{"id":88653,"date":"2017-12-29T17:07:30","date_gmt":"2017-12-29T16:07:30","guid":{"rendered":"https:\/\/www.cined.com\/?p=88653\/"},"modified":"2018-07-09T22:14:02","modified_gmt":"2018-07-09T20:14:02","slug":"sony-a7r-iii-tested-shooting-a-mini-documentary","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/sony-a7r-iii-tested-shooting-a-mini-documentary\/","title":{"rendered":"Sony a7R III testeada &#8211; Filmando un mini documental"},"content":{"rendered":"<p><span style=\"color: #ff0000;\"><strong>(Por favor presione el bot\u00f3n \u201cCC\u201d Para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Lento pero a paso firme nos acercamos al final del a\u00f1o, y antes de decirle adi\u00f3s al 2017, quer\u00eda limpiar mi escritorio y publicar mis impresiones y el material que film\u00e9 con la Sony a7R III. La c\u00e1mara ya se est\u00e1 comercializando y durante mi \u00faltima visita a Jap\u00f3n tuve la oportunidad de probarla.<\/p>\n<div id=\"attachment_78530\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78530\" class=\"wp-image-78530 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-640x272.jpg\" alt=\"\" width=\"640\" height=\"272\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-640x272.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-300x127.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-768x326.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-1536x652.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-2048x869.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-542x230.jpg 542w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-78530\" class=\"wp-caption-text\">Sony a7R III &#8211; Extracto del video anterior<\/p><\/div>\n<p>Por desgracia, la c\u00e1mara que me dio Sony era local, lo que significa que la estructura del men\u00fa estaba en japon\u00e9s y no hab\u00eda una manera f\u00e1cil o r\u00e1pida de cambiarlo al ingl\u00e9s. Entonces, despu\u00e9s de recibirlo, me asegur\u00e9 de ajustar algunas configuraciones b\u00e1sicas como la resoluci\u00f3n (4K UHD), el perfil de la imagen (S-Log 2), la velocidad de cuadros, (24p) y dem\u00e1s. Sin embargo, debido a la limitada comprensi\u00f3n del men\u00fa, no dir\u00eda que mi art\u00edculo es una rese\u00f1a completa, sino que le pedir\u00eda a nuestro respetado p\u00fablico que mire mis observaciones y filmaciones como quien comparte algunas primeras impresiones.<\/p>\n<p>Adem\u00e1s de tener la c\u00e1mara Sony a7R III, tambi\u00e9n solicit\u00e9 la nueva lente Sony 24-105 mm f\/4, ya que quer\u00eda ver qu\u00e9 tan bien (o no) funcionan juntos. Me sorprendi\u00f3 gratamente ver que esta combinaci\u00f3n es muy f\u00e1cil de usar y, aunque es una lente f\/4, combinada con una a7R III muy sensible a la luz tenue, los resultados fueron impresionantes.<\/p>\n<div id=\"attachment_78528\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78528\" class=\"wp-image-78528 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-2-640x272.jpg\" alt=\"\" width=\"640\" height=\"272\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-640x272.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-300x127.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-768x326.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-1536x652.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-2048x869.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-542x230.jpg 542w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-78528\" class=\"wp-caption-text\">Sony a7R III &#8211; Extracto del video anterior<\/p><\/div>\n<h2>Mejoras e impresiones generales de la c\u00e1mara:<\/h2>\n<ul>\n<li>El nuevo y mayor tama\u00f1o del cuerpo de c\u00e1mara (similar a la a9) es m\u00e1s f\u00e1cil de manejar y la inclusi\u00f3n de una nueva bater\u00eda de mayor capacidad es muy bienvenida.<\/li>\n<li>La segunda ranura para tarjetas SD ahora tambi\u00e9n est\u00e1 activa en el modo de video y permite la grabaci\u00f3n simult\u00e1nea de una copia de seguridad en la tarjeta B mientras graba en la tarjeta A. Eso significa que la tarjeta A puede grabar 4K con proxies, y lo mismo para la tarjeta B al mismo tiempo. Adem\u00e1s, ahora tiene una funci\u00f3n de relevo para la grabaci\u00f3n de video, es decir que la grabaci\u00f3n pasa a la otra tarjeta, si una de las tarjetas se llena. Sin embargo, esta c\u00e1mara a\u00fan tiene el t\u00edpico l\u00edmite de grabaci\u00f3n de 29:59 por clip.<\/li>\n<li>La nueva c\u00e1mara ahora incorpora 2 entradas\/salidas USB. Una de ellas es para transferencia de datos r\u00e1pida (USB 3.1) y la otra puede servir para cargar\/operar la c\u00e1mara desde una computadora o bater\u00eda externa.<\/li>\n<li>Tanto el modo full-frame como el de s\u00faper 35 producen videos bonitos. Me agrada esta combinaci\u00f3n y la capacidad de cambiar entre ambos seg\u00fan tus necesidades de filmaci\u00f3n<\/li>\n<li>S-LOG3 ahora es compatible, pero no recomendar\u00eda usar esta configuraci\u00f3n, ya que se trata de una c\u00e1mara de 8 bits<\/li>\n<li>Se agreg\u00f3 el perfil de imagen HLG (Hybrid Log Gamma) para producir contenido HDR (High Dynamic Range) instant\u00e1neo &#8220;listo para usar&#8221;<\/li>\n<li>La pantalla LCD ahora es t\u00e1ctil, lo que permite &#8220;tocar para enfocar&#8221;, as\u00ed como la capacidad de arrastrar el pulgar por el panel mientras usas el visor EVF para ubicar zonas espec\u00edficas para enfocar<\/li>\n<li>Funci\u00f3n de auto-foco mejorada. Puedo informar de primera mano que est\u00e1 funcionando muy bien en la mayor\u00eda de los casos<\/li>\n<\/ul>\n<p>Aunque tuve la c\u00e1mara por un tiempo relativamente corto, siempre se sinti\u00f3 como una herramienta de trabajo flexible y muy receptiva. Sin importar lo que film\u00e9 ni a qu\u00e9 hora del d\u00eda\/noche, la c\u00e1mara siempre produc\u00eda im\u00e1genes de video agradables.<\/p>\n<h2>Lo que necesita mejorarse:<\/h2>\n<p>Lo que me gustar\u00eda que se mejore es el sistema de estabilizaci\u00f3n. Filmando con c\u00e1mara en mano al estilo tr\u00edpode apuntando a un sujeto result\u00f3 bien pero al moverse (caminar) y seguir un sujeto, todav\u00eda hay mejoras por hacer. Tambi\u00e9n vale la pena mencionar que, al igual que su predecesora, la Sony a7R III no agrega velocidades de cuadro nuevas, as\u00ed que si est\u00e1s buscando una c\u00e1mara que pueda disparar en 4K y 50\/60 fotogramas por segundo, entonces esta no es para ti. Adem\u00e1s y por desgracia, el rolling shutter no parece haber mejorado en absoluto. Tambi\u00e9n not\u00e9 que a\u00fan hab\u00eda algo de moir\u00e9 en el modo de disparo full-frame que es el que yo us\u00e9.<\/p>\n<div id=\"attachment_76361\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76361\" class=\"wp-image-76361 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-76361\" class=\"wp-caption-text\">Sony a7R III<\/p><\/div>\n<h2>Conclusi\u00f3n:<\/h2>\n<p>Sony hizo bastante para mejorar la calidad visual de video en 4K en la A7R III respecto de su predecesora, y en mi opini\u00f3n, ahora es la mejor c\u00e1mara h\u00edbrida que jam\u00e1s hayan producido. He visto fot\u00f3grafos profesionales que muestran algunas fotos sorprendentes capturadas con ella, y ciertamente puedo informar de primera mano que la c\u00e1mara funciona muy bien en diferentes condiciones de filmaci\u00f3n. (Y para aquellos que est\u00e1n preocupados por el problema del sobrecalentamiento, bueno, no ocurri\u00f3 mientras estaba grabando, pero esto no significa nada ya que todos estamos trabajando en un espacio diferente y bajo diferentes temperaturas).<\/p>\n<p>Entonces, si esta c\u00e1mara resulta tan agradable para trabajar, \u00bfhay alg\u00fan obst\u00e1culo para obtenerla? Bueno, la respuesta podr\u00eda ser su mayor &#8220;enemigo&#8221;, la propia c\u00e1mara Sony (a\u00fan) in\u00e9dita, es decir, la a7S III. Si yo estuviese actualmente buscando una nueva c\u00e1mara sin espejo full-frame de Sony que pueda grabar video, sin duda tendr\u00eda en mente la antigua tradici\u00f3n de Sony de etiquetar a la familia de c\u00e1maras a7S como &#8220;orientadas al video&#8221; y \u201casesinas de la luz tenue&#8221;, as\u00ed que aunque la a7R III es una excelente c\u00e1mara de prop\u00f3sito general, Sony tendr\u00e1 que ofrecer algo extra para capturar el coraz\u00f3n de los cineastas con la futura a7S III. A\u00fan est\u00e1 por verse cu\u00e1n valiosa ser\u00e1 esta caracter\u00edstica adicional, pero saber que Sony est\u00e1 desarrollando 2 l\u00edneas de c\u00e1mara muy similares aunque diferentes podr\u00eda ser suficiente para que muchos demoren su decisi\u00f3n de compra y esperen a la pr\u00f3xima mejor opci\u00f3n de la misma compa\u00f1\u00eda.<\/p>\n<p>Configuraci\u00f3n de c\u00e1mara para el video anterior: Full Frame, 4K (UHD), 24p, Perfil de imagen: S-Log 2. Editado con la \u00faltima edici\u00f3n de Adobe Premiere. Para la gradaci\u00f3n de color se utiliz\u00f3 un LUT propio de cinema5D.<\/p>\n<p>&nbsp;<\/p>\n<p>El video de arriba presenta el trabajo de Takashi Miura-san. Por favor visita su p\u00e1gina haciendo clic <a href=\"https:\/\/www.instagram.com\/kazari_kanzashi\/\">aqu\u00ed<\/a>.<\/p>\n<p>Un gran agradecimiento para Irwin Wong por ayudar en la producci\u00f3n del video. Puedes encontrar m\u00e1s acerca de su incre\u00edble trabajo fotogr\u00e1fico haciendo clic <a href=\"https:\/\/www.irwinwong.com\/\">aqu\u00ed<\/a>. (Y gracias a la Sra. Wong por ser mi modelo).<\/p>\n<p>M\u00fasica proporcionada por <a href=\"https:\/\/artlist.io\/\">Art-List<\/a> Canciones: <a href=\"https:\/\/artlist.io\/song\/3542\/to-edinburgh\">To Edinburgh<\/a> por The Highlands &amp; <a href=\"https:\/\/artlist.io\/song\/3518\/blossom\">Blossom<\/a> por Blossom Learning.<\/p>\n<88653-main-buylinks\/>","protected":false,"clean_render":"<p><span ><strong>(Por favor presione el bot\u00f3n \u201cCC\u201d Para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Lento pero a paso firme nos acercamos al final del a\u00f1o, y antes de decirle adi\u00f3s al 2017, quer\u00eda limpiar mi escritorio y publicar mis impresiones y el material que film\u00e9 con la Sony a7R III. La c\u00e1mara ya se est\u00e1 comercializando y durante mi \u00faltima visita a Jap\u00f3n tuve la oportunidad de probarla.<\/p>\n<div id=\"attachment_78530\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78530\" class=\"wp-image-78530 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-640x272.jpg\" alt=\"\" width=\"640\" height=\"272\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-640x272.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-300x127.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-768x326.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-1536x652.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-2048x869.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-Japanese-beauty-542x230.jpg 542w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-78530\" class=\"wp-caption-text\">Sony a7R III &#8211; Extracto del video anterior<\/p><\/div>\n<p>Por desgracia, la c\u00e1mara que me dio Sony era local, lo que significa que la estructura del men\u00fa estaba en japon\u00e9s y no hab\u00eda una manera f\u00e1cil o r\u00e1pida de cambiarlo al ingl\u00e9s. Entonces, despu\u00e9s de recibirlo, me asegur\u00e9 de ajustar algunas configuraciones b\u00e1sicas como la resoluci\u00f3n (4K UHD), el perfil de la imagen (S-Log 2), la velocidad de cuadros, (24p) y dem\u00e1s. Sin embargo, debido a la limitada comprensi\u00f3n del men\u00fa, no dir\u00eda que mi art\u00edculo es una rese\u00f1a completa, sino que le pedir\u00eda a nuestro respetado p\u00fablico que mire mis observaciones y filmaciones como quien comparte algunas primeras impresiones.<\/p>\n<p>Adem\u00e1s de tener la c\u00e1mara Sony a7R III, tambi\u00e9n solicit\u00e9 la nueva lente Sony 24-105 mm f\/4, ya que quer\u00eda ver qu\u00e9 tan bien (o no) funcionan juntos. Me sorprendi\u00f3 gratamente ver que esta combinaci\u00f3n es muy f\u00e1cil de usar y, aunque es una lente f\/4, combinada con una a7R III muy sensible a la luz tenue, los resultados fueron impresionantes.<\/p>\n<div id=\"attachment_78528\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78528\" class=\"wp-image-78528 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2017\/12\/Sony-a7R-III-2-640x272.jpg\" alt=\"\" width=\"640\" height=\"272\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-640x272.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-300x127.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-768x326.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-1536x652.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-2048x869.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/12\/Sony-a7R-III-2-542x230.jpg 542w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-78528\" class=\"wp-caption-text\">Sony a7R III &#8211; Extracto del video anterior<\/p><\/div>\n<h2>Mejoras e impresiones generales de la c\u00e1mara:<\/h2>\n<ul>\n<li>El nuevo y mayor tama\u00f1o del cuerpo de c\u00e1mara (similar a la a9) es m\u00e1s f\u00e1cil de manejar y la inclusi\u00f3n de una nueva bater\u00eda de mayor capacidad es muy bienvenida.<\/li>\n<li>La segunda ranura para tarjetas SD ahora tambi\u00e9n est\u00e1 activa en el modo de video y permite la grabaci\u00f3n simult\u00e1nea de una copia de seguridad en la tarjeta B mientras graba en la tarjeta A. Eso significa que la tarjeta A puede grabar 4K con proxies, y lo mismo para la tarjeta B al mismo tiempo. Adem\u00e1s, ahora tiene una funci\u00f3n de relevo para la grabaci\u00f3n de video, es decir que la grabaci\u00f3n pasa a la otra tarjeta, si una de las tarjetas se llena. Sin embargo, esta c\u00e1mara a\u00fan tiene el t\u00edpico l\u00edmite de grabaci\u00f3n de 29:59 por clip.<\/li>\n<li>La nueva c\u00e1mara ahora incorpora 2 entradas\/salidas USB. Una de ellas es para transferencia de datos r\u00e1pida (USB 3.1) y la otra puede servir para cargar\/operar la c\u00e1mara desde una computadora o bater\u00eda externa.<\/li>\n<li>Tanto el modo full-frame como el de s\u00faper 35 producen videos bonitos. Me agrada esta combinaci\u00f3n y la capacidad de cambiar entre ambos seg\u00fan tus necesidades de filmaci\u00f3n<\/li>\n<li>S-LOG3 ahora es compatible, pero no recomendar\u00eda usar esta configuraci\u00f3n, ya que se trata de una c\u00e1mara de 8 bits<\/li>\n<li>Se agreg\u00f3 el perfil de imagen HLG (Hybrid Log Gamma) para producir contenido HDR (High Dynamic Range) instant\u00e1neo &#8220;listo para usar&#8221;<\/li>\n<li>La pantalla LCD ahora es t\u00e1ctil, lo que permite &#8220;tocar para enfocar&#8221;, as\u00ed como la capacidad de arrastrar el pulgar por el panel mientras usas el visor EVF para ubicar zonas espec\u00edficas para enfocar<\/li>\n<li>Funci\u00f3n de auto-foco mejorada. Puedo informar de primera mano que est\u00e1 funcionando muy bien en la mayor\u00eda de los casos<\/li>\n<\/ul>\n<p>Aunque tuve la c\u00e1mara por un tiempo relativamente corto, siempre se sinti\u00f3 como una herramienta de trabajo flexible y muy receptiva. Sin importar lo que film\u00e9 ni a qu\u00e9 hora del d\u00eda\/noche, la c\u00e1mara siempre produc\u00eda im\u00e1genes de video agradables.<\/p>\n<h2>Lo que necesita mejorarse:<\/h2>\n<p>Lo que me gustar\u00eda que se mejore es el sistema de estabilizaci\u00f3n. Filmando con c\u00e1mara en mano al estilo tr\u00edpode apuntando a un sujeto result\u00f3 bien pero al moverse (caminar) y seguir un sujeto, todav\u00eda hay mejoras por hacer. Tambi\u00e9n vale la pena mencionar que, al igual que su predecesora, la Sony a7R III no agrega velocidades de cuadro nuevas, as\u00ed que si est\u00e1s buscando una c\u00e1mara que pueda disparar en 4K y 50\/60 fotogramas por segundo, entonces esta no es para ti. Adem\u00e1s y por desgracia, el rolling shutter no parece haber mejorado en absoluto. Tambi\u00e9n not\u00e9 que a\u00fan hab\u00eda algo de moir\u00e9 en el modo de disparo full-frame que es el que yo us\u00e9.<\/p>\n<div id=\"attachment_76361\"  class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.cined.com\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76361\" class=\"wp-image-76361 size-large\" src=\"https:\/\/www.cined.com\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-1536x864.jpg 1536w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-2048x1152.jpg 2048w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-409x230.jpg 409w, https:\/\/staging.cined.dev\/content\/uploads\/2017\/10\/Shot-on-a-Sony-a9-together-with-a-24-105mm-F4.0-4-of-6-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><p id=\"caption-attachment-76361\" class=\"wp-caption-text\">Sony a7R III<\/p><\/div>\n<h2>Conclusi\u00f3n:<\/h2>\n<p>Sony hizo bastante para mejorar la calidad visual de video en 4K en la A7R III respecto de su predecesora, y en mi opini\u00f3n, ahora es la mejor c\u00e1mara h\u00edbrida que jam\u00e1s hayan producido. He visto fot\u00f3grafos profesionales que muestran algunas fotos sorprendentes capturadas con ella, y ciertamente puedo informar de primera mano que la c\u00e1mara funciona muy bien en diferentes condiciones de filmaci\u00f3n. (Y para aquellos que est\u00e1n preocupados por el problema del sobrecalentamiento, bueno, no ocurri\u00f3 mientras estaba grabando, pero esto no significa nada ya que todos estamos trabajando en un espacio diferente y bajo diferentes temperaturas).<\/p>\n<p>Entonces, si esta c\u00e1mara resulta tan agradable para trabajar, \u00bfhay alg\u00fan obst\u00e1culo para obtenerla? Bueno, la respuesta podr\u00eda ser su mayor &#8220;enemigo&#8221;, la propia c\u00e1mara Sony (a\u00fan) in\u00e9dita, es decir, la a7S III. Si yo estuviese actualmente buscando una nueva c\u00e1mara sin espejo full-frame de Sony que pueda grabar video, sin duda tendr\u00eda en mente la antigua tradici\u00f3n de Sony de etiquetar a la familia de c\u00e1maras a7S como &#8220;orientadas al video&#8221; y \u201casesinas de la luz tenue&#8221;, as\u00ed que aunque la a7R III es una excelente c\u00e1mara de prop\u00f3sito general, Sony tendr\u00e1 que ofrecer algo extra para capturar el coraz\u00f3n de los cineastas con la futura a7S III. A\u00fan est\u00e1 por verse cu\u00e1n valiosa ser\u00e1 esta caracter\u00edstica adicional, pero saber que Sony est\u00e1 desarrollando 2 l\u00edneas de c\u00e1mara muy similares aunque diferentes podr\u00eda ser suficiente para que muchos demoren su decisi\u00f3n de compra y esperen a la pr\u00f3xima mejor opci\u00f3n de la misma compa\u00f1\u00eda.<\/p>\n<p>Configuraci\u00f3n de c\u00e1mara para el video anterior: Full Frame, 4K (UHD), 24p, Perfil de imagen: S-Log 2. Editado con la \u00faltima edici\u00f3n de Adobe Premiere. Para la gradaci\u00f3n de color se utiliz\u00f3 un LUT propio de cinema5D.<\/p>\n<p>&nbsp;<\/p>\n<p>El video de arriba presenta el trabajo de Takashi Miura-san. Por favor visita su p\u00e1gina haciendo clic <a href=\"https:\/\/www.instagram.com\/kazari_kanzashi\/\">aqu\u00ed<\/a>.<\/p>\n<p>Un gran agradecimiento para Irwin Wong por ayudar en la producci\u00f3n del video. Puedes encontrar m\u00e1s acerca de su incre\u00edble trabajo fotogr\u00e1fico haciendo clic <a href=\"https:\/\/www.irwinwong.com\/\">aqu\u00ed<\/a>. (Y gracias a la Sra. Wong por ser mi modelo).<\/p>\n<p>M\u00fasica proporcionada por <a href=\"https:\/\/artlist.io\/\">Art-List<\/a> Canciones: <a href=\"https:\/\/artlist.io\/song\/3542\/to-edinburgh\">To Edinburgh<\/a> por The Highlands &amp; <a href=\"https:\/\/artlist.io\/song\/3518\/blossom\">Blossom<\/a> por Blossom Learning.<\/p>\n<88653-main-buylinks\/>"},"excerpt":{"rendered":"<p>(Por favor presione el bot\u00f3n \u201cCC\u201d Para subt\u00edtulos en Espa\u00f1ol) &nbsp; Lento pero a paso firme nos acercamos al final del a\u00f1o, y antes de decirle adi\u00f3s al 2017, quer\u00eda limpiar mi escritorio y publicar mis impresiones y el material que film\u00e9 con la Sony a7R III. La c\u00e1mara ya se est\u00e1 comercializando y durante mi \u00faltima visita a Jap\u00f3n tuve la oportunidad de probarla. Por desgracia, la c\u00e1mara que me dio Sony era local, lo que significa que la estructura del men\u00fa estaba en japon\u00e9s y no hab\u00eda una manera f\u00e1cil o r\u00e1pida de cambiarlo al ingl\u00e9s. Entonces, despu\u00e9s de recibirlo, me asegur\u00e9 de ajustar algunas configuraciones b\u00e1sicas como [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":88656,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42317,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/resenas\/resenas-camaras-es\/","slug":"resenas-camaras-es"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42314,"name":"Rese\u00f1as","link":"https:\/\/staging.cined.dev\/es\/resenas\/","slug":"resenas"}],"tags":[24280,24664,24665,24666,24667,24668],"tag_label":[],"brand":[],"class_list":["post-88653","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-resenas-camaras-es","category-noticias","category-camaras","category-resenas","tag-sony-es","tag-24-105mm-es","tag-sony-24-105mm-es","tag-sony-a7r-ii-es","tag-sony-a7r-iii-es","tag-sony-a7s-ii-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v25.3) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sony a7R III testeada - Filmando un mini documental | CineD<\/title>\n<meta name=\"description\" content=\"Sony a7R III tested on a mini documentary shoot in Japan with the new Sony FE 24-105mm f\/4 G OSS Lens. 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