{"id":95412,"date":"2018-09-26T15:26:12","date_gmt":"2018-09-26T13:26:12","guid":{"rendered":"https:\/\/www.cined.com\/?p=95412\/"},"modified":"2018-09-26T19:42:56","modified_gmt":"2018-09-26T17:42:56","slug":"fujifilm-gfx-100-4k-10bit-medium-format-camera-concept-explained","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/fujifilm-gfx-100-4k-10bit-medium-format-camera-concept-explained\/","title":{"rendered":"FUJIFILM GFX 100 \u2013 Explicaci\u00f3n del concepto de su c\u00e1mara de formato medio 4K de 10 bits"},"content":{"rendered":"

(Por favor presione el bot\u00f3n \u201cCC\u201d en YouTube para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p>\n

 <\/p>\n

FUJIFILM realiz\u00f3 un interesante anuncio ayer, revelando la GFX 100Megapixels Concept<\/a> – una c\u00e1mara mirrorless de formato medio con un importante enfoque hacia el video.
\n<\/strong><\/p>\n

\"\"<\/p>\n

FUJIFILM ha anunciado una nueva c\u00e1mara insignia de formato medio para su l\u00ednea GFX. La GFX 100 tiene un sensor de 100 megap\u00edxeles (!!), un sistema de estabilizaci\u00f3n interna de imagen pionero en su clase, y 4K a 10 bits hasta 30p de grabaci\u00f3n de video. El precio de la nueva c\u00e1mara ser\u00e1 de alrededor de $10.000 y se espera que est\u00e9 disponible desde el primer trimestre de 2019. Otro anuncio: La nueva GFX50R<\/a>, la sucesora de la GFX50S. Esta nueva c\u00e1mara es notablemente m\u00e1s peque\u00f1a y liviana que su predecesora, con el objetivo de captar la atenci\u00f3n de los fot\u00f3grafos callejeros. (La R significa Rangefinder). Cuando se trata de capacidades de video, la c\u00e1mara puede grabar en 1080p y FUJIFILM nos dijo que la calidad del video es la misma que la de la GFX50S.<\/p>\n

\"\"<\/a>

FUJIFILM GFX 50R<\/p><\/div>\n

Tama\u00f1o del cuerpo, tama\u00f1o del sensor y especificaciones<\/h2>\n

Todav\u00eda no tenemos las especificaciones finales de la GFX 100, pero nos dijeron que la c\u00e1mara grabar\u00e1 en 4K, 10 bits, 4:2:0 interno, pudiendo grabar videos en 4K, a 10 bits, 4:2:2 externamente a trav\u00e9s de HDMI. Del prototipo que hemos visto, el tama\u00f1o del cuerpo de la GFX 100Megapixel es bastante similar al de la 50S, que tiene un tama\u00f1o y peso similar al de una DSLR grande, como la Canon 1D C. Si le agregas la empu\u00f1adura vertical la GFX 100Megapixel se vuelve m\u00e1s voluminosa, con su forma de cuerpo cuadrada.<\/p>\n

\"\"<\/a>

FUJIFILM GFX 100Megapixel<\/p><\/div>\n

El sensor es aproximadamente 1.7 veces m\u00e1s grande que el tama\u00f1o de un sensor full frame, lo que crea un campo de visi\u00f3n mucho m\u00e1s amplio, algo t\u00edpico de las c\u00e1maras de formato medio. Pero este sensor gigante tambi\u00e9n tiene algunas potenciales desventajas: por ejemplo, tenemos mucha curiosidad por ver c\u00f3mo FUJIFILM manejar\u00e1 el sobrecalentamiento. Solo podemos suponer que el tiempo de grabaci\u00f3n puede ser limitado para evitar este tipo de problemas.<\/p>\n

Innovaciones en la filmaci\u00f3n con formato medio<\/h2>\n

Un sensor grande y de alta resoluci\u00f3n har\u00e1 que cada sacudida, vibraci\u00f3n y movimiento sean evidentes al filmar con c\u00e1mara en mano. Con 100 megap\u00edxeles, eso puede convertirse en un gran problema. Por lo tanto, es muy bueno ver que FUJIFILM haya introducido -por primera vez- el sistema de estabilizaci\u00f3n de imagen en el cuerpo (IBIS) en c\u00e1maras de formato medio. Combinado con el estilo y tama\u00f1o del cuerpo, FUJIFILM claramente nos est\u00e1 queriendo decir que esta c\u00e1mara no ser\u00e1 utilizada s\u00f3lo en el estudio.<\/p>\n

\"Fujifilm<\/a>

He aqu\u00ed el sensor estabilizado de la GFX 100<\/p><\/div>\n

Esta sensaci\u00f3n se deja ver tambi\u00e9n por el hecho de que cambiaron el enfoque autom\u00e1tico por detecci\u00f3n de contraste por el enfoque autom\u00e1tico por detecci\u00f3n de fase. El nuevo sistema AF cubre el 100% del sensor, que con suerte mejorar\u00e1 dram\u00e1ticamente la precisi\u00f3n y velocidad en comparaci\u00f3n con la GFX 50S y la 50R. FUJIFILM dice que este nuevo sistema AF est\u00e1 inspirado en la bien recibida serie X. Estoy ansioso por ver si funciona tan bien.<\/p>\n

Caracter\u00edsticas de video de la GFX 100<\/h2>\n

Aqu\u00ed es donde esta c\u00e1mara se vuelve interesante para nosotros, los cineastas. La GFX 100 dice grabar en 4K, 30p, 10bit, 4:2:0 interno, con la capacidad de grabar video en 4K 10bit 4:2:2 externamente a trav\u00e9s de HDMI. Eso es todo lo que tenemos por ahora. No sabemos si es con lectura de sensor completa o con la imagen recortada, no sabemos si es capaz de grabar en F-Log, y no sabemos si habr\u00e1 opciones de c\u00e1mara lenta al filmar en 1080p. Personalmente, soy cautelosamente optimista de que har\u00e1n un honesto esfuerzo por conformar al p\u00fablico cineasta.<\/p>\n

\"\"

Solo piensa en lo que podr\u00edas hacer con el X Processor 4<\/p><\/div>\n

\u00bfNo hay c\u00e1mara full frame?<\/h2>\n

En un a\u00f1o en el que absolutamente todos, incluido SIGMA, est\u00e1n anunciando c\u00e1maras mirrorless full frame, parece que FUJIFILM ha decidido saltearlo e ir directo al formato medio. Tengo algunas teor\u00edas sobre por qu\u00e9 podr\u00eda ser eso.<\/p>\n

1 – FUJIFILM cree que la tendencia hacia sensores cada vez m\u00e1s grandes continuara, superando al full frame eventualmente. (Se refieren al GFX como “super full frame”). En este escenario, est\u00e1n creando las bases para un futuro que ven venir en el horizonte, y tal vez incluso lo alientan integrando sensores de formato medio con tipos de cuerpo y caracter\u00edsticas conocidas.<\/p>\n

2 – FUJIFILM considera que el campo del full frame est\u00e1 demasiado explotado y desean distinguirse de los dem\u00e1s. Desarrollar lentes es costoso y lleva mucho tiempo. Canon, Nikon y Sony manejan vol\u00famenes mucho mayores y, por lo tanto, pueden invertir m\u00e1s en desarrollo. Los propietarios de las c\u00e1maras APS-C de FUJIFILM parecen estar perfectamente satisfechos con el tama\u00f1o del sensor que tienen (FUJIFILM cree que el APS-C es el sistema mejor equilibrado ya que ahorra 1\/3 de peso en comparaci\u00f3n con FF), \u00bfpor qu\u00e9 invertir recursos en un formato que va a estar saturado?<\/p>\n

\u00bfEntonces, qu\u00e9 piensas? \u00bfEl formato medio el pr\u00f3ximo full frame? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<95412-main-buylinks\/>","protected":false,"clean_render":"

(Por favor presione el bot\u00f3n \u201cCC\u201d en YouTube para subt\u00edtulos en Espa\u00f1ol)<\/strong><\/span><\/p>\n

 <\/p>\n

FUJIFILM realiz\u00f3 un interesante anuncio ayer, revelando la GFX 100Megapixels Concept<\/a> – una c\u00e1mara mirrorless de formato medio con un importante enfoque hacia el video.
\n<\/strong><\/p>\n

\"\"<\/p>\n

FUJIFILM ha anunciado una nueva c\u00e1mara insignia de formato medio para su l\u00ednea GFX. La GFX 100 tiene un sensor de 100 megap\u00edxeles (!!), un sistema de estabilizaci\u00f3n interna de imagen pionero en su clase, y 4K a 10 bits hasta 30p de grabaci\u00f3n de video. El precio de la nueva c\u00e1mara ser\u00e1 de alrededor de $10.000 y se espera que est\u00e9 disponible desde el primer trimestre de 2019. Otro anuncio: La nueva GFX50R<\/a>, la sucesora de la GFX50S. Esta nueva c\u00e1mara es notablemente m\u00e1s peque\u00f1a y liviana que su predecesora, con el objetivo de captar la atenci\u00f3n de los fot\u00f3grafos callejeros. (La R significa Rangefinder). Cuando se trata de capacidades de video, la c\u00e1mara puede grabar en 1080p y FUJIFILM nos dijo que la calidad del video es la misma que la de la GFX50S.<\/p>\n

\"\"<\/a>

FUJIFILM GFX 50R<\/p><\/div>\n

Tama\u00f1o del cuerpo, tama\u00f1o del sensor y especificaciones<\/h2>\n

Todav\u00eda no tenemos las especificaciones finales de la GFX 100, pero nos dijeron que la c\u00e1mara grabar\u00e1 en 4K, 10 bits, 4:2:0 interno, pudiendo grabar videos en 4K, a 10 bits, 4:2:2 externamente a trav\u00e9s de HDMI. Del prototipo que hemos visto, el tama\u00f1o del cuerpo de la GFX 100Megapixel es bastante similar al de la 50S, que tiene un tama\u00f1o y peso similar al de una DSLR grande, como la Canon 1D C. Si le agregas la empu\u00f1adura vertical la GFX 100Megapixel se vuelve m\u00e1s voluminosa, con su forma de cuerpo cuadrada.<\/p>\n

\"\"<\/a>

FUJIFILM GFX 100Megapixel<\/p><\/div>\n

El sensor es aproximadamente 1.7 veces m\u00e1s grande que el tama\u00f1o de un sensor full frame, lo que crea un campo de visi\u00f3n mucho m\u00e1s amplio, algo t\u00edpico de las c\u00e1maras de formato medio. Pero este sensor gigante tambi\u00e9n tiene algunas potenciales desventajas: por ejemplo, tenemos mucha curiosidad por ver c\u00f3mo FUJIFILM manejar\u00e1 el sobrecalentamiento. Solo podemos suponer que el tiempo de grabaci\u00f3n puede ser limitado para evitar este tipo de problemas.<\/p>\n

Innovaciones en la filmaci\u00f3n con formato medio<\/h2>\n

Un sensor grande y de alta resoluci\u00f3n har\u00e1 que cada sacudida, vibraci\u00f3n y movimiento sean evidentes al filmar con c\u00e1mara en mano. Con 100 megap\u00edxeles, eso puede convertirse en un gran problema. Por lo tanto, es muy bueno ver que FUJIFILM haya introducido -por primera vez- el sistema de estabilizaci\u00f3n de imagen en el cuerpo (IBIS) en c\u00e1maras de formato medio. Combinado con el estilo y tama\u00f1o del cuerpo, FUJIFILM claramente nos est\u00e1 queriendo decir que esta c\u00e1mara no ser\u00e1 utilizada s\u00f3lo en el estudio.<\/p>\n

\"Fujifilm<\/a>

He aqu\u00ed el sensor estabilizado de la GFX 100<\/p><\/div>\n

Esta sensaci\u00f3n se deja ver tambi\u00e9n por el hecho de que cambiaron el enfoque autom\u00e1tico por detecci\u00f3n de contraste por el enfoque autom\u00e1tico por detecci\u00f3n de fase. El nuevo sistema AF cubre el 100% del sensor, que con suerte mejorar\u00e1 dram\u00e1ticamente la precisi\u00f3n y velocidad en comparaci\u00f3n con la GFX 50S y la 50R. FUJIFILM dice que este nuevo sistema AF est\u00e1 inspirado en la bien recibida serie X. Estoy ansioso por ver si funciona tan bien.<\/p>\n

Caracter\u00edsticas de video de la GFX 100<\/h2>\n

Aqu\u00ed es donde esta c\u00e1mara se vuelve interesante para nosotros, los cineastas. La GFX 100 dice grabar en 4K, 30p, 10bit, 4:2:0 interno, con la capacidad de grabar video en 4K 10bit 4:2:2 externamente a trav\u00e9s de HDMI. Eso es todo lo que tenemos por ahora. No sabemos si es con lectura de sensor completa o con la imagen recortada, no sabemos si es capaz de grabar en F-Log, y no sabemos si habr\u00e1 opciones de c\u00e1mara lenta al filmar en 1080p. Personalmente, soy cautelosamente optimista de que har\u00e1n un honesto esfuerzo por conformar al p\u00fablico cineasta.<\/p>\n

\"\"

Solo piensa en lo que podr\u00edas hacer con el X Processor 4<\/p><\/div>\n

\u00bfNo hay c\u00e1mara full frame?<\/h2>\n

En un a\u00f1o en el que absolutamente todos, incluido SIGMA, est\u00e1n anunciando c\u00e1maras mirrorless full frame, parece que FUJIFILM ha decidido saltearlo e ir directo al formato medio. Tengo algunas teor\u00edas sobre por qu\u00e9 podr\u00eda ser eso.<\/p>\n

1 – FUJIFILM cree que la tendencia hacia sensores cada vez m\u00e1s grandes continuara, superando al full frame eventualmente. (Se refieren al GFX como “super full frame”). En este escenario, est\u00e1n creando las bases para un futuro que ven venir en el horizonte, y tal vez incluso lo alientan integrando sensores de formato medio con tipos de cuerpo y caracter\u00edsticas conocidas.<\/p>\n

2 – FUJIFILM considera que el campo del full frame est\u00e1 demasiado explotado y desean distinguirse de los dem\u00e1s. Desarrollar lentes es costoso y lleva mucho tiempo. Canon, Nikon y Sony manejan vol\u00famenes mucho mayores y, por lo tanto, pueden invertir m\u00e1s en desarrollo. Los propietarios de las c\u00e1maras APS-C de FUJIFILM parecen estar perfectamente satisfechos con el tama\u00f1o del sensor que tienen (FUJIFILM cree que el APS-C es el sistema mejor equilibrado ya que ahorra 1\/3 de peso en comparaci\u00f3n con FF), \u00bfpor qu\u00e9 invertir recursos en un formato que va a estar saturado?<\/p>\n

\u00bfEntonces, qu\u00e9 piensas? \u00bfEl formato medio el pr\u00f3ximo full frame? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<95412-main-buylinks\/>"},"excerpt":{"rendered":"

(Por favor presione el bot\u00f3n \u201cCC\u201d en YouTube para subt\u00edtulos en Espa\u00f1ol)   FUJIFILM realiz\u00f3 un interesante anuncio ayer, revelando la GFX 100Megapixels Concept – una c\u00e1mara mirrorless de formato medio con un importante enfoque hacia el video. FUJIFILM ha anunciado una nueva c\u00e1mara insignia de formato medio para su l\u00ednea GFX. La GFX 100 tiene un sensor de 100 megap\u00edxeles (!!), un sistema de estabilizaci\u00f3n interna de imagen pionero en su clase, y 4K a 10 bits hasta 30p de grabaci\u00f3n de video. El precio de la nueva c\u00e1mara ser\u00e1 de alrededor de $10.000 y se espera que est\u00e9 disponible desde el primer trimestre de 2019. Otro anuncio: La […]<\/p>\n","protected":false},"author":15793,"featured_media":95348,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42293,"name":"C\u00e1maras","link":"https:\/\/staging.cined.dev\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"}],"tags":[24494,24536,24682,25178,26963,26964,27033,27034,27035,24426,27036,24430],"tag_label":[],"brand":[],"class_list":["post-95412","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-camaras","category-noticias","tag-mirrorless-es","tag-fujifilm-gfx-es","tag-cinema5d-news-es","tag-dslr-es","tag-photokina-es","tag-photokina-2018-es","tag-gfx-50r-es","tag-gfx-50s-es","tag-medium-format-video-es","tag-4k-es","tag-mirrorless-medium-format-es","tag-medium-format-es","post_format-post-format-video"],"yoast_head":"\nFUJIFILM GFX 100 \u2013 Explicaci\u00f3n del concepto de su c\u00e1mara de formato medio 4K de 10 bits | CineD<\/title>\n<meta name=\"description\" content=\"Fuji today has announced the GFX 100 - 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