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What's the camera of the future?
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“Today Of All Days” Trailer.
“Today Of All Days” Episode One.
Director of Photography Emrys Roberts sent me this little trailer and web series episode shot on the Canon 5D Mark II. He also was kind enough to send in some production info about the shoot. We always dig the BTS stuff here on Cinema 5D. Keep sending it in. Thanks for sending Emrys!
Here is the breakdown of the shoot.
Production
“Today of All Days” was shot using the Canon 5D Mark II and the Canon7D. We utilized these cameras for the obvious reason of their abilityto shoot the film-look with shallow depth of field. But not only thatthese cameras made shooting our short film a much richer experience,mainly due to the amount of freedom these cameras aloud us. The first huge advantage of HDSLR’s in short film is their size. Thishuge impact on how you carry the camera and for how long. Ourproduction was based on a lot of action with the need to keep thecamera mobile for almost 75% of the shoot. But while the size andweight of these cameras in relation to the sensor size is amazing, asmany in the HDSLR community know, it can also be your downfall withoutthe right rigging involved.For this shoot we also used Canon L glass to take advantage of thehigher image quality and faster speeds as opposed to regular EFlenses. The only disadvantages to the Canon L lenses has over someothers lens choices like say Zeiss for instance, is the lack of hardstops in the focus ring, and the way how Canon lenses have a veryunforgiving shift in the focus distance the further you go. Once yourfocusing any where past say 4 ft for instance, the focus begins topull much faster. This can be a real pain when trying to find yourfocus points. That being said, no matter what lenses your using, tryto get in the habit of marking your focus points and possibly having aFocus puller on location.”
“Today of All Days” was shot using the Canon 5D Mark II and the Canon
7D. We utilized these cameras for the obvious reason of their ability
to shoot the film-look with shallow depth of field. But not only that
these cameras made shooting our short film a much richer experience,
mainly due to the amount of freedom these cameras aloud us.
The first huge advantage of HDSLR’s in short film is their size. This
huge impact on how you carry the camera and for how long. Our
production was based on a lot of action with the need to keep the
camera mobile for almost 75% of the shoot. But while the size and
weight of these cameras in relation to the sensor size is amazing, as
many in the HDSLR community know, it can also be your downfall without
the right rigging involved.
For this shoot we also used Canon L glass to take advantage of the
higher image quality and faster speeds as opposed to regular EF
lenses. The only disadvantages to the Canon L lenses has over some
others lens choices like say Zeiss for instance, is the lack of hard
stops in the focus ring, and the way how Canon lenses have a very
unforgiving shift in the focus distance the further you go. Once your
focusing any where past say 4 ft for instance, the focus begins to
pull much faster. This can be a real pain when trying to find your
focus points. That being said, no matter what lenses your using, try
to get in the habit of marking your focus points and possibly having a
Focus puller on location.”
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