos para sus videos sin la necesidad de un software aparte. Los subt\u00edtulos aparecen en el visor durante la reproducci\u00f3n y se pueden adjuntar a clips de video o de audio en la l\u00ednea de tiempo magn\u00e9tica, por lo que se mueven autom\u00e1ticamente con los clips a los que est\u00e1n conectados. Un inspector de subt\u00edtulos totalmente nuevo hace que ajustar los textos de subt\u00edtulos, color, alineaci\u00f3n, ubicaci\u00f3n y m\u00e1s, sea algo simple.<\/span><\/p>\n

\"\"<\/p>\n

Precio y disponibilidad<\/span><\/h2>\n

El Final Cut Pro 10.4.1 estar\u00e1 disponible el 9 de abril como una actualizaci\u00f3n gratuita para usuarios existentes, y por $ 299.99 (d\u00f3lares estadounidenses) Para nuevos usuarios en la Mac App Store.<\/span><\/p>\n

Para resumir, Apple realmente ha estado haciendo los deberes al llevar a Final Cut Pro X a un nivel muy alto en los \u00faltimos a\u00f1os. Como ProRes RAW solo estar\u00e1 disponible en el ENL de Apple por el momento, este ser\u00e1 un gran punto de venta para FCPX que simplemente no exist\u00eda antes. ProRes RAW parece prometedor, ya que permite editar RAW con el rendimiento de los viejos y queridos ProRes.<\/span><\/p>\n

\u00bfCu\u00e1l es tu opini\u00f3n con respecto al FCPX 4.1? \u00bfLe dar\u00edas una nueva chance en caso de que seas un usuario de Premiere lidiando con muchas inestabilidades \u00faltimamente? Cu\u00e9ntanos qu\u00e9 piensas. <\/span><\/b><\/span><\/p>\n<87982-main-buylinks\/>"},"excerpt":{"rendered":"

La versi\u00f3n m\u00e1s reciente de FCPX (Final Cut Pro 10.4.1) incluye un nuevo formato de video llamado ProRes RAW que ofrece la combinaci\u00f3n \u00f3ptima entre el formato comprimido ProRes y el RAW lossless (sin compresi\u00f3n). Adem\u00e1s, la actualizaci\u00f3n finalmente incluye una soluci\u00f3n de subt\u00edtulos. ProRes RAW – Alto rendimiento sin sacrificar la calidad La principal actualizaci\u00f3n es la presentaci\u00f3n del nuevo formato ProRes RAW. Este formato es una combinaci\u00f3n entre el ProRes de Apple y el RAW, lo cual es una gran ventaja ya que puede utilizarse y mantener material de alta calidad con datos RAW directo del sensor de la c\u00e1mara, sin perjudicar el rendimiento en el proceso de […]<\/p>\n","protected":false},"author":14433,"featured_media":87984,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[24363,24364,24365,24366,24367,24368],"tag_label":[],"brand":[],"class_list":["post-87982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camaras","category-noticias-software","tag-apple-es","tag-apple-update-es","tag-closed-captions-es","tag-fcpx-es","tag-prores-es","tag-raw-es"],"yoast_head":"\nApple Final Cut Pro actualizado con el nuevo formato de video ProRes RAW y subtitulado avanzado | CineD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/apple-final-cut-pro-updated-with-new-prores-raw-video-format-and-advanced-closed-captioning\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Apple Final Cut Pro actualizado con el nuevo formato de video ProRes RAW y subtitulado avanzado | CineD\" \/>\n<meta property=\"og:description\" content=\"La versi\u00f3n m\u00e1s reciente de FCPX (Final Cut Pro 10.4.1) incluye un nuevo formato de video llamado ProRes RAW que ofrece la combinaci\u00f3n \u00f3ptima entre el formato comprimido ProRes y el RAW lossless (sin compresi\u00f3n). Adem\u00e1s, la actualizaci\u00f3n finalmente incluye una soluci\u00f3n de subt\u00edtulos. ProRes RAW – Alto rendimiento sin sacrificar la calidad La principal actualizaci\u00f3n es la presentaci\u00f3n del nuevo formato ProRes RAW. Este formato es una combinaci\u00f3n entre el ProRes de Apple y el RAW, lo cual es una gran ventaja ya que puede utilizarse y mantener material de alta calidad con datos RAW directo del sensor de la c\u00e1mara, sin perjudicar el rendimiento en el proceso de […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/apple-final-cut-pro-updated-with-new-prores-raw-video-format-and-advanced-closed-captioning\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/Y.M.Action.Cinematography\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-06T08:04:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-06-26T17:06:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2018\/04\/Blog-56.002.jpeg\" \/>\n\t<meta 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Adem\u00e1s, la actualizaci\u00f3n finalmente incluye una soluci\u00f3n de subt\u00edtulos. ProRes RAW – Alto rendimiento sin sacrificar la calidad La principal actualizaci\u00f3n es la presentaci\u00f3n del nuevo formato ProRes RAW. Este formato es una combinaci\u00f3n entre el ProRes de Apple y el RAW, lo cual es una gran ventaja ya que puede utilizarse y mantener material de alta calidad con datos RAW directo del sensor de la c\u00e1mara, sin perjudicar el rendimiento en el proceso de […]","og_url":"https:\/\/staging.cined.dev\/es\/apple-final-cut-pro-updated-with-new-prores-raw-video-format-and-advanced-closed-captioning\/","og_site_name":"CineD","article_publisher":"http:\/\/www.facebook.com\/C5Dnews","article_author":"https:\/\/www.facebook.com\/Y.M.Action.Cinematography\/","article_published_time":"2018-04-06T08:04:36+00:00","article_modified_time":"2018-06-26T17:06:06+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/www.cined.com\/content\/uploads\/2018\/04\/Blog-56.002.jpeg","type":"image\/jpeg"}],"author":"Yossy Mendelovich","twitter_card":"summary_large_image","twitter_creator":"@c5dnews","twitter_site":"@c5dnews","twitter_misc":{"Written by":"Yossy Mendelovich","Est. reading time":"3 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