{"id":137309,"date":"2020-04-28T23:04:16","date_gmt":"2020-04-28T21:04:16","guid":{"rendered":"https:\/\/www.cined.com\/?p=137309"},"modified":"2022-10-18T12:55:39","modified_gmt":"2022-10-18T10:55:39","slug":"canon-c300-mark-iii-lab-test-pre-production-dynamic-range-rolling-shutter-and-latitude","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/jp\/canon-c300-mark-iii-lab-test-pre-production-dynamic-range-rolling-shutter-and-latitude\/","title":{"rendered":"\u30ad\u30e4\u30ce\u30f3C300 Mark III\u30e9\u30dc\u30c6\u30b9\u30c8"},"content":{"rendered":"

\u5148\u9031\u306f\u30ad\u30e4\u30ce\u30f3<\/strong>C500MarkII<\/strong>\u306e\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305f\u304c\u3001\u30ad\u30e4\u30ce\u30f3<\/strong>C300MarkIII<\/strong>\u306e\u30d7\u30ea\u30d7\u30ed\u30e2\u30c7\u30eb\u304c\u6765\u305f\u306e\u3067\u3001\u65e9\u901f\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305f\u3002<\/strong><\/p>\n

\u4eca\u56de\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305fC300 MarkIII\u306f\u8a66\u4f5c\u30e6\u30cb\u30c3\u30c8\u3067\u3042\u308b\u3053\u3068\u306b\u6ce8\u610f\u3044\u305f\u3060\u304d\u305f\u3044\u3002\u4f7f\u7528\u3055\u308c\u305f\u30d5\u30a1\u30fc\u30e0\u30a6\u30a7\u30a2\u306f1.8.1.1\u3002\u6b63\u898f\u54c1\u3067\u306f\u6570\u5024\u304c\u591a\u5c11\u5909\u308f\u308b\u53ef\u80fd\u6027\u304c\u3042\u308b\u3002\u3057\u304b\u3057\u3053\u306e\u30ab\u30e1\u30e9\u306b\u306f\u76f8\u5f53\u8208\u5473\u304c\u6e67\u304f\u306e\u3067\u3001\u30c6\u30b9\u30c8\u3059\u308b\u3053\u3068\u306b\u3057\u305f\u3002<\/p>\n

\"\"<\/p>\n

\u5148\u65e5C500MarkII\u3092\u30e9\u30dc\u30c6\u30b9\u30c8\u3057\u305f\u304c\u3001C300MarkIII\u306f\u672c\u4f53\u3001\u30e1\u30cb\u30e5\u30fc\u69cb\u9020\u3001\u304a\u3088\u3073\u30b3\u30fc\u30c7\u30c3\u30af\u3092\u542b\u3080\u591a\u304f\u306e\u6a5f\u80fd\u306fC500MarkII\u3068\u5171\u6709\u3057\u3066\u3044\u308b\u3053\u3068\u304c\u5206\u304b\u308b\u3002\u30c6\u30b9\u30c8\u3067\u306f\u3001\u5185\u90e8RAW\u8a18\u9332\u30e2\u30fc\u30c9\u3082\u52d5\u4f5c\u3057\u3066\u3044\u308b\u304c\u300110\u30d3\u30c3\u30c8XF-AVC\u30014K DCI\u3067\u884c\u3046\u3053\u3068\u3092\u6c7a\u5b9a\u3057\u305f\u3002<\/p>\n

C300 Mark III\u306e\u65b0\u958b\u767aSuper 35mm\u30bb\u30f3\u30b5\u30fc\u306f\u3001Dual Gain Output (DGO)\u6280\u8853\u3092\u4f7f\u7528\u3059\u308b\u3053\u3068\u306b\u3088\u308a\u3001\u975e\u5e38\u306b\u512a\u308c\u305f\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u3092\u6301\u3064\u3068\u3055\u308c\u3066\u3044\u308b\u3002<\/p>\n

ISO800<\/strong>\u3067\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u30c6\u30b9\u30c8<\/strong><\/h3>\n

\u30cd\u30a4\u30c6\u30a3\u30d6ISO\u306b\u95a2\u3059\u308b\u60c5\u5831\u304c\u306a\u304b\u3063\u305f\u305f\u3081\u3001\u30c6\u30b9\u30c8\u3067\u306fISO800\u3092\u9078\u629e\u3057\u305f\u3002\u4e0a\u8a18\u306e\u3088\u3046\u306b\u30014096\u00d72160\u306e\u89e3\u50cf\u5ea6\u300125fps\u3067\u3001Canon Log2 \/ C.Gamut\uff08\u30ab\u30e9\u30fc\u30de\u30c8\u30ea\u30c3\u30af\u30b9\u300c\u30cb\u30e5\u30fc\u30c8\u30e9\u30eb\u300d\u3001\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u300c\u30aa\u30d5\u300d\uff09\u306e10\u30d3\u30c3\u30c8\u5185\u90e8All-I XF-AVC\u30b3\u30fc\u30c7\u30c3\u30af\u3092\u4f7f\u7528\u3057\u3066\u3044\u308b\u3002<\/p>\n

\u30ad\u30e4\u30ce\u30f3\u306f\u3001\u30c7\u30e5\u30a2\u30eb\u30b2\u30a4\u30f3\u30a2\u30fc\u30ad\u30c6\u30af\u30c1\u30e3\u304c24\u301c60fps\u3067\u52d5\u4f5c\u3059\u308b\u3068\u767a\u8868\u3057\u3066\u3044\u308b\u305f\u3081\u300125\u300160\u300175\u3001120fps\u3067\u30c6\u30b9\u30c8\u3057\u305f\u3002<\/p>\n

\u4e0b\u304c25 -60 fps\u306e\u7d50\u679c\u3002\u4e0b\u306e\u56f31\u3092\u53c2\u7167\u3044\u305f\u3060\u304d\u305f\u3044\u3002S\/N\u6bd42\u306712.8stop\u304c\u8a08\u6e2c\u3055\u308c\u305f\u3002\u3053\u308c\u306f\u3001\u6bce\u79d260fps\u6642\u3067\u3082\u540c\u3058\u3067\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u3068\u3057\u3066\u306f\u975e\u5e38\u306b\u512a\u308c\u305f\u6570\u5024\u3060\u3002\u3061\u306a\u307f\u306b\u3001BMPCC6K\u306f11.9stop\u3001FUJIFILM X-T3 \u306f11.2stop\u3060\u3063\u305f\u3002<\/p>\n

\"\"<\/a>

Fig. 1: IMATEST dynamic range results for the Canon C300 Mark III at 25fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. Very strong 12.8 stops<\/strong> at a signal to noise ratio of 2 are calculated.<\/p><\/div>\n

Xyla 21\u30c1\u30e3\u30fc\u30c8\u306e\u6ce2\u5f62\u30d7\u30ed\u30c3\u30c8\u306f\u3001\u3053\u306e\u7d50\u679c\u3092\u88cf\u4ed8\u3051\u3066\u3044\u308b\u3002\u4e0b\u306e\u56f32\u3092\u53c2\u7167\u3044\u305f\u3060\u304d\u305f\u3044\u3002<\/p>\n

\"\"<\/a>

Fig. 2: Waveform plot of the Xyla 21 stepchart for the Canon C300 Mark III at 25fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. About 13 stops can be identified above the noise floor.<\/p><\/div>\n

75fps\u3067\u306fDGO\u304c\u6a5f\u80fd\u3057\u306a\u3044\u305f\u3081\u3001\u6570\u5024\u306f\u7570\u306a\u3063\u3066\u304f\u308b\u3002\u753b\u50cf\u306f\u30ce\u30a4\u30ba\u304c\u591a\u304f\u306a\u308a\u3001\u30ce\u30a4\u30ba\u30d5\u30ed\u30a2\u306e\u4e0a\u306b\u7d0412stop\u304c\u8b58\u5225\u3055\u308c\u308b\u3002\uff08\u56f33\uff09<\/p>\n

\"\"<\/a>

Fig. 3: Waveform plot of the Xyla 21 stepchart for the Canon C300 Mark III at 75fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. The dual gain architecture is no longer active – about 12 stops can be identified above the noise floor.<\/p><\/div>\n

IMATEST\u3067\u78ba\u8a8d\u3057\u300111.6stop\u3068\u306a\u3063\u305f\uff08S\/N\u6bd42\u3001\u4e0b\u306e\u30b0\u30e9\u30d5\u306e\u4e2d\u9593\u5024\uff09\u3002\u305d\u308c\u3067\u3082\u3001\u975e\u5e38\u306b\u826f\u3044\u6570\u5024\u3068\u8a00\u3048\u308b\u3002<\/p>\n

\"\"<\/a>

Fig. 4: Waveform plot of the Xyla 21 stepchart for the Canon C300 Mark III at 75fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. The dual gain architecture is no longer active – 11.6 stops are calculated.<\/p><\/div>\n

\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u7279\u6027<\/strong><\/h3>\n

\u3044\u3064\u3082\u306e\u3088\u3046\u306b\u3001\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u306e\u30c6\u30b9\u30c8\u306b\u306f300 Hz\u306e\u30b9\u30c8\u30ed\u30dc\u30e9\u30a4\u30c8\u3092\u4f7f\u7528\u3059\u308b\u3002<\/p>\n

25 fps\u304a\u3088\u307360 fps\u306715.6 ms\u306e\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u304c\u6e2c\u5b9a\u3055\u308c\u305f\u3002\uff08\u56f35\uff09<\/p>\n

\"\"<\/a>

Fig. 5: at 25 frames per second up to 60 frames per second the rolling shutter in 4K DCI mode is 15.6 ms<\/p><\/div>\n

\u3053\u308c\u306f\u512a\u308c\u3066\u306f\u3044\u308b\u304c\u3001\u5091\u51fa\u3057\u305f\u5024\u3067\u306f\u306a\u3044\u3002X-T3\u306a\u3069\u4ed6\u306eSuper35mm\u30ab\u30e1\u30e9\u3067\u3082\u540c\u3058\u30ec\u30d9\u30eb\u3067\u3001BMPCC6K\u306f19.8ms\u3060\u3002<\/p>\n

C300 Mark III\u306f4096\u00d72160\u3067120fps\u3082\u53ef\u80fd\u3060\u3002\u3057\u304b\u305760 fps\u3088\u308a\u9ad8\u3044\u30d5\u30ec\u30fc\u30e0\u30ec\u30fc\u30c8\u3067\u306f15.6ms\u306e\u6570\u5024\u306f\u51fa\u306a\u3044\u3002<\/p>\n

75fps\u4ee5\u4e0a\u3067\u306fDGO\u304c\u52d5\u4f5c\u3057\u3066\u3044\u306a\u3044\u306e\u3067\u3001\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u30827.7ms\u306b\u4f4e\u4e0b\u3057\u3066\u3057\u307e\u3046\u3002\uff08\u56f36\uff09<\/p>\n

\"\"<\/a>

Fig. 6: at 75fps up to 120 frames per second the rolling shutter in 4K DCI mode is 7.7 ms, as the dual gain readout is no longer active at these frame rates<\/p><\/div>\n

\u30e9\u30c6\u30a3\u30c1\u30e5\u30fc\u30c9\u30c6\u30b9\u30c8<\/strong><\/h3>\n

\u30e9\u30c6\u30a3\u30c1\u30e5\u30fc\u30c9\u30c6\u30b9\u30c8\u3068\u306f\u3001\u9732\u51fa\u30aa\u30fc\u30d0\u30fc\u307e\u305f\u306f\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u64ae\u5f71\u3057\u3001\u57fa\u6e96\u9732\u51fa\u306b\u623b\u3057\u305f\u5834\u5408\u306e\u3001\u30c7\u30a3\u30c6\u30fc\u30eb\u3068\u8272\u3092\u3069\u306e\u7a0b\u5ea6\u4fdd\u6301\u3059\u308b\u304b\u306e\u30c6\u30b9\u30c8\u3060\u3002<\/p>\n

\u30c6\u30b9\u30c8\u3067\u306f\u3001\u57fa\u6e96\u9732\u51fa\u30ec\u30d9\u30eb\u306f\u3001ISO800\u3067F4\u306e\u57fa\u672c\u9732\u51fa\u300125fps DCI 4K\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u89d2\u5ea6360\u00b0\u3068\u3057\u3066\u3044\u308b\u3002\u9732\u51fa\u30ec\u30d9\u30eb\u306f\u3001\u4eba\u306e\u9854\u306e\u6ce2\u5f62\u3067\u30c1\u30a7\u30c3\u30af\u3057\u3001\u6700\u592760\uff05\u306e\u8f1d\u5ea6\u5024\u3068\u3057\u3066\u3044\u308b\u3002\u3053\u306e\u6642\u306e\u767d\u3044\u7d19\u306f65\uff05\u3002<\/p>\n

\u6b21\u306b\u3001\u9732\u51fa\u3092180\u00b0\u300190\u00b0\u300145\u00b0\u300122.5\u00b0\u306b\u4e0b\u3052\u3001\u6700\u5f8c\u306b11.25\u00b0\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u89d2\u5ea6\u306b\u3059\u308b\u3002\u9732\u51fa\u304c5stop\u4f4e\u4e0b\u3059\u308b\u3002\u753b\u50cf\u306f\u3001DaVinci Resolve Studio\u3092\u4f7f\u7528\u3057\u3066\u30bc\u30ed\u9732\u51fa\u30ec\u30d9\u30eb\u306b\u623b\u3059\u3002<\/p>\n

\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u306e\u7d50\u679c\u304c\u826f\u597d\u3060\u3063\u305f\u306e\u3067\u3001\u3053\u306e\u30c6\u30b9\u30c8\u3082\u826f\u3044\u7d50\u679c\u304c\u51fa\u308b\u3053\u3068\u304c\u671f\u5f85\u3067\u304d\u308b\u3002<\/p>\n

\u307e\u305a\u3001\u4e0b\u306f\u57fa\u6e96\u9732\u51fa\u30ec\u30d9\u30eb\u306e\u753b\u50cf\u3002<\/p>\n

\"\"<\/a>

Fig. 7: zero \/ base exposure level (graded) for the studio scene with the C300 Mark III at 25fps, 360\u00b0 shutter angle F4<\/p><\/div>\n

\u4e0b\u304c3stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u306e\u753b\u50cf\uff08\u56f38\uff09\u3002<\/p>\n

\"\"<\/a>

Fig. 8: 3 stops underexposed and pushed back – the C300 Mark III at 25fps, 45\u00b0 shutter angle F4<\/p><\/div>\n

\u56f38\u3067\u898b\u308b\u3079\u304d\u3053\u3068\u306f\u305d\u308c\u307b\u3069\u591a\u304f\u306a\u3044\u3060\u308d\u3046\u3002 C300 Mark III\u306f\u3053\u306e\u7a0b\u5ea6\u306e\u9732\u51fa\u4e0d\u8db3\u306f\u554f\u984c\u3067\u306f\u306a\u3044\u3002\u753b\u50cf\u304c\u591a\u5c11\u30b0\u30ec\u30fc\u306b\u306a\u308a\u3001\u30ce\u30a4\u30ba\u306e\u8d64\u3044\u70b9\u304c\u73fe\u308c\u59cb\u3081\u3066\u3044\u308b\u3002\uff08\u982c\u306e\u4e0b\u306e\u5f71\u306e\u3068\u3053\u308d\uff09\u3002\u3053\u306e\u7a0b\u5ea6\u306a\u3089\u3001\u30dd\u30b9\u30c8\u3067\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u3092\u591a\u5c11\u304b\u3051\u308b\u3060\u3051\u3067\u7c21\u5358\u306b\u53d6\u308a\u9664\u304f\u3053\u3068\u304c\u3067\u304d\u308b\u3002<\/p>\n

\"\"<\/a>

Fig. 9: 4 stops underexposed and pushed back – the C300 Mark III at ISO800, 25fps, 22.5\u00b0 shutter angle F4<\/p><\/div>\n

4stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u3082\u72b6\u6cc1\u306f\u3042\u307e\u308a\u5909\u308f\u3089\u306a\u3044\u3002\uff08\u56f39\uff09\u5f71\u306e\u30ce\u30a4\u30ba\u306f\u5897\u52a0\u3059\u308b\u304c\u3001\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u306b\u3088\u3063\u3066\u975e\u5e38\u306b\u52b9\u679c\u7684\u306b\u524a\u9664\u3067\u304d\u308b\u3002\u30d5\u30a3\u30eb\u30e0\u306e\u7c92\u5b50\u306e\u3088\u3046\u306b\u3001\u30ce\u30a4\u30ba\u306f\u7d30\u304b\u304f\u5206\u6563\u3055\u308c\u3066\u304a\u308a\u3001\u898b\u305f\u76ee\u306f\u975e\u5e38\u306b\u826f\u597d\u3060\u3002<\/p>\n

\"\"<\/a>

Fig. 10: 5 stops underexposed and pushed back – the C300 Mark III at 25fps, 11.25\u00b0 shutter angle F4<\/p><\/div>\n

\u6700\u5f8c\u306b5stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u3001\u30ce\u30a4\u30ba\u306f\u5897\u52a0\u3059\u308b\u304c\u3001\u3053\u308c\u3082\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u3067\u52b9\u679c\u7684\u306b\u524a\u9664\u3067\u304d\u308b\u3002\u7a7a\u9593NR\u306f\u307e\u3060\u5fc5\u8981\u306a\u3044\u304c\u3001\u30b7\u30e3\u30c9\u30a6\u9818\u57df\u306b\u306f\u5f37\u3044\u8d64\u307f\u3092\u5e2f\u3073\u305f\u30ce\u30a4\u30ba\u304c\u3042\u308a\u3001\u30ce\u30a4\u30ba\u524a\u6e1b\u5f8c\u306b\u8d64\u3044\u90e8\u5206\u304c\u51fa\u308b\u3002<\/p>\n

\u305f\u3060\u3057\u3001\u3053\u308c\u307e\u3067\u306b\u30c6\u30b9\u30c8\u3055\u308c\u305f\u30ab\u30e1\u30e9\u306e\u3088\u3046\u306a\u6c34\u5e73\/\u5782\u76f4\u306e\u7dda\u306f\u51fa\u306a\u3044\u3002\u3053\u306e\u7dda\u306f\u3001\u52d5\u753b\u50cf\u3067\u306f\u975e\u5e38\u306b\u7169\u308f\u3057\u304f\u3001\u7c21\u5358\u306b\u524a\u9664\u3059\u308b\u3053\u3068\u306f\u3067\u304d\u306a\u3044\u306e\u3067\u597d\u90fd\u5408\u3060\u3002<\/p>\n

\u56f311\u306f\u3001DaVinci Resolve\u30673\u30d5\u30ec\u30fc\u30e0\u306e\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u3092\u4f7f\u7528\u3057\u305f\u4f8b\u3002<\/p>\n

\"\"<\/a>

Fig. 11: 5 stops underexposed and pushed back – the C300 Mark III at ISO800, 25fps, 11.25\u00b0 shutter angle F4 using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold, no spatial)<\/p><\/div>\n

\u307e\u3068\u3081<\/strong><\/h3>\n

\u30ad\u30e4\u30ce\u30f3\u306f\u9769\u65b0\u7684\u306a\u65b0\u3057\u3044\u30ab\u30e1\u30e9\u3092\u6b21\u3005\u3068\u767a\u8868\u3057\u3001\u4eba\u3005\u3092\u9a5a\u304b\u305b\u3066\u3044\u308b\u3002C500 Mark II\u30d5\u30eb\u30d5\u30ec\u30fc\u30e0\u30ab\u30e1\u30e9\u306f\u512a\u79c0\u306a\u30c6\u30b9\u30c8\u7d50\u679c\u3060\u3063\u305f\u304c\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u306eC300 Mark III\u3082\u3053\u308c\u306b\u8ca0\u3051\u3066\u3044\u306a\u3044\u3002\u512a\u308c\u305f\u30c6\u30b9\u30c8\u7d50\u679c\u3067\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u642d\u8f09\u306e\u30ab\u30e1\u30e9\u3067\u306f\u3001\u7b46\u982d\u683c\u3060\u3002\u305f\u3060\u3057\u3001\u3082\u3061\u308d\u3093ARRI Alexa\u306f\u5225\u683c\u3060\u304c\u3002<\/p>\n

\u3057\u305f\u304c\u3063\u3066\u3001ARRI Alexa\u3001C500 Mark II\u306b\u7d9a\u304d3\u4f4d\u306e\u597d\u7d50\u679c\u3068\u306a\u3063\u305f\u3002<\/p>\n

 <\/p>\n

\u95a2\u9023\u5546\u54c1<\/strong><\/h3>\n

\"\" \u30d5\u30b8\u30e4\u30a8\u30fc\u30d3\u30c3\u30af\u306e\u30b7\u30e7\u30c3\u30d7\u30b5\u30a4\u30c8<\/strong><\/p>\n

\"\"<\/a><\/h3>\n

<\/h3>\n

Canon EOS C300 Mark III \u203b2020\u5e746\u6708\u4e0b\u65ec\u767a\u58f2\u4e88\u5b9a<\/h3>\n

 <\/p>\n<137309-main-buylinks\/>","protected":false,"clean_render":"

\u5148\u9031\u306f\u30ad\u30e4\u30ce\u30f3<\/strong>C500MarkII<\/strong>\u306e\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305f\u304c\u3001\u30ad\u30e4\u30ce\u30f3<\/strong>C300MarkIII<\/strong>\u306e\u30d7\u30ea\u30d7\u30ed\u30e2\u30c7\u30eb\u304c\u6765\u305f\u306e\u3067\u3001\u65e9\u901f\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305f\u3002<\/strong><\/p>\n

\u4eca\u56de\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305fC300 MarkIII\u306f\u8a66\u4f5c\u30e6\u30cb\u30c3\u30c8\u3067\u3042\u308b\u3053\u3068\u306b\u6ce8\u610f\u3044\u305f\u3060\u304d\u305f\u3044\u3002\u4f7f\u7528\u3055\u308c\u305f\u30d5\u30a1\u30fc\u30e0\u30a6\u30a7\u30a2\u306f1.8.1.1\u3002\u6b63\u898f\u54c1\u3067\u306f\u6570\u5024\u304c\u591a\u5c11\u5909\u308f\u308b\u53ef\u80fd\u6027\u304c\u3042\u308b\u3002\u3057\u304b\u3057\u3053\u306e\u30ab\u30e1\u30e9\u306b\u306f\u76f8\u5f53\u8208\u5473\u304c\u6e67\u304f\u306e\u3067\u3001\u30c6\u30b9\u30c8\u3059\u308b\u3053\u3068\u306b\u3057\u305f\u3002<\/p>\n

\"\"<\/p>\n

\u5148\u65e5C500MarkII\u3092\u30e9\u30dc\u30c6\u30b9\u30c8\u3057\u305f\u304c\u3001C300MarkIII\u306f\u672c\u4f53\u3001\u30e1\u30cb\u30e5\u30fc\u69cb\u9020\u3001\u304a\u3088\u3073\u30b3\u30fc\u30c7\u30c3\u30af\u3092\u542b\u3080\u591a\u304f\u306e\u6a5f\u80fd\u306fC500MarkII\u3068\u5171\u6709\u3057\u3066\u3044\u308b\u3053\u3068\u304c\u5206\u304b\u308b\u3002\u30c6\u30b9\u30c8\u3067\u306f\u3001\u5185\u90e8RAW\u8a18\u9332\u30e2\u30fc\u30c9\u3082\u52d5\u4f5c\u3057\u3066\u3044\u308b\u304c\u300110\u30d3\u30c3\u30c8XF-AVC\u30014K DCI\u3067\u884c\u3046\u3053\u3068\u3092\u6c7a\u5b9a\u3057\u305f\u3002<\/p>\n

C300 Mark III\u306e\u65b0\u958b\u767aSuper 35mm\u30bb\u30f3\u30b5\u30fc\u306f\u3001Dual Gain Output (DGO)\u6280\u8853\u3092\u4f7f\u7528\u3059\u308b\u3053\u3068\u306b\u3088\u308a\u3001\u975e\u5e38\u306b\u512a\u308c\u305f\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u3092\u6301\u3064\u3068\u3055\u308c\u3066\u3044\u308b\u3002<\/p>\n

ISO800<\/strong>\u3067\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u30c6\u30b9\u30c8<\/strong><\/h3>\n

\u30cd\u30a4\u30c6\u30a3\u30d6ISO\u306b\u95a2\u3059\u308b\u60c5\u5831\u304c\u306a\u304b\u3063\u305f\u305f\u3081\u3001\u30c6\u30b9\u30c8\u3067\u306fISO800\u3092\u9078\u629e\u3057\u305f\u3002\u4e0a\u8a18\u306e\u3088\u3046\u306b\u30014096\u00d72160\u306e\u89e3\u50cf\u5ea6\u300125fps\u3067\u3001Canon Log2 \/ C.Gamut\uff08\u30ab\u30e9\u30fc\u30de\u30c8\u30ea\u30c3\u30af\u30b9\u300c\u30cb\u30e5\u30fc\u30c8\u30e9\u30eb\u300d\u3001\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u300c\u30aa\u30d5\u300d\uff09\u306e10\u30d3\u30c3\u30c8\u5185\u90e8All-I XF-AVC\u30b3\u30fc\u30c7\u30c3\u30af\u3092\u4f7f\u7528\u3057\u3066\u3044\u308b\u3002<\/p>\n

\u30ad\u30e4\u30ce\u30f3\u306f\u3001\u30c7\u30e5\u30a2\u30eb\u30b2\u30a4\u30f3\u30a2\u30fc\u30ad\u30c6\u30af\u30c1\u30e3\u304c24\u301c60fps\u3067\u52d5\u4f5c\u3059\u308b\u3068\u767a\u8868\u3057\u3066\u3044\u308b\u305f\u3081\u300125\u300160\u300175\u3001120fps\u3067\u30c6\u30b9\u30c8\u3057\u305f\u3002<\/p>\n

\u4e0b\u304c25 -60 fps\u306e\u7d50\u679c\u3002\u4e0b\u306e\u56f31\u3092\u53c2\u7167\u3044\u305f\u3060\u304d\u305f\u3044\u3002S\/N\u6bd42\u306712.8stop\u304c\u8a08\u6e2c\u3055\u308c\u305f\u3002\u3053\u308c\u306f\u3001\u6bce\u79d260fps\u6642\u3067\u3082\u540c\u3058\u3067\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u3068\u3057\u3066\u306f\u975e\u5e38\u306b\u512a\u308c\u305f\u6570\u5024\u3060\u3002\u3061\u306a\u307f\u306b\u3001BMPCC6K\u306f11.9stop\u3001FUJIFILM X-T3 \u306f11.2stop\u3060\u3063\u305f\u3002<\/p>\n

\"\"<\/a>

Fig. 1: IMATEST dynamic range results for the Canon C300 Mark III at 25fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. Very strong 12.8 stops<\/strong> at a signal to noise ratio of 2 are calculated.<\/p><\/div>\n

Xyla 21\u30c1\u30e3\u30fc\u30c8\u306e\u6ce2\u5f62\u30d7\u30ed\u30c3\u30c8\u306f\u3001\u3053\u306e\u7d50\u679c\u3092\u88cf\u4ed8\u3051\u3066\u3044\u308b\u3002\u4e0b\u306e\u56f32\u3092\u53c2\u7167\u3044\u305f\u3060\u304d\u305f\u3044\u3002<\/p>\n

\"\"<\/a>

Fig. 2: Waveform plot of the Xyla 21 stepchart for the Canon C300 Mark III at 25fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. About 13 stops can be identified above the noise floor.<\/p><\/div>\n

75fps\u3067\u306fDGO\u304c\u6a5f\u80fd\u3057\u306a\u3044\u305f\u3081\u3001\u6570\u5024\u306f\u7570\u306a\u3063\u3066\u304f\u308b\u3002\u753b\u50cf\u306f\u30ce\u30a4\u30ba\u304c\u591a\u304f\u306a\u308a\u3001\u30ce\u30a4\u30ba\u30d5\u30ed\u30a2\u306e\u4e0a\u306b\u7d0412stop\u304c\u8b58\u5225\u3055\u308c\u308b\u3002\uff08\u56f33\uff09<\/p>\n

\"\"<\/a>

Fig. 3: Waveform plot of the Xyla 21 stepchart for the Canon C300 Mark III at 75fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. The dual gain architecture is no longer active – about 12 stops can be identified above the noise floor.<\/p><\/div>\n

IMATEST\u3067\u78ba\u8a8d\u3057\u300111.6stop\u3068\u306a\u3063\u305f\uff08S\/N\u6bd42\u3001\u4e0b\u306e\u30b0\u30e9\u30d5\u306e\u4e2d\u9593\u5024\uff09\u3002\u305d\u308c\u3067\u3082\u3001\u975e\u5e38\u306b\u826f\u3044\u6570\u5024\u3068\u8a00\u3048\u308b\u3002<\/p>\n

\"\"<\/a>

Fig. 4: Waveform plot of the Xyla 21 stepchart for the Canon C300 Mark III at 75fps, ISO 800, CLOG2 \/ C.Gamut, 4K DCI. The dual gain architecture is no longer active – 11.6 stops are calculated.<\/p><\/div>\n

\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u7279\u6027<\/strong><\/h3>\n

\u3044\u3064\u3082\u306e\u3088\u3046\u306b\u3001\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u306e\u30c6\u30b9\u30c8\u306b\u306f300 Hz\u306e\u30b9\u30c8\u30ed\u30dc\u30e9\u30a4\u30c8\u3092\u4f7f\u7528\u3059\u308b\u3002<\/p>\n

25 fps\u304a\u3088\u307360 fps\u306715.6 ms\u306e\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u304c\u6e2c\u5b9a\u3055\u308c\u305f\u3002\uff08\u56f35\uff09<\/p>\n

\"\"<\/a>

Fig. 5: at 25 frames per second up to 60 frames per second the rolling shutter in 4K DCI mode is 15.6 ms<\/p><\/div>\n

\u3053\u308c\u306f\u512a\u308c\u3066\u306f\u3044\u308b\u304c\u3001\u5091\u51fa\u3057\u305f\u5024\u3067\u306f\u306a\u3044\u3002X-T3\u306a\u3069\u4ed6\u306eSuper35mm\u30ab\u30e1\u30e9\u3067\u3082\u540c\u3058\u30ec\u30d9\u30eb\u3067\u3001BMPCC6K\u306f19.8ms\u3060\u3002<\/p>\n

C300 Mark III\u306f4096\u00d72160\u3067120fps\u3082\u53ef\u80fd\u3060\u3002\u3057\u304b\u305760 fps\u3088\u308a\u9ad8\u3044\u30d5\u30ec\u30fc\u30e0\u30ec\u30fc\u30c8\u3067\u306f15.6ms\u306e\u6570\u5024\u306f\u51fa\u306a\u3044\u3002<\/p>\n

75fps\u4ee5\u4e0a\u3067\u306fDGO\u304c\u52d5\u4f5c\u3057\u3066\u3044\u306a\u3044\u306e\u3067\u3001\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u30827.7ms\u306b\u4f4e\u4e0b\u3057\u3066\u3057\u307e\u3046\u3002\uff08\u56f36\uff09<\/p>\n

\"\"<\/a>

Fig. 6: at 75fps up to 120 frames per second the rolling shutter in 4K DCI mode is 7.7 ms, as the dual gain readout is no longer active at these frame rates<\/p><\/div>\n

\u30e9\u30c6\u30a3\u30c1\u30e5\u30fc\u30c9\u30c6\u30b9\u30c8<\/strong><\/h3>\n

\u30e9\u30c6\u30a3\u30c1\u30e5\u30fc\u30c9\u30c6\u30b9\u30c8\u3068\u306f\u3001\u9732\u51fa\u30aa\u30fc\u30d0\u30fc\u307e\u305f\u306f\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u64ae\u5f71\u3057\u3001\u57fa\u6e96\u9732\u51fa\u306b\u623b\u3057\u305f\u5834\u5408\u306e\u3001\u30c7\u30a3\u30c6\u30fc\u30eb\u3068\u8272\u3092\u3069\u306e\u7a0b\u5ea6\u4fdd\u6301\u3059\u308b\u304b\u306e\u30c6\u30b9\u30c8\u3060\u3002<\/p>\n

\u30c6\u30b9\u30c8\u3067\u306f\u3001\u57fa\u6e96\u9732\u51fa\u30ec\u30d9\u30eb\u306f\u3001ISO800\u3067F4\u306e\u57fa\u672c\u9732\u51fa\u300125fps DCI 4K\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u89d2\u5ea6360\u00b0\u3068\u3057\u3066\u3044\u308b\u3002\u9732\u51fa\u30ec\u30d9\u30eb\u306f\u3001\u4eba\u306e\u9854\u306e\u6ce2\u5f62\u3067\u30c1\u30a7\u30c3\u30af\u3057\u3001\u6700\u592760\uff05\u306e\u8f1d\u5ea6\u5024\u3068\u3057\u3066\u3044\u308b\u3002\u3053\u306e\u6642\u306e\u767d\u3044\u7d19\u306f65\uff05\u3002<\/p>\n

\u6b21\u306b\u3001\u9732\u51fa\u3092180\u00b0\u300190\u00b0\u300145\u00b0\u300122.5\u00b0\u306b\u4e0b\u3052\u3001\u6700\u5f8c\u306b11.25\u00b0\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u89d2\u5ea6\u306b\u3059\u308b\u3002\u9732\u51fa\u304c5stop\u4f4e\u4e0b\u3059\u308b\u3002\u753b\u50cf\u306f\u3001DaVinci Resolve Studio\u3092\u4f7f\u7528\u3057\u3066\u30bc\u30ed\u9732\u51fa\u30ec\u30d9\u30eb\u306b\u623b\u3059\u3002<\/p>\n

\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u306e\u7d50\u679c\u304c\u826f\u597d\u3060\u3063\u305f\u306e\u3067\u3001\u3053\u306e\u30c6\u30b9\u30c8\u3082\u826f\u3044\u7d50\u679c\u304c\u51fa\u308b\u3053\u3068\u304c\u671f\u5f85\u3067\u304d\u308b\u3002<\/p>\n

\u307e\u305a\u3001\u4e0b\u306f\u57fa\u6e96\u9732\u51fa\u30ec\u30d9\u30eb\u306e\u753b\u50cf\u3002<\/p>\n

\"\"<\/a>

Fig. 7: zero \/ base exposure level (graded) for the studio scene with the C300 Mark III at 25fps, 360\u00b0 shutter angle F4<\/p><\/div>\n

\u4e0b\u304c3stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u306e\u753b\u50cf\uff08\u56f38\uff09\u3002<\/p>\n

\"\"<\/a>

Fig. 8: 3 stops underexposed and pushed back – the C300 Mark III at 25fps, 45\u00b0 shutter angle F4<\/p><\/div>\n

\u56f38\u3067\u898b\u308b\u3079\u304d\u3053\u3068\u306f\u305d\u308c\u307b\u3069\u591a\u304f\u306a\u3044\u3060\u308d\u3046\u3002 C300 Mark III\u306f\u3053\u306e\u7a0b\u5ea6\u306e\u9732\u51fa\u4e0d\u8db3\u306f\u554f\u984c\u3067\u306f\u306a\u3044\u3002\u753b\u50cf\u304c\u591a\u5c11\u30b0\u30ec\u30fc\u306b\u306a\u308a\u3001\u30ce\u30a4\u30ba\u306e\u8d64\u3044\u70b9\u304c\u73fe\u308c\u59cb\u3081\u3066\u3044\u308b\u3002\uff08\u982c\u306e\u4e0b\u306e\u5f71\u306e\u3068\u3053\u308d\uff09\u3002\u3053\u306e\u7a0b\u5ea6\u306a\u3089\u3001\u30dd\u30b9\u30c8\u3067\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u3092\u591a\u5c11\u304b\u3051\u308b\u3060\u3051\u3067\u7c21\u5358\u306b\u53d6\u308a\u9664\u304f\u3053\u3068\u304c\u3067\u304d\u308b\u3002<\/p>\n

\"\"<\/a>

Fig. 9: 4 stops underexposed and pushed back – the C300 Mark III at ISO800, 25fps, 22.5\u00b0 shutter angle F4<\/p><\/div>\n

4stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u3082\u72b6\u6cc1\u306f\u3042\u307e\u308a\u5909\u308f\u3089\u306a\u3044\u3002\uff08\u56f39\uff09\u5f71\u306e\u30ce\u30a4\u30ba\u306f\u5897\u52a0\u3059\u308b\u304c\u3001\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u306b\u3088\u3063\u3066\u975e\u5e38\u306b\u52b9\u679c\u7684\u306b\u524a\u9664\u3067\u304d\u308b\u3002\u30d5\u30a3\u30eb\u30e0\u306e\u7c92\u5b50\u306e\u3088\u3046\u306b\u3001\u30ce\u30a4\u30ba\u306f\u7d30\u304b\u304f\u5206\u6563\u3055\u308c\u3066\u304a\u308a\u3001\u898b\u305f\u76ee\u306f\u975e\u5e38\u306b\u826f\u597d\u3060\u3002<\/p>\n

\"\"<\/a>

Fig. 10: 5 stops underexposed and pushed back – the C300 Mark III at 25fps, 11.25\u00b0 shutter angle F4<\/p><\/div>\n

\u6700\u5f8c\u306b5stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u3001\u30ce\u30a4\u30ba\u306f\u5897\u52a0\u3059\u308b\u304c\u3001\u3053\u308c\u3082\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u3067\u52b9\u679c\u7684\u306b\u524a\u9664\u3067\u304d\u308b\u3002\u7a7a\u9593NR\u306f\u307e\u3060\u5fc5\u8981\u306a\u3044\u304c\u3001\u30b7\u30e3\u30c9\u30a6\u9818\u57df\u306b\u306f\u5f37\u3044\u8d64\u307f\u3092\u5e2f\u3073\u305f\u30ce\u30a4\u30ba\u304c\u3042\u308a\u3001\u30ce\u30a4\u30ba\u524a\u6e1b\u5f8c\u306b\u8d64\u3044\u90e8\u5206\u304c\u51fa\u308b\u3002<\/p>\n

\u305f\u3060\u3057\u3001\u3053\u308c\u307e\u3067\u306b\u30c6\u30b9\u30c8\u3055\u308c\u305f\u30ab\u30e1\u30e9\u306e\u3088\u3046\u306a\u6c34\u5e73\/\u5782\u76f4\u306e\u7dda\u306f\u51fa\u306a\u3044\u3002\u3053\u306e\u7dda\u306f\u3001\u52d5\u753b\u50cf\u3067\u306f\u975e\u5e38\u306b\u7169\u308f\u3057\u304f\u3001\u7c21\u5358\u306b\u524a\u9664\u3059\u308b\u3053\u3068\u306f\u3067\u304d\u306a\u3044\u306e\u3067\u597d\u90fd\u5408\u3060\u3002<\/p>\n

\u56f311\u306f\u3001DaVinci Resolve\u30673\u30d5\u30ec\u30fc\u30e0\u306e\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u3092\u4f7f\u7528\u3057\u305f\u4f8b\u3002<\/p>\n

\"\"<\/a>

Fig. 11: 5 stops underexposed and pushed back – the C300 Mark III at ISO800, 25fps, 11.25\u00b0 shutter angle F4 using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold, no spatial)<\/p><\/div>\n

\u307e\u3068\u3081<\/strong><\/h3>\n

\u30ad\u30e4\u30ce\u30f3\u306f\u9769\u65b0\u7684\u306a\u65b0\u3057\u3044\u30ab\u30e1\u30e9\u3092\u6b21\u3005\u3068\u767a\u8868\u3057\u3001\u4eba\u3005\u3092\u9a5a\u304b\u305b\u3066\u3044\u308b\u3002C500 Mark II\u30d5\u30eb\u30d5\u30ec\u30fc\u30e0\u30ab\u30e1\u30e9\u306f\u512a\u79c0\u306a\u30c6\u30b9\u30c8\u7d50\u679c\u3060\u3063\u305f\u304c\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u306eC300 Mark III\u3082\u3053\u308c\u306b\u8ca0\u3051\u3066\u3044\u306a\u3044\u3002\u512a\u308c\u305f\u30c6\u30b9\u30c8\u7d50\u679c\u3067\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u642d\u8f09\u306e\u30ab\u30e1\u30e9\u3067\u306f\u3001\u7b46\u982d\u683c\u3060\u3002\u305f\u3060\u3057\u3001\u3082\u3061\u308d\u3093ARRI Alexa\u306f\u5225\u683c\u3060\u304c\u3002<\/p>\n

\u3057\u305f\u304c\u3063\u3066\u3001ARRI Alexa\u3001C500 Mark II\u306b\u7d9a\u304d3\u4f4d\u306e\u597d\u7d50\u679c\u3068\u306a\u3063\u305f\u3002<\/p>\n

 <\/p>\n

\u95a2\u9023\u5546\u54c1<\/strong><\/h3>\n

\"\" \u30d5\u30b8\u30e4\u30a8\u30fc\u30d3\u30c3\u30af\u306e\u30b7\u30e7\u30c3\u30d7\u30b5\u30a4\u30c8<\/strong><\/p>\n

\"\"<\/a><\/h3>\n

<\/h3>\n

Canon EOS C300 Mark III \u203b2020\u5e746\u6708\u4e0b\u65ec\u767a\u58f2\u4e88\u5b9a<\/h3>\n

 <\/p>\n<137309-main-buylinks\/>"},"excerpt":{"rendered":"

\u5148\u9031\u306f\u30ad\u30e4\u30ce\u30f3C500MarkII\u306e\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305f\u304c\u3001\u30ad\u30e4\u30ce\u30f3C300MarkIII\u306e\u30d7\u30ea\u30d7\u30ed\u30e2\u30c7\u30eb\u304c\u6765\u305f\u306e\u3067\u3001\u65e9\u901f\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305f\u3002 \u4eca\u56de\u30e9\u30dc\u30c6\u30b9\u30c8\u3092\u884c\u3063\u305fC300 MarkIII\u306f\u8a66\u4f5c\u30e6\u30cb\u30c3\u30c8\u3067\u3042\u308b\u3053\u3068\u306b\u6ce8\u610f\u3044\u305f\u3060\u304d\u305f\u3044\u3002\u4f7f\u7528\u3055\u308c\u305f\u30d5\u30a1\u30fc\u30e0\u30a6\u30a7\u30a2\u306f1.8.1.1\u3002\u6b63\u898f\u54c1\u3067\u306f\u6570\u5024\u304c\u591a\u5c11\u5909\u308f\u308b\u53ef\u80fd\u6027\u304c\u3042\u308b\u3002\u3057\u304b\u3057\u3053\u306e\u30ab\u30e1\u30e9\u306b\u306f\u76f8\u5f53\u8208\u5473\u304c\u6e67\u304f\u306e\u3067\u3001\u30c6\u30b9\u30c8\u3059\u308b\u3053\u3068\u306b\u3057\u305f\u3002 \u5148\u65e5C500MarkII\u3092\u30e9\u30dc\u30c6\u30b9\u30c8\u3057\u305f\u304c\u3001C300MarkIII\u306f\u672c\u4f53\u3001\u30e1\u30cb\u30e5\u30fc\u69cb\u9020\u3001\u304a\u3088\u3073\u30b3\u30fc\u30c7\u30c3\u30af\u3092\u542b\u3080\u591a\u304f\u306e\u6a5f\u80fd\u306fC500MarkII\u3068\u5171\u6709\u3057\u3066\u3044\u308b\u3053\u3068\u304c\u5206\u304b\u308b\u3002\u30c6\u30b9\u30c8\u3067\u306f\u3001\u5185\u90e8RAW\u8a18\u9332\u30e2\u30fc\u30c9\u3082\u52d5\u4f5c\u3057\u3066\u3044\u308b\u304c\u300110\u30d3\u30c3\u30c8XF-AVC\u30014K DCI\u3067\u884c\u3046\u3053\u3068\u3092\u6c7a\u5b9a\u3057\u305f\u3002 C300 Mark III\u306e\u65b0\u958b\u767aSuper 35mm\u30bb\u30f3\u30b5\u30fc\u306f\u3001Dual Gain Output (DGO)\u6280\u8853\u3092\u4f7f\u7528\u3059\u308b\u3053\u3068\u306b\u3088\u308a\u3001\u975e\u5e38\u306b\u512a\u308c\u305f\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u3092\u6301\u3064\u3068\u3055\u308c\u3066\u3044\u308b\u3002 ISO800\u3067\u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u30c6\u30b9\u30c8 \u30cd\u30a4\u30c6\u30a3\u30d6ISO\u306b\u95a2\u3059\u308b\u60c5\u5831\u304c\u306a\u304b\u3063\u305f\u305f\u3081\u3001\u30c6\u30b9\u30c8\u3067\u306fISO800\u3092\u9078\u629e\u3057\u305f\u3002\u4e0a\u8a18\u306e\u3088\u3046\u306b\u30014096\u00d72160\u306e\u89e3\u50cf\u5ea6\u300125fps\u3067\u3001Canon Log2 \/ C.Gamut\uff08\u30ab\u30e9\u30fc\u30de\u30c8\u30ea\u30c3\u30af\u30b9\u300c\u30cb\u30e5\u30fc\u30c8\u30e9\u30eb\u300d\u3001\u30ce\u30a4\u30ba\u30ea\u30c0\u30af\u30b7\u30e7\u30f3\u300c\u30aa\u30d5\u300d\uff09\u306e10\u30d3\u30c3\u30c8\u5185\u90e8All-I XF-AVC\u30b3\u30fc\u30c7\u30c3\u30af\u3092\u4f7f\u7528\u3057\u3066\u3044\u308b\u3002 \u30ad\u30e4\u30ce\u30f3\u306f\u3001\u30c7\u30e5\u30a2\u30eb\u30b2\u30a4\u30f3\u30a2\u30fc\u30ad\u30c6\u30af\u30c1\u30e3\u304c24\u301c60fps\u3067\u52d5\u4f5c\u3059\u308b\u3068\u767a\u8868\u3057\u3066\u3044\u308b\u305f\u3081\u300125\u300160\u300175\u3001120fps\u3067\u30c6\u30b9\u30c8\u3057\u305f\u3002 \u4e0b\u304c25 -60 fps\u306e\u7d50\u679c\u3002\u4e0b\u306e\u56f31\u3092\u53c2\u7167\u3044\u305f\u3060\u304d\u305f\u3044\u3002S\/N\u6bd42\u306712.8stop\u304c\u8a08\u6e2c\u3055\u308c\u305f\u3002\u3053\u308c\u306f\u3001\u6bce\u79d260fps\u6642\u3067\u3082\u540c\u3058\u3067\u3001Super 35mm\u30bb\u30f3\u30b5\u30fc\u3068\u3057\u3066\u306f\u975e\u5e38\u306b\u512a\u308c\u305f\u6570\u5024\u3060\u3002\u3061\u306a\u307f\u306b\u3001BMPCC6K\u306f11.9stop\u3001FUJIFILM X-T3 \u306f11.2stop\u3060\u3063\u305f\u3002 Xyla 21\u30c1\u30e3\u30fc\u30c8\u306e\u6ce2\u5f62\u30d7\u30ed\u30c3\u30c8\u306f\u3001\u3053\u306e\u7d50\u679c\u3092\u88cf\u4ed8\u3051\u3066\u3044\u308b\u3002\u4e0b\u306e\u56f32\u3092\u53c2\u7167\u3044\u305f\u3060\u304d\u305f\u3044\u3002 75fps\u3067\u306fDGO\u304c\u6a5f\u80fd\u3057\u306a\u3044\u305f\u3081\u3001\u6570\u5024\u306f\u7570\u306a\u3063\u3066\u304f\u308b\u3002\u753b\u50cf\u306f\u30ce\u30a4\u30ba\u304c\u591a\u304f\u306a\u308a\u3001\u30ce\u30a4\u30ba\u30d5\u30ed\u30a2\u306e\u4e0a\u306b\u7d0412stop\u304c\u8b58\u5225\u3055\u308c\u308b\u3002\uff08\u56f33\uff09 IMATEST\u3067\u78ba\u8a8d\u3057\u300111.6stop\u3068\u306a\u3063\u305f\uff08S\/N\u6bd42\u3001\u4e0b\u306e\u30b0\u30e9\u30d5\u306e\u4e2d\u9593\u5024\uff09\u3002\u305d\u308c\u3067\u3082\u3001\u975e\u5e38\u306b\u826f\u3044\u6570\u5024\u3068\u8a00\u3048\u308b\u3002 \u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u7279\u6027 \u3044\u3064\u3082\u306e\u3088\u3046\u306b\u3001\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u306e\u30c6\u30b9\u30c8\u306b\u306f300 Hz\u306e\u30b9\u30c8\u30ed\u30dc\u30e9\u30a4\u30c8\u3092\u4f7f\u7528\u3059\u308b\u3002 25 fps\u304a\u3088\u307360 fps\u306715.6 ms\u306e\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u304c\u6e2c\u5b9a\u3055\u308c\u305f\u3002\uff08\u56f35\uff09 \u3053\u308c\u306f\u512a\u308c\u3066\u306f\u3044\u308b\u304c\u3001\u5091\u51fa\u3057\u305f\u5024\u3067\u306f\u306a\u3044\u3002X-T3\u306a\u3069\u4ed6\u306eSuper35mm\u30ab\u30e1\u30e9\u3067\u3082\u540c\u3058\u30ec\u30d9\u30eb\u3067\u3001BMPCC6K\u306f19.8ms\u3060\u3002 C300 Mark III\u306f4096\u00d72160\u3067120fps\u3082\u53ef\u80fd\u3060\u3002\u3057\u304b\u305760 fps\u3088\u308a\u9ad8\u3044\u30d5\u30ec\u30fc\u30e0\u30ec\u30fc\u30c8\u3067\u306f15.6ms\u306e\u6570\u5024\u306f\u51fa\u306a\u3044\u3002 75fps\u4ee5\u4e0a\u3067\u306fDGO\u304c\u52d5\u4f5c\u3057\u3066\u3044\u306a\u3044\u306e\u3067\u3001\u30ed\u30fc\u30ea\u30f3\u30b0\u30b7\u30e3\u30c3\u30bf\u30fc\u30827.7ms\u306b\u4f4e\u4e0b\u3057\u3066\u3057\u307e\u3046\u3002\uff08\u56f36\uff09 \u30e9\u30c6\u30a3\u30c1\u30e5\u30fc\u30c9\u30c6\u30b9\u30c8 \u30e9\u30c6\u30a3\u30c1\u30e5\u30fc\u30c9\u30c6\u30b9\u30c8\u3068\u306f\u3001\u9732\u51fa\u30aa\u30fc\u30d0\u30fc\u307e\u305f\u306f\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u3067\u64ae\u5f71\u3057\u3001\u57fa\u6e96\u9732\u51fa\u306b\u623b\u3057\u305f\u5834\u5408\u306e\u3001\u30c7\u30a3\u30c6\u30fc\u30eb\u3068\u8272\u3092\u3069\u306e\u7a0b\u5ea6\u4fdd\u6301\u3059\u308b\u304b\u306e\u30c6\u30b9\u30c8\u3060\u3002 \u30c6\u30b9\u30c8\u3067\u306f\u3001\u57fa\u6e96\u9732\u51fa\u30ec\u30d9\u30eb\u306f\u3001ISO800\u3067F4\u306e\u57fa\u672c\u9732\u51fa\u300125fps DCI 4K\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u89d2\u5ea6360\u00b0\u3068\u3057\u3066\u3044\u308b\u3002\u9732\u51fa\u30ec\u30d9\u30eb\u306f\u3001\u4eba\u306e\u9854\u306e\u6ce2\u5f62\u3067\u30c1\u30a7\u30c3\u30af\u3057\u3001\u6700\u592760\uff05\u306e\u8f1d\u5ea6\u5024\u3068\u3057\u3066\u3044\u308b\u3002\u3053\u306e\u6642\u306e\u767d\u3044\u7d19\u306f65\uff05\u3002 \u6b21\u306b\u3001\u9732\u51fa\u3092180\u00b0\u300190\u00b0\u300145\u00b0\u300122.5\u00b0\u306b\u4e0b\u3052\u3001\u6700\u5f8c\u306b11.25\u00b0\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u89d2\u5ea6\u306b\u3059\u308b\u3002\u9732\u51fa\u304c5stop\u4f4e\u4e0b\u3059\u308b\u3002\u753b\u50cf\u306f\u3001DaVinci Resolve Studio\u3092\u4f7f\u7528\u3057\u3066\u30bc\u30ed\u9732\u51fa\u30ec\u30d9\u30eb\u306b\u623b\u3059\u3002 \u30c0\u30a4\u30ca\u30df\u30c3\u30af\u30ec\u30f3\u30b8\u306e\u7d50\u679c\u304c\u826f\u597d\u3060\u3063\u305f\u306e\u3067\u3001\u3053\u306e\u30c6\u30b9\u30c8\u3082\u826f\u3044\u7d50\u679c\u304c\u51fa\u308b\u3053\u3068\u304c\u671f\u5f85\u3067\u304d\u308b\u3002 \u307e\u305a\u3001\u4e0b\u306f\u57fa\u6e96\u9732\u51fa\u30ec\u30d9\u30eb\u306e\u753b\u50cf\u3002 \u4e0b\u304c3stop\u9732\u51fa\u30a2\u30f3\u30c0\u30fc\u306e\u753b\u50cf\uff08\u56f38\uff09\u3002 \u56f38\u3067\u898b\u308b\u3079\u304d\u3053\u3068\u306f\u305d\u308c\u307b\u3069\u591a\u304f\u306a\u3044\u3060\u308d\u3046\u3002 C300 Mark 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