{"id":97494,"date":"2018-11-08T15:18:15","date_gmt":"2018-11-08T14:18:15","guid":{"rendered":"https:\/\/www.cined.com\/?p=97494"},"modified":"2018-11-08T17:07:49","modified_gmt":"2018-11-08T16:07:49","slug":"same-production-3-different-budgets-one-ten-one-hundred-explores-possibilities-in-mini-doc","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/es\/same-production-3-different-budgets-one-ten-one-hundred-explores-possibilities-in-mini-doc\/","title":{"rendered":"La misma producci\u00f3n, con 3 presupuestos diferentes: \u201cUno, Diez, Cien\u201d explora las distintas posibilidades en un mini documental"},"content":{"rendered":"<p><strong>La empresa creadora de software de video Wistia ha lanzado una mini serie documental de tres partes llamada &#8220;Uno, Diez, Cien&#8221;, que muestra el detr\u00e1s de escena de una misma filmaci\u00f3n, pero con diferentes situaciones presupuestarias. Sandwich Video, una agencia de producci\u00f3n de video de California, se encarg\u00f3 de crear tres videos, uno con un presupuesto limitado de solo $1.000. otro con $10.000 y otro con un presupuesto m\u00e1s generoso de $100.000. Esto es lo que sucedi\u00f3.<\/strong><\/p>\n<p><iframe title=\"One, Ten, One Hundred Trailer - A Wistia Original Series\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/8buvO6yXPfg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>La idea que tuvo Wistia con \u201cUno, Diez, Cien\u201d parece simple a primera vista. \u00bfPor qu\u00e9 no probar la efectividad del equipo interno de producci\u00f3n de video y, al mismo tiempo, crear contenido de marketing premium convocando a una reconocida agencia de video para producir un spot publicitario para el mismo producto, pero con tres presupuestos diferentes? Como objetivo de m\u00ednima, este ser\u00eda un buen indicador para comprobar si los gastos presupuestarios realmente contribuyen a crear un contenido de mayor valor, o si existe un punto en el que las ganancias comienzan a disminuir. Para que quede claro: esto no signific\u00f3 que el mismo video debiera producirse en diferentes niveles de presupuesto -como si fuesen id\u00e9nticos, \u201ctoma por toma\u201d- sino que el proceso de producci\u00f3n en su conjunto -incluido el concepto, la pre-producci\u00f3n y todo el proceso de post-producci\u00f3n- deb\u00eda recrearse en cada caso presupuestario espec\u00edfico para obtener el mejor resultado posible.<\/p>\n<h2>Presupuestos<\/h2>\n<div id=\"attachment_97482\" style=\"width: 1290px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97482\" class=\"wp-image-97482 size-full\" src=\"https:\/\/www.cined.com\/content\/uploads\/2018\/11\/1-10-100_budget.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget.jpg 1280w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-409x230.jpg 409w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-97482\" class=\"wp-caption-text\">Desglose de presupuesto de $1.000<\/p><\/div>\n<p>Obviamente, la pregunta que se nos viene a la mente es c\u00f3mo se utilizaron los presupuestos para &#8220;Uno, Diez, Cien&#8221;. As\u00ed es como se desglosaron los presupuestos:<\/p>\n<p><strong>$1.000<\/strong><br \/>\n$30.00 Sujetador de iPhone<br \/>\n$150.00 Tr\u00edpode<br \/>\n$250.00 gastos de alquiler de equipos de audio<br \/>\n$75.00 Insumos<br \/>\n$300.00 Licencias de m\u00fasica y gastos de post-producci\u00f3n.<br \/>\n$295.00 El dinero restante se utiliza para la comida del director y sus ayudantes<\/p>\n<p><strong>$10.000<\/strong><br \/>\n$3,800.00 Equipo de personal (7 en total)<br \/>\n$931.00 Honorarios asociados con el equipo de personal.<br \/>\n$2,230 Alquiler de equipos, insumos, peluquer\u00eda y maquillaje.<br \/>\n$480.00 Catering en locaci\u00f3n<br \/>\n$150.00 estacionamiento para el personal<br \/>\n$2,400.00 Post-producci\u00f3n, licencias de medios.<\/p>\n<p><strong>$100.000<\/strong><br \/>\n$12,000.00 Equipo de personal para la pre-producci\u00f3n (15 personas)<br \/>\n$24,000.00 Equipo de personal para el rodaje (29 personas)<br \/>\n$8,100.00 Honorarios asociados con el equipo de personal.<br \/>\n$10.000.00 Honorarios de los talentos, tarifas de casting y talentos de la agencia<br \/>\n$16,000.00 Gastos en equipamiento, alquileres, catering<br \/>\n$6,000.00 Gastos de locaci\u00f3n<br \/>\n$500.00 Seguros de Equipamiento y locaci\u00f3n.<br \/>\n$20.000.00 Gastos de post-producci\u00f3n, licencias de medios, honorarios del colorista<\/p>\n<div id=\"attachment_97479\" style=\"width: 1290px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97479\" class=\"wp-image-97479 size-full\" src=\"https:\/\/www.cined.com\/content\/uploads\/2018\/11\/1-10-100_boom.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom.jpg 1280w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-409x230.jpg 409w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-97479\" class=\"wp-caption-text\">Usando un tel\u00e9fono como grabadora en una ca\u00f1a de boom improvisada: ser rudimentario ayuda<\/p><\/div>\n<p>Es posible que estos desgloses no sean demasiado precisos, pero nos brindan un buen panorama para saber d\u00f3nde se invirti\u00f3 la mayor parte del presupuesto. Puede que haya habido algo de &#8220;trampa&#8221; aqu\u00ed y all\u00e1, como que hayan pedido prestados ciertos equipos a alg\u00fan amigo. Pero creo que son bastante adecuados, ya que en mi opini\u00f3n, la probabilidad de que incluso los realizadores principiantes tengan amigos cineastas a los que les pudiesen pedir prestado algo ser\u00eda muy alta.<\/p>\n<h2>Qu\u00e9 fue lo que sucedi\u00f3 y \u00bfDeber\u00edas verlo?<\/h2>\n<p>Una vez que se ha asignado el presupuesto, cada parte de la serie &#8220;Uno, Diez, Cien&#8221; nos lleva a trav\u00e9s del proceso de producci\u00f3n, paso a paso. Las entrevistas a los diferentes cineastas y al equipo de personal involucrado nos muestran c\u00f3mo toman sus decisiones y tambi\u00e9n nos dan una idea de c\u00f3mo trabajan. A lo largo de cada parte de &#8220;Uno, Diez, Cien&#8221;, el equipo de Wistia brinda m\u00e1s explicaciones y detalles, as\u00ed como sus propios puntos de vista de c\u00f3mo avanza cada producci\u00f3n. Al final de cada episodio, el resultado se presenta a todo el equipo de Wistia y dan algunas opiniones.<\/p>\n<div id=\"attachment_97476\" style=\"width: 1290px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97476\" class=\"wp-image-97476 size-full\" src=\"https:\/\/www.cined.com\/content\/uploads\/2018\/11\/1-10-100_adam.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam.jpg 1280w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-409x230.jpg 409w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-97476\" class=\"wp-caption-text\">Adam Lisagor de Sandwich Video haciendo de actor<\/p><\/div>\n<p>Esta serie es muy atractiva para cualquier persona que est\u00e9 interesada -y que carezca de experiencia- en c\u00f3mo funcionan realmente los rodajes con mayores presupuestos, o c\u00f3mo comenzar a producir contenido para publicidad, tal vez incluso para contenido narrativo. En especial si te desempe\u00f1as en el area comercial, puede que esta serie te de un vistazo detr\u00e1s de escena muy \u00fatil y entretenido. Si eres productor, esta serie tambi\u00e9n te puede interesar, ya que las charlas sobre equipamiento y los detalles sobre los tipos de iluminaci\u00f3n espec\u00edficos est\u00e1n reducidos al m\u00ednimo.<br \/>\nWistia realmente ha producido una serie educativa breve y bonita. Y dado que la serie nunca se detiene en ning\u00fan detalle por demasiado tiempo, nos da una visi\u00f3n general de muy alto nivel sobre c\u00f3mo funciona realmente una producci\u00f3n. Les recomiendo mucho ver &#8220;Uno, Diez, Cien&#8221;.<\/p>\n<p>Puedes ver toda la serie en el <a href=\"https:\/\/wistia.com\/series\/one-ten-one-hundred\">sitio web de Wistia<\/a>.<\/p>\n<p><strong>\u00bfTe interesa ver \u201cUno, Diez, Cien\u201d? \u00bfTe gustar\u00eda ver c\u00f3mo se usan estos presupuestos en forma adecuada y ver el detr\u00e1s de escena? O \u00bfya has visto la serie? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<97494-main-buylinks\/>","protected":false,"clean_render":"<p><strong>La empresa creadora de software de video Wistia ha lanzado una mini serie documental de tres partes llamada &#8220;Uno, Diez, Cien&#8221;, que muestra el detr\u00e1s de escena de una misma filmaci\u00f3n, pero con diferentes situaciones presupuestarias. Sandwich Video, una agencia de producci\u00f3n de video de California, se encarg\u00f3 de crear tres videos, uno con un presupuesto limitado de solo $1.000. otro con $10.000 y otro con un presupuesto m\u00e1s generoso de $100.000. Esto es lo que sucedi\u00f3.<\/strong><\/p>\n<p><iframe title=\"One, Ten, One Hundred Trailer - A Wistia Original Series\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/8buvO6yXPfg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>La idea que tuvo Wistia con \u201cUno, Diez, Cien\u201d parece simple a primera vista. \u00bfPor qu\u00e9 no probar la efectividad del equipo interno de producci\u00f3n de video y, al mismo tiempo, crear contenido de marketing premium convocando a una reconocida agencia de video para producir un spot publicitario para el mismo producto, pero con tres presupuestos diferentes? Como objetivo de m\u00ednima, este ser\u00eda un buen indicador para comprobar si los gastos presupuestarios realmente contribuyen a crear un contenido de mayor valor, o si existe un punto en el que las ganancias comienzan a disminuir. Para que quede claro: esto no signific\u00f3 que el mismo video debiera producirse en diferentes niveles de presupuesto -como si fuesen id\u00e9nticos, \u201ctoma por toma\u201d- sino que el proceso de producci\u00f3n en su conjunto -incluido el concepto, la pre-producci\u00f3n y todo el proceso de post-producci\u00f3n- deb\u00eda recrearse en cada caso presupuestario espec\u00edfico para obtener el mejor resultado posible.<\/p>\n<h2>Presupuestos<\/h2>\n<div id=\"attachment_97482\"  class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97482\" class=\"wp-image-97482 size-full\" src=\"https:\/\/www.cined.com\/content\/uploads\/2018\/11\/1-10-100_budget.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget.jpg 1280w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_budget-409x230.jpg 409w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-97482\" class=\"wp-caption-text\">Desglose de presupuesto de $1.000<\/p><\/div>\n<p>Obviamente, la pregunta que se nos viene a la mente es c\u00f3mo se utilizaron los presupuestos para &#8220;Uno, Diez, Cien&#8221;. As\u00ed es como se desglosaron los presupuestos:<\/p>\n<p><strong>$1.000<\/strong><br \/>\n$30.00 Sujetador de iPhone<br \/>\n$150.00 Tr\u00edpode<br \/>\n$250.00 gastos de alquiler de equipos de audio<br \/>\n$75.00 Insumos<br \/>\n$300.00 Licencias de m\u00fasica y gastos de post-producci\u00f3n.<br \/>\n$295.00 El dinero restante se utiliza para la comida del director y sus ayudantes<\/p>\n<p><strong>$10.000<\/strong><br \/>\n$3,800.00 Equipo de personal (7 en total)<br \/>\n$931.00 Honorarios asociados con el equipo de personal.<br \/>\n$2,230 Alquiler de equipos, insumos, peluquer\u00eda y maquillaje.<br \/>\n$480.00 Catering en locaci\u00f3n<br \/>\n$150.00 estacionamiento para el personal<br \/>\n$2,400.00 Post-producci\u00f3n, licencias de medios.<\/p>\n<p><strong>$100.000<\/strong><br \/>\n$12,000.00 Equipo de personal para la pre-producci\u00f3n (15 personas)<br \/>\n$24,000.00 Equipo de personal para el rodaje (29 personas)<br \/>\n$8,100.00 Honorarios asociados con el equipo de personal.<br \/>\n$10.000.00 Honorarios de los talentos, tarifas de casting y talentos de la agencia<br \/>\n$16,000.00 Gastos en equipamiento, alquileres, catering<br \/>\n$6,000.00 Gastos de locaci\u00f3n<br \/>\n$500.00 Seguros de Equipamiento y locaci\u00f3n.<br \/>\n$20.000.00 Gastos de post-producci\u00f3n, licencias de medios, honorarios del colorista<\/p>\n<div id=\"attachment_97479\"  class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97479\" class=\"wp-image-97479 size-full\" src=\"https:\/\/www.cined.com\/content\/uploads\/2018\/11\/1-10-100_boom.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom.jpg 1280w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_boom-409x230.jpg 409w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-97479\" class=\"wp-caption-text\">Usando un tel\u00e9fono como grabadora en una ca\u00f1a de boom improvisada: ser rudimentario ayuda<\/p><\/div>\n<p>Es posible que estos desgloses no sean demasiado precisos, pero nos brindan un buen panorama para saber d\u00f3nde se invirti\u00f3 la mayor parte del presupuesto. Puede que haya habido algo de &#8220;trampa&#8221; aqu\u00ed y all\u00e1, como que hayan pedido prestados ciertos equipos a alg\u00fan amigo. Pero creo que son bastante adecuados, ya que en mi opini\u00f3n, la probabilidad de que incluso los realizadores principiantes tengan amigos cineastas a los que les pudiesen pedir prestado algo ser\u00eda muy alta.<\/p>\n<h2>Qu\u00e9 fue lo que sucedi\u00f3 y \u00bfDeber\u00edas verlo?<\/h2>\n<p>Una vez que se ha asignado el presupuesto, cada parte de la serie &#8220;Uno, Diez, Cien&#8221; nos lleva a trav\u00e9s del proceso de producci\u00f3n, paso a paso. Las entrevistas a los diferentes cineastas y al equipo de personal involucrado nos muestran c\u00f3mo toman sus decisiones y tambi\u00e9n nos dan una idea de c\u00f3mo trabajan. A lo largo de cada parte de &#8220;Uno, Diez, Cien&#8221;, el equipo de Wistia brinda m\u00e1s explicaciones y detalles, as\u00ed como sus propios puntos de vista de c\u00f3mo avanza cada producci\u00f3n. Al final de cada episodio, el resultado se presenta a todo el equipo de Wistia y dan algunas opiniones.<\/p>\n<div id=\"attachment_97476\"  class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97476\" class=\"wp-image-97476 size-full\" src=\"https:\/\/www.cined.com\/content\/uploads\/2018\/11\/1-10-100_adam.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam.jpg 1280w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-300x169.jpg 300w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-640x360.jpg 640w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-768x432.jpg 768w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-340x190.jpg 340w, https:\/\/staging.cined.dev\/content\/uploads\/2018\/11\/1-10-100_adam-409x230.jpg 409w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><p id=\"caption-attachment-97476\" class=\"wp-caption-text\">Adam Lisagor de Sandwich Video haciendo de actor<\/p><\/div>\n<p>Esta serie es muy atractiva para cualquier persona que est\u00e9 interesada -y que carezca de experiencia- en c\u00f3mo funcionan realmente los rodajes con mayores presupuestos, o c\u00f3mo comenzar a producir contenido para publicidad, tal vez incluso para contenido narrativo. En especial si te desempe\u00f1as en el area comercial, puede que esta serie te de un vistazo detr\u00e1s de escena muy \u00fatil y entretenido. Si eres productor, esta serie tambi\u00e9n te puede interesar, ya que las charlas sobre equipamiento y los detalles sobre los tipos de iluminaci\u00f3n espec\u00edficos est\u00e1n reducidos al m\u00ednimo.<br \/>\nWistia realmente ha producido una serie educativa breve y bonita. Y dado que la serie nunca se detiene en ning\u00fan detalle por demasiado tiempo, nos da una visi\u00f3n general de muy alto nivel sobre c\u00f3mo funciona realmente una producci\u00f3n. Les recomiendo mucho ver &#8220;Uno, Diez, Cien&#8221;.<\/p>\n<p>Puedes ver toda la serie en el <a href=\"https:\/\/wistia.com\/series\/one-ten-one-hundred\">sitio web de Wistia<\/a>.<\/p>\n<p><strong>\u00bfTe interesa ver \u201cUno, Diez, Cien\u201d? \u00bfTe gustar\u00eda ver c\u00f3mo se usan estos presupuestos en forma adecuada y ver el detr\u00e1s de escena? O \u00bfya has visto la serie? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<97494-main-buylinks\/>"},"excerpt":{"rendered":"<p>La empresa creadora de software de video Wistia ha lanzado una mini serie documental de tres partes llamada &#8220;Uno, Diez, Cien&#8221;, que muestra el detr\u00e1s de escena de una misma filmaci\u00f3n, pero con diferentes situaciones presupuestarias. Sandwich Video, una agencia de producci\u00f3n de video de California, se encarg\u00f3 de crear tres videos, uno con un presupuesto limitado de solo $1.000. otro con $10.000 y otro con un presupuesto m\u00e1s generoso de $100.000. Esto es lo que sucedi\u00f3. La idea que tuvo Wistia con \u201cUno, Diez, Cien\u201d parece simple a primera vista. \u00bfPor qu\u00e9 no probar la efectividad del equipo interno de producci\u00f3n de video y, al mismo tiempo, crear contenido [&hellip;]<\/p>\n","protected":false},"author":15861,"featured_media":97487,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42280,"name":"Industria","link":"https:\/\/staging.cined.dev\/es\/noticias\/industria\/","slug":"industria"},{"id":42290,"name":"Noticias","link":"https:\/\/staging.cined.dev\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/staging.cined.dev\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[27777,27778,27779,27780,27781,24371,27782,25912,27774,27775,27776],"tag_label":[],"brand":[],"class_list":["post-97494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","category-noticias-software","tag-one-es","tag-one-hundred-es","tag-pre-production-es","tag-ten-es","tag-video-production-es","tag-documentary-es","tag-wistia-es","tag-post-production-es","tag-ad-es","tag-business-es","tag-commercial-es"],"yoast_head":"<!-- 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