New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Panasonic raised many eyebrows and rustled many feathers with announcement of the GH4 camera last month. The boastfully spec’d 4K mirrorless camera puts to shame Panasonics actual current video camera line in many ways (although that is about to change).
The pricing has now been released for both the GH4 body, and the XLR/SDI interface module; both available for pre-order here:
The Panasonic Lumix DMC-GH4 body-only has been announced at $1,699.99
The Panasonic Lumix DMW-YAGH XLR/SDI Interface Unit (exclusive to the GH4) has been announced at $1999,99.
The Panasonic Lumix DMC-GH4 body with DMW-YAGH Interface Unit has been announced at $3299,99
Predictions for the GH4 body resided around $1500-2000, so it’s no surprise to come in at this price range; quite refreshing actually as it could have easily been closer to the top end of that.
What may be slightly surprising is the cost of the interface module exceeding that of the body. There’s no doubt this product will sell far less than the camera body, no matter how much it is. Perhaps it’s a “professional price tag” as Panasonic knows that the target audience of the interface (us) has been waiting for something like this to come around and if we can afford it we’re probably willing to pay.
As listed above, purchasing both together will give you a discount of $400. This cleverly puts the price of the complete package exactly the same as a Canon 5D mark III body only.
Credit to Panasonic, they’ve really listened to the market and have provided some essential video features for their flagship compact stills camera, and they’ve done this without adding huge costs to the body itself for photographers who don’t have a need for XLR audio, SDI output and 12V DC input.
Having held the interface module at BVE 2014, I certainly say that it would’ve been nice for Panasonic to have gone about this more gracefully. Restricting the connection for the interface to the camera underneath, you cannot rig this camera in any other way. With a cabled connection, you could’ve brought the interface off the camera, and further back on some rails, distributing the weight. The height of the camera will also create its own unique set of requirements for follow focus and mattebox configurations.
I think by committing to the battery grip style of connecting, they should have taken the time to make it a little more ergonomically friendly. But hey, as they say, “beggers can’t be choosers”. No other camera manufacturer is offering a similar package right now.
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Tim Fok is a freelance commercial DP based in the UK, working globally.