{"id":88456,"date":"2017-06-05T19:00:39","date_gmt":"2017-06-05T17:00:39","guid":{"rendered":"https:\/\/www.cined.com\/?p=88456\/"},"modified":"2018-07-09T22:22:04","modified_gmt":"2018-07-09T20:22:04","slug":"fujinon-mk-50-135mm-review-cine-zoom","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/","title":{"rendered":"Rese\u00f1a del FUJINON MK 50-135mm: \u00bfun zoom de cine valioso para tu kit?"},"content":{"rendered":"

(Por favor presione el bot\u00f3n \u201cCC\u201d Para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p><88456-inline-buylinks\/>\n

 <\/p>\n

A principios de este a\u00f1o, FUJINON present\u00f3 una nueva l\u00ednea de lentes zoom Cine E-Mount asequibles para realizadores de estilo documental. Aqu\u00ed les presentamos nuestra rese\u00f1a del Fujinon MK 50-135mm<\/a>, donde echamos un vistazo al segundo de los dos objetivos zoom complementarios de FUJINON.<\/strong><\/p>\n

\"Fujinon<\/a><\/p>\n

Presentando un mecanismo de enfoque sin respiraci\u00f3n (\u201cbreathing\u201d), un dise\u00f1o par-focal y anillos completos de foco, iris y zoom, quise probar este lente, despu\u00e9s de haber hecho la rese\u00f1a de su hermano menor, el MK 18-55mm T\/2.9 – a principios de este a\u00f1o<\/a>.<\/p>\n

Rese\u00f1a del Fujinon MK 50-135mm<\/h2>\n

Prob\u00e9 el Fujinon MK 50-135mm durante varios d\u00edas y, aunque al principio dudaba, realmente disfrut\u00e9 trabajar con este objetivo despu\u00e9s de tomarle la mano y haber visto el material. Juntos, el FUJINON MK 18-55 T\/2.9 y el nuevo Fujinon MK 50-135mm T\/2.9 cubren un buen rango focal: 18mm a 135mm.<\/p>\n

Recientemente prob\u00e9 el lente Sony 18-110mm cine style\u00a0<\/a>que tambi\u00e9n es una buena alternativa a los FUJINON si no quieres cargar dos lentes y si no te importa demasiado que la ciencia de Sony ocurra de forma electr\u00f3nica. Por supuesto, el lente de Sony no tiene un rango de 110-135, que sin duda no ser\u00e1 una gran contra para muchos. Los MK son totalmente manuales y en comparaci\u00f3n con los Sony tambi\u00e9n presentan una apertura constante de T\/2.9. Esto es genial, especialmente porque en mi opinion se ven muy bien completamente abiertos.<\/p>\n

\"Fujinon<\/a><\/p>\n

Calidad \u00f3ptica<\/h2>\n
\"\"<\/a>

400% de recorte, esquina superior derecha. Aqu\u00ed es donde Fujinon tuvo su peor desempe\u00f1o. A pesar de que el Sony se ve mejor, con su compensaci\u00f3n electr\u00f3nica, el Fujinon no est\u00e1 para nada mal, exhibiendo casi nada de aberraci\u00f3n crom\u00e1tica.<\/p><\/div>\n

En la imagen de arriba se puede ver el Fujinon MK 50-135mm<\/a> T\/2.9 a la izquierda y el Sony 18-110mm F\/4.0 a la derecha. Esta es la esquina superior derecha de una imagen 4K a un tama\u00f1o de 400%. Puedes ver que el FUJINON es un poco m\u00e1s suave y el Sony es bastante n\u00edtido y limpio con su compensaci\u00f3n electr\u00f3nica de c\u00e1mara\/lente. Sin embargo, el FUJINON igualmente tiene una buena imagen en 4K, aberraci\u00f3n crom\u00e1tica m\u00ednima y muy poca distorsi\u00f3n. Es un buen lente.<\/p>\n

\"Fujinon<\/a><\/p>\n

Funcionamiento<\/h2>\n

En el FUJINON MK 50-135 hay engranajes de paso est\u00e1ndar en el foco, zoom e iris. Tambi\u00e9n cuenta con modo macro y una forma de ajustar el back focus de forma manual directamente en el objetivo. Esto asegura que el foco permanece constante cuando se hace zoom in y zoom out.<\/p>\n

\"Fujinon<\/a><\/p>\n

El tiro de enfoque es de aproximadamente 200\u00b0 y el ajuste del enfoque es m\u00e1s bien r\u00edgido. Esto est\u00e1 bien cuando se usan accesorios de enfoque remoto, pero si s\u00f3lo tu eres el operador, entonces tienes que saber que 200\u00b0 es mucho y puede que te cueste mucho hacer foco de un extremo al otro sin un follow-focus.<\/p>\n

\"Fujinon<\/a><\/p>\n

Adem\u00e1s, aseg\u00farate de conseguir un soporte de lente<\/a> para el MK 50-135mm, ya que de lo contrario tus tomas temblar\u00e1n mientras enfocas. \u00a1Zacuto hizo uno espec\u00edficamente para las lentes Fujinon MK! Se llama Soporte de lente Zacuto Scissor<\/a>.<\/p>\n

Otro bonito detalle es que ambas lentes tienen el mismo peso, tama\u00f1o y di\u00e1metro frontal, lo que puede ser muy \u00fatil cuando se trabaja sobre un soporte de c\u00e1mara e intercambiando lentes, o incluso cuando se intercambian lentes en un gimbal o drone, para que no tengas que hacer el balance cada vez.<\/p>\n

Conclusi\u00f3n<\/h2>\n

El Fujinon MK 50-135mm T\/2.9 es un excelente lente multi-prop\u00f3sito. Ofrece una buena calidad \u00f3ptica y tiene un dise\u00f1o liviano y un precio asequible para una lente zoom de cine. Para el cineasta de entrada de gama no ser\u00e1 barato, pero en el contexto de los objetivos zoom de cine no hay nada que se le compare en este momento. Sin duda recomendar\u00eda este lente, junto con su hermano menor, el MK 18-55mm. Es un muy buen kit para cineastas de estilo documental, y hoy por hoy no hay muchas otras opciones que te brinden el mismo tipo de caracter\u00edsticas de video en las c\u00e1maras Sony como la FS7, FS5 o incluso la Sony a6500<\/a>.<\/p>\n

\"Fujinon<\/a><\/p>\n

Por desgracia, este lente solo est\u00e1 disponible para la montura E de Sony. Con el reciente anuncio de la Panasonic EVA1 y la Canon C200, es una pena que los lentes FUJINON MK no est\u00e9n disponibles para Canon EF en este momento. Veremos si esto va a cambiar en el futuro.<\/p>\n

Las im\u00e1genes en esta rese\u00f1a se tomaron con el objetivo Fujinon MK 50-135mm en una c\u00e1mara Sony a6300<\/a>.<\/strong><\/p>\n<88456-main-buylinks\/>","protected":false,"clean_render":"

(Por favor presione el bot\u00f3n \u201cCC\u201d Para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p><88456-inline-buylinks\/>\n

 <\/p>\n

A principios de este a\u00f1o, FUJINON present\u00f3 una nueva l\u00ednea de lentes zoom Cine E-Mount asequibles para realizadores de estilo documental. Aqu\u00ed les presentamos nuestra rese\u00f1a del Fujinon MK 50-135mm<\/a>, donde echamos un vistazo al segundo de los dos objetivos zoom complementarios de FUJINON.<\/strong><\/p>\n

\"Fujinon<\/a><\/p>\n

Presentando un mecanismo de enfoque sin respiraci\u00f3n (\u201cbreathing\u201d), un dise\u00f1o par-focal y anillos completos de foco, iris y zoom, quise probar este lente, despu\u00e9s de haber hecho la rese\u00f1a de su hermano menor, el MK 18-55mm T\/2.9 – a principios de este a\u00f1o<\/a>.<\/p>\n

Rese\u00f1a del Fujinon MK 50-135mm<\/h2>\n

Prob\u00e9 el Fujinon MK 50-135mm durante varios d\u00edas y, aunque al principio dudaba, realmente disfrut\u00e9 trabajar con este objetivo despu\u00e9s de tomarle la mano y haber visto el material. Juntos, el FUJINON MK 18-55 T\/2.9 y el nuevo Fujinon MK 50-135mm T\/2.9 cubren un buen rango focal: 18mm a 135mm.<\/p>\n

Recientemente prob\u00e9 el lente Sony 18-110mm cine style\u00a0<\/a>que tambi\u00e9n es una buena alternativa a los FUJINON si no quieres cargar dos lentes y si no te importa demasiado que la ciencia de Sony ocurra de forma electr\u00f3nica. Por supuesto, el lente de Sony no tiene un rango de 110-135, que sin duda no ser\u00e1 una gran contra para muchos. Los MK son totalmente manuales y en comparaci\u00f3n con los Sony tambi\u00e9n presentan una apertura constante de T\/2.9. Esto es genial, especialmente porque en mi opinion se ven muy bien completamente abiertos.<\/p>\n

\"Fujinon<\/a><\/p>\n

Calidad \u00f3ptica<\/h2>\n
\"\"<\/a>

400% de recorte, esquina superior derecha. Aqu\u00ed es donde Fujinon tuvo su peor desempe\u00f1o. A pesar de que el Sony se ve mejor, con su compensaci\u00f3n electr\u00f3nica, el Fujinon no est\u00e1 para nada mal, exhibiendo casi nada de aberraci\u00f3n crom\u00e1tica.<\/p><\/div>\n

En la imagen de arriba se puede ver el Fujinon MK 50-135mm<\/a> T\/2.9 a la izquierda y el Sony 18-110mm F\/4.0 a la derecha. Esta es la esquina superior derecha de una imagen 4K a un tama\u00f1o de 400%. Puedes ver que el FUJINON es un poco m\u00e1s suave y el Sony es bastante n\u00edtido y limpio con su compensaci\u00f3n electr\u00f3nica de c\u00e1mara\/lente. Sin embargo, el FUJINON igualmente tiene una buena imagen en 4K, aberraci\u00f3n crom\u00e1tica m\u00ednima y muy poca distorsi\u00f3n. Es un buen lente.<\/p>\n

\"Fujinon<\/a><\/p>\n

Funcionamiento<\/h2>\n

En el FUJINON MK 50-135 hay engranajes de paso est\u00e1ndar en el foco, zoom e iris. Tambi\u00e9n cuenta con modo macro y una forma de ajustar el back focus de forma manual directamente en el objetivo. Esto asegura que el foco permanece constante cuando se hace zoom in y zoom out.<\/p>\n

\"Fujinon<\/a><\/p>\n

El tiro de enfoque es de aproximadamente 200\u00b0 y el ajuste del enfoque es m\u00e1s bien r\u00edgido. Esto est\u00e1 bien cuando se usan accesorios de enfoque remoto, pero si s\u00f3lo tu eres el operador, entonces tienes que saber que 200\u00b0 es mucho y puede que te cueste mucho hacer foco de un extremo al otro sin un follow-focus.<\/p>\n

\"Fujinon<\/a><\/p>\n

Adem\u00e1s, aseg\u00farate de conseguir un soporte de lente<\/a> para el MK 50-135mm, ya que de lo contrario tus tomas temblar\u00e1n mientras enfocas. \u00a1Zacuto hizo uno espec\u00edficamente para las lentes Fujinon MK! Se llama Soporte de lente Zacuto Scissor<\/a>.<\/p>\n

Otro bonito detalle es que ambas lentes tienen el mismo peso, tama\u00f1o y di\u00e1metro frontal, lo que puede ser muy \u00fatil cuando se trabaja sobre un soporte de c\u00e1mara e intercambiando lentes, o incluso cuando se intercambian lentes en un gimbal o drone, para que no tengas que hacer el balance cada vez.<\/p>\n

Conclusi\u00f3n<\/h2>\n

El Fujinon MK 50-135mm T\/2.9 es un excelente lente multi-prop\u00f3sito. Ofrece una buena calidad \u00f3ptica y tiene un dise\u00f1o liviano y un precio asequible para una lente zoom de cine. Para el cineasta de entrada de gama no ser\u00e1 barato, pero en el contexto de los objetivos zoom de cine no hay nada que se le compare en este momento. Sin duda recomendar\u00eda este lente, junto con su hermano menor, el MK 18-55mm. Es un muy buen kit para cineastas de estilo documental, y hoy por hoy no hay muchas otras opciones que te brinden el mismo tipo de caracter\u00edsticas de video en las c\u00e1maras Sony como la FS7, FS5 o incluso la Sony a6500<\/a>.<\/p>\n

\"Fujinon<\/a><\/p>\n

Por desgracia, este lente solo est\u00e1 disponible para la montura E de Sony. Con el reciente anuncio de la Panasonic EVA1 y la Canon C200, es una pena que los lentes FUJINON MK no est\u00e9n disponibles para Canon EF en este momento. Veremos si esto va a cambiar en el futuro.<\/p>\n

Las im\u00e1genes en esta rese\u00f1a se tomaron con el objetivo Fujinon MK 50-135mm en una c\u00e1mara Sony a6300<\/a>.<\/strong><\/p>\n<88456-main-buylinks\/>"},"excerpt":{"rendered":"

(Por favor presione el bot\u00f3n \u201cCC\u201d Para subt\u00edtulos en Espa\u00f1ol)   A principios de este a\u00f1o, FUJINON present\u00f3 una nueva l\u00ednea de lentes zoom Cine E-Mount asequibles para realizadores de estilo documental. Aqu\u00ed les presentamos nuestra rese\u00f1a del Fujinon MK 50-135mm, donde echamos un vistazo al segundo de los dos objetivos zoom complementarios de FUJINON. Presentando un mecanismo de enfoque sin respiraci\u00f3n (\u201cbreathing\u201d), un dise\u00f1o par-focal y anillos completos de foco, iris y zoom, quise probar este lente, despu\u00e9s de haber hecho la rese\u00f1a de su hermano menor, el MK 18-55mm T\/2.9 – a principios de este a\u00f1o. Rese\u00f1a del Fujinon MK 50-135mm Prob\u00e9 el Fujinon MK 50-135mm durante varios […]<\/p>\n","protected":false},"author":4969,"featured_media":88471,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42296,"name":"Lentes","link":"https:\/\/staging.cined.dev\/es\/noticias\/lentes\/","slug":"lentes"},{"id":42323,"name":"Accesorios","link":"https:\/\/staging.cined.dev\/es\/resenas\/resenas-accesorios-es\/","slug":"resenas-accesorios-es"}],"tags":[24556,24271,24557,24280,24558,24380,24559,24453,24560,24502,24561,24551,24552,24553,24554,24555],"tag_label":[],"brand":[],"class_list":["post-88456","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-camaras","category-lentes","category-resenas-accesorios-es","tag-emount-es","tag-lens-es","tag-lightweight-es","tag-sony-es","tag-lwz-es","tag-fujinon-es","tag-mk-50-135mm-es","tag-e-mount-es","tag-sony-e-es","tag-compact-es","tag-t2-9-es","tag-affordable-es","tag-cine-style-es","tag-cine-zoom-es","tag-cinema-zoom-es","tag-compact-zoom-es","post_format-post-format-video"],"yoast_head":"\nRese\u00f1a del FUJINON MK 50-135mm: \u00bfun zoom de cine valioso para tu kit? | CineD<\/title>\n<meta name=\"description\" content=\"Here's our FUJINON MK 50-135mm review - The second lens of Fujinon's line of lightweight and affordable cine zooms for documentary style shooters.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rese\u00f1a del FUJINON MK 50-135mm: \u00bfun zoom de cine valioso para tu kit? | CineD\" \/>\n<meta property=\"og:description\" content=\"Here's our FUJINON MK 50-135mm review - The second lens of Fujinon's line of lightweight and affordable cine zooms for documentary style shooters.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/sebastian.wober\" \/>\n<meta property=\"article:published_time\" content=\"2017-06-05T17:00:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-07-09T20:22:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2017\/06\/fujinon-50-135mm_review4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sebastian W\u00f6ber\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@SebWober\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sebastian W\u00f6ber\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/\"},\"author\":{\"name\":\"Sebastian W\u00f6ber\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/03c03245cfda5d211cbb572d90dfd805\"},\"headline\":\"Rese\u00f1a del FUJINON MK 50-135mm: \u00bfun zoom de cine valioso para tu kit?\",\"datePublished\":\"2017-06-05T17:00:39+00:00\",\"dateModified\":\"2018-07-09T20:22:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/\"},\"wordCount\":844,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/06\/fujinon-50-135mm_review4.jpg\",\"keywords\":[\"emount\",\"lens\",\"lightweight\",\"Sony\",\"lwz\",\"fujinon\",\"MK 50-135mm\",\"e-mount\",\"sony e\",\"compact\",\"T2.9\",\"affordable\",\"cine style\",\"cine zoom\",\"cinema zoom\",\"compact zoom\"],\"articleSection\":[\"Noticias\",\"C\u00e1maras\",\"Lentes\",\"Accesorios\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/\",\"url\":\"https:\/\/staging.cined.dev\/es\/fujinon-mk-50-135mm-review-cine-zoom\/\",\"name\":\"Rese\u00f1a del FUJINON MK 50-135mm: \u00bfun zoom de cine valioso para tu kit? 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Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>MK50-135mm T2.9 Lens (Sony E Mount)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1487738730000_1321240.jpg\" alt=\"MK50-135mm T2.9 Lens (Sony E Mount)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags 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