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What's the camera of the future?
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Disclaimer: This is not a scientific test, merely a look at the sensors behaviour under the given condition.
This is a quick test to get a feeling for the sharpness of the Scarlets Mysterium-X sensor. And to make sure sharpness is not suffering from lens type I tried some PL lenses with a Scarlet PL mount as well. More on that later.
Setup:Contax Zeiss 28mm T2.8Recorded at 4K, ISO 800, 25fps, 1/25th shutter, Aperture 5.6 +1/2
Result (100% quality jpeg):download jpegThe image on the left is a 100% crop of the original 4K RAW file.The image on the right was recorded with a 85mm lens and scaled down, so you can see the actual detail in the tree.
The 100% crop looks very blurry, but it’s a well known fact that cameras usually don’t record images sharp as life. Even the Alexa, although very sharp in comparison to other cameras isn’t 100% sharp, but then again its resolution is only a quarter of the Scarlets. I am not going to judge the images seen here, I’d rather ask you to inspect them for yourselves and state your opinion in the comments.
The lens I used is a photo lens from the very affordableContax Zeiss series
. Under the given light conditions it produced very good sharpness and could hold up with the PL lenses. I am not able to publish the pictures of the other lenses at this time as this would be considered a lens comparison which it is not. Also the PL lenses used were pre-production models and I cannot publish images taken with them.
You can download the original R3D RAW file here to play with:DOWNLOAD
RED has a utility to inspect and do some grading on R3D files. Download REDCINE-X here.
A quick note about mounts on Scarlet-X: It’s extremely easy to switch back and forth between EF and PL mount. All you have to do is unscrew and screw 4 torx screws back in. Especially if you want to use PL you should calibrate your backfocus afterwards.
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Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. He is currently teaching film at Andrews University in the US.