{"id":317065,"date":"2023-11-30T15:06:00","date_gmt":"2023-11-30T14:06:00","guid":{"rendered":"https:\/\/www.cined.com\/?p=317065"},"modified":"2024-01-09T23:15:07","modified_gmt":"2024-01-09T22:15:07","slug":"sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9","status":"publish","type":"post","link":"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/","title":{"rendered":"SIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30d3\u30e5\u30fc – Nikon Z 9\u3067\u64ae\u5f71\u3057\u305f\u30b5\u30f3\u30d7\u30eb\u6620\u50cf\u3082"},"content":{"rendered":"\n

Full-frame anamorphic lenses tend to be infamously bulky and heavy, but SIRUI is trying to change that with their Saturn T2.9 1.6x full-frame anamorphic series. In particular, today we are taking a look at the SIRUI Saturn 50mm and 75mm T2.9 1.6x full-frame anamorphic primes – which are currently on Indiegogo<\/a>.<\/strong><\/p>\n\n

These two new focal lengths are a follow-up to the existing Saturn 35mm T2.9 1.6x launched<\/a> last year as the \u201cmost compact full-frame anamorphic lens ever made\u201d, but we\u2019ll get to that in a second.<\/p>\n\n

\"SIRUI
SIRUI Saturn 50mm and 75mm T2.6 1.6x full-frame anamorphic lenses. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

These lenses are designed to be extremely compact and lightweight, so SIRUI only offers them in 6 mirrorless mount options: Canon RF, DJI DL, FUJIFILM X, Leica L, Nikon Z, and Sony E. However, bear in mind that the mount is not user-interchangeable. So, once you make your choice, there\u2019s no way back.<\/p>\n\n

\"SIRUI
SIRUI Saturn full-frame anamorphic lens with Nikon Z mount. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

For this review, SIRUI was kind enough to send me a Z mount version of the Saturn 50mm and 75mm so I could pair them with my Nikon Z 9. Before we dive deep into the specs and I give you my impression on how it was to film with these lenses, make sure to check out the sample footage I captured over the last few days while strolling around in Milan in the video above.<\/p><317065-mzed-course\/>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x mounted on Nikon Z 9. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Lightweight and compact design<\/strong><\/h2>\n\n

While there are other budget, full-frame, anamorphic options on the market, including SIRUI\u2019s own Venus series, what really sets the Saturn lenses apart is their size and weight. The front part of the barrel is made of carbon fiber, but this doesn\u2019t affect the overall build quality at all.<\/p>\n\n

\"The
The SIRUI Saturn lenses feature carbon fiber construction. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Honestly, I was really impressed when I first held these lenses in my hands. If you\u2019ve ever worked with the SIRUI 1.33x APS-C anamorphic primes, then you know what I\u2019m talking about. <\/p>\n\n

\"SIRUI
SIRUI 50mm f\/1.8 1.33x (APS-C) vs Saturn 50mm T2.9 1.6x (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

The Saturn lenses<\/a> measure pretty much the same but are lighter, even though they\u2019re designed to cover full-frame. And this is quite remarkable.<\/p>\n\n

\"Image
Image circle of SIRUI Saturn 1.6x anamorphic lenses. Image credit: SIRUI<\/figcaption><\/figure>\n\n

The 35mm still remains the lightest in the series – with a weight of around 400 grams, depending on the lens mount option that you choose – but the 50mm and 75mm tip the scale at only 470g and 480g respectively. However, if you\u2019re mounting your camera on a gimbal, even a slight 10-gram variance matters, so you will still need to fine-tune your balance slightly.<\/p>\n\n

\"SIRUI
SIRUI Saturn 50mm T2.9 1.6x on Nikon Z 9 and DJI RS3 Pro gimbal. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Using filters<\/strong><\/h2>\n\n

Another caveat of switching lenses within the Saturn series is that the size of the front filter thread is not consistent across the set. Indeed, while the 35mm takes 58mm filters, the new 50mm and 75mm have a front filter thread of 62mm. This means you have to use at least one adapter ring, which is somewhat tedious.<\/p>\n\n

\"The
The SIRUI Saturn anamorphic lenses feature a front 62mm filter thread. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Or, you could mount an adapter ring to all lenses and use a clamp-on matte box, for example. But to me, this makes little sense, since you would lose the biggest benefit of shooting with these lenses – the fact that you can take them pretty much wherever you go.<\/p>\n\n

Focus and iris gears<\/strong><\/h2>\n\n

On a positive note, the position of the manual focus and iris gears is unified across the set, so working with a follow focus system is a breeze. Focus markings are engraved in both metric and imperial scales. The focus ring feels quite smooth and has a throw of 120\u00b0. I think this is a good range, especially if you\u2019re often pulling focus directly on the lens barrel as a solo operator.<\/p>\n\n

\"The
The 120\u00b0 focus throw is quite comfortable for a solo operator. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

On the other hand, the lenses definitely don\u2019t shine when it comes to close focus. The minimum focus distance is 0.9m\/3ft. on both lenses, so you need to use diopters if you want to get very close to your subject.<\/p>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (close focus). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

I think this is one of the biggest tradeoffs that SIRUI had to make in order to keep the size and weight of these lenses down, along with the maximum aperture of T2.9 – which can be quite limiting in low-light scenarios.<\/p>\n\n

\"The
The SIRUI Saturn lenses have a maximum aperture of T2.9. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

1.6x squeeze – a rare beast<\/strong><\/h2>\n\n

Ok, but now let\u2019s move on to what really matters – the anamorphic characteristics of these lenses. If you\u2019re shooting on a 16:9 sensor, the 1.6x squeeze factor allows you to produce final images with a wide 2.8:1 aspect ratio – or, if your camera allows for 3:2 capture, you will end up with a 2.4:1 image.<\/p>\n\n

\"Frame
Frame grab straight out of the Nikon Z 9 before de-squeeze (16:9 sensor area). Image credit: Francesco Andreola \/ CineD <\/figcaption><\/figure>\n\n
\"De-squeezed
De-squeezed image with 2.8:1 aspect ratio. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Also, the 1.6x squeeze means that the 50mm provides the horizontal FOV of a 31mm spherical lens, while the 75mm behaves like a 47mm (horizontally).<\/p>\n\n

\"SIRUI
FOV of SIRUI Saturn 50mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"FOV
FOV of SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

I found myself using the 75mm more often than the 50mm, and I think that\u2019s due to a combination of minimum focus distance and horizontal FOV. I like shooting close-ups where my subject is isolated from the background, and since both lenses have the same minimum focus distance, the greater magnification of the 75mm helped me do just that.<\/p>\n\n

\"Close-up
Close-up shot on SIRUI Saturn 75mm T2.9 1.6x and Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Unfortunately, no Nikon mirrorless camera to date supports dedicated anamorphic recording modes, nor do they have an in-camera de-squeeze function. So, if you\u2019re like me and need an external monitor to properly display the image, just make sure that it does have a de-squeeze function built-in.<\/p>\n\n

\"The
The Nikon Z 9 lacks in-camera de-squeeze. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

By the way, 1.6x is quite an unusual value to work with, so some basic math may be required to properly de-squeeze the image on your external monitor or inside your editing software.<\/p>\n\n

\"I
I used a Portkeys BM5 to de-squeeze the anamorphic image. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Blue or neutral?<\/strong><\/h2>\n\n

One of the most sought-after traits of an anamorphic lens is its flare, and SIRUI gives us two options here: blue or neutral. The former produces the classic blue streaks that we\u2019re used to from science-fiction films, while with the neutral option, the flare picks up the color of the light source. Unfortunately, I only had the chance to play around with blue flare lenses, so I cannot speak for the neutral option.<\/p>\n\n

\"Flare
Flare test with SIRUI Saturn 50mm at T4 – Focus distance: 3m\/9.8ft. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

I shot some isolated flare tests at different aperture values and focus distances, as these can reveal more of the \u201cSaturn look\u201d. As you can tell, the blue light streak takes the stage, even when light hits the front element of the lens at extreme angles. As you start panning towards the light source with the 75mm, veiling glare, and eyelash flare easily kick in. These are less prominent on the 50mm, which is dominated by spot flares instead.<\/p>\n\n

\"Veiling
Veiling glare and eyelash flare on SIRUI Saturn 75mm T2.9 1.6x. Aperture: T2.9 – Focus distance: 0.9m\/3ft (close focus). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"Flare
Flare test with SIRUI Saturn 50mm at T2.9 – Focus distance: 0.9m\/3ft (close focus). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

As far as I\u2019m concerned, I think these flares look \u201ctoo classic\u201d and lack a bit of personality. But that ultimately comes down to personal taste.<\/p>\n\n

Optical evaluation<\/strong><\/h2>\n\n

Both lenses<\/a> are quite sharp at the center, even wide open. But if we take a look at the edges of the frame, they are a little soft at T2.9. Things get better if you stop down your aperture to T4, and at T5.6 the lenses are pretty much perfect, but I don\u2019t see many people closing down their aperture this much.<\/p>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x at T2.9. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"The
SIRUI Saturn 75mm T2.9 1.6x wide open (edges). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x set at T4 (edges). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x set at T5.6 (edges). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

The oval bokeh looks pretty nice and smooth, and it only gets a little irregular towards the edges of the frame. Some degree of chromatic aberration is happening, but it looks pretty well controlled.<\/p>\n\n

\"Oval
Oval bokeh on SIRUI 75mm T2.9 1.6x. Shot at T2.9 and focus on infinity. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

One thing to be aware of though is that both the 50mm and the 75mm showcase a fair amount of pin-cushion distortion, which I\u2019m not a big fan of. You can reduce this by fixing it in post or setting your camera to APS-C\/Super35 mode. However, this is very noticeable in full-frame, so you should be careful with your composition, especially when placing subjects too close to the edges of the frame.<\/p>\n\n

\"SIRUI
SIRUI Saturn 50mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (APS-C). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

This is also true for focus breathing, as the magnification on both lenses varies quite a bit when racking focus from close to infinity, and back.<\/p>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 – Focus at 5m\/16ft. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 – Minimum focus (0.9m\/3ft.). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Final thoughts<\/strong><\/h2>\n\n

Finally, let\u2019s endeavor to answer the question: who are these lenses for? Well, the first and most obvious target is independent filmmakers. The Super Early Bird price of $999 per piece, or $2,999 for the 3-lens set, is quite appealing. And especially if you\u2019re just starting out with anamorphic, this can be a good place to start. The lenses are easy to carry around wherever you go, and having them on you all the time gives you a lot of freedom to experiment.<\/p>\n\n

However, I also think there\u2019s a place for the Saturn lenses on slightly larger productions. Even if they might not have the strong character it takes to become the main lens choice for a DP on a high-end commercial, they can still be mixed and matched with other lenses for specific shots – especially when mounting a full-sized 50mm or 75mm full-frame anamorphic lens would just be impossible.<\/p>\n\n

Price and availability<\/h2>\n\n

The Indiegogo campaign is live now, and the estimated shipping will start in December 2023. See the campaign here<\/a>. <\/p>\n\n

As always, please take into account that backing a crowdfunding campaign has its risks. We encourage you to research and remember that there is a chance for delays and changes in the final models, and some products are never delivered. Please read carefully\u00a0Indiegogo\u2019s terms and conditions<\/a>\u00a0before backing a project like this.<\/p>\n\n

What do you think of the new SIRUI 50mm and 75mm carbon fiber anamorphic lenses? Are you considering adding them to your kit? Don’t hesitate to let me know in the comments down below!<\/strong><\/p>\n<317065-main-buylinks\/>","protected":false,"clean_render":"

Full-frame anamorphic lenses tend to be infamously bulky and heavy, but SIRUI is trying to change that with their Saturn T2.9 1.6x full-frame anamorphic series. In particular, today we are taking a look at the SIRUI Saturn 50mm and 75mm T2.9 1.6x full-frame anamorphic primes – which are currently on Indiegogo<\/a>.<\/strong><\/p>\n\n

These two new focal lengths are a follow-up to the existing Saturn 35mm T2.9 1.6x launched<\/a> last year as the \u201cmost compact full-frame anamorphic lens ever made\u201d, but we\u2019ll get to that in a second.<\/p>\n\n

\"SIRUI
SIRUI Saturn 50mm and 75mm T2.6 1.6x full-frame anamorphic lenses. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

These lenses are designed to be extremely compact and lightweight, so SIRUI only offers them in 6 mirrorless mount options: Canon RF, DJI DL, FUJIFILM X, Leica L, Nikon Z, and Sony E. However, bear in mind that the mount is not user-interchangeable. So, once you make your choice, there\u2019s no way back.<\/p>\n\n

\"SIRUI
SIRUI Saturn full-frame anamorphic lens with Nikon Z mount. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

For this review, SIRUI was kind enough to send me a Z mount version of the Saturn 50mm and 75mm so I could pair them with my Nikon Z 9. Before we dive deep into the specs and I give you my impression on how it was to film with these lenses, make sure to check out the sample footage I captured over the last few days while strolling around in Milan in the video above.<\/p><317065-mzed-course\/>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x mounted on Nikon Z 9. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Lightweight and compact design<\/strong><\/h2>\n\n

While there are other budget, full-frame, anamorphic options on the market, including SIRUI\u2019s own Venus series, what really sets the Saturn lenses apart is their size and weight. The front part of the barrel is made of carbon fiber, but this doesn\u2019t affect the overall build quality at all.<\/p>\n\n

\"The
The SIRUI Saturn lenses feature carbon fiber construction. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Honestly, I was really impressed when I first held these lenses in my hands. If you\u2019ve ever worked with the SIRUI 1.33x APS-C anamorphic primes, then you know what I\u2019m talking about. <\/p>\n\n

\"SIRUI
SIRUI 50mm f\/1.8 1.33x (APS-C) vs Saturn 50mm T2.9 1.6x (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

The Saturn lenses<\/a> measure pretty much the same but are lighter, even though they\u2019re designed to cover full-frame. And this is quite remarkable.<\/p>\n\n

\"Image
Image circle of SIRUI Saturn 1.6x anamorphic lenses. Image credit: SIRUI<\/figcaption><\/figure>\n\n

The 35mm still remains the lightest in the series – with a weight of around 400 grams, depending on the lens mount option that you choose – but the 50mm and 75mm tip the scale at only 470g and 480g respectively. However, if you\u2019re mounting your camera on a gimbal, even a slight 10-gram variance matters, so you will still need to fine-tune your balance slightly.<\/p>\n\n

\"SIRUI
SIRUI Saturn 50mm T2.9 1.6x on Nikon Z 9 and DJI RS3 Pro gimbal. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Using filters<\/strong><\/h2>\n\n

Another caveat of switching lenses within the Saturn series is that the size of the front filter thread is not consistent across the set. Indeed, while the 35mm takes 58mm filters, the new 50mm and 75mm have a front filter thread of 62mm. This means you have to use at least one adapter ring, which is somewhat tedious.<\/p>\n\n

\"The
The SIRUI Saturn anamorphic lenses feature a front 62mm filter thread. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Or, you could mount an adapter ring to all lenses and use a clamp-on matte box, for example. But to me, this makes little sense, since you would lose the biggest benefit of shooting with these lenses – the fact that you can take them pretty much wherever you go.<\/p>\n\n

Focus and iris gears<\/strong><\/h2>\n\n

On a positive note, the position of the manual focus and iris gears is unified across the set, so working with a follow focus system is a breeze. Focus markings are engraved in both metric and imperial scales. The focus ring feels quite smooth and has a throw of 120\u00b0. I think this is a good range, especially if you\u2019re often pulling focus directly on the lens barrel as a solo operator.<\/p>\n\n

\"The
The 120\u00b0 focus throw is quite comfortable for a solo operator. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

On the other hand, the lenses definitely don\u2019t shine when it comes to close focus. The minimum focus distance is 0.9m\/3ft. on both lenses, so you need to use diopters if you want to get very close to your subject.<\/p>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (close focus). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

I think this is one of the biggest tradeoffs that SIRUI had to make in order to keep the size and weight of these lenses down, along with the maximum aperture of T2.9 – which can be quite limiting in low-light scenarios.<\/p>\n\n

\"The
The SIRUI Saturn lenses have a maximum aperture of T2.9. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

1.6x squeeze – a rare beast<\/strong><\/h2>\n\n

Ok, but now let\u2019s move on to what really matters – the anamorphic characteristics of these lenses. If you\u2019re shooting on a 16:9 sensor, the 1.6x squeeze factor allows you to produce final images with a wide 2.8:1 aspect ratio – or, if your camera allows for 3:2 capture, you will end up with a 2.4:1 image.<\/p>\n\n

\"Frame
Frame grab straight out of the Nikon Z 9 before de-squeeze (16:9 sensor area). Image credit: Francesco Andreola \/ CineD <\/figcaption><\/figure>\n\n
\"De-squeezed
De-squeezed image with 2.8:1 aspect ratio. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Also, the 1.6x squeeze means that the 50mm provides the horizontal FOV of a 31mm spherical lens, while the 75mm behaves like a 47mm (horizontally).<\/p>\n\n

\"SIRUI
FOV of SIRUI Saturn 50mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"FOV
FOV of SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

I found myself using the 75mm more often than the 50mm, and I think that\u2019s due to a combination of minimum focus distance and horizontal FOV. I like shooting close-ups where my subject is isolated from the background, and since both lenses have the same minimum focus distance, the greater magnification of the 75mm helped me do just that.<\/p>\n\n

\"Close-up
Close-up shot on SIRUI Saturn 75mm T2.9 1.6x and Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Unfortunately, no Nikon mirrorless camera to date supports dedicated anamorphic recording modes, nor do they have an in-camera de-squeeze function. So, if you\u2019re like me and need an external monitor to properly display the image, just make sure that it does have a de-squeeze function built-in.<\/p>\n\n

\"The
The Nikon Z 9 lacks in-camera de-squeeze. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

By the way, 1.6x is quite an unusual value to work with, so some basic math may be required to properly de-squeeze the image on your external monitor or inside your editing software.<\/p>\n\n

\"I
I used a Portkeys BM5 to de-squeeze the anamorphic image. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Blue or neutral?<\/strong><\/h2>\n\n

One of the most sought-after traits of an anamorphic lens is its flare, and SIRUI gives us two options here: blue or neutral. The former produces the classic blue streaks that we\u2019re used to from science-fiction films, while with the neutral option, the flare picks up the color of the light source. Unfortunately, I only had the chance to play around with blue flare lenses, so I cannot speak for the neutral option.<\/p>\n\n

\"Flare
Flare test with SIRUI Saturn 50mm at T4 – Focus distance: 3m\/9.8ft. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

I shot some isolated flare tests at different aperture values and focus distances, as these can reveal more of the \u201cSaturn look\u201d. As you can tell, the blue light streak takes the stage, even when light hits the front element of the lens at extreme angles. As you start panning towards the light source with the 75mm, veiling glare, and eyelash flare easily kick in. These are less prominent on the 50mm, which is dominated by spot flares instead.<\/p>\n\n

\"Veiling
Veiling glare and eyelash flare on SIRUI Saturn 75mm T2.9 1.6x. Aperture: T2.9 – Focus distance: 0.9m\/3ft (close focus). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"Flare
Flare test with SIRUI Saturn 50mm at T2.9 – Focus distance: 0.9m\/3ft (close focus). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

As far as I\u2019m concerned, I think these flares look \u201ctoo classic\u201d and lack a bit of personality. But that ultimately comes down to personal taste.<\/p>\n\n

Optical evaluation<\/strong><\/h2>\n\n

Both lenses<\/a> are quite sharp at the center, even wide open. But if we take a look at the edges of the frame, they are a little soft at T2.9. Things get better if you stop down your aperture to T4, and at T5.6 the lenses are pretty much perfect, but I don\u2019t see many people closing down their aperture this much.<\/p>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x at T2.9. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"The
SIRUI Saturn 75mm T2.9 1.6x wide open (edges). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x set at T4 (edges). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x set at T5.6 (edges). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

The oval bokeh looks pretty nice and smooth, and it only gets a little irregular towards the edges of the frame. Some degree of chromatic aberration is happening, but it looks pretty well controlled.<\/p>\n\n

\"Oval
Oval bokeh on SIRUI 75mm T2.9 1.6x. Shot at T2.9 and focus on infinity. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

One thing to be aware of though is that both the 50mm and the 75mm showcase a fair amount of pin-cushion distortion, which I\u2019m not a big fan of. You can reduce this by fixing it in post or setting your camera to APS-C\/Super35 mode. However, this is very noticeable in full-frame, so you should be careful with your composition, especially when placing subjects too close to the edges of the frame.<\/p>\n\n

\"SIRUI
SIRUI Saturn 50mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (full-frame). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 (APS-C). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

This is also true for focus breathing, as the magnification on both lenses varies quite a bit when racking focus from close to infinity, and back.<\/p>\n\n

\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 – Focus at 5m\/16ft. Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n
\"SIRUI
SIRUI Saturn 75mm T2.9 1.6x on Nikon Z 9 – Minimum focus (0.9m\/3ft.). Image credit: Francesco Andreola \/ CineD<\/figcaption><\/figure>\n\n

Final thoughts<\/strong><\/h2>\n\n

Finally, let\u2019s endeavor to answer the question: who are these lenses for? Well, the first and most obvious target is independent filmmakers. The Super Early Bird price of $999 per piece, or $2,999 for the 3-lens set, is quite appealing. And especially if you\u2019re just starting out with anamorphic, this can be a good place to start. The lenses are easy to carry around wherever you go, and having them on you all the time gives you a lot of freedom to experiment.<\/p>\n\n

However, I also think there\u2019s a place for the Saturn lenses on slightly larger productions. Even if they might not have the strong character it takes to become the main lens choice for a DP on a high-end commercial, they can still be mixed and matched with other lenses for specific shots – especially when mounting a full-sized 50mm or 75mm full-frame anamorphic lens would just be impossible.<\/p>\n\n

Price and availability<\/h2>\n\n

The Indiegogo campaign is live now, and the estimated shipping will start in December 2023. See the campaign here<\/a>. <\/p>\n\n

As always, please take into account that backing a crowdfunding campaign has its risks. We encourage you to research and remember that there is a chance for delays and changes in the final models, and some products are never delivered. Please read carefully\u00a0Indiegogo\u2019s terms and conditions<\/a>\u00a0before backing a project like this.<\/p>\n\n

What do you think of the new SIRUI 50mm and 75mm carbon fiber anamorphic lenses? Are you considering adding them to your kit? Don’t hesitate to let me know in the comments down below!<\/strong><\/p>\n<317065-main-buylinks\/>"},"excerpt":{"rendered":"

Full-frame anamorphic lenses tend to be infamously bulky and heavy, but SIRUI is trying to change that with their Saturn T2.9 1.6x full-frame anamorphic series. In particular, today we are taking a look at the SIRUI Saturn 50mm and 75mm T2.9 1.6x full-frame anamorphic primes – which are currently on Indiegogo. These two new focal lengths are a follow-up to the existing Saturn 35mm T2.9 1.6x launched last year as the \u201cmost compact full-frame anamorphic lens ever made\u201d, but we\u2019ll get to that in a second. These lenses are designed to be extremely compact and lightweight, so SIRUI only offers them in 6 mirrorless mount options: Canon RF, DJI DL, […]<\/p>\n","protected":false},"author":19375,"featured_media":316916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42313,"name":"\u30ec\u30d3\u30e5\u30fc","link":"https:\/\/staging.cined.dev\/jp\/reviews-jp\/","slug":"reviews-jp"},{"id":42319,"name":"\u30ec\u30f3\u30ba","link":"https:\/\/staging.cined.dev\/jp\/reviews-jp\/reviews-lenses-jp\/","slug":"reviews-lenses-jp"}],"tags":[77319,77320,46790,77321,49374,77322,67216,67300,77317,77318],"tag_label":[59762,59764],"brand":[51443],"class_list":["post-317065","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-reviews-lenses-jp","category-reviews-jp","tag-sirui-saturn-jp","tag-sirui-saturn-anamorphic-jp","tag--jp","tag-carbon-fiber-lens-jp","tag-sirui-jp","tag-carbon-fiber-anamorphic-lens-jp","tag-1-6x-anamorphic-jp","tag-full-frame-anamorphic-2-jp","tag-sirui-saturn-50mm-t2-9-1-6x-jp","tag-sirui-saturn-75mm-t2-9-1-6x-jp","post_format-post-format-video","tag_label-lens-review-jp","tag_label-59764","brand-sirui-jp"],"yoast_head":"\nSIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30d3\u30e5\u30fc - Nikon Z 9\u3067\u64ae\u5f71\u3057\u305f\u30b5\u30f3\u30d7\u30eb\u6620\u50cf\u3082 | CineD<\/title>\n<meta name=\"description\" content=\"\u30d5\u30eb\u30b5\u30a4\u30ba\u5bfe\u5fdc\u306e\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30f3\u30ba\u306f\u304b\u3055\u3070\u308a\u3001\u91cd\u304f\u306a\u308a\u304c\u3061\u3060\u304c\u3001SIRUI\u306fSaturn T2.9 1.6x\u30d5\u30eb\u30b5\u30a4\u30ba\u5bfe\u5fdc\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30f3\u30ba\u30b7\u30ea\u30fc\u30ba\u3067\u305d\u308c\u3092\u5909\u3048\u3088\u3046\u3068\u3057\u3066\u3044\u308b\u3002\u7279\u306b\u4eca\u65e5\u306f\u3001\u73fe\u5728Indiegogo\u306b\u51fa\u54c1\u4e2d\u306eSIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30d5\u30eb\u30d5\u30ec\u30fc\u30e0\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30d7\u30e9\u30a4\u30e0\u3092\u7d39\u4ecb\u3059\u308b\u3002\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30d3\u30e5\u30fc - Nikon Z 9\u3067\u64ae\u5f71\u3057\u305f\u30b5\u30f3\u30d7\u30eb\u6620\u50cf\u3082 | CineD\" \/>\n<meta property=\"og:description\" content=\"\u30d5\u30eb\u30b5\u30a4\u30ba\u5bfe\u5fdc\u306e\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30f3\u30ba\u306f\u304b\u3055\u3070\u308a\u3001\u91cd\u304f\u306a\u308a\u304c\u3061\u3060\u304c\u3001SIRUI\u306fSaturn T2.9 1.6x\u30d5\u30eb\u30b5\u30a4\u30ba\u5bfe\u5fdc\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30f3\u30ba\u30b7\u30ea\u30fc\u30ba\u3067\u305d\u308c\u3092\u5909\u3048\u3088\u3046\u3068\u3057\u3066\u3044\u308b\u3002\u7279\u306b\u4eca\u65e5\u306f\u3001\u73fe\u5728Indiegogo\u306b\u51fa\u54c1\u4e2d\u306eSIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30d5\u30eb\u30d5\u30ec\u30fc\u30e0\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30d7\u30e9\u30a4\u30e0\u3092\u7d39\u4ecb\u3059\u308b\u3002\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2023-11-30T14:06:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-09T22:15:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2023\/11\/SIRUI-Saturn-Review-50mm-75mm-featured.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Francesco Andreola\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Francesco Andreola\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/\"},\"author\":{\"name\":\"Francesco Andreola\",\"@id\":\"https:\/\/www.cined.com\/#\/schema\/person\/1f13d82223bc53f735a9a68a70ffa635\"},\"headline\":\"SIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30d3\u30e5\u30fc – Nikon Z 9\u3067\u64ae\u5f71\u3057\u305f\u30b5\u30f3\u30d7\u30eb\u6620\u50cf\u3082\",\"datePublished\":\"2023-11-30T14:06:00+00:00\",\"dateModified\":\"2024-01-09T22:15:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/\"},\"wordCount\":2022,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.cined.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/staging.cined.dev\/content\/uploads\/2023\/11\/SIRUI-Saturn-Review-50mm-75mm-featured.jpeg\",\"keywords\":[\"SIRUI Saturn\",\"SIRUI Saturn anamorphic\",\"\u4ea4\u63db\u30ec\u30f3\u30ba\",\"carbon fiber lens\",\"SIRUI\",\"carbon fiber anamorphic lens\",\"1.6x anamorphic\",\"full-frame anamorphic\",\"SIRUI Saturn 50mm T2.9 1.6x\",\"SIRUI Saturn 75mm T2.9 1.6x\"],\"articleSection\":[\"\u30ec\u30f3\u30ba\",\"\u30ec\u30d3\u30e5\u30fc\"],\"inLanguage\":\"jp-JP\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/\",\"url\":\"https:\/\/staging.cined.dev\/jp\/sirui-saturn-50mm-and-75mm-t2-9-1-6x-anamorphic-review-with-sample-footage-shot-on-nikon-z-9\/\",\"name\":\"SIRUI Saturn 50mm\u306875mm T2.9 1.6x\u30a2\u30ca\u30e2\u30d5\u30a3\u30c3\u30af\u30ec\u30d3\u30e5\u30fc - 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